Follow TV Tropes

Following

History NightmareFuel / TheGodfather

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Related to the above: when Kay is saying her goodbyes to her an Michael's children, Connie is doing her damndest to hurry her along and get her out of there, warning her that '''Michael is coming.''' Kay still doesn't take the hint, pleading with a hesitant Anthony to give her a kiss. She makes it outside the door, but turns back at the last minute, utterly ''begging'' her son for a bit of affection. Then [[TheDreaded MICHAEL]] appears. The look on his face (despite his outwardly calm demeanor) is ''terrifying''. You share Connie's fear for Kay's wellbeing.
Is there an issue? Send a MessageReason:
None


* Luca Brasi plays only a brief role in the film trilogy, and we learn little about him before he's killed. In the novel, however, we learn more of his past - and there he is pure Nightmare Fuel, as it is described that he dismembered a rival gangster with an ax ''slowly'', and even ''had his own his own baby thrown into an incinerator'' because he wanted none of the mother's Irish people to live (and later murdered the mother himself for good measure).

to:

* Luca Brasi plays only a brief role in the film trilogy, and we learn little about him before he's killed. In the novel, however, we learn more of his past - and there he is pure Nightmare Fuel, as it is described that he dismembered dismembers a rival gangster with an ax ''slowly'', and even ''had ''has his own his own baby thrown into an incinerator'' because he wanted wants none of the mother's Irish people to live (and later murdered murders the mother himself herself for good measure).
Is there an issue? Send a MessageReason:
None



to:

* The DeathWail Al Pacino delivered for Mary's demise was reportedly so ''terrifying'', most of it was edited out of both versions of the film.
Is there an issue? Send a MessageReason:
None



to:

** And she was ''pregnant'' for at least one instance of the abuse. Carlo could have been responsible for the ''infanticide of his own child.''
Is there an issue? Send a MessageReason:
None


** Try to imagine the mechanics of ''severing a full-grown thoroughbred horse's head". Er.. on second thought, '''DON'T.'''

to:

** Try to imagine the mechanics of ''severing a full-grown thoroughbred horse's head".head''. Er.. on second thought, '''DON'T.'''
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Try to imagine the mechanics of ''severing a full-grown thoroughbred horse's head". Er.. on second thought, '''DON'T.'''


Added DiffLines:

*** And the loop of the Christmas song skipping in the background doesn't help.
Is there an issue? Send a MessageReason:
None


** Unlike other fictional mobsters, many of whom are just plain cranky thugs with a HairTriggerTemper like his own brother Sonny, Michael is the opposite here, making him much more deadly. Michael is cunning, convincing, intelligent, incredibly good at showing a polite facade, rarely loses his composure, and has absolutely no problem in massacring all his rivals, even sending his henchmen on suicide missions, like the hitman who murdered Roth. And remember that massacring enemies is a plan that he carries out in all three movies. It certainly doesn't help that he has one of the highest body counts in the trilogy.

to:

** Unlike other fictional mobsters, many of whom are just plain cranky thugs with a HairTriggerTemper like his own brother Sonny, Michael is the opposite here, making him much more deadly. Michael is cunning, convincing, intelligent, incredibly good at showing a polite facade, rarely loses his composure, and has absolutely no problem in massacring all his rivals, even sending his henchmen on suicide missions, like missions (like Rocco, the hitman who murdered Roth.murders Roth). And remember that massacring enemies is a plan that he carries out in all three movies. It certainly doesn't help that he has one of the highest body counts in the trilogy.
Is there an issue? Send a MessageReason:
No first-person writing!


*** It's an effective JumpScare even if you are expecting it, especially if you're in a theater. The large screen and louder acoustics can make even the most seasoned of watchers get startled. Speaking from experience.

to:

*** It's an effective JumpScare even if you are expecting it, especially if you're in a theater. The large screen and louder acoustics can make even the most seasoned of watchers get startled. Speaking from experience.
Is there an issue? Send a MessageReason:
None


* Michael saying to Al Neri about Fredo; “I don’t want anything to happen to him while my mother’s alive.” Basically he’s just given Fredo a death sentence and the look on his face a his mother’s funeral says it all.

to:

* Michael saying to Al Neri about Fredo; “I don’t want anything to happen to him while my mother’s alive.” Basically he’s just given Fredo a death sentence and the look on his face a at his mother’s funeral says it all.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* The murder of Luca Brasi. The whole scene is tense as he negotiates with Sollozzo and Bruno Tattagla, who seem to be buying it but have a clearly menacing demeanor that suggests they're on to him, and then Luca seemingly blows his cover by declining a handshake with Sollozzo. Bruno gives him a seemingly friendly pat on the hand, only to grab it roughly while Sollozzo stabs his other hand, causing Luca to scream, and he's then attacked and garroted from behind. The look of wide-eyed horror on his face as he slowly suffocates is hard to get out of your head.
Is there an issue? Send a MessageReason:
None


* The very cold and calculated way in which Michael kills Sollozzo and [=McCluskey=] in a restaurant. He retrieves a gun from the men's room, and then sits back down at the table. The camera slowly zooms in on his face as we hear the [[HellIsThatNoise screeching of a Pelham Line train passing by, drowning out Sollozzo's Italian dialogue]], before Michael fires the gun into Sollozzo's head, which emits a PinkMist of blood and brain, before shooting [=McCluskey=], once in the neck, and then once more in the face, killing him. The whole scene plays out like something out of a slasher movie.

to:

* The [[https://m.youtube.com/watch?v=ppjyB2MpxBU very cold and calculated way way]] in which Michael kills Sollozzo and [=McCluskey=] in a restaurant. He retrieves a gun from the men's room, and then sits back down at the table. The camera slowly zooms in on his face as we hear the [[HellIsThatNoise screeching of a Pelham Line train passing by, drowning out Sollozzo's Italian dialogue]], before Michael fires the gun into Sollozzo's head, which emits a PinkMist of blood and brain, before shooting [=McCluskey=], once in the neck, and then once more in the face, killing him. The whole scene plays out like something out of a slasher movie.
Is there an issue? Send a MessageReason:
Adding a wick.


* Any parent will find Mary's death to be pure NightmareFuel. The thought of watching your own child die in front of you is enough to make anyone remain sleepless.

to:

* Any parent will find Mary's death to be pure NightmareFuel. The thought of [[OutlivingOnesOffspring watching your own child die in front of you you]] is enough to make anyone remain sleepless.

Top