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Changed line(s) 4 (click to see context) from:
->''As luck would have it, [[Music/MFDOOM one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics.''
to:
->''As luck would have it, [[Music/MFDOOM [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics.''
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''Madvillainy'' is the debut album by American HipHop duo Madvillain (Music/MFDOOM as MC and Madlib as producer and occasional rapper), released on March 23, 2004. It continues DOOM's concept of [[PlayingWithATrope playing with]] themes of supervillainy and trademark wordplay, while introducing Madlib's production ability.
to:
''Madvillainy'' is the debut album by American HipHop duo Madvillain (Music/MFDOOM (Music/MFDoom as MC and Madlib as producer and occasional rapper), released on March 23, 2004. It continues DOOM's concept of [[PlayingWithATrope playing with]] themes of supervillainy and trademark wordplay, while introducing Madlib's production ability.
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Changed line(s) 4 (click to see context) from:
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics.''
to:
->''As luck would have it, [[Music/MFDoom [[Music/MFDOOM one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics.''
Changed line(s) 7,11 (click to see context) from:
''Madvillainy'' is the debut album by American HipHop duo Madvillain (Music/MFDoom as MC and Madlib as producer and occasional rapper), released on March 23, 2004. It continues Doom's concept of [[PlayingWithATrope playing with]] themes of super villainy and trademark wordplay, while introducing Madlib's production ability.
While not the most commercially successful album (it peaked at number 179 on the US ''Billboard'' 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 13 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very div]][[TheyChangedItNowItSucks ided reactions]] from critics and fans alike.
While not the most commercially successful album (it peaked at number 179 on the US ''Billboard'' 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 13 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very div]][[TheyChangedItNowItSucks ided reactions]] from critics and fans alike.
to:
''Madvillainy'' is the debut album by American HipHop duo Madvillain (Music/MFDoom (Music/MFDOOM as MC and Madlib as producer and occasional rapper), released on March 23, 2004. It continues Doom's DOOM's concept of [[PlayingWithATrope playing with]] themes of super villainy supervillainy and trademark wordplay, while introducing Madlib's production ability.
While not the most commercially successful album (it peaked at number 179 on the US ''Billboard'' 200, a fair effort for an indie rap release), ''Madvillainy'' was criticallyadored, receiving adored (receiving attention from publications not usually receptive to hip-hop such as ''Magazine/TheNewYorker'', and ''Magazine/TheNewYorker''), is considered one of the greatest rap albums of its time and of all time, and has [[FollowTheLeader greatly influenced]] the 2000s next generation of musicians for DOOM's unconventional writing, Madlib's idiosyncratic production, and one the general radio-unfriendly presentation of the best hip hop records of all time.
album.
Unfortunately, [[OneBookAuthorthere has been no DOOM and Madlib have not released an official sequel to this album in the 13 15 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it released]]. The closest they've gotten was a remix album Madlib made put out in 2008, supposedly because he was supposedly unable to wait for MF Doom DOOM to record new verses. The album's complete eschewing of While it was called ''Madvillainy 2'', the album eschewed the original's beats and narrative aesthetic for completely new production production, which saw [[BrokenBase very div]][[TheyChangedItNowItSucks ided very]] [[TheyChangedItNowItSucks divided reactions]] from critics and fans alike.alike. Since then, the few times the sequel has been brought up -- often by Madlib -- have often been followed with a "maybe" answer.
While not the most commercially successful album (it peaked at number 179 on the US ''Billboard'' 200, a fair effort for an indie rap release), ''Madvillainy'' was critically
Unfortunately, [[OneBookAuthor
Changed line(s) 49 (click to see context) from:
** "Fancy Clown" also noticeably censors Doom's uses of the word "fuck".
to:
** "Fancy Clown" also noticeably censors Doom's DOOM's uses of the word "fuck".
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* ComicsRuleEverythingAroundMe
* {{Corpsing}}: The sample in the end of "America's Most Blunted" has a xylophone accidentally hitting the wrong note, leading to everyone bursting out in laughter.
* {{Corpsing}}: The sample in the end of "America's Most Blunted" has a xylophone accidentally hitting the wrong note, leading to everyone bursting out in laughter.
to:
* ComicsRuleEverythingAroundMe
ComicsRuleEverythingAroundMe: DOOM, one of the masters of this trope, embodying the role of a supervillain + Madlib sampling several old comic shows = this trope going without saying.
* {{Corpsing}}:The sample in the end of "America's Most Blunted" has a xylophone accidentally hitting the wrong note, leading to everyone bursting out in laughter.See LastNoteHilarity below.
* {{Corpsing}}:
Changed line(s) 60 (click to see context) from:
* FaceOnTheCover: Doom on the front, Madlib on the back (and the instrumentals collection).
to:
* EverybodyLaughsEnding: A rare non-visual example; see LastNoteHilarity below.
* FaceOnTheCover:Doom DOOM on the front, Madlib on the back (and the instrumentals collection).
* FaceOnTheCover:
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* GrandFinale: "Rhinestone Cowboy" was consciously made as this (with less than a week before the album was due), since the album's chief A&R wanted it to have a proper ending.
to:
* GrandFinale: {{Enforced|Trope}}; "Rhinestone Cowboy" was consciously made as this (with less than a week before the album was due), since the album's chief A&R wanted it to have a proper ending.ending. As a result, its recurring usage of the sound of applause and the subject matter of DOOM's verses makes the song feel like a conclusive victory lap for the album.
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* RougeAnglesOfSatin: {{Invoked}} at the end of "America's Most Blunted", with "marijuana" being spelt as "marijuajuana". The guy spelling it is high as a kite.
to:
* RougeAnglesOfSatin: {{Invoked}} in the sample at the end of "America's Most Blunted", with "marijuana" being spelt as "marijuajuana". The guy spelling it is high as a kite.
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* EvenBadMenLoveTheirMamas: On "All Caps", DOOM warns, "Don't talk about my moms, yo."
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Changed line(s) 53 (click to see context) from:
* {{Corpsing}}: At the end of "America's Most Blunted".
to:
* {{Corpsing}}: At The sample in the end of "America's Most Blunted".Blunted" has a xylophone accidentally hitting the wrong note, leading to everyone bursting out in laughter.
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* FadingIntoTheNextSong: "Bistro" --> "Raid" --> "America's Most Blunted" --> "Sickfit".
to:
* FadingIntoTheNextSong: FadingIntoTheNextSong:
** "Bistro" --> "Raid" --> "America's Most Blunted" --> "Sickfit".
** "Bistro" --> "Raid" --> "America's Most Blunted" --> "Sickfit".
** "Supervillain Theme" --> "All Caps".
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* GratuitousPanning: Invoked in "Money Folder", where a line about Doom bringing his mic everywhere to perform live and on ''stereo'' is panned to the left side. The next line then lampshades this by saying "Pan it".
to:
* GratuitousPanning: GrandFinale: "Rhinestone Cowboy" was consciously made as this (with less than a week before the album was due), since the album's chief A&R wanted it to have a proper ending.
* GratuitousPanning:
** Sounds in "The Illest Villains" pan through the left and right channels.
** "Bistro" pans static, telephone sounds, and voices saying "How do you do?" heavily around halfway through the song.
** Invoked in "Money Folder", where a line aboutDoom DOOM bringing his mic everywhere to perform live and on ''stereo'' is panned to the left side. The next line then lampshades this by saying "Pan it".it".
** Also exhibited near the start of "All Caps", and later in the track when a right-panned DOOM says "your mother".
* GratuitousPanning:
** Sounds in "The Illest Villains" pan through the left and right channels.
** "Bistro" pans static, telephone sounds, and voices saying "How do you do?" heavily around halfway through the song.
** Invoked in "Money Folder", where a line about
** Also exhibited near the start of "All Caps", and later in the track when a right-panned DOOM says "your mother".
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* {{Bowdlerise}}: Done deliberately in "Curls", where the line "trying to get the ass" replaces the last word with a sound effect.
to:
* {{Bowdlerise}}: {{Bowdlerise}}:
** Done deliberately in "Curls", where the line "trying to get the ass" replaces the last word with a soundeffect.effect.
** "Fancy Clown" also noticeably censors Doom's uses of the word "fuck".
* CapsLock: In "All Caps" (referring to DOOM):
-->''Just remember: all caps when you spell the man's name.''
** Done deliberately in "Curls", where the line "trying to get the ass" replaces the last word with a sound
** "Fancy Clown" also noticeably censors Doom's uses of the word "fuck".
* CapsLock: In "All Caps" (referring to DOOM):
-->''Just remember: all caps when you spell the man's name.''
* DeliberatelyMonochrome: The album cover, save for the orange square in the top right corner.
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* FaceOnTheCover: Doom on the front, Madlib on the back.
to:
* FaceOnTheCover: Doom on the front, Madlib on the back.back (and the instrumentals collection).
* HeliumSpeech: The trademark sound of Madlib's alter ego Quasimoto, who appears on "Shadows of Tomorrow".
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* RougeAnglesOfSatin: {{Invoked}} at the end of "America's Most Blunted", with marijuana being spelt as "marijuajuana". The guy spelling it is high as a kite.
to:
* RougeAnglesOfSatin: {{Invoked}} at the end of "America's Most Blunted", with marijuana "marijuana" being spelt as "marijuajuana". The guy spelling it is high as a kite.
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-->''Wow, caught me off guard.''\\
''Went to breathe in, but then she made me cough..hard.''
''Went to breathe in, but then she made me cough..hard.''
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** The point of "All Caps" is that MF DOOM wants the rap's listeners to spell his name entirely in capital letters.
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How To Create A Works Page explicitly says "No bolding is used for work titles."
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'''''Madvillainy''''' is the debut album by American HipHop duo Madvillain (Music/MFDoom as MC and Madlib as producer and occasional rapper), released on March 23, 2004. It continues Doom's concept of [[PlayingWithATrope playing with]] themes of super villainy and trademark wordplay, while introducing Madlib's production ability.
to:
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Changed line(s) 11 (click to see context) from:
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 11 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very div]][[TheyChangedItNowItSucks ided reactions]] from critics and fans alike.
to:
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 11 13 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very div]][[TheyChangedItNowItSucks ided reactions]] from critics and fans alike.
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Changed line(s) 50 (click to see context) from:
* {{Determinator}}: The ending of "Strange Ways", which samples Creator/TexAvery's ''Symphony in Slang''.
to:
* {{Determinator}}: The ending of "Strange Ways", which samples Creator/TexAvery's ''Symphony in Slang''.''WesternAnimation/SymphonyInSlang''.
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* SpellMyNameWithAnS: "Accordion" is sometimes misspelled as "Accordian".
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* YouNeedABreathMint: The subject of "Operation Lifesaver AKA Mint Test".
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* FadingIntoTheNextSong: "Accordion" ends with a snippet of the next song, "Meat Grinder", before being cut off by a RecordNeedleScratch, which is when the next song starts proper.
to:
* FadingIntoTheNextSong: "Bistro" --> "Raid" --> "America's Most Blunted" --> "Sickfit".
** A strange example: "Accordion" ends with a snippet of the next song, "Meat Grinder",before being which is cut off by a RecordNeedleScratch, which is when the next that song starts proper.
** A strange example: "Accordion" ends with a snippet of the next song, "Meat Grinder",
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* OneWordTitle: ''Madvillainy'', "Accordion", "Bistro", "Raid", "Sickfit", "Rainbow", "Curls", "Figaro", "Eye".
to:
* OneWordTitle: ''Madvillainy'', "Accordion", "Bistro", "Raid", "Sickfit", "Rainbow", "Rainbows", "Curls", "Figaro", "Eye".
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* AGlitchInTheMatrix: Referenced in "Great Day": "And I wish they fixed the door to the Matrix, there's mad glitches."
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* SubvertedRhymeEveryOccasion: In "Great Day", Doom subverts a rhyme at the end of a rhyme scheme that seamlessly segues into the ''next'' rhyme scheme.
-->Last wish: I wish I had two more wishes\\
And I wish they fixed the door to [[Film/TheMatrix the Matrix]], there's mad glitches\\
Spit so many verses sometimes my jaw twitches\\
One thing this party could use is more...\\
Booze, put yourself in your own shoes
-->Last wish: I wish I had two more wishes\\
And I wish they fixed the door to [[Film/TheMatrix the Matrix]], there's mad glitches\\
Spit so many verses sometimes my jaw twitches\\
One thing this party could use is more...\\
Booze, put yourself in your own shoes
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Changed line(s) 11 (click to see context) from:
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 11 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very divided reactions]] from critics and fans alike.
to:
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 11 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very divided div]][[TheyChangedItNowItSucks ided reactions]] from critics and fans alike.
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* AsTheGoodBookSays: "Money Folder" begins with Doom quoting John 8:7.
-->"Let he who is without sin cast the first stone"\\
After you who's last, it's Doom, he's the worst known
-->"Let he who is without sin cast the first stone"\\
After you who's last, it's Doom, he's the worst known
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* {{Determinator}}: The ending of "Strange Ways", which samples Creator/TexAvery's ''Symphony in Slang''.
-->(...) I left. Outside it was raining cats and dogs. I was feelin' mighty blue... and everything looked black...''but I carried on!''
-->(...) I left. Outside it was raining cats and dogs. I was feelin' mighty blue... and everything looked black...''but I carried on!''
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Changed line(s) 50 (click to see context) from:
* FadingIntoTheNextSong: "Accordion" begins with a snippet of the next song, "Meat Grinder", before being cut off by a RecordNeedleScratch, which is when the next song starts proper.
to:
* FadingIntoTheNextSong: "Accordion" begins ends with a snippet of the next song, "Meat Grinder", before being cut off by a RecordNeedleScratch, which is when the next song starts proper.
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Changed line(s) 77 (click to see context) from:
''He said, 'You bet your sweet ass'''\\
to:
''He said, 'You said "You bet your sweet ass'''\\ass"''\\
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-->-'''"The Illest Villains"'''
to:
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Changed line(s) 74 (click to see context) from:
-->''Curses, we's truly the worsest''
to:
-->''Curses, we's truly the worsest''worsest''\\
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----
-->''Curses, we's truly the worsest''
''With enough rhymes to spread throughout the boundless universes''\\
''Let the beat blast, she told him wear the mask''\\
''He said, 'You bet your sweet ass'''\\
''It's made of fine chrome alloy''\\
''Find him on the grind, he's the rhinestone cowboy.''
-->''Curses, we's truly the worsest''
''With enough rhymes to spread throughout the boundless universes''\\
''Let the beat blast, she told him wear the mask''\\
''He said, 'You bet your sweet ass'''\\
''It's made of fine chrome alloy''\\
''Find him on the grind, he's the rhinestone cowboy.''
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Changed line(s) 47 (click to see context) from:
* DrugsAreGood: "America's Most Blunted". Only makes this case of marijuana, though.
to:
* DrugsAreGood: "America's Most Blunted". Only makes this case Blunted" glorifies marijuana.
* EpicRocking: In an album mostly composed ofmarijuana, though.2-minute songs, "America's Most Blunted" and "Rhinestone Cowboy" are 4 minutes long.
* EpicRocking: In an album mostly composed of
* FreudianSlip: Name-dropped in "Accordion":
-->''Slip like Freudian''
-->''Slip like Freudian''
* IHaveManyNames: Doom's alter ego Viktor Vaughn is in "Fancy Clown", and Madlib's alter ego Quasimoto is in "Shadows of Tomorrow".
** The opening sample of "Money Folder" lampshades this by saying "The villain took on many forms."
** The opening sample of "Money Folder" lampshades this by saying "The villain took on many forms."
* NonAppearingTitle: Besides the instrumentals, there's "Raid" and "Fancy Clown".
Changed line(s) 60 (click to see context) from:
* {{Sampling}}: The album frequently samples pieces of 1950s media.
to:
* {{Sampling}}: Click [[http://www.whosampled.com/Madvillain/?sp=1 here]] to get a complete list of songs sampled on this album. It's pretty long.
** Thealbum frequently album's main aesthetic is built around samples pieces of 1950s media.mid 20th-century media, especially narrations of supervillains.
* SelfDeprecation: "Fancy Clown" may be hip-hop's first and only schizophrenic self-diss track.
** The
* SelfDeprecation: "Fancy Clown" may be hip-hop's first and only schizophrenic self-diss track.
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* StepUpToTheMicrophone: Madlib in "Shadows of Tomorrow".
to:
* StepUpToTheMicrophone: Madlib in "Shadows of Tomorrow".Tomorrow" is rapped by Madlib.
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Changed line(s) 7,9 (click to see context) from:
'''''Madvillainy''''' is the debut album by American HipHop duo Madvillain (Music/MFDoom as MC and Madlib as producer) released March 23, 2004. It continues Doom's concept of subverting super villainy and trademark wordplay, while introducing Madlib's production ability.
While not the most commercially successful album (it peaked at number 179 on the US Billboards 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.
While not the most commercially successful album (it peaked at number 179 on the US Billboards 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.
to:
'''''Madvillainy''''' is the debut album by American HipHop duo Madvillain (Music/MFDoom as MC and Madlib as producer) producer and occasional rapper), released on March 23, 2004. It continues Doom's concept of subverting [[PlayingWithATrope playing with]] themes of super villainy and trademark wordplay, while introducing Madlib's production ability.
While not the most commercially successful album (it peaked at number 179 on the USBillboards ''Billboard'' 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.time.
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 11 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very divided reactions]] from critics and fans alike.
While not the most commercially successful album (it peaked at number 179 on the US
Unfortunately, [[OneBookAuthor there has been no sequel to this album in the 11 years since it was released]]; well, there ''was'' a ''Madvillainy 2'' released in 2008, although it was a remix album Madlib made because he was supposedly unable to wait for MF Doom to record new verses. The album's complete eschewing of the original's beats and aesthetic for new production saw [[BrokenBase very divided reactions]] from critics and fans alike.
Added DiffLines:
* GratuitousPanning: Invoked in "Money Folder", where a line about Doom bringing his mic everywhere to perform live and on ''stereo'' is panned to the left side. The next line then lampshades this by saying "Pan it".
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* {{Bowdlerise}}: Done deliberately in "Curls", where the line "trying to get the ass" replaces the last word with a sound effect.
Changed line(s) 45,47 (click to see context) from:
* FaceOnTheCover: Doom, at least.
* FadingIntoTheNextSong: "Accordion" into "Meat Grinder".
* FrameBreak: In the [[https://www.youtube.com/watch?v=ewc1hixzYPY music video]] for All Caps (which takes the form of an animated comicbook), the main character escapes from confinement by jumping hard enough to break through the bottom of every panel all the way down to the bottom of the page.
* FadingIntoTheNextSong: "Accordion" into "Meat Grinder".
* FrameBreak: In the [[https://www.youtube.com/watch?v=ewc1hixzYPY music video]] for All Caps (which takes the form of an animated comicbook), the main character escapes from confinement by jumping hard enough to break through the bottom of every panel all the way down to the bottom of the page.
to:
* FaceOnTheCover: Doom, at least.
Doom on the front, Madlib on the back.
* FadingIntoTheNextSong: "Accordion"into begins with a snippet of the next song, "Meat Grinder".
Grinder", before being cut off by a RecordNeedleScratch, which is when the next song starts proper.
* FrameBreak: In the [[https://www.youtube.com/watch?v=ewc1hixzYPY music video]] forAll Caps "All Caps" (which takes the form of an animated comicbook), the main character escapes from confinement by jumping hard enough to break through the bottom of every panel all the way down to the bottom of the page.
* FadingIntoTheNextSong: "Accordion"
* FrameBreak: In the [[https://www.youtube.com/watch?v=ewc1hixzYPY music video]] for
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* LastNoteHilarity: The xylophone in "America's Most Blunted" hits the wrong note at the end, causing the guys in the studio to [[{{Corpsing}} break down into laughter.]]
to:
* LastNoteHilarity: The xylophone in "America's Most Blunted" hits the wrong note at the end, causing the guys in the studio (on the sample) to [[{{Corpsing}} break down into laughter.]]
Changed line(s) 60 (click to see context) from:
* SuperVillain: [[PlayingWithATrope Screwed around with]] in every way possible.
to:
* SuperVillain: [[PlayingWithATrope Screwed around with]] in every way possible.possible.
----
----
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* {{Corpsing}}: At the end of "America's Most Blunted".
Changed line(s) 48 (click to see context) from:
* LastNoteHilarity: The xylophone in "America's Most Blunted" hits the wrong note at the end, causing the guys in the studio to break down into laughter.
to:
* LastNoteHilarity: The xylophone in "America's Most Blunted" hits the wrong note at the end, causing the guys in the studio to [[{{Corpsing}} break down into laughter.]]
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* LastNoteHilarity: The xylophone in "America's Most Blunted" hits the wrong note at the end, causing the guys in the studio to break down into laughter.
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Changed line(s) 43 (click to see context) from:
* DrugsAreGood: "America's Most Blunted".
to:
* DrugsAreGood: "America's Most Blunted". Only makes this case of marijuana, though.
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* RougeAnglesOfSatin: {{Invoked}} at the end of "America's Most Blunted", with marijuana being spelt as "marijuajuana". The guy spelling it is high as a kite.
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* BadassBoast: "The Illest Villains":
-->''"Similar sequences could not be defeated. Villains who possess supernatural abilities - villains who were the personification of carnage."''
-->''"Similar sequences could not be defeated. Villains who possess supernatural abilities - villains who were the personification of carnage."''
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[[caption-width-right:350:''Played like an accordion'']]
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics''
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics''
to:
[[caption-width-right:350:''Played like an accordion'']]
accordion.'']]
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code ofethics''ethics.''
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of
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* MeaningfulName: Madvillain stems from '''Mad'''lib for the first half of the name, and from MF Doom (who's based around super villains) for the second half. ''Madvillainy'' is an insight into the duo.
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* SingerNameDrop: "The Illest Villains", as seen in the page quote.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/madvillainy.jpg]]
[[caption-width-right:350:''Played like an accordion'']]
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics''
-->-'''"The Illest Villains"'''
'''''Madvillainy''''' is the debut album by American HipHop duo Madvillain (Music/MFDoom as MC and Madlib as producer) released March 23, 2004. It continues Doom's concept of subverting super villainy and trademark wordplay, while introducing Madlib's production ability.
While not the most commercially successful album (it peaked at number 179 on the US Billboards 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.
----
!!Tracklist:
# "The Illest Villains" (1:55)
# "Accordion" (1:59)
# "Meat Grinder" (2:12)
# "Bistro" (1:08)
# "Raid" [-(ft. MED aka Medaphoar)-] (2:31)
# "America's Most Blunted" [-(ft. Lord Quas)-] (3:54)
# "Sickfit" (1:22)
# "Rainbows" (2:52)
# "Curls" (1:36)
# "Do Not Fire!" (0:53)
# "Money Folder (3:03)
# "Shadows of Tomorrow" [-(Performed by Madlib ft. Lord Quas)-] (2:36)
# "Operation Lifesaver aka Mint Test" (1:30)
# "Figaro" (2:26)
# "Hardcore Hustle" [-(ft. Wildchild)-] (1:22)
# "Strange Ways" (1:52)
# "Fancy Clown" (1:56)
# "Eye" [-(ft. Stacy Epps)-] (1:58)
# "Supervillain Theme" (0:53)
# "All Caps" (2:10)
# "Great Day" (2:17)
# "Rhinestone Cowboy" (4:02)
----
!!Tropes, more accurately, the dark side of our beings:
* AddedAlliterativeAppeal: "Hardcore Hustle".
* AlbumIntroTrack: "The Illest Villains", an introduction to Madvillain.
* AntiVillain:
-->''"The villainous pair of really nice boys who just happened to be on the wrong side of the law."''
* ComicsRuleEverythingAroundMe
* DrugsAreGood: "America's Most Blunted".
* FaceOnTheCover: Doom, at least.
* FadingIntoTheNextSong: "Accordion" into "Meat Grinder".
* FrameBreak: In the [[https://www.youtube.com/watch?v=ewc1hixzYPY music video]] for All Caps (which takes the form of an animated comicbook), the main character escapes from confinement by jumping hard enough to break through the bottom of every panel all the way down to the bottom of the page.
* {{Instrumental}}: "Sickfit", "Do Not Fire!", "Supervillain Theme".
* MinisculeRocking: "Do Not Fire!" and "Supervillain Theme".
* MyNaymeIs:
-->"And remember, ALL CAPS when you spell the man's name."
* OneWordTitle: ''Madvillainy'', "Accordion", "Bistro", "Raid", "Sickfit", "Rainbow", "Curls", "Figaro", "Eye".
* {{Sampling}}: The album frequently samples pieces of 1950s media.
* SelfTitledAlbum: [[SubvertedTrope Off by a letter]], but makes sense considering that it's meant to show who Madvillain are and what they do.
* StepUpToTheMicrophone: Madlib in "Shadows of Tomorrow".
* SuperVillain: [[PlayingWithATrope Screwed around with]] in every way possible.
[[caption-width-right:350:''Played like an accordion'']]
->''As luck would have it, [[Music/MFDoom one]] of America's two most powerful villains of the next decade is turned loose to strike terror into the hearts of men; who shock women into uncontrolled hysteria. The villains themselves were ultimately responsible for much of the popularity. Audiences loved to hate. The importance of the villain was not overlooked, of course one of the worst of all was [[SingerNameDrop Madvillain]]. They had no code of ethics''
-->-'''"The Illest Villains"'''
'''''Madvillainy''''' is the debut album by American HipHop duo Madvillain (Music/MFDoom as MC and Madlib as producer) released March 23, 2004. It continues Doom's concept of subverting super villainy and trademark wordplay, while introducing Madlib's production ability.
While not the most commercially successful album (it peaked at number 179 on the US Billboards 200, a fair effort for an indie rap release), ''Madvillainy'' was critically adored, receiving attention from publications such as ''Magazine/TheNewYorker'', and is considered one of the greatest albums of the 2000s and one of the best hip hop records of all time.
----
!!Tracklist:
# "The Illest Villains" (1:55)
# "Accordion" (1:59)
# "Meat Grinder" (2:12)
# "Bistro" (1:08)
# "Raid" [-(ft. MED aka Medaphoar)-] (2:31)
# "America's Most Blunted" [-(ft. Lord Quas)-] (3:54)
# "Sickfit" (1:22)
# "Rainbows" (2:52)
# "Curls" (1:36)
# "Do Not Fire!" (0:53)
# "Money Folder (3:03)
# "Shadows of Tomorrow" [-(Performed by Madlib ft. Lord Quas)-] (2:36)
# "Operation Lifesaver aka Mint Test" (1:30)
# "Figaro" (2:26)
# "Hardcore Hustle" [-(ft. Wildchild)-] (1:22)
# "Strange Ways" (1:52)
# "Fancy Clown" (1:56)
# "Eye" [-(ft. Stacy Epps)-] (1:58)
# "Supervillain Theme" (0:53)
# "All Caps" (2:10)
# "Great Day" (2:17)
# "Rhinestone Cowboy" (4:02)
----
!!Tropes, more accurately, the dark side of our beings:
* AddedAlliterativeAppeal: "Hardcore Hustle".
* AlbumIntroTrack: "The Illest Villains", an introduction to Madvillain.
* AntiVillain:
-->''"The villainous pair of really nice boys who just happened to be on the wrong side of the law."''
* ComicsRuleEverythingAroundMe
* DrugsAreGood: "America's Most Blunted".
* FaceOnTheCover: Doom, at least.
* FadingIntoTheNextSong: "Accordion" into "Meat Grinder".
* FrameBreak: In the [[https://www.youtube.com/watch?v=ewc1hixzYPY music video]] for All Caps (which takes the form of an animated comicbook), the main character escapes from confinement by jumping hard enough to break through the bottom of every panel all the way down to the bottom of the page.
* {{Instrumental}}: "Sickfit", "Do Not Fire!", "Supervillain Theme".
* MinisculeRocking: "Do Not Fire!" and "Supervillain Theme".
* MyNaymeIs:
-->"And remember, ALL CAPS when you spell the man's name."
* OneWordTitle: ''Madvillainy'', "Accordion", "Bistro", "Raid", "Sickfit", "Rainbow", "Curls", "Figaro", "Eye".
* {{Sampling}}: The album frequently samples pieces of 1950s media.
* SelfTitledAlbum: [[SubvertedTrope Off by a letter]], but makes sense considering that it's meant to show who Madvillain are and what they do.
* StepUpToTheMicrophone: Madlib in "Shadows of Tomorrow".
* SuperVillain: [[PlayingWithATrope Screwed around with]] in every way possible.