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** Medusa's story depicting her as a priestess of Athena who was seduced and/or raped by Poseidon and cursed by Athena for defiling her temple is old in an absolute sense -- but it only goes back to early Roman times, and has no presence in Greek legends or narratives. Early myths about the Gorgons depict them as always having been monsters and originating in as children of the primordial sea gods Phorcys and Ceto, and as such as being siblings of other monstrous being such as the Sirens and Ladon; they were also depicted with several monstrous features, such as wings and large tusks, that are usually absent today. Athena only entered their story by means of being one of four gods who gave aid to Perseus (alongside Zeus, Hermes and Hades); Poseidon doesn't feature at all. The most commonly-known version was penned by the Roman poet Ovid, hundreds of years after the oldest known myths concerning Medusa were penned; its negative depiction of the gods matches the tone of several of his other poems and is believed to reflect his stance against the recent establishment of monarchic imperial rule. However, in the Middle Ages, Greek texts and knowledge of Greek in general were largely lost while Latin writing remained well-documented, making the Roman version of the myth the more widely-known one.

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** The whole concept of 'transformed man as a human-wolf hybrid' comes directly from classic horror films. The WolfMan look in particular was created for the 1941 movie; they wanted a more wolf-like look, but had to settle for it because of the [[SerendipityWritesThePlot makeup limitations of the time]]. In traditional folklore the werewolf was either a man changing into a regular wolf, or not physically changing and just becoming a wanton murderer (real werewolf trials of the 15th-early 19th century transparently describe what we'd call today [[SerialKiller serial killers]]). Other stories have the werewolf's nature being betrayed by a wolf body part that he consciously hides (ears, legs, tail), or a clothing item of wolfskin like a hat or belt. Nevertheless, while a regular wolf (or a wolflike dog, more often) has been used in some films, a half-man, half-beast creature is more interesting.

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** The whole concept of 'transformed "transformed man as a human-wolf hybrid' hybrid" comes directly from classic horror films. The WolfMan look in particular was created for the 1941 movie; they wanted a more wolf-like look, but had to settle for it because of the [[SerendipityWritesThePlot makeup limitations of the time]]. In traditional folklore the werewolf was either a man changing into a regular wolf, or not physically changing and just becoming a wanton murderer (real werewolf trials of the 15th-early 19th century transparently describe what we'd call today [[SerialKiller serial killers]]). Other stories have the werewolf's nature being betrayed by a wolf body part that he consciously hides (ears, legs, tail), or a clothing item of wolfskin like a hat or belt. Nevertheless, while a regular wolf (or a wolflike dog, more often) has been used in some films, a half-man, half-beast creature is more interesting.



* To cross the previous two example groups over, the idea of [[FurAgainstFang vampires and werewolves as instinctive or traditional enemies]] is almost '''entirely''' derived from the influence of the TabletopGame/OldWorldOfDarkness. In earlier folklore, they were often seen as linked by their bloodthirstiness and supernatural nature, and it was even believed in some places that a dead werewolf would rise as a vampire. In quite a number of cases, the two were even treated as one and the same--Literature/{{Dracula}}, for instance, is described as a werewolf several times in the original novel. This may have actually led to some cross-contamination between the two.

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** Many "traditional" werewolf weaknesses, such as silver or wolfsbane, also date back to early horror movies. Medieval werewolves rarely had any particular strengths or weaknesses outside of those a normal wolf would possess. Similarly, the idea of werewolf transformations being cyclical or connected to the full moon is very recent; medieval werewolves were usually depicted as transforming at will or with the use of magic phrases or items.
* To cross the previous two example groups over, the idea of [[FurAgainstFang vampires and werewolves as instinctive or traditional enemies]] is almost '''entirely''' derived from the influence of the TabletopGame/OldWorldOfDarkness. In earlier folklore, they were often seen as linked by their bloodthirstiness and supernatural nature, and it was even believed in some places that a dead werewolf would rise as a vampire. In quite a number of cases, the two were even treated as one and the same--Literature/{{Dracula}}, same -- Literature/{{Dracula}}, for instance, is described as a werewolf several times in the original novel. This may have actually led to some cross-contamination between the two.
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* The idea of a [[PrincessClassic saintly and innocent princess]] in fairy tales was largely the result of 19th century writers trying to make everything nice for the children. Older fairy tales would have their heroines be at least a bit more active. Some, such as [[Literature/LeMorteDarthur certain versions]] of [[Myth/KingArthur Knights of the Round Table]], have half of their female cast happily sleeping around -- there may have been a few [[IncorruptiblePurePureness incorruptibly pure]] maidens, but just as many innocent knights.

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* The idea of a [[PrincessClassic saintly and innocent princess]] in fairy tales was largely the result of 19th century 19th-century writers trying to make everything nice for the children. Older fairy tales would have their heroines be at least a bit more active. Some, such as [[Literature/LeMorteDarthur [[Literature/LeMorteDArthur certain versions]] of [[Myth/KingArthur [[Myth/ArthurianLegend Knights of the Round Table]], have half of their female cast happily sleeping around -- there may have been a few [[IncorruptiblePurePureness incorruptibly pure]] maidens, but just as many innocent knights.
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* Many parts of accepted vampire mythology are no more recent than the twentieth century.

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* Many parts of accepted vampire mythology are no more recent older than the twentieth century.
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* The idea that ghosts are intangible and can't touch anything and only been silent witness of things around them may have some precedents in literature but at least for PopCulture comes from movies like ''Film/{{Ghost}}'' and ''Film/GhostDad'' in the 1990s. In traditional folklore ghosts can touch whatever they want, in fact that why they are scary, because they can actually kill you. This was also common in many previous horror movies and, of course, is what we see in such films as ''Film/{{Poltergeist|1982}}'' and ''Film/Ghostbusters1984'', however is nowadays so ingrained in popular conception that has to some degree turn into the de-fault version of ghosts in most media.

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* The idea that ghosts are intangible and can't touch anything and only been silent witness of things around them may have some precedents in literature but at least for PopCulture comes from movies like ''Film/{{Ghost}}'' ''Film/Ghost1990'' and ''Film/GhostDad'' in the 1990s. In traditional folklore ghosts can touch whatever they want, in fact that why they are scary, because they can actually kill you. This was also common in many previous horror movies and, of course, is what we see in such films as ''Film/{{Poltergeist|1982}}'' and ''Film/Ghostbusters1984'', however is nowadays so ingrained in popular conception that has to some degree turn into the de-fault version of ghosts in most media.
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* The concept of [[LeyLine ley lines]]--a global network of magical thoroughfares that connect major civilizations and distribute magic, especially where they intersect--is often found in works otherwise rooted in genuinely ancient, or at least medieval, mysticism, making it easy to mistake for a very old idea. It was introduced in 1925 by an amateur archaeologist, Alfred Watkins, as a completely mundane, non-magical theory about ancient roads connecting major sites.[[note]] Watkins' problem was that if you have enough points and enough roads (and Britain has a great density of both) then of course you will find alignments and roads that appear to connect them in straight lines, but that doesn't mean they were deliberate. Many of his examples were criticised even at the time since they blatantly came from different eras, so how would builders align to roads or monuments that didn't exist yet?[[/note]] It wasn't until the late 1960s and early 70s that the concept was seized upon by the fringe mystics and weirdos of the "Earth Mysteries" movement and became a sort of magical National Grid. "Mystic" ley lines are actually younger than most albums by Music/TheBeatles. And the theory originally applied only to Britain, too - putting the Great Pyramid on a ley line didn't take off till the mid-1970s.

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* The concept of [[LeyLine ley lines]]--a global network of magical thoroughfares that connect major civilizations and distribute magic, especially where they intersect--is often found in works otherwise rooted in genuinely ancient, or at least medieval, mysticism, making it easy to mistake for a very old idea. It was introduced in a book called ''The Old Straight Track'' in 1925 by an amateur archaeologist, Alfred Watkins, as a completely mundane, non-magical theory about ancient roads connecting major sites.sites in straight lines.[[note]] The problem with Watkins' problem theory was that if you have enough points and enough roads (and Britain has a great density of both) then of course you will find alignments and roads that appear ''appear'' to connect them sites in straight lines, but that doesn't mean they were deliberate. Many of his examples were criticised even at the time of publication since they blatantly came from different eras, so how would builders align to roads or monuments eras and relied on the road-builders aligning with sites that didn't even exist yet?[[/note]] yet.[[/note]] It wasn't until the late 1960s and early 70s that the concept was seized upon by the fringe mystics and weirdos of the "Earth Mysteries" movement and became a sort of magical National Grid. "Mystic" ley lines are actually younger than most albums by Music/TheBeatles. And the theory originally applied only to Britain, too - putting the Great Pyramid on a ley line didn't take off till the mid-1970s.
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** Actually the whole concept of 'classification' is relatively new as it appeared in the late 17th century. Folk descriptions of a vampire could differ wildly between villages not to mention between regions or countries.
** The first movie that shows vampires having long fangs was 1958 Film/HammerHorror's ''Film/HorrorOfDracula'' with Creator/ChristopherLee. That's right, Bela Lugosi ''never'' had fangs in the movie nor are they shown at any moment despite this being retroactively added as part of his appearance. You can argue that ''Film/{{Nosferatu}}'' also has fangs thus technically been the first, however Orlock's fangs are not exactly the iconic version of the character and are more bat-like, not the two prominent canine normally associated with vampires.

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** Actually the whole concept of 'classification' is relatively new as it appeared in the late 17th century. Folk descriptions of a vampire could differ wildly between villages villages, not to mention between regions or countries.
** The first movie that shows vampires having a vampire with the classic long canine fangs was 1958 in 1958, in Film/HammerHorror's ''Film/HorrorOfDracula'' with Creator/ChristopherLee. That's right, Bela Lugosi ''never'' had fangs in either of his appearances as the movie nor are they shown at any moment character, despite this being retroactively added [[MandelaEffect everyone remembering them as an iconic part of his appearance. You can argue that look]]. Orlok in ''Film/{{Nosferatu}}'' also has fangs thus technically been the first, ''does'' have fangs, however Orlock's fangs his are not exactly the iconic version of the character and are "classic" vampire canines, but more bat-like, not the two prominent canine normally associated with vampires.bat- or rat-like central incisors.

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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological tradition compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Norse mythology was transmitted orally beforehand, the primary written sources for the Norse myths, such as the [[https://en.wikipedia.org/wiki/Prose_Edda Prose Edda]] date only to the 13th century, making them far younger than sources for Myth/ClassicalMythology or Christianity. We have no records of what it was like before the Middle Ages, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. The earliest sources for Norse mythology date to two thousand years after those of Greek mythology, and ''three'' thousand years after those of Egyptian mythology.



* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological tradition compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Norse mythology was transmitted orally beforehand, the primary written sources for the Norse myths, such as the [[https://en.wikipedia.org/wiki/Prose_Edda Prose Edda]] date only to the 13th century, making them far younger than sources for Myth/ClassicalMythology or Christianity. We have no records of what it was like before the Middle Ages, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. The earliest sources for Norse mythology date to two thousand years after those of Greek mythology, and ''three'' thousand years after those of Egyptian mythology.



* The hippogriff is not a traditional mythological beast the way the somewhat similar griffin is. The word hippogriff first appeared in Ludovico Ariosto's poem ''Literature/OrlandoFurioso'' (written in 1516). Because griffins were believed to prey on horses, the offspring of a horse and griffin was intended as representation of something impossibly unlikely, sort of like [[CueTheFlyingPigs when pigs fly]].

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* The hippogriff is not a traditional mythological beast the way the somewhat similar griffin is. The word hippogriff first appeared in Ludovico Ariosto's poem ''Literature/OrlandoFurioso'' (written ''Literature/OrlandoFurioso'', written in 1516).1516. Because griffins were believed to prey on horses, the offspring of a horse and griffin was intended as representation of something impossibly unlikely, sort of like [[CueTheFlyingPigs when pigs fly]].



* Bahamut wasn't a dragon in the original mythology. It wasn't even anything ''close'' -- although exactly what it was varies according to the source you check,[[note]]some stated that it was a fish, others a serpent. A lesser-known creature associated with Bahamut is a ox called Kujata, which some scholars postulated to be a corruption of "Leviathan". Since Bahamut is obviously derived from "Behemoth", those scholars theorized that there might be a mix-up between the two creatures' names in Arabian storytelling, since the Bible contains the opposite descriptions, i.e. Behemoth is an ox while Leviathan is a serpent.[[/note]] none of them are anything similar to "dragon." Unlike Tiamat, above, the blame for this one can be laid solely at the feet of ''TabletopGame/DungeonsAndDragons'' -- they just took a name they thought sounded cool and attached it to their dragon god.
** In 4E, it is written, "of course, in these more enlightened times, we know Bahamut is not really a dragon," and that 'Platinum Dragon' is merely an honorific title. They don't say what Bahamut, in fact, ''is.''



* Bahamut wasn't a dragon in the original mythology. It wasn't even anything ''close'' -- although exactly what it was varies according to the source you check,[[note]]some stated that it was a fish, others a serpent. A lesser-known creature associated with Bahamut is a ox called Kujata, which some scholars postulated to be a corruption of "Leviathan". Since Bahamut is obviously derived from "Behemoth", those scholars theorized that there might be a mix-up between the two creatures' names in Arabian storytelling, since the Bible contains the opposite descriptions, i.e. Behemoth is an ox while Leviathan is a serpent.[[/note]] none of them are anything similar to "dragon." Unlike Tiamat, above, the blame for this one can be laid solely at the feet of ''TabletopGame/DungeonsAndDragons'' -- they just took a name they thought sounded cool and attached it to their dragon god.
** In 4E, it is written, "of course, in these more enlightened times, we know Bahamut is not really a dragon," and that 'Platinum Dragon' is merely an honorific title. They don't say what Bahamut, in fact, ''is.''



* Many {{Youkai}} are believed by both Japanese and foreigners to have originated from ancient myths passed down from thousands of years ago. In reality, a good chunk of them first appeared during the ''Edo'' period (1603-1868) when storytellers began making up their own Youkai to entertain audiences or writers started recording their own inventions down. The {{Karakasa}} is one such example and perhaps the most notable one. The YukiOnna was first recorded by a ''Westerner'', Lafcadio Hearn, in 1905. And while the kuchisake-onna may have been mentioned before then, the modern interpretation is based on the story of a real mentally ill woman from the 1970s who had a Glasgow grin and surgical mask, and stalked children before being fatally hit by a car.

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* Many {{Youkai}} are believed by both Japanese and foreigners to have originated from ancient myths passed down from thousands of years ago. In reality, a good chunk of them first appeared during the ''Edo'' period (1603-1868) when storytellers began making up their own Youkai to entertain audiences or writers started recording their own inventions down. The {{Karakasa}} is one such example and perhaps the most notable one. The YukiOnna was first recorded by a ''Westerner'', Lafcadio Hearn, in 1905. And while the kuchisake-onna may have been mentioned before then, the modern interpretation is based on the story of a real mentally ill woman from the 1970s who had a Glasgow grin and surgical mask, and stalked children before being fatally hit by a car.

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Bram Stoker does indeed describe Dracula as having "peculiarly sharp white teeth [which] protruded over the lips."


** The first movie that shows vampires having long fangs was 1958 Film/HammerHorror's ''Film/HorrorOfDracula'' with Creator/ChristopherLee. That's right, Bela Lugosi ''never'' had fangs in the movie nor are they shown at any moment despite this being retroactively added as part of his appearance. You can argue that ''Film/{{Nosferatu}}'' also has fangs thus technically been the first, however Orlock's fangs are not exactly the iconic version of the character and are more bat-like, not the two prominent canine normally associated with vampires. Also neither Bram Stoker's book nor previous works like ''Literature/TheVampyre'' of Creator/LordByron nor the previous vampire lore ever mentioned vampires having fangs, they drank the bloood of their victims by biting them normally.

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** The first movie that shows vampires having long fangs was 1958 Film/HammerHorror's ''Film/HorrorOfDracula'' with Creator/ChristopherLee. That's right, Bela Lugosi ''never'' had fangs in the movie nor are they shown at any moment despite this being retroactively added as part of his appearance. You can argue that ''Film/{{Nosferatu}}'' also has fangs thus technically been the first, however Orlock's fangs are not exactly the iconic version of the character and are more bat-like, not the two prominent canine normally associated with vampires. Also neither Bram Stoker's book nor previous works like ''Literature/TheVampyre'' of Creator/LordByron nor the previous vampire lore ever mentioned vampires having fangs, they drank the bloood of their victims by biting them normally.

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* To cross the previous two example groups over, the idea of [[FurAgainstFang vampires and werewolves as instinctive or traditional enemies]] is almost '''entirely''' derived from the influence of the TabletopGame/OldWorldOfDarkness. In earlier folklore, they were often seen as linked by their bloodthirstiness and supernatural nature, and it was even believed in some places that a dead werewolf would rise as a vampire.

to:

* To cross the previous two example groups over, the idea of [[FurAgainstFang vampires and werewolves as instinctive or traditional enemies]] is almost '''entirely''' derived from the influence of the TabletopGame/OldWorldOfDarkness. In earlier folklore, they were often seen as linked by their bloodthirstiness and supernatural nature, and it was even believed in some places that a dead werewolf would rise as a vampire. In quite a number of cases, the two were even treated as one and the same--Literature/{{Dracula}}, for instance, is described as a werewolf several times in the original novel. This may have actually led to some cross-contamination between the two.
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* The ''[[https://en.wikipedia.org/wiki/Vegv%C3%ADsir vegvísir]]'' or "wayfinder" symbol, a stylized representation of a compass, is often assumed to be an ancient Norse charm for sailors and travelers to find their way in bad weather. However, it dates from a mid-19th century manuscript and has no earlier attestations.

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* The ''[[https://en.wikipedia.org/wiki/Vegv%C3%ADsir vegvísir]]'' or "wayfinder" symbol, a stylized representation of a compass, compass popular in UsefulNotes/{{Iceland}}, is often assumed to be an ancient Norse charm for sailors and travelers to find their way in bad weather. However, it dates from a mid-19th century manuscript and has no earlier attestations.
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* The ''[[vegvísir https://en.wikipedia.org/wiki/Vegv%C3%ADsir]]'' or "wayfinder" symbol, a stylized representation of a compass, is often assumed to be an ancient Norse charm for sailors and travelers to find their way in bad weather. However, it dates from a mid-19th century manuscript and has no earlier attestations.

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* The ''[[vegvísir https://en.''[[https://en.wikipedia.org/wiki/Vegv%C3%ADsir]]'' org/wiki/Vegv%C3%ADsir vegvísir]]'' or "wayfinder" symbol, a stylized representation of a compass, is often assumed to be an ancient Norse charm for sailors and travelers to find their way in bad weather. However, it dates from a mid-19th century manuscript and has no earlier attestations.
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* The ''[[vegvísir https://en.wikipedia.org/wiki/Vegv%C3%ADsir]]'' or "wayfinder" symbol, a stylized representation of a compass, is often assumed to be an ancient Norse charm for sailors and travelers to find their way in bad weather. However, it dates from a mid-19th century manuscript and has no earlier attestations.
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** And the other eight are traced straight to ''A Visit From St. Nicholas'' (also known as '''Twas the Night Before Christmas'').

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** And the other eight are traced straight to ''A Visit From St. Nicholas'' (also known as '''Twas the Night Before Christmas'').''Literature/TwasTheNightBeforeChristmas'').
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** People becoming werewolves after being bitten by another werewolf is also a modern concept. In earlier times, a man became a werewolf after making a DealWithTheDevil, having a curse placed on him, or simply being the [[MagicalSeventhSon seventh son]] born to a couple.

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** People becoming werewolves after being bitten by another werewolf is also a modern concept.concept, probably first introduced (in slightly different form) in Creator/RobertEHoward's 1926 story "Wolfshead". In earlier times, a man became a werewolf after making a DealWithTheDevil, having a curse placed on him, or simply being the [[MagicalSeventhSon seventh son]] born to a couple.
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* Much of the modern folklore related to the UsefulNotes/HolyLance comes from Trevor Ravenscroft's 1972 novel ''[[https://en.wikipedia.org/wiki/The_Spear_of_Destiny_(Ravenscroft) The Spear of Destiny]]'', including the name "Spear of Destiny" as well as its association with {{Ghostapo}} (there is no actual evidence that the Nazis had particular interest in the Spear of Vienna beyond its symbolic value as part of the Imperial Regalia of the UsefulNotes/HolyRomanEmpire and the [[UsefulNotes/TheSoundOfMartialMusic Austrian Empire]]). This notably features in Franchise/TheDCU, where the canonical reason why the Justice Society [[ReedRichardsIsUseless never stopped Hitler]] was that he used the power of the Spear to prevent any Allied superhumans from entering Europe, in a {{Retcon}} that was established as late as [[UsefulNotes/TheBronzeAgeOfComicBooks 1977]].
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** The first time the Merry Men included a Saracen or Moorish member was in the widely popular TV show ''Series/RobinOfSherwood'' in 1984. The 1991 mega-hit ''Film/RobinHoodPrinceOfThieves'' then cast Creator/MorganFreeman in role and probably solidified the character in the myth for all time. (According to urban legend, the "research" for the film consisted only of watching ''Robin of Sherwood'', so they mistakenly assumed "the Saracen" was one of the stock characters. Now, he is.)

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** The first time the Merry Men included a Saracen or Moorish member was in the widely popular TV show ''Series/RobinOfSherwood'' in 1984. The 1991 mega-hit ''Film/RobinHoodPrinceOfThieves'' then cast Creator/MorganFreeman in role and probably solidified the character in the myth for all time. (According to urban legend, the "research" for the film consisted only of watching ''Robin of Sherwood'', so they mistakenly assumed "the Saracen" was one of the stock characters. Now, he is.characters and unwittingly made him one.)

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* The concept of Queen Mab being the queen of the fairies and the associated legends involving her originated with Creator/WilliamShakespeare creating her for a speech in ''Theatre/RomeoAndJuliet''; there is nobody exactly fitting that description in Myth/CelticMythology or associated legends. That said, Shakespeare could have easily been conflating several characters (which Shakespeare had a habit of doing); if so, the name "Queen Mab" may have arisen from Queen Medb, who most famously appears in the ''Literature/TheCattleRaidOfCooley''.
* Likewise from the ''Táin Bó Cúailgne'', the translation of Cú Chulainn's ''riastrad'' as a "warp spasm" only dates from Thomas Kinsella's 1969 translation, but has spread beyond that to many works inspired by Myth/CelticMythology.

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* The concept of Queen Neither Mab being nor Titania appear as names for the queen of the fairies and the in Myth/CelticMythology; they, as well as most associated legends involving her originated legends, originate with Creator/WilliamShakespeare creating her for a speech in ''Theatre/RomeoAndJuliet''; there is nobody exactly fitting that description in Myth/CelticMythology or associated legends. That said, Shakespeare could have easily been conflating several characters (which Shakespeare had a habit of doing); if so, the name "Queen Mab" may have arisen from Queen Medb, who most famously appears in the ''Literature/TheCattleRaidOfCooley''.Creator/WilliamShakespeare.
* Likewise ** The name Mab was coined for a speech in ''Theatre/RomeoAndJuliet''. Shakespeare had a habit of conflating several characters, and may have taken the name from Queen Medb, who most famously appears in ''Literature/TheCattleRaidOfCooley''.
** Titania ("daughter of titans") was originally a title used in Ovid's ''Literature/TheMetamorphoses'' to refer to the goddess Diana; Shakespeare attached the name to the fairy queen in ''Theatre/AMidsummerNightsDream''.
* In
the ''Táin Bó Cúailgne'', the translation of Cú Chulainn's ''riastrad'' as a "warp spasm" only dates from Thomas Kinsella's 1969 translation, but has spread beyond that to many works inspired by Myth/CelticMythology.
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* Jordan Peterson was pilloried for a statement he made in an interview, attempting to explain his gender essentialist philosophy, about how kings in stories live in "dessicated" [[[{{Malaproper}} sic]]] towers and witches live in swamps ([[DoesThisRemindYouOfAnything essentially, that the powerful male character lives in a thrusting structure and the powerful female character lives in a damp, wet hole...]]). While he's right about kings tending to live in towers, the only work of fiction where witches exclusively live in swamps is ''VideoGame/{{Minecraft}}''. Witches in folklore are generally found in forests or towns, and often in crumbling towers of their own.

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* Jordan Peterson was pilloried for a statement he made in an interview, attempting to explain his gender essentialist philosophy, about how kings in stories live in "dessicated" [[[{{Malaproper}} sic]]] towers and witches live in swamps ([[DoesThisRemindYouOfAnything essentially, that the powerful male character lives in a thrusting structure and the powerful female character lives in a damp, wet hole...]]). While he's right about kings tending to live in towers, the only work of fiction where witches exclusively live in swamps is ''VideoGame/{{Minecraft}}''. Witches in folklore are generally found in forests or towns, and often in crumbling towers of their own. In fact, one of the most iconic witches for the modern reader, the one from ''Literature/SleepingBeauty'', is described as not having left hers for fifty years, which is what kicks off the plot (everyone thought her dead, so she got no invitation).



* Belief in [[OurGiantsAreBigger giants]] seems ridiculously Medieval and backwards from our modern eyes, but even the most reputable sources reported Patagonia (i.e., the southernmost region of South America) to be [[https://en.wikipedia.org/wiki/Patagonia#Patagonian_giants:_early_European_perceptions populated by giants]] until the late 18th century.

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* Belief in [[OurGiantsAreBigger giants]] seems ridiculously Medieval and backwards from our modern eyes, but even the most reputable sources reported Patagonia (i.e., the southernmost region of South America) to be [[https://en.wikipedia.org/wiki/Patagonia#Patagonian_giants:_early_European_perceptions populated by giants]] until the late 18th century. Bones of mammoths and mastodons (and even whales) were often assumed to belong to ancient giants (or dragons), a belief that held for about as long.
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Already mentioned.


* The "skeleton with a deer skull" look for the Native American monster the {{Wendigo}} is strictly a 21st Century invention, originating in the 2001 movie ''Film/{{Wendigo}}''.
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The sources are newer, but we have no way of knowing how old the myths are...


* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize, only dates starting around the Middle Ages, making it far younger even than Christianity. We have no records of what it was like before this date, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.

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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional tradition compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic Norse mythology is obviously far older, was transmitted orally beforehand, the primary written sources for the Norse mythology, in a form we would recognize, myths, such as the [[https://en.wikipedia.org/wiki/Prose_Edda Prose Edda]] date only dates starting around to the Middle Ages, 13th century, making it them far younger even than sources for Myth/ClassicalMythology or Christianity. We have no records of what it was like before this date, the Middle Ages, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. The earliest sources for Norse mythology arose date to two thousands thousand years after those of Greek mythology, and ''three'' thousand years after those of Egyptian mythology.
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* The perfect example would be [[GripingAboutGremlins the gremlin]] (not the car, or [[UglyCute the lovable 1980s movie monster]]). The word first appeared in British airfields during the First World War, and indicated a malicious "thing" (most often in the plural) that would cause aircraft to malfunction. The most consistent explanation for the origin of the word is that a light-hearted reference to [[http://www.dover-kent.com/Breweries/Fremlins-Brewery-Maidstone.html Fremlin's Ales]] in a missive from an airfield commander got mis-typed, i.e. "...no explanation yet for the sudden rise in crashes, although I personally blame the Fremlins." The word (and the as-yet unvisualised creature) spread from there, first appearing in print in 1929. However many people seem to think that gremlins are far, far older than that, due to how "at home" they seem among the more traditional types like goblins and leprechauns (especially after fantasy RPG writers got hold of them).
** Americans were first introduced to gremlins in a 1943 Creator/RoaldDahl book, his first children's book. It almost became a Creator/{{Disney}} movie.
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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize, only dates starting around the Early Middle Ages, making it far younger even than Christianity. We have no records of what it was like before this date, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.

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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize, only dates starting around the Early Middle Ages, making it far younger even than Christianity. We have no records of what it was like before this date, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.
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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize, only dates starting around the Early Middle Ages, making it far younger even than Christianity. As the Norse were not a literate society, hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.

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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize, only dates starting around the Early Middle Ages, making it far younger even than Christianity. As We have no records of what it was like before this date, as the Norse were not a literate society, and hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.
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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize it, only dates starting around the Early Middle Ages, making it far younger even than Christianity. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.

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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize it, recognize, only dates starting around the Early Middle Ages, making it far younger even than Christianity.Christianity. As the Norse were not a literate society, hardly anything was written down until after the Norse had already converted to Christianity, making separating what their religion was "really" like and what had been influenced by Christianity difficult. Norse mythology arose two thousands years after Greek mythology, and ''three'' thousand years after Egyptian mythology.
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* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. Norse mythology, in a form we would recognize, only dates starting around the Middle Ages in the 9th century, making it far younger even than Christianity. Norse mythology arose two thousands years after Greek mythology arose, and ''three'' thousand years after Egyptian mythology.

to:

* [[Myth/NorseMythology Norse mythology]] is by far the youngest major mythological traditional compared to [[Myth/EgyptianMythology Egyptian]] and [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. While Ancient Germanic mythology is obviously far older, Norse mythology, in a form we would recognize, recognize it, only dates starting around the Early Middle Ages in the 9th century, Ages, making it far younger even than Christianity. Norse mythology arose two thousands years after Greek mythology arose, mythology, and ''three'' thousand years after Egyptian mythology.
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* Norse mythology is by far the youngest major mythological traditional compared to Egyptian and Greek mythology, with which it is often grouped. Norse mythology, in a form we would recognize, only dates starting around the Middle Ages in the 9th century, making it far younger even than Christianity. Norse mythology arose two thousands years after Greek mythology arose, and ''three'' thousand years after Egyptian mythology.

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* [[Myth/NorseMythology Norse mythology mythology]] is by far the youngest major mythological traditional compared to Egyptian [[Myth/EgyptianMythology Egyptian]] and Greek [[Myth/ClassicalMythology Greek]] mythology, with which it is often grouped. Norse mythology, in a form we would recognize, only dates starting around the Middle Ages in the 9th century, making it far younger even than Christianity. Norse mythology arose two thousands years after Greek mythology arose, and ''three'' thousand years after Egyptian mythology.

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* The perfect example would be [[GripingAboutGremlins the gremlin]] (not the car, or [[UglyCute the lovable 1980s movie monster]]). The word first appeared in British airfields during the First World War, and indicated a malicious "thing" (most often in the plural) that would cause aircraft to malfunction. The most consistent explanation for the origin of the word is that a light-hearted reference to [[http://www.dover-kent.com/Breweries/Fremlins-Brewery-Maidstone.html Fremlin's Ales]] in a missive from an airfield commander got mis-typed, i.e. "...no explanation yet for the sudden rise in crashes, although I personally blame the Fremlins." The word (and the as-yet unvisualised creature) spread from there, first appearing in print in 1929. However many people seem to think that gremlins are far, far older than that, due to how "at home" they seem among the more traditional types like goblins and leprechauns (especially after fantasy RPG writers got hold of them).
** Americans were first introduced to gremlins in a 1943 Creator/RoaldDahl book, his first children's book. It almost became a Creator/{{Disney}} movie.

to:

* The perfect example would be [[GripingAboutGremlins Norse mythology is by far the gremlin]] (not the car, or [[UglyCute the lovable 1980s movie monster]]). The word first appeared in British airfields during the First World War, and indicated a malicious "thing" (most often in the plural) that would cause aircraft to malfunction. The most consistent explanation for the origin of the word is that a light-hearted reference to [[http://www.dover-kent.com/Breweries/Fremlins-Brewery-Maidstone.html Fremlin's Ales]] in a missive from an airfield commander got mis-typed, i.e. "...no explanation yet for the sudden rise in crashes, although I personally blame the Fremlins." The word (and the as-yet unvisualised creature) spread from there, first appearing in print in 1929. However many people seem to think that gremlins are far, far older than that, due to how "at home" they seem among the more youngest major mythological traditional types like goblins compared to Egyptian and leprechauns (especially Greek mythology, with which it is often grouped. Norse mythology, in a form we would recognize, only dates starting around the Middle Ages in the 9th century, making it far younger even than Christianity. Norse mythology arose two thousands years after fantasy RPG writers got hold of them).
** Americans were first introduced to gremlins in a 1943 Creator/RoaldDahl book, his first children's book. It almost became a Creator/{{Disney}} movie.
Greek mythology arose, and ''three'' thousand years after Egyptian mythology.
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* Likewise from the ''Táin Bó Cúailgne'', the translation of Cú Chulainn's ''riastrad'' as a "warp spasm" only dates from Thomas Kinsella's 1969 translation, but has spread beyond that to many works inspired by UsefulNotes/CelticMythology.

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* Likewise from the ''Táin Bó Cúailgne'', the translation of Cú Chulainn's ''riastrad'' as a "warp spasm" only dates from Thomas Kinsella's 1969 translation, but has spread beyond that to many works inspired by UsefulNotes/CelticMythology.Myth/CelticMythology.
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Added DiffLines:

* Likewise from the ''Táin Bó Cúailgne'', the translation of Cú Chulainn's ''riastrad'' as a "warp spasm" only dates from Thomas Kinsella's 1969 translation, but has spread beyond that to many works inspired by UsefulNotes/CelticMythology.

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