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** The visions can be very terrifying in special in view for future events. By Paul's duel with Jamis he is hearing a constant sharp, creepy voice in his head talking non stop about becoming the Kwisstz Hadersch and "raising". While it's easy to be distracted due to the badassery of the duel and the tension around it this is still essentially a teenager constantly hearing a voice urging him to murder a man.

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** The visions can be very terrifying in special in view for future events. By Paul's duel with Jamis he is hearing a constant sharp, creepy voice in his head talking non stop about becoming the Kwisstz Hadersch and "raising". While it's easy to be distracted due to the badassery of the duel and the tension around it this is still essentially a teenager constantly hearing a an external voice ''inside his head'' urging him to murder a man.man.
** The film also goes to great lengths ti portray just how disorienting and confusing life is for Paul due to his visions. One second he is trying to save people in the dessert and then he is seeing a happy future with an unknown girl, then he immediately sees the girl murdering him. A man talks to him as a close friend and then, when he appears, circumstances orient him to have to kill him. Giving his expression is quite clear he is extremely horrified and lost at this.
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** The visions can be very terrifying in special in view for future events. By Paul's duel with Jamis he is hearing a constant sharp, creepy voice in his head talking non stop about becoming the Kwisstz Hadersch and "raising". While it's easy to be distracted due to the badassery of the duel and the tension around it this is still essentially a teenager constantly hearing a voice urging him to murder a man.
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** The overdubbing of the Sardaukar might be intentional -- Villeneuve ''wants'' the Sardaukar to be unnerving and uncanny, as in the book they are described as such even although Herbert never explains why. Here Villeneuve gives a good representation that makes the audience feel unnerved by the Sardaukar. Their BlackSpeech includes when they signal to each other in the cistern, sounding like Orcs or Nazgul more than humans.

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** The overdubbing of the Sardaukar might be intentional -- Villeneuve ''wants'' the Sardaukar to be unnerving and uncanny, as in the book they are described as such even although Herbert never explains why. Here Villeneuve gives a good representation that makes the audience feel unnerved by the Sardaukar. Their BlackSpeech includes when they signal to each other in the cistern, sounding like Orcs or Nazgul Nazgûl more than humans.
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For ''Film/DunePartTwo'', see [[NightmareFuel/DunePartTwo here]].
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-->'''Baron Harkonnen:''' [[ExactWords I said I would not harm them]] and I shall not. But Arrakis is Arrakis and the desert takes the weak. ''My'' desert. ''My'' Arrakis. '''''My [[TitleDrop Dune]].'''''

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-->'''Baron Harkonnen:''' [[ExactWords I said I would not harm them]] and I shall not. But Arrakis is Arrakis [[DeathWorld Arrakis]] and the desert takes the weak. ''My'' desert. ''My'' Arrakis. '''''My [[TitleDrop Dune]].'''''
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* In the Harkonnen throne room, there's an eight-legged black ... ''[[AnimalisticAbomination thing]]'' which looks like it escaped from one of Creator/HRGiger's nightmares, which seems to be kept as a pet by the Baron or Piter. The Harkonnen servants--who are all bald and eerily thin, with white skin, no fingernails and solid black eyes -- also look distinctly alien. Some wear strange gags over their mouths, and react twitchily and deferentially to the Harkonnens' actions, implying a history of brutal treatment from their superiors.

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* In the Harkonnen throne room, there's an eight-legged black ... ''[[AnimalisticAbomination thing]]'' which looks like it escaped from one of Creator/HRGiger's nightmares, which seems to be kept as a pet by the Baron or Piter. The Harkonnen servants--who are all bald and eerily thin, with white skin, no fingernails fingernails, and solid black eyes -- also look distinctly alien. Some wear strange gags over their mouths, and react twitchily and deferentially to the Harkonnens' actions, implying a history of brutal treatment from their superiors.



'''Gaius Helen Mohiam:''' '''''[[CompellingVoice Get out.]]''''' ''(beat, as the "pet" crawls away)'' [[ItCanThink It understands.]]

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'''Gaius Helen Mohiam:''' '''''[[CompellingVoice Get '''''Get out.]]''''' ''''' ''(beat, as the "pet" crawls away)'' [[ItCanThink It understands.]]



* Our first true demonstration of the Bene Gesserit Voice, when the Reverend Mother orders Paul to come to her and kneel. He seems to just appear that way almost instantly, as though dragged on a leash, fully making clear how much it overrides your own will so you're not even aware of time passing until you've complied. [[JustForFun/TvTropesWillRuinYourLife Just like this website]].
* After Paul and Jessica have been captured by Harkonnen forces, the pilots onboard casually discuss the idea of ''forcing themselves'' on Jessica.
-->'''Deaf Harkonnen:''' Let's feed the kid to the worms and give her a long goodbye.\\

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* Our first true demonstration of the Bene Gesserit Voice, when the Reverend Mother orders Gaius Helen Mohiam commands Paul to come to her and kneel. He seems to just appear that way almost instantly, as though dragged on a leash, fully making clear how much it overrides your own will so you're not even aware of time passing until you've complied. [[JustForFun/TvTropesWillRuinYourLife Just like this website]].
* After Paul and Jessica have been captured by Harkonnen forces, the pilots onboard casually nonchalantly discuss the idea of ''forcing themselves'' ''[[RapeIsASpecialKindOfEvil forcing themselves]]'' on Jessica.
-->'''Deaf Harkonnen:''' -->'''Kinet:''' Let's feed the kid to the worms and give her a long goodbye.\\



'''Deaf Harkonnen:''' Don't talk!

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'''Deaf Harkonnen:''' '''Kinet:''' Don't talk!

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