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* [[invoked]]WhatCouldHaveBeen: His work on ''Blade Runner 2049'' was eventually not retained for the film. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson agreed was the best course of action.

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* [[invoked]]WhatCouldHaveBeen: His work on ''Blade Runner 2049'' was eventually not retained for the film. Villeneuve later hinted that this was because Johansson's Jóhansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson Jóhansson agreed was the best course of action.


* WhatCouldHaveBeen: His work on ''Blade Runner 2049'' was eventually not retained for the film. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson agreed was the best course of action.

to:

* WhatCouldHaveBeen: [[invoked]]WhatCouldHaveBeen: His work on ''Blade Runner 2049'' was eventually not retained for the film. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson agreed was the best course of action.


* AssociatedComposer: He worked together with director Creator/DenisVilleneuve on ''Film/{{Prisoners}}'', ''Film/{{Sicario}}'' and ''Film/{{Arrival}}''. Jóhannsson was also working on Villeneuve's ''Film/BladeRunner2049'' before being replaced by Music/HansZimmer and Benjamin Wallfisch. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Jóhann agreed was the best course of action.

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* AssociatedComposer: He worked together with director Creator/DenisVilleneuve on ''Film/{{Prisoners}}'', ''Film/{{Sicario}}'' and ''Film/{{Arrival}}''. Jóhannsson was also working on Villeneuve's ''Film/BladeRunner2049'' before being replaced by Music/HansZimmer and Benjamin Wallfisch. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Jóhann agreed was the best course of action.


Added DiffLines:

* WhatCouldHaveBeen: His work on ''Blade Runner 2049'' was eventually not retained for the film. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson agreed was the best course of action.


* AssociatedComposer: He worked together with director Creator/DenisVilleneuve on ''Film/{{Prisoners}}'', ''Film/{{Sicario}}'' and ''Film/{{Arrival}}''. Jóhannsson was also working on Villeneuve's ''Film/BladeRunner2049'' before being replaced by Music/HansZimmer and Benjamin Wallfisch. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Jóhann agreed was the best course of action. One can still listen to Jóhann's contribution in [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] and [[https://www.youtube.com/watch?v=gCcx85zbxz4 trailer]] of the movie.

to:

* AssociatedComposer: He worked together with director Creator/DenisVilleneuve on ''Film/{{Prisoners}}'', ''Film/{{Sicario}}'' and ''Film/{{Arrival}}''. Jóhannsson was also working on Villeneuve's ''Film/BladeRunner2049'' before being replaced by Music/HansZimmer and Benjamin Wallfisch. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Jóhann agreed was the best course of action. One can still listen to Jóhann's contribution in [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] and [[https://www.youtube.com/watch?v=gCcx85zbxz4 trailer]] of the movie.


* ''Mary Magdalene'' [[note]]the last soundtrack he composed, in collaboration with Hildur Guðnadóttir[[/note]]

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* ''Mary Magdalene'' [[note]]the last soundtrack he composed, of his to be released (his work on ''Blade Runner 2049'' remains unreleased), in collaboration with Hildur Guðnadóttir[[/note]]


He wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements. He was friends and collaborated with fellow Icelandic musician and composer Music/HildurGudnadottir.

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He wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements. He was friends and collaborated with fellow Icelandic musician and composer Music/HildurGudnadottir.
Music/HildurGudnadottir on several albums and films.


* ''Film/Mother2017'' (sound design consultant)

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* ''Film/Mother2017'' (sound [[note]]sound design consultant)consultant[[/note]]



* ''Mary Magdalene'' (the last soundtrack he composed, in collaboration with Hildur Guðnadóttir)

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* ''Mary Magdalene'' (the [[note]]the last soundtrack he composed, in collaboration with Hildur Guðnadóttir)
Guðnadóttir[[/note]]


He wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements.

to:

He wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements.
elements. He was friends and collaborated with fellow Icelandic musician and composer Music/HildurGudnadottir.




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* ''Mary Magdalene'' (the last soundtrack he composed, in collaboration with Hildur Guðnadóttir)


* ''Film/{{Mandy 2018}}''

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* ''Film/{{Mandy 2018}}''
''Film/{{Mandy|2018}}''


* ''[[Film/Mother2017 mother!]]'' (sound design consultant)

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* ''[[Film/Mother2017 mother!]]'' ''Film/Mother2017'' (sound design consultant)


!!His filmography includes:

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!!His filmography includes:
!!Film scores he composed include:

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Jóhannsson died of an accidental overdose of cocaine combined with medication in Berlin on February 9, 2018.


Jóhann Gunnar Jóhannsson (19 September 1969 9 February 2018) was an Icelandic composer who wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements.

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Jóhann Gunnar Jóhannsson (19 September 1969 9 February 2018) was an Icelandic composer who composer.

He
wrote music for a wide array of media including theatre, dance, television and films. His work is stylised by its blending of traditional orchestration with contemporary electronic elements.
elements.






* SilenceIsGolden: ''[[Film/Mother2017 mother!]]'' used to have a score, but after Jóhann and Creator/DarrenAronofsky checked it out, they felt that it was too much, and scrapped the music, lending a hand in heightening the [[HairTriggerSoundEffect sound design]] instead.

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* SilenceIsGolden: ''[[Film/Mother2017 mother!]]'' used to have a score, but after Jóhann and Creator/DarrenAronofsky checked it out, they felt that it was too much, and scrapped the music, lending a hand in heightening the [[HairTriggerSoundEffect sound design]] instead.instead.
----


* ''[[Film/Mother2017 mother!]]''

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* ''[[Film/Mother2017 mother!]]''mother!]]'' (sound design consultant)



* AssociatedComposer: He worked together with director Creator/DenisVilleneuve on ''Film/{{Prisoners}}'', ''Film/{{Sicario}}'' and ''Film/{{Arrival}}''. Jóhannsson was also working on Villeneuve's ''Film/BladeRunner2049'' before being replaced by Music/HansZimmer and Benjamin Wallfisch. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson agreed was the best course of action. One can still listen to Johansson's contribution in [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] and [[https://www.youtube.com/watch?v=gCcx85zbxz4 trailer]] of the movie.

to:

* AssociatedComposer: He worked together with director Creator/DenisVilleneuve on ''Film/{{Prisoners}}'', ''Film/{{Sicario}}'' and ''Film/{{Arrival}}''. Jóhannsson was also working on Villeneuve's ''Film/BladeRunner2049'' before being replaced by Music/HansZimmer and Benjamin Wallfisch. Villeneuve later hinted that this was because Johansson's score was more orchestral whereas he wanted to go back to the electronic style of Music/{{Vangelis}}, something both Villeneuve and Johansson Jóhann agreed was the best course of action. One can still listen to Johansson's Jóhann's contribution in [[https://www.youtube.com/watch?v=GDscTTE-P-k the teaser]] and [[https://www.youtube.com/watch?v=gCcx85zbxz4 trailer]] of the movie.movie.
* GenreRoulette: The 2006 ''Kitchen Motors Family Album'' featured a contribution from Jóhann, "Beginning and end". The diversity in the album would influence his own musical direction as well.
* SilenceIsGolden: ''[[Film/Mother2017 mother!]]'' used to have a score, but after Jóhann and Creator/DarrenAronofsky checked it out, they felt that it was too much, and scrapped the music, lending a hand in heightening the [[HairTriggerSoundEffect sound design]] instead.

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