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* The complete and utterly shocking MoodWhiplash of the final battle with The Lovelies. At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost die's, Hart does as well. His final words, however, are utterly horrific.

to:

* The complete and utterly shocking MoodWhiplash of the final battle with The Lovelies. At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost die's, dies, Hart does as well. His final words, however, are utterly horrific.
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None


* The complete and utterly shocking MoodWhiplash of the final battle with The Lovelies. At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.

to:

* The complete and utterly shocking MoodWhiplash of the final battle with The Lovelies. At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, die's, Hart does as well. His final words, however, are utterly horrific.
Is there an issue? Send a MessageReason:
None


** The subsequent sequence where Beltboy narrowly avoids going through he same experience is just as unsettling. He's completely unarmed and cornered in the back of a trailer by a creepy man soaked in what is presumably Lanks' blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping and trying to lick Beltboy as he struggles to break free. Save for Craig's line of dialogue upon being defeated, it's a serious and disturbing depiction of sexual violence. "[[https://www.youtube.com/watch?v=9lP6bNqqWEw Blood for Sex]]" plays over the scene and it perfectly compliments the claustrophobic atmosphere.

to:

** The subsequent sequence where Beltboy narrowly avoids going through he the same experience is just as unsettling. He's completely unarmed and cornered in the back of a trailer by a creepy man soaked in what is presumably Lanks' blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping and trying to lick Beltboy as he struggles to break free. Save for Craig's line of dialogue upon being defeated, it's a serious and disturbing depiction of sexual violence. "[[https://www.youtube.com/watch?v=9lP6bNqqWEw Blood for Sex]]" plays over the scene and it perfectly compliments the claustrophobic atmosphere.
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Added DiffLines:

* Eddy Lead. It's a powerful [[OptionalBoss optional Joy Mutant]] encountered in a side area in the Engine Enthusiasts' base. Aside from the fact that it appears to have mutate while wearing a welding mask, which [[FacialHorror crushed its face into its head]], that's all well and good. [[FridgeHorror Then you realize that it's encountered with a car. The Engine Enthusiasts all but explicitly have sex with cars]]. Did Eddy mutate '''while fucking the car'''? It would certainly explain why its body has contorted vaguely into the shape of the car's frame...
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* The fights with the Lovelies on the eastern mountain start out normally, but once you kill them, they mutate ''instantly'', with horrific shrieking sound effects and the battle music changing to "[[https://www.youtube.com/watch?v=7e3AAHtYjEU Love Me]]".
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** The subsequent sequence where Beltboy narrowly avoids going through he same experience is just as unsettling. He's completely unarmed and cornered in the back of a trailer by a creepy man soaked in what is presumably Lanks' blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping and trying to lick Beltboy as he struggles to break free. Save for Craig's line of dialogue upon being defeated, it's a serious and disturbing depiction of sexual violence. "Blood for Sex" plays over the scene and it perfectly compliments the claustrophobic atmosphere.

to:

** The subsequent sequence where Beltboy narrowly avoids going through he same experience is just as unsettling. He's completely unarmed and cornered in the back of a trailer by a creepy man soaked in what is presumably Lanks' blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping and trying to lick Beltboy as he struggles to break free. Save for Craig's line of dialogue upon being defeated, it's a serious and disturbing depiction of sexual violence. "Blood "[[https://www.youtube.com/watch?v=9lP6bNqqWEw Blood for Sex" Sex]]" plays over the scene and it perfectly compliments the claustrophobic atmosphere.
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Moment pages are Spoilers Off.


* Lanks [[spoiler: [[RapeAsDrama getting violently raped]].]] It's not explicitly shown what happens, but [[DepravedBisexual Craig Fuchs's]] lecherous behavior towards Belt Boy combined with the scream that Lanks lets out while he's offscreen doesn't leave much to the imagination. We discover as the game progresses that the head wound he received was the ''least'' of the trauma he got from the ordeal.

to:

* Lanks [[spoiler: [[RapeAsDrama getting violently raped]].]] raped]]. It's not explicitly shown what happens, but [[DepravedBisexual Craig Fuchs's]] lecherous behavior towards Belt Boy Beltboy combined with the scream that Lanks lets out while he's offscreen doesn't leave much to the imagination. We discover as the game progresses that the head wound he received was the ''least'' of the trauma he got from the ordeal.



* Walking through the swamp while high is mostly a fun and goofy experience until Beltboy's childhood friend randomly shows up and attacks him. Since the crew is high, she hits hard; and then about halfway through the battle Beltboy shakes off the high and realizes [[spoiler: that it's actually a Joy Mutant, Pinhead, that looks like a huge, fleshy, triangle-shaped head.]]

to:

* Walking through the swamp while high is mostly a fun and goofy experience until Beltboy's childhood friend randomly shows up and attacks him. Since the crew is high, she hits hard; and then about halfway through the battle Beltboy shakes off the high and realizes [[spoiler: that it's actually a Joy Mutant, Pinhead, that looks like a huge, fleshy, triangle-shaped head.]]



* Gars' cryptic reference to sending people beneath the waves becomes much creepier when we consider [[HumanSacrifice all the skulls and bones lying around the cave]]. It can reasonably be inferred that his friends and him have been luring hapless surface-dwellers down into the cave and then drowning them. If we're to go with the assumption that Gar and his fishmen [[spoiler:are the kids from the orphanage]], it would mean they've been [[DeadlyEuphemism paying tribute]] to their Gods for a ''long'' time.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler:the hallucinations that Beltboy sees of Rodriguez's severed head and his childhood friend, which randomly pop out throughout the lab.]]
** Even worse, Amy uses Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you are on the Beltboy route specifically and escape the battle, she'll scream at him and push him back, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she is the mutated form of Beltboy's childhood friend]]]].
* The complete and utterly shocking MoodWhiplash of [[spoiler:the final battle with The Lovelies.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.

to:

* Gars' cryptic reference to sending people beneath the waves becomes much creepier when we consider [[HumanSacrifice all the skulls and bones lying around the cave]]. It can reasonably be inferred that his friends and him have been luring hapless surface-dwellers down into the cave and then drowning them. If we're to go with the assumption that Gar and his fishmen [[spoiler:are are the kids from the orphanage]], orphanage, it would mean they've been [[DeadlyEuphemism paying tribute]] to their Gods for a ''long'' time.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler:the the hallucinations that Beltboy sees of Rodriguez's severed head and his childhood friend, which randomly pop out throughout the lab.]]
lab.
** Even worse, Amy uses Familiar Cry, which is only otherwise used by [[spoiler:the the mutated forms of Beltboy, Lanks and Cyclops]], Cyclops, and if you are on the Beltboy route specifically and escape the battle, she'll scream at him and push him back, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] mutated Reginald do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster [[TragicMonster she is the mutated form of Beltboy's childhood friend]]]].
friend]].
* The complete and utterly shocking MoodWhiplash of [[spoiler:the the final battle with The Lovelies.]] Lovelies. At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.



* Hart's [[spoiler: Joy Mutant form. His body contorts into a vaguely heart-esque form, and his mouth begins to tear itself open into a screaming position. He looks like he's in extreme suffering and is literally screaming for help; to make things worse, he's visibly crying.]]

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* Hart's [[spoiler: Joy Mutant form. His body contorts into a vaguely heart-esque form, and his mouth begins to tear itself open into a screaming position. He looks like he's in extreme suffering and is literally screaming for help; to make things worse, he's visibly crying.]]
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** The subsequent sequence where Beltboy narrowly avoids going through he same experience is just as unsettling. He's completely unarmed and cornered in the back of a trailer by a creepy man soaked in (what is presumably Lanks' blood). All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping Beltboy as he struggles to break free. Save for Craig's line of dialogue upon being defeated, it's a serious and disturbing depiction of sexual violence. "Blood for Sex" plays over the scene and it perfectly compliments the claustrophobic atmosphere.

to:

** The subsequent sequence where Beltboy narrowly avoids going through he same experience is just as unsettling. He's completely unarmed and cornered in the back of a trailer by a creepy man soaked in (what what is presumably Lanks' blood). blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping and trying to lick Beltboy as he struggles to break free. Save for Craig's line of dialogue upon being defeated, it's a serious and disturbing depiction of sexual violence. "Blood for Sex" plays over the scene and it perfectly compliments the claustrophobic atmosphere.
Is there an issue? Send a MessageReason:
None


* Lanks [[spoiler: getting violently raped.]] It's left to the player's imagination, but [[DepravedBisexual Craig Fuchs's]] disheveled, primal, hunched-over appearance combined with the bloodcurdling scream that Lanks lets out while he's offscreen is haunting to say the least. We discover as the game progresses that the head wound he received was just the beginning of the trauma he got from the ordeal.
** The subsequent sequence where Beltboy almost endures the same experience is disturbing as well. He's completely unarmed and cornered in a dark, enclosed space by a creepy, lecherous man soaked in blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping Beltboy as he desperately struggles to break free. Save for Craig's line of dialogue upon being defeated, it's an entirely serious depiction of sexual violence. "Blood for Sex" plays over the scene and it perfectly compliments the claustrophobic atmosphere.

to:

* Lanks [[spoiler: [[RapeAsDrama getting violently raped.raped]].]] It's left to the player's imagination, not explicitly shown what happens, but [[DepravedBisexual Craig Fuchs's]] disheveled, primal, hunched-over appearance lecherous behavior towards Belt Boy combined with the bloodcurdling scream that Lanks lets out while he's offscreen is haunting doesn't leave much to say the least. imagination. We discover as the game progresses that the head wound he received was just the beginning ''least'' of the trauma he got from the ordeal.
** The subsequent sequence where Beltboy almost endures the narrowly avoids going through he same experience is disturbing just as well. unsettling. He's completely unarmed and cornered in the back of a dark, enclosed space trailer by a creepy, lecherous creepy man soaked in blood. (what is presumably Lanks' blood). All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in him groping Beltboy as he desperately struggles to break free. Save for Craig's line of dialogue upon being defeated, it's an entirely a serious and disturbing depiction of sexual violence. "Blood for Sex" plays over the scene and it perfectly compliments the claustrophobic atmosphere.
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None


[[caption-width-right:225: Sooomebodyyy... A-a-anybodyyy... Love... meee...]]

to:

[[caption-width-right:225: Sooomebodyyy..."Sooomebodyyy... A-a-anybodyyy... Love... meee...]]
"]]
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** Even worse, Amy uses Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you are on the Beltboy route specifically and escape the battle, she'll scream at him, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy uses Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you are on the Beltboy route specifically and escape the battle, she'll scream at him, him and push him back, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler:the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]

to:

* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler:the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, his childhood friend, which randomly pop out throughout the lab.]]
Is there an issue? Send a MessageReason:
None


** Even worse, Amy uses Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you are on the Beltboy route specifically and escape the battle, she'll scream at you, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy uses Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you are on the Beltboy route specifically and escape the battle, she'll scream at you, him, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you escape the battle, she'll scream at you, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use uses Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you are on the Beltboy route specifically and escape the battle, she'll scream at you, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] do when you escape their battles. The implication of this is [[spoiler:[[TragicMonster she/it she is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


[[quoteright:350:https://vignette.wikia.nocookie.net/lisa-the-hopeful/images/5/5a/1Heart.png/revision/latest?cb=20180421182902]]
[[caption-width-right:350: Sooomebodyyy... A-a-anybodyyy... Love... meee...]]

to:

[[quoteright:350:https://vignette.wikia.nocookie.net/lisa-the-hopeful/images/5/5a/1Heart.png/revision/latest?cb=20180421182902]]
[[caption-width-right:350:
[[quoteright:225:https://static.tvtropes.org/pmwiki/pub/images/heart_8.png]]
[[caption-width-right:225:
Sooomebodyyy... A-a-anybodyyy... Love... meee...]]
Is there an issue? Send a MessageReason:
None


** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of Beltboy, Lanks and Cyclops]], and if you escape the battle, she'll scream at you you, something that only mutants who recognize the party like [[spoiler:mutated Reginald]] does do when you escape his battle.their battles. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of your party members]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of your party members]], Beltboy, Lanks and Cyclops]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use the heartbreaking cry, which is only otherwise used by [[spoiler:the mutated forms of your party members]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use the heartbreaking cry, Familiar Cry, which is only otherwise used by [[spoiler:the mutated forms of your party members]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use the heartbreaking cry, which is only otherwise used by the mutated forms of your party members]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].

to:

** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use the heartbreaking cry, which is only otherwise used by the [[spoiler:the mutated forms of your party members]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].

Added: 434

Changed: 4

Is there an issue? Send a MessageReason:
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* Gars' cryptic reference to sending people beneath the waves becomes much creepier when we consider [[HumanSacrifice all the skulls and bones lying around the cave]]. It can reasonably be inferred that his friends and him have been luring hapless surface-dwellers down into the cave and then drowning them. If we're to go with the assumption that Gar and his fishmen [[spoiler: the kids from the orphanage]], it would mean they've been [[DeadlyEuphemism paying tribute]] to their Gods for a ''long'' time.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]

to:

* Gars' cryptic reference to sending people beneath the waves becomes much creepier when we consider [[HumanSacrifice all the skulls and bones lying around the cave]]. It can reasonably be inferred that his friends and him have been luring hapless surface-dwellers down into the cave and then drowning them. If we're to go with the assumption that Gar and his fishmen [[spoiler: [[spoiler:are the kids from the orphanage]], it would mean they've been [[DeadlyEuphemism paying tribute]] to their Gods for a ''long'' time.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler: the [[spoiler:the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]]]
** Even worse, Amy has two things she/it will do only if you are on the Beltboy route. The first is use the heartbreaking cry, which is only otherwise used by the mutated forms of your party members]], and if you escape the battle, she'll scream at you like [[spoiler:mutated Reginald]] does when you escape his battle. The implication of this is [[spoiler:[[TragicMonster she/it is the mutated form of Beltboy's childhood friend]]]].
Is there an issue? Send a MessageReason:
None


* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and an optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]

to:

* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant, and an a Pain Mode-exclusive optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]
Is there an issue? Send a MessageReason:
None


* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]

to:

* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant.mutant, and an optional room just before the exit has a floor made entirely of blood. The background is the red Joy intestine/flesh screen, adding another layer of strange unreality. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]
Is there an issue? Send a MessageReason:
None


--> I-I...
--> ...
--> Won't...
--> FUCKING...
--> LET YOU HAVE HER.

to:

--> I-I...
--> ...
I need it... I need it so bad...
--> Won't...
Please, I can't die without it, let me have it...
--> FUCKING...
I want to see her face.. and... hold her...
--> LET YOU HAVE HER.Grip her throat...
--> F-ff...fucking... kill heeer...
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:350:https://vignette.wikia.nocookie.net/lisa-the-hopeful/images/5/5a/1Heart.png/revision/latest?cb=20180421182902]]
[[caption-width-right:350: Sooomebodyyy... A-a-anybodyyy... Love... meee...]]

Added: 1133

Changed: 1596

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* Lanks's [[spoiler: rape.]] It's left to the player's imagination, but Craig Fuchs's disheveled, primal, hunched-over appearance combined with the bloodcurdling scream that Lanks lets out while he's offscreen is haunting to say the least. Not to mention its effect on him throughout the game.

to:

* Lanks's Lanks [[spoiler: rape.getting violently raped.]] It's left to the player's imagination, but [[DepravedBisexual Craig Fuchs's Fuchs's]] disheveled, primal, hunched-over appearance combined with the bloodcurdling scream that Lanks lets out while he's offscreen is haunting to say the least. Not to mention its effect on We discover as the game progresses that the head wound he received was just the beginning of the trauma he got from the ordeal.
** The subsequent sequence where Beltboy almost endures the same experience is disturbing as well. He's completely unarmed and cornered in a dark, enclosed space by a creepy, lecherous man soaked in blood. All of Craig's attacks are uncomfortably sexual in nature, usually manifesting in
him throughout groping Beltboy as he desperately struggles to break free. Save for Craig's line of dialogue upon being defeated, it's an entirely serious depiction of sexual violence. "Blood for Sex" plays over the game.scene and it perfectly compliments the claustrophobic atmosphere.



* When you think about it, the Sportsdome basically accounts to bloody post-apocalyptic gladiator games. Imagine how many people have died in the dome, either to losing to a team like Mexican Pink or to one of the Sports King's mutants.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant. The background is the red Joy intestine/flesh screen, adding another element of eerieness. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]

to:

* When you think about it, Sportsball is just glorified, brutal fights to the Sportsdome basically accounts to bloody post-apocalyptic gladiator games. Imagine how many people have died death, which are then [[SnuffFilm recorded as entertainment]] for everyone in the dome, either to losing to a team surrounding area. It seems like Mexican Pink or to one of the mortality rate for fighting in the arena is quite high, given that Beltboy and co. cut through twenty-one other competitors in their competition alone. Considering all the blood and viscera smeared across the floor in the mutant pens, it seems like the Sports King's mutants.
King has lots of corpses to use as food... unless he's not just siccing the mutants on still-living human beings (as he does with Beltboy after he wins the tournament).
* Gars' cryptic reference to sending people beneath the waves becomes much creepier when we consider [[HumanSacrifice all the skulls and bones lying around the cave]]. It can reasonably be inferred that his friends and him have been luring hapless surface-dwellers down into the cave and then drowning them. If we're to go with the assumption that Gar and his fishmen [[spoiler: the kids from the orphanage]], it would mean they've been [[DeadlyEuphemism paying tribute]] to their Gods for a ''long'' time.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant. The background is the red Joy intestine/flesh screen, adding another element layer of eerieness.strange unreality. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]

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* The complete and utterly shocking MoodWhiplash of [[spoiler:the final battle with The Lovelys.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.

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* Lanks's [[spoiler: rape.]] It's left to the player's imagination, but Craig Fuchs's disheveled, primal, hunched-over appearance combined with the bloodcurdling scream that Lanks lets out while he's offscreen is haunting to say the least. Not to mention its effect on him throughout the game.
* Walking through the swamp while high is mostly a fun and goofy experience until Beltboy's childhood friend randomly shows up and attacks him. Since the crew is high, she hits hard; and then about halfway through the battle Beltboy shakes off the high and realizes [[spoiler: that it's actually a Joy Mutant, Pinhead, that looks like a huge, fleshy, triangle-shaped head.]]
* When you think about it, the Sportsdome basically accounts to bloody post-apocalyptic gladiator games. Imagine how many people have died in the dome, either to losing to a team like Mexican Pink or to one of the Sports King's mutants.
* Hopeful's Joy Lab is arguably as unnerving, if not worse, than the one from Painful. It's [[NothingIsScarier practically empty]], aside from some cryptic notes about various test subjects' gradually worsening conditions and a few patrolling Creeps. In the basement awaits Amy, an absolutely terrifying mutant. The background is the red Joy intestine/flesh screen, adding another element of eerieness. But the worst part is probably [[spoiler: the hallucinations that Beltboy sees of Rodriguez's severed head and the Girl, which randomly pop out throughout the lab.]]
* The complete and utterly shocking MoodWhiplash of [[spoiler:the final battle with The Lovelys.Lovelies.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys Lovelies mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.



--> LET YOU HAVE HER.

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--> LET YOU HAVE HER.HER.
* Hart's [[spoiler: Joy Mutant form. His body contorts into a vaguely heart-esque form, and his mouth begins to tear itself open into a screaming position. He looks like he's in extreme suffering and is literally screaming for help; to make things worse, he's visibly crying.]]
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* The complete and utterly shocking Mood_Whiplash of [[spoiler:the final battle with The Lovelys.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.

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* The complete and utterly shocking Mood_Whiplash MoodWhiplash of [[spoiler:the final battle with The Lovelys.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific.
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* The complete and utterly shocking Mood Whiplash of [[spoiler:the final battle with The Lovelys.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific. In Pain

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* The complete and utterly shocking Mood Whiplash Mood_Whiplash of [[spoiler:the final battle with The Lovelys.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific. In Pain
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This game is pretty creepy at times, so this page needed to be added.

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Being a faithful fangame to the LISA series, LISA: The Hopeful has more than its fair share of scares.
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* The complete and utterly shocking Mood Whiplash of [[spoiler:the final battle with The Lovelys.]] At first, the fight starts off as normal. Once only Hart is alive, though, the other Lovelys mutate into especially creepy joy mutants. After that, the entire atmosphere of the fight changes! Once he almost died, Hart does as well. His final words, however, are utterly horrific. In Pain
--> I-I...
--> ...
--> Won't...
--> FUCKING...
--> LET YOU HAVE HER.

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