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* {{Jerkass}}

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* {{Jerkass}}{{Jerkass}}:

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--> "I guess in the end, you're as good a person as you think you are..."\\
'''-- Chester Williams'''

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--> -> "I guess in the end, you're as good a person as you think you are..."\\
'''-- Chester -->-- '''Chester Williams'''




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* CallBack

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* CallBackCallBack:



* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. More accurately, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]." You'd think a hippie would know the entire chorus of ''that''). Presumably this was so DC could avoid having to request permission from the copyright holders.

to:

* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. More accurately, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]." You'd think a hippie would know the entire chorus of ''that''). Presumably this was so DC could avoid having to request permission from the copyright holders.holders.
----
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* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]." You'd think a hippie would know the entire chorus of ''that''). Presumably this was so DC could avoid having to request permission from the copyright holders.

to:

* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. In fact, More accurately, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]." You'd think a hippie would know the entire chorus of ''that''). Presumably this was so DC could avoid having to request permission from the copyright holders.
Is there an issue? Send a MessageReason:
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* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]"). (You'd think a hippie would know the entire chorus of ''that.'') Presumably this was so DC could avoid having to request permission from the copyright holders.

to:

* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]"). (You'd forever]]." You'd think a hippie would know the entire chorus of ''that.'') ''that''). Presumably this was so DC could avoid having to request permission from the copyright holders.
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* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums the rest. (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]]".) Presumably this was so DC could avoid having to request permission from the copyright holders.

to:

* WritingAroundTrademarks: Chester sings a number of classic sixties songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums or uses filler words for the rest. rest ("And something something--la la la... / [[Music/TheBeatles Strawberry fields forever]]"). (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]]".) ''that.'') Presumably this was so DC could avoid having to request permission from the copyright holders.
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None


* WritingAroundTrademarks: Chester sings a number of classic [[TheSixties sixties]] songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums the rest. (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]]".) Presumably this was so DC could avoid having to request permission from the copyright holders.

to:

* WritingAroundTrademarks: Chester sings a number of classic [[TheSixties sixties]] sixties songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums the rest. (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]]".) Presumably this was so DC could avoid having to request permission from the copyright holders.
Is there an issue? Send a MessageReason:
None


* WritingAroundTrademarks: Chester sings a number of classic [[TheSixties sixties]] songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums the rest. (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]].) Presumably this was so DC could avoid having to request permission from the copyright holders.

to:

* WritingAroundTrademarks: Chester sings a number of classic [[TheSixties sixties]] songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums the rest. (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]].Forever]]".) Presumably this was so DC could avoid having to request permission from the copyright holders.
Is there an issue? Send a MessageReason:
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* RefugeInAudacity: Milo's friend, after lambasting Chester for messing up Milo's head with the "stuff," suddenly grins enthusiastically and asks whether he has any more.

to:

* RefugeInAudacity: Milo's friend, after lambasting Chester for messing up Milo's head with the "stuff," suddenly grins enthusiastically and asks whether he has any more.more.
* WritingAroundTrademarks: Chester sings a number of classic [[TheSixties sixties]] songs on the way home from the swamp. In fact, he only ''sings'' the occasional line from each one, and hums the rest. (You'd think a hippie would know the entire chorus of "[[Music/TheBeatles Strawberry Fields Forever]].) Presumably this was so DC could avoid having to request permission from the copyright holders.
Is there an issue? Send a MessageReason:
None


** The {{Call Back}}s within Milo's bad trip are more specific, referencing the Swamp Thing's origin story (Volume 1 Issue 1 and elsewhere), the Patchwork Man (Vol. 1 #3), the Conclave robots (Vol 1. # 6), General Sunderland, the [[{{Recap/SwampThingVolume2Issue38StillWaters}} Rosewood "Mother" vampire]], the Monkey King, a werewolf (Vol. 1 #4), the Un-Man Cranius (Vol. 1 #10), an alien (Vol. 1 #9), and finally, as the driver who accidentally kills Milo: [[BigBad Arcane]].

to:

** The {{Call Back}}s within Milo's bad trip are more specific, referencing the Swamp Thing's origin story (Volume 1 Issue 1 and elsewhere), the Patchwork Man (Vol. 1 #3), the Conclave robots (Vol 1. # 6), General Sunderland, Sunderland (Vol. 2 #6-21), the [[{{Recap/SwampThingVolume2Issue38StillWaters}} Rosewood "Mother" vampire]], the [[{{Recap/SwampThingVolume2Issue25TheSleepOfReason}} Monkey King, King]], a werewolf (Vol. 1 #4), the Un-Man Cranius (Vol. 1 #10), an alien (Vol. 1 #9), and finally, finally (not to mention appropriately), as the driver who accidentally kills Milo: Milo, [[BigBad Arcane]].
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* OutOfFocus: Neither the Swamp Thing nor Abby appear in this issue to a significant degree (Abby not at all, Swamp Thing only in the first four panels, walking through the swamp as the tuber falls off him).

to:

* OutOfFocus: Neither the Swamp Thing nor Abby appear in this issue to a significant degree (Abby not at all, Swamp Thing only in the first four panels, walking through the swamp as the tuber falls off him).him).
* RefugeInAudacity: Milo's friend, after lambasting Chester for messing up Milo's head with the "stuff," suddenly grins enthusiastically and asks whether he has any more.
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* OutOfFocus: Neither the Swamp Thing nor Abby appear in this issue to a significant degree (Abby not at all, Swamp Thing only in the first four panels, walking through the swamp as the tuber falls off him.)

to:

* OutOfFocus: Neither the Swamp Thing nor Abby appear in this issue to a significant degree (Abby not at all, Swamp Thing only in the first four panels, walking through the swamp as the tuber falls off him.)him).
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* FantasticDrug: The Swamp Thing's tubers, which structurally resemble datura root.[[note: A RealLife psychoactive plant which even pro-hallucinogen experts consider [[DontTryThisAtHome extremely dangerous]].]]

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* FantasticDrug: The Swamp Thing's tubers, which structurally resemble datura root.[[note: A [[note]]A RealLife psychoactive plant which even pro-hallucinogen experts consider [[DontTryThisAtHome extremely dangerous]].]][[/note]]

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* DrugsAreGood / DrugsAreBad: The issue is a rare example of a story which plays both tropes straight and with equal weight given to the good and bad trips. Compare ''Comicbook/{{Watchmen}}'', which portrays a [[GangBangers gang member's]] bad trip on [[FantasticDrug KT-28s]] as well as the young Ozymandias's good trip on a massive hashish dose. Contrast ''Comicbook/TheLeagueOfExtraordinaryGentlemen: Century'', in which Mina Murray's [[FantasticDrug tadukic acid]] trip triggers a psychotic episode, and the (far more common in Moore's work) portrayal of drugs as uniformly [[HigherUnderstandingThroughDrugs enlightening]] in ''Comicbook/VForVendetta'' and ''Comicbook/{{Promethea}}''.

to:

* DrugsAreGood / DrugsAreBad: The issue is a rare example of a story which plays both tropes straight and with equal weight given to the good and bad trips. Compare ''Comicbook/{{Watchmen}}'', which portrays a [[GangBangers gang member's]] bad trip on [[FantasticDrug KT-28s]] as well as the young Ozymandias's good trip on a massive hashish dose. Contrast ''Comicbook/TheLeagueOfExtraordinaryGentlemen: Century'', in which the sole drug scene, Mina Murray's [[FantasticDrug tadukic acid]] trip triggers a psychotic episode, trip, results in psychosis, and the (far more common in Moore's work) portrayal of drugs of, respectively, LSD and psilocybin mushrooms as uniformly [[HigherUnderstandingThroughDrugs enlightening]] in ''Comicbook/VForVendetta'' and ''Comicbook/{{Promethea}}''.''Comicbook/{{Promethea}}''.
* FantasticDrug: The Swamp Thing's tubers, which structurally resemble datura root.[[note: A RealLife psychoactive plant which even pro-hallucinogen experts consider [[DontTryThisAtHome extremely dangerous]].]]

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In the Houma swamp, hippie dealer Chester Williams finds one of the Swamp Thing's wind-loosened tubers (without yet knowing its origin) and takes it home to analyze and identify as a possible psychoactive drug. After divinding it in thirds, examining it under a microscope and consulting field guides, he receives a visit from his friend Dave, whose wife Sandy is dying of cancer. In tears, he asks Chester whether he has anything that can ease her pain in her final days. Chester, however, is going clean at the moment and is all out of drugs, but out of concern he gives Dave a third of the tuber for free, on the hunch that its structure is similar to datura root and therefore may be a psychedelic.

to:

In the Houma swamp, hippie dealer Chester Williams finds one of the Swamp Thing's wind-loosened tubers (without yet knowing its origin) and takes it home to analyze and identify as a possible psychoactive drug. After divinding dividing it in thirds, examining it under a microscope and consulting field guides, he receives a visit from his friend Dave, whose wife Sandy is dying of cancer. In tears, he asks Chester whether he has anything that can ease her pain in her final days. Chester, however, is going clean at the moment and is all out of drugs, but out of concern he gives Dave a third of the tuber for free, on the hunch given that its structure is similar to datura root and therefore it may be a psychedelic.



This contrasting feedback prompts Chester to wonder whether the tuber is a "cosmic litmus test" that tells people whether they're good or bad. After tossing out Milo's friend for asking if he has any more, Chester mulls over what he feels are his own moral strengths and weaknesses. He comes close to eating the remaining piece, but decides not to.

to:

This contrasting feedback prompts Chester to wonder whether the tuber is a "cosmic litmus test" that tells people whether they're good or bad. After tossing out Milo's friend for asking if he has any more, Chester mulls over what he feels are his own moral strengths and weaknesses. He comes close to eating the remaining piece, but decides not to.
to take the risk.



* DarkWorld: Milo, his perception distorted by the Swamp Thing's more disturbing memories, experiences the world as nightmarish:
--> Oh, God, this is what the world's really like, isn't it? I can see it now, [[HumansAreTheRealMonsters we're all monsters]]! We're all deformed things, [[HellOnEarth living in Hell]]...Everything just dies and rots, gets fulla bugs, mindless bugs, eatin' each other...It's horror. It's all horror...



* DrugsAreGood / DrugsAreBad: The issue is a rare example of a story which plays both tropes straight and with equal weight given to the good and bad trips.

to:

* DrugsAreGood / DrugsAreBad: The issue is a rare example of a story which plays both tropes straight and with equal weight given to the good and bad trips. Compare ''Comicbook/{{Watchmen}}'', which portrays a [[GangBangers gang member's]] bad trip on [[FantasticDrug KT-28s]] as well as the young Ozymandias's good trip on a massive hashish dose. Contrast ''Comicbook/TheLeagueOfExtraordinaryGentlemen: Century'', in which Mina Murray's [[FantasticDrug tadukic acid]] trip triggers a psychotic episode, and the (far more common in Moore's work) portrayal of drugs as uniformly [[HigherUnderstandingThroughDrugs enlightening]] in ''Comicbook/VForVendetta'' and ''Comicbook/{{Promethea}}''.
Is there an issue? Send a MessageReason:
None


In the Houma swamp, hippie dealer Chester Williams finds one of the Swamp Thing's wind-loosened tubers and takes it home to analyze and identify as a possible psychoactive drug. After divinding it in thirds, examining it under a microscope and consulting field guides, he receives a visit from his friend Dave, whose wife Sandy is dying of cancer. In tears, he asks Chester whether he has anything that can ease her pain in her final days. Chester, however, is going clean at the moment and is all out of drugs, but out of concern he gives Dave a third of the tuber for free, on the hunch that its structure is similar to datura root and therefore may be a psychedelic.

to:

In the Houma swamp, hippie dealer Chester Williams finds one of the Swamp Thing's wind-loosened tubers (without yet knowing its origin) and takes it home to analyze and identify as a possible psychoactive drug. After divinding it in thirds, examining it under a microscope and consulting field guides, he receives a visit from his friend Dave, whose wife Sandy is dying of cancer. In tears, he asks Chester whether he has anything that can ease her pain in her final days. Chester, however, is going clean at the moment and is all out of drugs, but out of concern he gives Dave a third of the tuber for free, on the hunch that its structure is similar to datura root and therefore may be a psychedelic.

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Changed: 1

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* BeneathTheMask: Chester speculates that ingesting the tuber shows you your true moral character.



** The {{Call Back}}s within Milo's bad trip are more specific, referencing the Swamp Thing's origin story (Volume 1 Issue 1 and elsewhere), the Patchwork Man (Vol. 1 #3), the Conclave robots (Vol 1. # 6), General Sunderland, the [[{{Recap/SwampThingVolume2Issue38StillWaters}} Rosewood "Mother" vampire]], the Monkey King, a werewolf (Vol. 1 #4), the Un-Man Cranius (Vol. 1 #10), an alien (Vol. 1 #9), and finally, as the driver who accidentally kills Milo: [[BigBad Arcane]].

to:

** The {{Call Back}}s within Milo's bad trip are more specific, referencing the Swamp Thing's origin story (Volume 1 Issue 1 and elsewhere), the Patchwork Man (Vol. 1 #3), the Conclave robots (Vol 1. # 6), General Sunderland, the [[{{Recap/SwampThingVolume2Issue38StillWaters}} Rosewood "Mother" vampire]], the Monkey King, a werewolf (Vol. 1 #4), the Un-Man Cranius (Vol. 1 #10), an alien (Vol. 1 #9), and finally, as the driver who accidentally kills Milo: [[BigBad Arcane]].Arcane]].
* ADayInTheLimelight: This issue, an interlude at roughly the halfway point in the "American Gothic" arc, focuses on the new character Chester Williams.


Added DiffLines:

* HeroicSelfDeprecation: Chester feels he tries to be a good person, in that he's kind, non-violent, and respectful of the environment. However, he isn't entirely sure he's good, because he [[MeatVersusVeggies still eats meat]] and he said things to his girlfriend, as they broke up, that he now regrets. So he doesn't trust his character enough to take a chance on the tuber himself.

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Moments after Dave has left, Chester receives an unwanted visit from Milo, a nasty acquaintance who just wants to get high. Refusing to believe that Chester's out of product, he spots the tuber and demands a piece. With great reluctance, Chester finally offers it to him for fifteen dollars, but Milo simply takes it and leaves, claiming he'll pay later.

to:

Moments after Dave has left, Chester receives an unwanted visit from Milo, Milo Flynn, a nasty acquaintance who just wants to get high. Refusing to believe that Chester's out of product, he spots the tuber and demands a piece. With great reluctance, Chester finally offers it to him for fifteen dollars, but Milo simply takes it and leaves, claiming he'll pay later.



* BookEnds: The statement "It's just a question of faith."
* CallBack
** Sandy's good trip is a general CallBack to Abby's in [[{{Recap/SwampThingVolume2Issue34RiteOfSpring}} Rite of Spring]].
** The {{Call Back}}s within Milo's bad trip are more specific, referencing the Swamp Thing's origin story (Volume 1 Issue 1 and elsewhere), the Patchwork Man (Vol. 1 #3), the Conclave robots (Vol 1. # 6), General Sunderland, the [[{{Recap/SwampThingVolume2Issue38StillWaters}} Rosewood "Mother" vampire]], the Monkey King, a werewolf (Vol. 1 #4), the Un-Man Cranius (Vol. 1 #10), an alien (Vol. 1 #9), and finally, as the driver who accidentally kills Milo: [[BigBad Arcane]].



* NewAgeRetroHippie: Chester, though too young to have been part of the original hippie subculture, dresses and talks the part, in addition to preferring sixties music and being a psychoactive drug enthusiast and dealer. Nevertheless, in this and all subsequent appearances he's a well-rounded, sympathetic character, not a "point and laugh" ThemeParkVersion of a hippie.

to:

* {{Jerkass}}
** Milo makes sexist comments about Chester's ex, doesn't watch where he's sitting and knocks stuff over, and tricks Chester into giving him the tuber section without paying. Some of his past actions, as he recalls them, put him into outright [[{{Villains}} villain]] territory: selling heroin cut with rat poison and pushing a woman down the stairs, causing her to miscarry.
** Milo's friend rudely berates Chester for something that wasn't really his fault (as Milo all but grabbed the tuber piece from him), pockets his yin-yang paperweight, and has the nerve to ask Chester for some of the drug himself.
* KarmicDeath: Milo brings about his own demise by (for all intents and purposes) stealing a drug, then having such a horrible trip that he heedlessly runs right in a car's path.
* NewAgeRetroHippie: Chester, though too young to have been part of the original hippie subculture, dresses and talks the part, in addition to preferring sixties music and being a psychoactive drug enthusiast and dealer. Nevertheless, in this and all subsequent appearances he's a well-rounded, sympathetic character, not a "point and laugh" ThemeParkVersion of a hippie.hippie.
* OutOfFocus: Neither the Swamp Thing nor Abby appear in this issue to a significant degree (Abby not at all, Swamp Thing only in the first four panels, walking through the swamp as the tuber falls off him.)
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Added DiffLines:

--> "I guess in the end, you're as good a person as you think you are..."\\
'''-- Chester Williams'''

In the Houma swamp, hippie dealer Chester Williams finds one of the Swamp Thing's wind-loosened tubers and takes it home to analyze and identify as a possible psychoactive drug. After divinding it in thirds, examining it under a microscope and consulting field guides, he receives a visit from his friend Dave, whose wife Sandy is dying of cancer. In tears, he asks Chester whether he has anything that can ease her pain in her final days. Chester, however, is going clean at the moment and is all out of drugs, but out of concern he gives Dave a third of the tuber for free, on the hunch that its structure is similar to datura root and therefore may be a psychedelic.

Moments after Dave has left, Chester receives an unwanted visit from Milo, a nasty acquaintance who just wants to get high. Refusing to believe that Chester's out of product, he spots the tuber and demands a piece. With great reluctance, Chester finally offers it to him for fifteen dollars, but Milo simply takes it and leaves, claiming he'll pay later.

Dave offers Sandy the piece of tuber, and much like Abby, she experiences everything around her as connected, and made of dazzling light. In ecstasy, Sandy has her husband take her into the backyard, where they make love in the rain. Dave even gets a slight contact high from her kisses. Eventually, Sandy passes away, happy and without pain.

Milo has a rather different trip. He experiences himself as Alec Holland on fire and screams in agony; when bounced from the bar and into a puddle, he sees his reflection as a swamp creature and passers-by as various monsters the Swamp Thing has encountered. As he becomes convinced that this is how the world really is, he remembers with belated remorse his past misdeeds. Finally, in sheer panic, he runs blindly into traffic and is struck dead.

Later that evening, Dave drops by to thank Chester for making Sandy's last moments so wonderful, and tells him he's a good person. Then Milo's friend from the bar comes by to castigate him for "as good as kill[ing] him." (He's apparently unaware of Milo's ultimate fate.)

This contrasting feedback prompts Chester to wonder whether the tuber is a "cosmic litmus test" that tells people whether they're good or bad. After tossing out Milo's friend for asking if he has any more, Chester mulls over what he feels are his own moral strengths and weaknesses. He comes close to eating the remaining piece, but decides not to.

!!Tropes
* DrugsAreGood / DrugsAreBad: The issue is a rare example of a story which plays both tropes straight and with equal weight given to the good and bad trips.
* NewAgeRetroHippie: Chester, though too young to have been part of the original hippie subculture, dresses and talks the part, in addition to preferring sixties music and being a psychoactive drug enthusiast and dealer. Nevertheless, in this and all subsequent appearances he's a well-rounded, sympathetic character, not a "point and laugh" ThemeParkVersion of a hippie.

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