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->“In the opening sequence, Michael Caine[[note]]Actually Nigel Davenport[[/note]] is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”
to:
->“In the opening sequence, Michael Caine[[note]]Actually Creator/MichaelCaine[[note]]Actually Nigel Davenport[[/note]] is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”
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Changed line(s) 1,2 (click to see context) from:
“In the opening sequence, Michael Caine[[note]]Actually Nigel Davenport[[/note]] is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”
--> '''Martin Scorsese'''
--> '''Martin Scorsese'''
to:
----
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Changed line(s) 1 (click to see context) from:
“In the opening sequence, Michael Caine [[note]]Actually Nigel Davenport[[/note]] is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”
to:
“In the opening sequence, Michael Caine [[note]]Actually Caine[[note]]Actually Nigel Davenport[[/note]] is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”
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Changed line(s) 1 (click to see context) from:
“In the opening sequence, Michael Caine is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”[[note]] It's Nigel Davenport driving the body, not Michael Caine[[/note]]
to:
“In the opening sequence, Michael Caine [[note]]Actually Nigel Davenport[[/note]] is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”[[note]] It's Nigel Davenport driving the body, not Michael Caine[[/note]]”
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Changed line(s) 1 (click to see context) from:
''“In the opening sequence, Michael Caine is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”''[[note]] It's Nigel Davenport driving the body, not Michael Caine[[/note]]
to:
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--> Martin Scorsese
to:
--> Martin Scorsese'''Martin Scorsese'''
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Changed line(s) 1 (click to see context) from:
''“In the opening sequence, Michael Caine is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”''[[note: It's Nigel Davenport driving the body, not Michael Caine]]
to:
''“In the opening sequence, Michael Caine is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”''[[note: ”''[[note]] It's Nigel Davenport driving the body, not Michael Caine]]Caine[[/note]]
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Added DiffLines:
''“In the opening sequence, Michael Caine is driving a dead body on a jeep, and there’s Italian march music on the soundtrack. Right away you know you’re in for something unique. Play Dirty isn’t a sadistic film, but it’s mean. The characters have no redeeming social value, which I love. In one sequence, they pretend to be Italian soldiers to fool some Arabs; one of the Arabs spots something on them, so they take their guns and shoot all the Arabs. They don’t think, they just act. They have a job to do, and they’re going to do it. The nihilism, the pragmatism — it’s frightening.”''[[note: It's Nigel Davenport driving the body, not Michael Caine]]
--> Martin Scorsese
--> Martin Scorsese
