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Deleted line(s) 84 (click to see context) :
* EpicRiff: Quite a few, and not just from Snakefinger either.
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[[caption-width-right:350:"Easter woman came today and took away my wife.. Took her through an open doorway to the afterlife..."]]
to:
[[caption-width-right:350:"Easter woman came today and took away my wife..wife... Took her through an open doorway to the afterlife..."]]
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:"I wanted to give it to someone else and hear what they would say!"]]
to:
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[[caption-width-right:350:"I Want To Give It To Someone Else!"]]
to:
[[caption-width-right:350:"I Want To Give It To Someone Else!"]]
wanted to give it to someone else and hear what they would say!"]]
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Deleted line(s) 90 (click to see context) :
** One of the tracks is named "Ups and Downs", by the way.
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* StepUpToTheMicrophone: Snakefinger, the guitarist, sings lead on "Ups and Downs."
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Changed line(s) 85 (click to see context) from:
* FaceOnTheCover: The band is shown upside down, as the eyeballs to a pair of faces (the faces in question are of John Travolta and Barbra Streisand).
to:
* FaceOnTheCover: The band is shown upside down, as the eyeballs to a pair of faces (the faces in question are of John Travolta and Barbra Streisand).faces.
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Changed line(s) 85 (click to see context) from:
* FaceOnTheCover: The band is shown upside down, as the eyeballs to a pair of faces (the faces in question are of John Travolta and Barbra Streisand.
to:
* FaceOnTheCover: The band is shown upside down, as the eyeballs to a pair of faces (the faces in question are of John Travolta and Barbra Streisand.Streisand).
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Changed line(s) 85 (click to see context) from:
* FaceOnTheCover: The band is shown upside down, as the eyeballs to a pair of faces.
to:
* FaceOnTheCover: The band is shown upside down, as the eyeballs to a pair of faces.faces (the faces in question are of John Travolta and Barbra Streisand.
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Deleted line(s) 6,7 (click to see context) :
Of course, this album sounds everything BUT commercial, seeing that The Residents recorded it!
Changed line(s) 83 (click to see context) from:
--> ''Took her to an open doorway to the afterlife''
to:
--> ''Took her to through an open doorway to the afterlife''
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* ElectronicSpeechImpediment: "Easter Woman", "I Want To Give To Someone Else", "My Work Is So Behind".
to:
* ElectronicSpeechImpediment: "Easter Woman", "I Want To Give To Someone Else", "My Work Is So Behind".EpicRiff: Quite a few, and not just from Snakefinger either.
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* TopTenJingle: Several songs mimick this style.
to:
* TopTenJingle: Several songs mimick mimic or parody this style.
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* AgeProgressionSong: "Troubled Old Man".
to:
* AgeProgressionSong: "Troubled Old Man".
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Deleted line(s) 81 (click to see context) :
* CoversAlwaysLie: This is anything but a commercial album!
Changed line(s) 85 (click to see context) from:
* DeathSong: "Easter Woman" and "The Act Of Being Polite" in which a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]].
to:
* DeathSong: "Easter Woman" Woman," "My Work Is So Behind," and "The Act Of Being Polite" perhaps "Die In Terror."
* DrivenToSuicide: Mr. Skull's character inwhich a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]]. "My Work is So Behind" burns himself to death in his own home to escape his backlog.
* DrivenToSuicide: Mr. Skull's character in
Changed line(s) 87,89 (click to see context) from:
* FaceOnTheCover: The band is shown upside down.
* GriefSong: "Perfect Love":
--> ''The only ever perfect love is one that gets away''
* GriefSong: "Perfect Love":
--> ''The only ever perfect love is one that gets away''
to:
* FaceOnTheCover: The band is shown upside down.
down, as the eyeballs to a pair of faces.
* GriefSong:"Perfect Love":
--> ''The only ever perfect loveA surprisingly large portion of the album is one that gets away''about failed relationships or the death of a loved one.
* GriefSong:
--> ''The only ever perfect love
Deleted line(s) 91 (click to see context) :
* IndecipherableLyrics: Some of the tracks suffer a bit from this because the music is so prominent and the voices are often distorted.
Changed line(s) 95,96 (click to see context) from:
* IsntItIronic: The album title compared to the content.
* IWantSong: "(I Want To) Give It To Someone Else".
* IWantSong: "(I Want To) Give It To Someone Else".
to:
* LyricalDissonance: A few, but by far the biggest example, of this album and maybe their whole career, is "Amber," a very uptempo, melodic number about losing a loved one to natural disaster:
-->Life is just a situation, life is just a game\\
Life is just a whirlpool and it's calling out my name
-->Life is just a situation, life is just a game\\
Life is just a whirlpool and it's calling out my name
Deleted line(s) 102 (click to see context) :
* MindScrew: Hey, it's a Residents album after all!
Deleted line(s) 104,106 (click to see context) :
* MurderBallad: "The Act Of Being Polite", where a man kills a woman, because he was "exhausted from the act of being polite".
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being Polite" are all songs you better not play at night.
* NoNameGiven: "The Nameless Souls", about a group of people who apparently don't deserve the right to be named.
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being Polite" are all songs you better not play at night.
* NoNameGiven: "The Nameless Souls", about a group of people who apparently don't deserve the right to be named.
Changed line(s) 109,110 (click to see context) from:
* OneManSong: "Picnic Boy", "Floyd", "Medicine Man", "Troubled Old Man", "Nice Old Man".
* OneWomanSong: "Easter Woman", "Amber", "My Second Wife" and "Margaret Freeman".
* OneWomanSong: "Easter Woman", "Amber", "My Second Wife" and "Margaret Freeman".
to:
* OneManSong: "Picnic Boy", "Floyd", "Medicine Man", "Troubled Old Man", "Nice Old Man".
* OneWomanSong: "Easter Woman","Amber", "My Second Wife" and "Margaret Freeman".
* OneWomanSong: "Easter Woman",
Deleted line(s) 117 (click to see context) :
* SanitySlippageSong: Which one isn't?
Deleted line(s) 121,123 (click to see context) :
* ThreeChordsAndTheTruth: Perhaps the most bizarre example. All tracks on this album are about a minute long.
* TooDumbToLive: "The Simple Song"
--> ''We're simple/ you are simple/ life is simple too.''
* TooDumbToLive: "The Simple Song"
--> ''We're simple/ you are simple/ life is simple too.''
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Changed line(s) 83,84 (click to see context) from:
--> ''He is the one who came today and took away my wife''
--> ''Took her to an open doorway/ to the afterlife''
--> ''Took her to an open doorway/ to the afterlife''
to:
--> ''He is the one who ''Easter Woman came today and took away my wife''
--> ''Took her to an opendoorway/ doorway to the afterlife''
--> ''Took her to an open
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How To Create A Works Page explicitly says "No bolding is used for work titles."
Changed line(s) 4,5 (click to see context) from:
The '''Commercial Album''' is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising radio jingles, which would result in a total commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
to:
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Deleted line(s) 121 (click to see context) :
* SuddenMusicalEnding: Each song ends rather quickly, true to the concept of keeping them all under a minute.
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Changed line(s) 103 (click to see context) from:
* MoodWhiplash: Every track will guaranteely change your mood.
to:
* MoodWhiplash: Every track will guaranteely change your mood. Sometimes inbetween the songs themselves.
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* OminousPipeOrgan: One shows up on "Phantom".
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'''Side 1'''
to:
Changed line(s) 33 (click to see context) from:
'''Side 2'''
to:
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Changed line(s) 11 (click to see context) from:
Side 1
to:
Changed line(s) 33 (click to see context) from:
Side 2
to:
Added DiffLines:
* ParodyCommercial: The length of the songs is intended to mimick those of radio commercials, therefore the album title.
Added DiffLines:
* TopTenJingle: Several songs mimick this style.
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Changed line(s) 74 (click to see context) from:
--> ''That's seen the bathers fully wet
to:
--> ''That's seen the bathers fully wetwet''
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--> ''His wife had left him long ago''
--> ''For someone without skin,''
--> ''And now he faced the mirror''
--> ''And he saw a doubled chin''
--> ''He was having trouble''
--> ''And he'd had it for awhile,''
--> ''His doctor died a year ago''
--> ''She was his only child''
--> ''For someone without skin,''
--> ''And now he faced the mirror''
--> ''And he saw a doubled chin''
--> ''He was having trouble''
--> ''And he'd had it for awhile,''
--> ''His doctor died a year ago''
--> ''She was his only child''
Changed line(s) 56 (click to see context) from:
* AllThereInTheManual: The concept is explained there.
to:
* AlliterativeTitle: "'''L'''ove '''L'''eaks Out", "The '''S'''imple '''S'''ong", "The '''C'''oming of the '''C'''row", "'''M'''edicine '''M'''an", "'''R'''ed '''R'''ider", "'''W'''hen '''W'''e '''W'''ere Young".
* AllThereInTheManual: The concept is explainedthere. in the liner notes.
* AllThereInTheManual: The concept is explained
--> ''Suburban bathers own the sea''
--> ''But just between you and me''
--> ''The sun has never fully set''
--> ''That's seen the bathers fully wet
* {{Claustrophobia}}: "The Nameless Souls"
--> ''We were just the nameless souls that sit inside''
--> ''Wishing that we were someone on the outside''
--> ''Wishing that we were the ones on the outside''
--> ''Wishing that we weren't the ones who were stuck''
--> ''But just between you and me''
--> ''The sun has never fully set''
--> ''That's seen the bathers fully wet
* {{Claustrophobia}}: "The Nameless Souls"
--> ''We were just the nameless souls that sit inside''
--> ''Wishing that we were someone on the outside''
--> ''Wishing that we were the ones on the outside''
--> ''Wishing that we weren't the ones who were stuck''
Changed line(s) 61,62 (click to see context) from:
* DeadPartner:
** "Easter Woman": "He is the one who came today/ and took away my wife/ took her to an open doorway/ to the afterlife"
** "Easter Woman": "He is the one who came today/ and took away my wife/ took her to an open doorway/ to the afterlife"
to:
* DeadPartner:
**DeadPartner: "Easter Woman": "He Woman":
--> ''He is the one who cametoday/ today and took away my wife/ took wife''
--> ''Took her to an open doorway/ to theafterlife"afterlife''
**
--> ''He is the one who came
--> ''Took her to an open doorway/ to the
Changed line(s) 66 (click to see context) from:
* GriefSong: "Perfect Love": The only ever perfect love is one that gets away"
to:
* GriefSong: "Perfect Love": The Love":
--> ''The only ever perfect love is one that getsaway"away''
--> ''The only ever perfect love is one that gets
Changed line(s) 69 (click to see context) from:
* InnocenceLost: "The Loss of Innocence".
to:
* InnocenceLost: "The Loss of Innocence".Innocence", where a man visits a sideshow carnival. When he leaves "the waves of people drown the sounds of loss of innocence".
Changed line(s) 73,74 (click to see context) from:
* IWantSong: "I Want To Give It To Someone Else".
* MedicineShow: "Medecine Man".
* MedicineShow: "Medecine Man".
to:
* IWantSong: "I "(I Want To To) Give It To Someone Else".
* MedicineShow: "Medecine Man".--> ''I wanted to give it to someone else''
--> ''And hear what they would say''
--> ''I wanted to give it to someone else''
--> ''And watch them as they played''
--> ''And hear what they would say''
--> ''I wanted to give it to someone else''
--> ''And watch them as they played''
Changed line(s) 78,80 (click to see context) from:
* MurderBallad: "The Act Of Being Polite".
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being Polite".
* NoNameGiven: "The Nameless Souls".
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being Polite".
* NoNameGiven: "The Nameless Souls".
to:
* MurderBallad: "The Act Of Being Polite".
Polite", where a man kills a woman, because he was "exhausted from the act of being polite".
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of BeingPolite".
Polite" are all songs you better not play at night.
* NoNameGiven: "The NamelessSouls". Souls", about a group of people who apparently don't deserve the right to be named.
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being
* NoNameGiven: "The Nameless
Changed line(s) 82,83 (click to see context) from:
* OneWomanSong: "Margaret Freeman."
* TheOneThatGotAway and OneTrueLove: "Perfect Love": "The only ever perfect love is one that gets away"
* TheOneThatGotAway and OneTrueLove: "Perfect Love": "The only ever perfect love is one that gets away"
to:
* OneManSong: "Picnic Boy", "Floyd", "Medicine Man", "Troubled Old Man", "Nice Old Man".
* OneWomanSong: "Easter Woman", "Amber", "My Second Wife" and "MargaretFreeman."
Freeman".
* OneWordTitle: "Possessions", "Phantom", "Moisture", "Loneliness", "Fingertips".
* TheOneThatGotAway and OneTrueLove: "PerfectLove": "The Love"
--> ''The only ever perfect love is one that getsaway"away''
* OneWomanSong: "Easter Woman", "Amber", "My Second Wife" and "Margaret
* OneWordTitle: "Possessions", "Phantom", "Moisture", "Loneliness", "Fingertips".
* TheOneThatGotAway and OneTrueLove: "Perfect
--> ''The only ever perfect love is one that gets
* TheSomethingSong: "The Simple Song".
Changed line(s) 91 (click to see context) from:
* TooDumbToLive: "The Simple Song": "We're simple/ you are simple/ life is simple too."
to:
* TooDumbToLive: "The Simple Song": "We're Song"
--> ''We're simple/ you are simple/ life is simple too."''
--> ''We're simple/ you are simple/ life is simple too.
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* FaceOnTheCover: The band is shown upside down.
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Changed line(s) 82 (click to see context) from:
* OneTrueLove: "Perfect Love": "The only ever perfect love is one that gets away"
to:
* TheOneThatGotAway and OneTrueLove: "Perfect Love": "The only ever perfect love is one that gets away"
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Added potholes (Travolta/Streissand)
Changed line(s) 69 (click to see context) from:
* InvertedPortrait: On the album cover, where the eyeballs of The Residents (who are standing upside down) are the eyes of two giant people.
to:
* InvertedPortrait: On the album cover, where the eyeballs of The Residents (who are standing upside down) are the eyes of two [[Creator/JohnTravolta two]] giant people.[[Music/BarbraStreisand people]].
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Changed line(s) 4,5 (click to see context) from:
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising radio jingles, which would result in a total commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
to:
''''
!! Tracklist:
# "Easter Woman" – 1:03
# "Perfect Love" – 1:03
# "Picnic Boy" – 1:01
# "End of Home" – 1:04
# "Amber" – 1:02
# "Japanese Watercolor" – 1:02
# "Secrets" – 1:03
# "Die in Terror" – 1:03
# "Red Rider" – 1:02
# "My Second Wife" – 1:02
# "Floyd" – 1:03
# "Suburban Bathers" – 1:04
# "Dimples and Toes" – 1:03
# "The Nameless Souls" – 1:04
# "Love Leaks Out" – 1:04
# "Act of Being Polite" – 1:03
# "Medicine Man" – 1:04
# "Tragic Bells" – 1:03
# "Loss of Innocence" – 1:04
# "The Simple Song" – 1:02
# "Ups and Downs" – 1:04
# "Possessions" – 1:03
# "Give It to Someone Else" – 1:03
# "Phantom" – 1:04
# "Less Not More" – 1:03
# "My Work Is So Behind" – 1:04
# "Birds in the Trees" – 1:04
# "Handful of Desire" – 1:04
# "Moisture" – 1:04
# "Love Is..." – 1:03
# "Troubled Man" – 1:04
# "La La" – 1:04
# "Loneliness" – 1:04
# "Nice Old Man" – 1:04
# "The Talk of Creatures" – 1:04
# "Fingertips" – 1:04
# "In Between Dreams" – 1:03
# "Margaret Freeman" – 1:03
# "The Coming of the Crow" – 1:04
# "When We Were Young" – 1:02
----
!! Tracklist:
# "Easter Woman" – 1:03
# "Perfect Love" – 1:03
# "Picnic Boy" – 1:01
# "End of Home" – 1:04
# "Amber" – 1:02
# "Japanese Watercolor" – 1:02
# "Secrets" – 1:03
# "Die in Terror" – 1:03
# "Red Rider" – 1:02
# "My Second Wife" – 1:02
# "Floyd" – 1:03
# "Suburban Bathers" – 1:04
# "Dimples and Toes" – 1:03
# "The Nameless Souls" – 1:04
# "Love Leaks Out" – 1:04
# "Act of Being Polite" – 1:03
# "Medicine Man" – 1:04
# "Tragic Bells" – 1:03
# "Loss of Innocence" – 1:04
# "The Simple Song" – 1:02
# "Ups and Downs" – 1:04
# "Possessions" – 1:03
# "Give It to Someone Else" – 1:03
# "Phantom" – 1:04
# "Less Not More" – 1:03
# "My Work Is So Behind" – 1:04
# "Birds in the Trees" – 1:04
# "Handful of Desire" – 1:04
# "Moisture" – 1:04
# "Love Is..." – 1:03
# "Troubled Man" – 1:04
# "La La" – 1:04
# "Loneliness" – 1:04
# "Nice Old Man" – 1:04
# "The Talk of Creatures" – 1:04
# "Fingertips" – 1:04
# "In Between Dreams" – 1:03
# "Margaret Freeman" – 1:03
# "The Coming of the Crow" – 1:04
# "When We Were Young" – 1:02
----
Deleted line(s) 22,23 (click to see context) :
* [[HeyItsThatGuy Hey Its That Guy And Gal]]: The couple on the album cover are Creator/JohnTravolta and Creator/BarbraStreisand.
* HitlessHitAlbum: Literally, in the sense that is supposed to be a commercial album, but none of these tracks ever became hits.
* HitlessHitAlbum: Literally, in the sense that is supposed to be a commercial album, but none of these tracks ever became hits.
* ShoutOut: The couple on the album cover are Creator/JohnTravolta and Creator/BarbraStreisand.
Changed line(s) 46 (click to see context) from:
* TooDumbToLive: "The Simple Song": "We're simple/ you are simple/ life is simple too."
to:
* TooDumbToLive: "The Simple Song": "We're simple/ you are simple/ life is simple too.""
----
----
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Changed line(s) 4,5 (click to see context) from:
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising radio jingles, which would result in an total commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
to:
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising radio jingles, which would result in an a total commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
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Changed line(s) 4,5 (click to see context) from:
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising commercial spots, which would result in an excellent commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
to:
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising commercial spots, radio jingles, which would result in an excellent total commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
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None
Changed line(s) 15,16 (click to see context) from:
* DeathSong: "The Act Of Being Polite" in which a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]].
* ElectronicSpeechImpediment: "I Want To Give To Someone Else", "My Work Is So Behind".
* ElectronicSpeechImpediment: "I Want To Give To Someone Else", "My Work Is So Behind".
to:
* DeadPartner:
** "Easter Woman": "He is the one who came today/ and took away my wife/ took her to an open doorway/ to the afterlife"
* DeathSong: "Easter Woman" and "The Act Of Being Polite" in which a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]].
* ElectronicSpeechImpediment: "Easter Woman", "I Want To Give To Someone Else", "My Work Is So Behind".
** "Easter Woman": "He is the one who came today/ and took away my wife/ took her to an open doorway/ to the afterlife"
* DeathSong: "Easter Woman" and "The Act Of Being Polite" in which a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]].
* ElectronicSpeechImpediment: "Easter Woman", "I Want To Give To Someone Else", "My Work Is So Behind".
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Added DiffLines:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/residents_commercial_album_6592.jpg]]
[[caption-width-right:350:"I Want To Give It To Someone Else!"]]
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising commercial spots, which would result in an excellent commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
Of course, this album sounds everything BUT commercial, seeing that The Residents recorded it!
!! Commercial Tropes:
* AgeProgressionSong: "Troubled Old Man".
* AlternativeRock: How much more alternative can you get?
* AllThereInTheManual: The concept is explained there.
* AntiLoveSong: "Perfect Love". Could count as a BreakupSong too.
* ConceptAlbum: This might be the most rigorously-excuted concept album ever. Not only did they record 40 "pop" songs, each exactly a minute in length, but also bought up 40 one minute add spaces on San Francisco radio, effectively creating their own payola Top 40!
* CoversAlwaysLie: This is anything but a commercial album!
* DeathSong: "The Act Of Being Polite" in which a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]].
* ElectronicSpeechImpediment: "I Want To Give To Someone Else", "My Work Is So Behind".
* GriefSong: "Perfect Love": The only ever perfect love is one that gets away"
* HarshVocals: Some tracks have 'em.
* [[HeyItsThatGuy Hey Its That Guy And Gal]]: The couple on the album cover are Creator/JohnTravolta and Creator/BarbraStreisand.
* HitlessHitAlbum: Literally, in the sense that is supposed to be a commercial album, but none of these tracks ever became hits.
* IndecipherableLyrics: Some of the tracks suffer a bit from this because the music is so prominent and the voices are often distorted.
* InnocenceLost: "The Loss of Innocence".
* InvertedPortrait: On the album cover, where the eyeballs of The Residents (who are standing upside down) are the eyes of two giant people.
** One of the tracks is named "Ups and Downs", by the way.
* IsntItIronic: The album title compared to the content.
* IWantSong: "I Want To Give It To Someone Else".
* MedicineShow: "Medecine Man".
* MinisculeRocking: 40 tracks, all lasting one minute long.
* MindScrew: Hey, it's a Residents album after all!
* MoodWhiplash: Every track will guaranteely change your mood.
* MurderBallad: "The Act Of Being Polite".
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being Polite".
* NoNameGiven: "The Nameless Souls".
* NonAppearingTitle: Nowhere does the word "Commercial Album" appear on the album.
* OneWomanSong: "Margaret Freeman."
* OneTrueLove: "Perfect Love": "The only ever perfect love is one that gets away"
* RefugeInAudacity: Some of these songs are a test to your endurance. Luckily they only take up a minute each.
* RepurposedPopSong: Pop songs are transformed in to advertising jingles.
* SanitySlippageSong: Which one isn't?
* SpecialGuest: Music/LeneLovich (sings on "Picnic Boy"), Music/{{Snakefinger}}, Fred Frith and Chris Cutler (Music/HenryCow) Andy Partridge from the band Music/{{XTC}} (can be heard on "Margaret Freeman").
* SuddenMusicalEnding: Each song ends rather quickly, true to the concept of keeping them all under a minute.
* ThreeChordsAndTheTruth: Perhaps the most bizarre example. All tracks on this album are about a minute long.
* TooDumbToLive: "The Simple Song": "We're simple/ you are simple/ life is simple too."
[[caption-width-right:350:"I Want To Give It To Someone Else!"]]
"The Commercial Album" is one of the most iconic albums by Music/TheResidents, released in 1980. A ConceptAlbum built around the premise that mainstream pop songs should be combined with advertising commercial spots, which would result in an excellent commercial success. Each song on "The Commercial Album" is therefore only about a minute long, much like a radio advertising spot. Listeners are instructed to play them three times in a row to get the feeling of a typical pop song, if they want that experience.
Of course, this album sounds everything BUT commercial, seeing that The Residents recorded it!
!! Commercial Tropes:
* AgeProgressionSong: "Troubled Old Man".
* AlternativeRock: How much more alternative can you get?
* AllThereInTheManual: The concept is explained there.
* AntiLoveSong: "Perfect Love". Could count as a BreakupSong too.
* ConceptAlbum: This might be the most rigorously-excuted concept album ever. Not only did they record 40 "pop" songs, each exactly a minute in length, but also bought up 40 one minute add spaces on San Francisco radio, effectively creating their own payola Top 40!
* CoversAlwaysLie: This is anything but a commercial album!
* DeathSong: "The Act Of Being Polite" in which a man murders someone "because [[spoiler: he was exhausted from the act of being polite"]].
* ElectronicSpeechImpediment: "I Want To Give To Someone Else", "My Work Is So Behind".
* GriefSong: "Perfect Love": The only ever perfect love is one that gets away"
* HarshVocals: Some tracks have 'em.
* [[HeyItsThatGuy Hey Its That Guy And Gal]]: The couple on the album cover are Creator/JohnTravolta and Creator/BarbraStreisand.
* HitlessHitAlbum: Literally, in the sense that is supposed to be a commercial album, but none of these tracks ever became hits.
* IndecipherableLyrics: Some of the tracks suffer a bit from this because the music is so prominent and the voices are often distorted.
* InnocenceLost: "The Loss of Innocence".
* InvertedPortrait: On the album cover, where the eyeballs of The Residents (who are standing upside down) are the eyes of two giant people.
** One of the tracks is named "Ups and Downs", by the way.
* IsntItIronic: The album title compared to the content.
* IWantSong: "I Want To Give It To Someone Else".
* MedicineShow: "Medecine Man".
* MinisculeRocking: 40 tracks, all lasting one minute long.
* MindScrew: Hey, it's a Residents album after all!
* MoodWhiplash: Every track will guaranteely change your mood.
* MurderBallad: "The Act Of Being Polite".
* NightmareFuelStationAttendant: "Die In Terror", "Margaret Freeman", "My Work Is So Behind", "The Act Of Being Polite".
* NoNameGiven: "The Nameless Souls".
* NonAppearingTitle: Nowhere does the word "Commercial Album" appear on the album.
* OneWomanSong: "Margaret Freeman."
* OneTrueLove: "Perfect Love": "The only ever perfect love is one that gets away"
* RefugeInAudacity: Some of these songs are a test to your endurance. Luckily they only take up a minute each.
* RepurposedPopSong: Pop songs are transformed in to advertising jingles.
* SanitySlippageSong: Which one isn't?
* SpecialGuest: Music/LeneLovich (sings on "Picnic Boy"), Music/{{Snakefinger}}, Fred Frith and Chris Cutler (Music/HenryCow) Andy Partridge from the band Music/{{XTC}} (can be heard on "Margaret Freeman").
* SuddenMusicalEnding: Each song ends rather quickly, true to the concept of keeping them all under a minute.
* ThreeChordsAndTheTruth: Perhaps the most bizarre example. All tracks on this album are about a minute long.
* TooDumbToLive: "The Simple Song": "We're simple/ you are simple/ life is simple too."