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* ButtMonkey: Joe.

to:

* ButtMonkey: Joe. Literally too in ''Dong Work For Yuda''.


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* PausedInterrupt:
--> ''Poor Joe, he’s getting tired of bending over. But we tried to warn him ... didn't we? ''


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* ToiletHumour: ''Why Does It Hurt When I Pee?''


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* UnusualEuphemism:
** ''Plooking''
** ''It looks just like a Telefunken U-47''.
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** The plot of this ConceptAlbum about a society where music is made illegal was directly inspired by the 1979 coup in Iran by ayatollah Khomeini. During a radio broadcast aired on July 23rd, 1979, Khomeini called for a ban on any form of music, however no specific law was edicted at the time. Khomeini said: ''Music should not be broadcast over the radio and television. Music is something that everybody is attracted to naturally, but it takes them out of reality to a futile and lowly livelihood. Like opium, music also stupefies persons listening to it and makes their brain inactive and frivolous"'' It was only some months later that the Constitution of the Islamic Republic of Iran, adopted by referendum, granted the Leader full power to appoint and dismiss the head of the Radio and Television (Chapter XII [Article 175]). Zappa even mentions this fact in the liner notes of the album.
** "Dong Work For Yuda" is full of inside jokes and anecdotes regarding Frank's then bodyguard John Smothers and his strange way of talking. His wife Freckles is referenced to. In a 1990 interview with Zappa named "They're Doing the Interview of the Century, Part 3" he explained: ''"Once upon a time, on his first trip to Copenhagen, we were playing at a place called the Falkoner Center (...) and we didn't have a limousine. I had to take a cab to the place. We get in the car. It's just this little tiny car, (laughter) not a Fiat, but maybe, slightly larger than a Fiat. You know how big John is ...(...)and it's a cab, and the driver is Danish, and he doesn't speak English. I get in the back, and John gets in the front, and the cab driver is just sittin' there, 'cause he doesn't know where to go, and John finally realizes that he must tell the driver where to go, so, he just turns to him, and goes, "FALCUM." (laughter), and the guy looks at him, y'know, kinda lookin' up like this, and John goes, "FALCUM." (...) and the guy DOESN'T KNOW WHAT'S GOING ON. And then, John gets vehement. He goes, "TAKE ME TO THE FALCUM!"''.

to:

** The plot of this ConceptAlbum about a society where music is made illegal was directly inspired by the 1979 coup in Iran UsefulNotes/{{Iran}} by ayatollah Khomeini. During a radio broadcast aired on July 23rd, 1979, Khomeini called for a ban on any form of music, however no specific law was edicted at the time. Khomeini said: ''Music should not be broadcast over the radio and television. Music is something that everybody is attracted to naturally, but it takes them out of reality to a futile and lowly livelihood. Like opium, music also stupefies persons listening to it and makes their brain inactive and frivolous"'' It was only some months later that the Constitution of the Islamic Republic of Iran, adopted by referendum, granted the Leader full power to appoint and dismiss the head of the Radio and Television (Chapter XII [Article 175]). Zappa even mentions this fact in the liner notes of the album.
** "Dong Work For Yuda" is full of inside jokes and anecdotes regarding Frank's then bodyguard John Smothers and his strange way of talking. His wife Freckles is referenced to.too. In a 1990 interview with Zappa named "They're Doing the Interview of the Century, Part 3" he explained: ''"Once upon a time, on his first trip to Copenhagen, we were playing at a place called the Falkoner Center (...) and we didn't have a limousine. I had to take a cab to the place. We get in the car. It's just this little tiny car, (laughter) not a Fiat, but maybe, slightly larger than a Fiat. You know how big John is ...(...)and it's a cab, and the driver is Danish, and he doesn't speak English. I get in the back, and John gets in the front, and the cab driver is just sittin' there, 'cause he doesn't know where to go, and John finally realizes that he must tell the driver where to go, so, he just turns to him, and goes, "FALCUM." (laughter), and the guy looks at him, y'know, kinda lookin' up like this, and John goes, "FALCUM." (...) and the guy DOESN'T KNOW WHAT'S GOING ON. And then, John gets vehement. He goes, "TAKE ME TO THE FALCUM!"''.

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* BigWhat: Happens in "A Token Of My Extreme".
--> '''Joe''': "Are you telling me I should come out the closet now, Mr. Ron?"
--> '''L. Ron Hoover''': "No my son, you must go INTO THE CLOSET!"
--> '''Joe''': "What?"
--> '''L. Ron Hoover''': "And you will have..."
--> '''Joe''': "He?"
--> '''L. Ron Hoover''': "... a lot of fun!"


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* FlatWhat: Happens in "A Token Of My Extreme".
--> '''Joe''': "Are you telling me I should come out the closet now, Mr. Ron?"
--> '''L. Ron Hoover''': "No my son, you must go INTO THE CLOSET!"
--> '''Joe''': "What?"
--> '''L. Ron Hoover''': "And you will have..."
--> '''Joe''': "He?"
--> '''L. Ron Hoover''': "... a lot of fun!"
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---
''Information is not knowledge, knowledge is not wisdom, wisdom is not truth, truth is not beauty, beauty is not love, love is not music, music is the best!''

to:

---
----
-->
''Information is not knowledge, knowledge is not wisdom, wisdom is not truth, truth is not beauty, beauty is not love, love is not music, music is the best!''

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* ArmouredClosetGay: Subverted, Joe is told to get ''into the closet'' to have sex with a ''plooking'' robot.



* BeliefMakesYouStupid: In ''A Token Of My Extreme'' Joe joins the cult Appliantology where he gets worthless advice, but still has to pay a huge sum for it.



* BigWhat: Happens in "A Token Of My Extreme".
--> '''Joe''': "Are you telling me I should come out the closet now, Mr. Ron?"
--> '''L. Ron Hoover''': "No my son, you must go INTO THE CLOSET!"
--> '''Joe''': "What?"
--> '''L. Ron Hoover''': "And you will have..."
--> '''Joe''': "He?"
--> '''L. Ron Hoover''': "... a lot of fun!"



* BlackComedyRape: See PrisonRape

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* BlackComedyRape: See PrisonRapePrisonRape.



* BrokenRecord: "The white zone is for loading and unloading only. If you gotta load or unload go to the white zone".

to:

* BrokenRecord: BreakingTheFourthWall: Happens a few times on the album.
--> ''If you're in the audience and like what we do
--> ''Well, we want you to know that we like you all too'' - "Packard Goose".
--> Zappa breaks the entire mood during the last song ''A Little Green Rosetta'' by saying ''Maybe I should just turn off my plastic megaphone voice''.
* BrokenRecord:
**
"The white zone is for loading and unloading only. If you gotta load or unload go to the white zone".
--> And the same old chords goin' over 'n' over
-->Became a symphony
-->We would play it again 'n' again 'n' again
-->'Cause it sounded good to me
-->ONE MORE TIME!
-->We could jam in Joe's Garage
-->His mama was screamin' "TURN IT DOWN!"
-->We was playing' the same old song
-->In the afternoon 'n' sometimes we would
-->Play it all night long
-->It was all we knew, and easy too
-->So we wouldn't get it wrong
-->Even if you played it on a saxophone



** The lines "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone" are heard all throughout the album, during "The Central Scrutinizer", "Joe's Garage", "A Token Of My Extreme" and "He Used To Cut The Grass".



** The lines "Hear the steam, See the steam, Hear the steaming hot black screaming, Iridescent naugahyde python gleaming steam roller") from "Stick It Out" are a throwback to "Latex Solar Beef" from Zappa's "Fillmore East, June 1971" (1971).



** The line "That looks like that stuff Freckles lets out once a month" in "Dong Work For Yuda" would later reappear during "Won Ton On" from "Thing-Fish" (1985).
** A ''magical pig'', named Squat, is mentioned during ''Stick It Out'' and ''Sy Borg''.



** The robot with whom Joe has intercourse ''looks like a cross between a vacuum cleaner and a chrome piggy bank''. Vacuum cleaner imagery appeared earlier on albums like ''Music/HotRats'' (1969), ''Chunga's Revenge'' (1970), ''Film/TwoHundredMotels'' (1971) and ''Music/OneSizeFitsAll'' (1975).



** Joe sings "Oh No, I don't believe it!", a throwback to ''Oh No'' from ''Music/LumpyGravy'' (1968) and ''Music/WeaselsRippedMyFlesh'' (1969)
** The line "Beauty is a French phonetic corruption of a short cloth neck ornament currently in resurgence." in "Packard Goose" refers to a bow-tie, imagery that appeared before in Zappa's music, most notably "Bow-Tie Daddy" from ''Music/WereOnlyInItForTheMoney'' (1968).
** ''"Sounds like an elegant gypsy"'' in ''Packard Goose'' refers to gypsy imagery that appeared earlier in Zappa's work, like ''Who Needs The Peace Corps?'' from ''Music/WereOnlyInItForTheMoney'' (1968) and "Gypsy Mutant Vacuum Cleaner" from ''Chunga's Revenge'' (1970).



* CorruptChurch: The First Church of Appliantology is basically demanding fees for giving pretty worthless advice.

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* CorruptChurch: The First Church of Appliantology is basically demanding fees for giving pretty worthless advice. Father Riley B. Jones in "Dong Work For Yuda" also sings songs to the other prisoners, while some of them are gangraped by other men. And the Catholic Girls in ''Catholic Girls'' are apparently not that chaste.



* EmbarrassingNickname: "Bald-Headed John, King of the Plookers".



* FakeMemories:
--> ''Poor Joe, he’s getting tired of bending over. But we tried to warn him... didn't we? ''
* GriefSong: ''Lucille Has Messed My Mind Up'', ''Watermelon In Easter Hay''.



** "Don't you be tarot-fied..." - ''Token Of My Extreme''.
** "Beauty is a French phonetic corruption of a short cloth neck ornament currently in resurgence" (Note: a pun on "bow-tie").



* {{Lampshading}}: "Because this is a stupid song and that’s the way I like it" - ''A Little Green Rosetta''.



--> "Because this is a stupid song and that’s the way I like it!"



* NoCelebritiesWereHarmed: L. Ron ''Hoover'' and his Church of ''Appliantology''.

to:

* NoCelebritiesWereHarmed: NoCelebritiesWereHarmed:
**
L. Ron ''Hoover'' and his Church of ''Appliantology''.''Appliantology'' reference L. Ron Hubbard, founder of Scientology.
** The group Toad-O is a thinly disguised jab at the rock band Toto, best known for ''Hold the Line'' (1979) and ''Africa'' (1983).
* ObligatoryBondageSong: ''Sy Borg'' has the line: "How's about some bondage and humilitation?".



* OneWomanSong: "Lucille (Has Messed My Mind Up)"

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* OneWomanSong: "Lucille ''Lucille (Has Messed My Mind Up)"Up)''.
* OverlyLongTitle: ''Watermelon in Easter Hay'' was originally titled: ''Playing A Guitar Solo With This Band Is Like Trying To Grow A Watermelon In Easter Hay'', thus said Zappa during his Star Special radio appearance on BBC Radio 1, 1980.
* PoliceBrutality: The band is arrested for noise pollution on orders of Officer Butzis.
* [[ThePowerOfRock The Power Of Music]]: ''Information is not knowledge, knowledge is not wisdom, wisdom is not truth, truth is not beauty, beauty is not love, love is not music, music is the best!''



* ProductPlacement: A Dodge car, Fender Stratocaster and Beatle Boots are mentioned during the title track. Ronald Mcdonald from Mcdonalds is mentioned during ''Packard Goose''.



* RagingStiffie: "Stick It Out"

to:

* PunBasedTitle: ''A Token Of My Extreme'' instead of "a token of my esteem".
* RagingStiffie: "Stick ''Stick It Out"Out''.



** "Dong Work For Yuda" is full of inside jokes regarding Frank's then bodyguard John Smothers and his strange way of talking.

to:

** Zappa regularly traveled by plane and while waiting in the lobbies of many American airports he would hear the announcement ''The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!'' over and over again. (For non-American readers: this phrase informs passengers and travellers that they can load or unload luggage in the white curb of the airport.) One can imagine how tedious listening to the mind numbing pointless phrase could get. Zappa included it during many songs on this album.
** The plot of this ConceptAlbum about a society where music is made illegal was directly inspired by the 1979 coup in Iran by ayatollah Khomeini. During a radio broadcast aired on July 23rd, 1979, Khomeini called for a ban on any form of music, however no specific law was edicted at the time. Khomeini said: ''Music should not be broadcast over the radio and television. Music is something that everybody is attracted to naturally, but it takes them out of reality to a futile and lowly livelihood. Like opium, music also stupefies persons listening to it and makes their brain inactive and frivolous"'' It was only some months later that the Constitution of the Islamic Republic of Iran, adopted by referendum, granted the Leader full power to appoint and dismiss the head of the Radio and Television (Chapter XII [Article 175]). Zappa even mentions this fact in the liner notes of the album.
** "Dong Work For Yuda" is full of inside jokes and anecdotes regarding Frank's then bodyguard John Smothers and his strange way of talking.talking. His wife Freckles is referenced to. In a 1990 interview with Zappa named "They're Doing the Interview of the Century, Part 3" he explained: ''"Once upon a time, on his first trip to Copenhagen, we were playing at a place called the Falkoner Center (...) and we didn't have a limousine. I had to take a cab to the place. We get in the car. It's just this little tiny car, (laughter) not a Fiat, but maybe, slightly larger than a Fiat. You know how big John is ...(...)and it's a cab, and the driver is Danish, and he doesn't speak English. I get in the back, and John gets in the front, and the cab driver is just sittin' there, 'cause he doesn't know where to go, and John finally realizes that he must tell the driver where to go, so, he just turns to him, and goes, "FALCUM." (laughter), and the guy looks at him, y'know, kinda lookin' up like this, and John goes, "FALCUM." (...) and the guy DOESN'T KNOW WHAT'S GOING ON. And then, John gets vehement. He goes, "TAKE ME TO THE FALCUM!"''.
* TheReasonYouSuckSpeech: ''Packard Goose'', a huge TakeThat aimed at rock journalists and critics.
* RepurposedPopSong: ''Lucille Has Messed My Mind Up'' was originally a song from a 1969 album by Jeff Simmons, produced by Zappa himself.



** "Catholic Girls" refers to "Catholic boys'' and namedrops Warren Cuccurullo and Vinnie Colaiuta, two Zappa band members.



** In "A Little Green Rosetta," Zappa references both "Jamming" by Music/BobMarley and "I'm The Japanese Sandman" by The Cellos.
* SpokenWordInMusic: The Central Scrutinizer narrates. Also the track ''Wet T-Shirt Nite'' is more or less a spoken word sketch, with some singing narration.

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** In the liner notes for ''Outside Now'' the following line can be read: ''"And sure enough JOE dreams up a few of those guitar notes that every executive despises: those low ones. Every exec knows it's only the records with the high squeally ones that get to be hits, except for Music/DuaneEddy."''
** In "A Little Green Rosetta," Zappa references both "Jamming" by Music/BobMarley and "I'm The Japanese Sandman" by The Cellos. \n He also mentions Steve Gadd, at the time one of the highest paid session drummers of all time ("Hey! And we've flown in, at great expense - triple scale, no less, ladies and gentlemen. Steve Gadd's clone to play the out-chorus on this song. He’s really outa-site, in spite of the fact that the click track is totally irrelevant to what he's doing now. I’m listening to the click, yes I'm suffering with the click track right now. This guy is totally out of sync with it, but what the fuck! Ed Mann will call him up later, show him the sign.")
** ''Water Melon In Easter Hay'' is used over the end credits of ''Film/YTuMamaTambien'' (2001).
* SpokenWordInMusic: The Central Scrutinizer narrates. The shouting by Mrs. Borg and police officer Butzis are also spoken. Also the track ''Wet T-Shirt Nite'' is more or less a spoken word sketch, with some singing narration.



* SurprisinglyGentleSong: Between all the comedy songs about rock bands, male prison rape and sex with robots ''Lucille Has Messed My Mind Up'' is a quite sweet love song and ''Watermelon In Easter Hay'' is a moving tragic guitar solo.
* TakeThat: This album pokes fun at rock bands, heavy metal, glitter rock, disco, new wave, the music industry, catholic girls, groupies, Scientology (under the disguise of Appliantology), the government, the band Toto (referred to as ''Toad-O''), music censorship, rock critics and journalists, punk and Zappa's bodyguard John Smothers.



* WhyDoYouKeepChangingJobs: Father Riley goes from being a Catholic priest at the start of the story ("Catholic Girls") to an MC at a BikiniBar ("Wet T-Shirt Nite") to being the chaplain at the prison Joe is sent to.

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* WhyDoYouKeepChangingJobs: Father Riley goes from being a Catholic priest at the start of the story ("Catholic Girls") (''Catholic Girls'') to an MC at a BikiniBar ("Wet (''Wet T-Shirt Nite") Nite'') to being the chaplain at the prison Joe is sent to.to (''Dong Work For Yuda'').
---
''Information is not knowledge, knowledge is not wisdom, wisdom is not truth, truth is not beauty, beauty is not love, love is not music, music is the best!''

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* MundaneMadeAwesome: Wet t-shirt contests (''Wet T-Shirt Nite'') and working in a muffin factory (''A Little Green Rosetta'') are actually pretty catchy songs.



* SpokenWordInMusic: The Central Scrutinizer narrates.

to:

* SpokenWordInMusic: The Central Scrutinizer narrates. Also the track ''Wet T-Shirt Nite'' is more or less a spoken word sketch, with some singing narration.
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!!!The White Zone is for troping and un-troping only. If you have to typ tropes, go to the White Zone. You'll love it. It's a way of life.

to:

!!!The White Zone is for troping and un-troping only. If you have to typ tropes, trope, go to the White Zone. You'll love it. It's a way of life.
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Added DiffLines:

** ''Make way for the iron sausage'' in ''Dong Work For Yuda'', references the ''night of the iron sausage'' in ''The Torture Never Stops'' from Zappa's ''Zoot Allures'' (1976). Sausage imagery also appeared during ''St. Alphonso's Pancake Breakfast'' on ''Music/{{Apostrophe}}'' (1974).
** ''On The Bus'' evokes tour bus imagery, as happened before on ''A Pound For A Brown On The Bus'' from ''Music/UncleMeat'' (1969) and ''Hah! Good God! Get off the bus!'' in ''St. Alphonso's Pancake Breakfast'' from ''Music/{{Apostrophe}}'' (1974).
** A frenzy is mentioned at the start of ''Watermelon in Easter Hay''. Frenzies were referenced earlier on the albums ''Music/OverNiteSensation'' (1973) (during ''Dirty Love''), ''Music/{{Apostrophe}}'' (1974) (during ''Father O' Blivion''), ''Zappa In New York'' (1978) (during ''Honey Don't You Want A Man Like Me?'') and ''You Can't Do That On Stage Anymore, Volume 4'' (1991) ((during ''Smell My Beard'')

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[[quoteright:224:http://static.tvtropes.org/pmwiki/pub/images/s_garage_6147.jpg]]
[[caption-width-right:224:Not approved by the Central Scrutinizer.]]

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[[quoteright:224:http://static.[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/s_garage_6147.org/pmwiki/pub/images/s_garage_album_4693.jpg]]
[[caption-width-right:224:Not [[caption-width-right:350:Not approved by the Central Scrutinizer.]]



!!!The White Zone is for troping and un-troping only. If you have to trope, go to the White Zone. You'll love it. It's a way of life.

to:

!!!The White Zone is for troping and un-troping only. If you have to trope, typ tropes, go to the White Zone. You'll love it. It's a way of life.


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** ''Leather'', mentioned during '''Crew Slut'' (''I'm into leather...'') and ''Sy Borg'' (''Little leather cap and trousers'') is a conceptual continuity example mentioned earlier in Zappa's work, during ''Carolina Hard-Core Ecstasy'' (''Plastic leather 14 triple D.'') from ''Bongo Fury'' (1975) and ''Broken Hearts Are For Assholes'' and ''We Gotta Get Into Something Real'' from ''Music/SheikYerbouti'' (1979).
** The entire monologue from the end of ''Dancin' Fool'' from ''Music/SheikYerbouti'' (1979) is repeated again near the end of ''Stick It Out''. The phrase ''What's a girl like you doing in a place like this?'' was used earlier during ''What Kind Of Girl Do You Think We Are?'' from ''Fillmore East, 1971'' (1971).
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Added DiffLines:

* GroupieBrigade: ''Crew Slut'', ''On The Bus'', ''Why Does It Hurt When I Pee?'' deals with groupies.
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* OneManSong: ''Joe's Garage''.

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* AntiquatedLinguistics: The lead vocals in "Dong Work For Yuda", which are an imitation of Zappa's bodyguard John Smothers' strange way of speaking.



* EpicRocking: "Packard Goose" (11:34) is the longest example, but much of the album counts, including Lucille Has Messed My Mind Up (7:17), Sy Borg (8:56), Keep It Greasey (8:22), He Used to Cut the Grass (8:35), Watermelon In Easter Hay (9:09), and A Little Green Rosetta (8:15).

to:

* EpicRocking: "Packard Goose" (11:34) is the longest example, but much of the album counts, including Lucille "Lucille Has Messed My Mind Up Up" (7:17), Sy Borg "Sy Borg" (8:56), Keep "Keep It Greasey Greasey" (8:22), He "He Used to Cut the Grass Grass" (8:35), Watermelon "Watermelon In Easter Hay Hay" (9:09), and A "A Little Green Rosetta Rosetta" (8:15).



** Appliantology is not even a good pun on Scientology!

to:

** Appliantology Appliantology, which is not even a good pun on Scientology!



* RealLifeWritesThePlot: Zappa too was once jailed for "conspiracy to make pornography" (just a tape full of sex noises) and spent much of his prison time imagining guitar solos in his cell.

to:

* RealLifeWritesThePlot: RealLifeWritesThePlot:
**
Zappa too was once jailed for "conspiracy to make pornography" (just a tape full of sex noises) and spent much of his prison time imagining guitar solos in his cell. cell.
** "Dong Work For Yuda" is full of inside jokes regarding Frank's then bodyguard John Smothers and his strange way of talking.
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* WaxingLyrical: During "Sy Borg" Joe is having sex with a robot, but gets to excited, causing the robot to malfunction and shout: "You're plooking too hard! Plooking too hard on me!" This is a reference to the 1966 song "Pushin' Too Hard" by The Seeds.

to:

* WaxingLyrical: During "Sy Borg" Joe is having sex with a robot, but gets to too excited, causing the robot to malfunction and shout: "You're plooking too hard! Plooking too hard on me!" This is a reference to the 1966 song "Pushin' Too Hard" by The Seeds.
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** In "Sy Borg" the robot sings he'll go "aaaaalll the waaaaay!" This is a reference to Frank Sinatra's song "All The Way". In the same song he also claims Joe is "pushin' too hard, pushin' too hard on me", which is a reference to "Pushin' Too Hard" by The Seeds.
** In "A Little Green, Rosetta" Zappa references both "Jamming" by Music/BobMarley as the evergreen "I'm The Japanese Sandman".

to:

** In "Sy Borg" the robot sings he'll go "aaaaalll the waaaaay!" This is a reference to Frank Sinatra's Creator/FrankSinatra's song "All The Way". In the same song he also claims Joe is "pushin' too hard, pushin' too hard on me", which is a reference to "Pushin' Too Hard" by The Seeds.
** In "A Little Green, Rosetta" Green Rosetta," Zappa references both "Jamming" by Music/BobMarley as the evergreen and "I'm The Japanese Sandman".Sandman" by The Cellos.

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Wet Sari Scene is renamed to Sexy Soaked Shirt per TRS. Wet Sari Scene page remains as Bollywood specific subtrope.


* SexySoakedShirt: In the form of wet T-shirt contest: "Wet T-Shirt Nite", of course!



* [[WetSariScene Wet T-Shirt Contest]]: "Wet T-Shirt Nite", of course!
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Added DiffLines:

* WaxingLyrical: During "Sy Borg" Joe is having sex with a robot, but gets to excited, causing the robot to malfunction and shout: "You're plooking too hard! Plooking too hard on me!" This is a reference to the 1966 song "Pushin' Too Hard" by The Seeds.
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* STDImmunity: Averted ''hard'' with Lucille and Joe in "Why Does It Hurt When I Pee?"

to:

* STDImmunity: Averted ''hard'' with Lucille and Joe in "Why Does It Hurt When I Pee?"

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* MediumAwareness: Exhibited in "Sy Borg" when Joe mentions to the Central Scrutinizer that he is unable to pay due to having given all his money to L. Ron Hoover "a couple of songs ago".

to:

* MediumAwareness: Exhibited in "Sy Borg" when Joe mentions to the Central Scrutinizer that he is unable to pay due to having given Borg":
-->"But I can't pay\\
I gave
all his money to L. Ron Hoover "a couple of my money\\
To some kinda groovy\\
religious guy...\\
Two
songs ago".ago..."
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'''''Joe's Garage''''' is a 1979 RockOpera by Music/FrankZappa that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: ''Joe's Garage Part I'' (a single album) and ''Joe's Garage Parts II and III' (a double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.

to:

'''''Joe's Garage''''' is a 1979 RockOpera by Music/FrankZappa that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: ''Joe's Garage Part I'' (a single album) and ''Joe's Garage Parts II and III' III'' (a double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.



** The line "What is that? Musk?" in "Packard Goose" is a reference to "Dental Hygiene Dilemma" from ''Film/TwoHundredMotels''.

to:

** The line "What is that? Musk?" in "Packard Goose" is a reference to "Dental Hygiene Dilemma" from ''Film/TwoHundredMotels''.''[[Film/TwoHundredMotels 200 Motels]]''.

Added: 100

Changed: 438

Removed: 486

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Joe's Garage is a 1979 RockOpera by Music/FrankZappa that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's Garage Part I (a single album) and Joe's Garage Parts II and III (a double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.

to:

Joe's Garage '''''Joe's Garage''''' is a 1979 RockOpera by Music/FrankZappa that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's ''Joe's Garage Part I I'' (a single album) and Joe's ''Joe's Garage Parts II and III III' (a double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.



* AudienceParticipation: The presenter of the wet t-shirt nite interacts with the lustful audience.



* AudienceParticipation: The presenter of the wet t-shirt nite interacts with the lustful audience.



* BiggerIsBetterInBed: Bald-Headed John. [[spoiler:Inverted, as he's the one who [[PrisonRape rapes Joe]] and the whole point of ''Dong Work for Yuda'' is that it will ''hurt''.]]

to:

* BiggerIsBetterInBed: Bald-Headed John. [[spoiler:Inverted, as he's the one who [[PrisonRape rapes Joe]] and the whole point of ''Dong "Dong Work for Yuda'' Yuda" is that it will ''hurt''.]]



** The line "That looks like that stuff that Freckles lets out once a month" can be heard in "Dong Work For Yuda". On the album "Thing-Fish" during the song "Won Ton On" the same line is repeated again.
** The line "What is that? Musk?" in "Packard Goose" is a reference to "Dental Hygiene Dilemma" from TwoHundredMotels.
** In "Crew Slut" and "Sy Borg" a thing that "looks just like a TeleFunken U-47" is mentioned.

to:

** The line "That looks like that stuff that Freckles lets out once a month" can be heard "What is that? Musk?" in "Dong Work For Yuda". On the album "Thing-Fish" during the song "Won Ton On" the same line "Packard Goose" is repeated again.a reference to "Dental Hygiene Dilemma" from ''Film/TwoHundredMotels''.
** The line "What is that? Musk?" in "Packard Goose" is a reference to "Dental Hygiene Dilemma" from TwoHundredMotels.
** In "Crew Slut" and "Sy Borg" a thing that "looks just like a TeleFunken [=TeleFunken=] U-47" is mentioned.



* IncrediblyLamePun:

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* IncrediblyLamePun: [[{{Pun}} Incredibly Lame Pun]]:



* JustForFun: That CrowningMomentOfAwesome line in "A Little Green Rosetta": "'cause this is a stupid song/ and that's the way I like it!"



** In "Cy Borg" the robot sings he'll go "aaaaalll the waaaaay!" This is a reference to Frank Sinatra's song "All The Way". In the same song he also claims Joe is "pushin' too hard, pushin' too hard on me", which is a reference to "Pushin' To Hard" by The Seeds.
** In "A Little Green, Rosetta" Zappa references both "Jamming" by BobMarley as the evergreen "I'm The Japanese Sandman".

to:

** In "Cy "Sy Borg" the robot sings he'll go "aaaaalll the waaaaay!" This is a reference to Frank Sinatra's song "All The Way". In the same song he also claims Joe is "pushin' too hard, pushin' too hard on me", which is a reference to "Pushin' To Too Hard" by The Seeds.
** In "A Little Green, Rosetta" Zappa references both "Jamming" by BobMarley Music/BobMarley as the evergreen "I'm The Japanese Sandman".



* STDImmunity: Averted ''hard'' with Lucille and Joe in "Why Does It Hurt When I Pee?"
* ThrowItIn: The final track "A Little Green Rosetta" has nothing to do with the rest of the story, but is just thrown in as a more amusing closing song.

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* STDImmunity: Averted ''hard'' with Lucille and Joe in "Why Does It Hurt When I Pee?"
* ThrowItIn: The final track "A Little Green Rosetta" has nothing to do with the rest of the story, but is just thrown in as a more amusing closing song.
Pee?"

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* [[spoiler:DownerEnding: Joe gives up at the end, and simply retreats into his room so he can play one last imaginary guitar solo before he comes back to sanity and gets a job at the Utility Muffin Research Kitchen.]]


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* [[spoiler:DownerEnding: Joe gives up at the end, and simply retreats into his room so he can play one last imaginary guitar solo before he comes back to sanity and gets a job at the Utility Muffin Research Kitchen.]]

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[[quoteright:224:http://static.tvtropes.org/pmwiki/pub/images/s_garage_6147.jpg]]
[[caption-width-right:224:Not approved by the Central Scrutinizer.]]



* AudienceParticipation: The presenter of the wet t-shirt nite interacts with the lustful audience.
* AllMenArePerverts: They gangbang groupies, organize wet t-shirt contests, have sex with robots or rape fellow prisoners.



* AllWomenAreLustful: "And Mary is the kind of red-blooded American girl who'll do anything... [I said anything!]... for fifty bucks."



* BawdySong: "Catholic Girls", "Crew Slut", "On The Bus", "Wet T-Shirt Nite", "Stick It Out", "Cy Borg", "Bald Headed John" and "Keep It Greasy".



* BilingualBonus: "Stick It Out" is sang in GratuitousGerman.



* BrokenRecord: "The white zone is for loading and unloading only. If you gotta load or unload go to the white zone".
* ButtMonkey: Joe.
* CallBack and ContinuityNod:
** Mrs. Crabgrass can be heard near the end of the song "Joe's Garage" and "He Used To Cut The Grass".
** The line "That looks like that stuff that Freckles lets out once a month" can be heard in "Dong Work For Yuda". On the album "Thing-Fish" during the song "Won Ton On" the same line is repeated again.
** The line "What is that? Musk?" in "Packard Goose" is a reference to "Dental Hygiene Dilemma" from TwoHundredMotels.
** In "Crew Slut" and "Sy Borg" a thing that "looks just like a TeleFunken U-47" is mentioned.
** The Utility Muffin Research Kitchen in "A Little Green Rosetta" is a throwback to "Muffin Man" from "Bongo Fury".
** Chrome, a popular thing in Zappa's lyrics, can be heard here again:
*** During "A Token Of My Extreme": "That looks like it's a cross between an industrial vacuum cleaner and a chrome piggy bank with marital aids stuck all over its body..."
*** During "Stick It Out": "See the chrome, feel the chrome"
*** "Sy Borg": "This is exciting, I never plooked a tiny chrome-plated machine..."
*** "Packard Goose": The liner notes mention that "enormous flabby short cloth neck ornaments" work their "hidden chrome snap attachments" as they resurge in the direction of the White Zone seeking snack material near the Utensil Shrines of Greater America.



* CrapsackWorld
* CreatorCameo: Zappa is the voice of the Central Scrutinizer.
* {{Corpsing}}: Zappa clearly finds the word "plooking" hilarious. Every time he says it he cracks up.
* CorruptChurch: The First Church of Appliantology is basically demanding fees for giving pretty worthless advice.
* {{Dedication}}: "A Little Green Rosetta" is dedicated to the people of France, Spain, Mongolia, the Third World, the Fourth World and Taiwan.



* EvilLaugh: The Central Scrutinizer at the start of "Water Melon In Easter Hay".
* FadingIntoTheNextSong: The Central Scrutinizer links everything together.
* HumansAreBastards



* IncrediblyLamePun:
** "Here at the Brasserie... home of the tits, huh-huh!"
** Appliantology is not even a good pun on Scientology!



* JustForFun: That CrowningMomentOfAwesome line in "A Little Green Rosetta": "'cause this is a stupid song/ and that's the way I like it!"
* LackOfEmpathy: The Central Scrutinizer finds Joe's demise funny.



* OneWomanSong: "Lucille (Has Messed My Mind Up)"



* ProtestSong: In "Packard Goose" Zappa lashes out against music critics.
* RagingStiffie: "Stick It Out"
* RealLifeWritesThePlot: Zappa too was once jailed for "conspiracy to make pornography" (just a tape full of sex noises) and spent much of his prison time imagining guitar solos in his cell.



* SesquipedalianLoquaciousness: Joe is told to stick closer to "church-oriented social activities".
* ShoutOut:
** In "Cy Borg" the robot sings he'll go "aaaaalll the waaaaay!" This is a reference to Frank Sinatra's song "All The Way". In the same song he also claims Joe is "pushin' too hard, pushin' too hard on me", which is a reference to "Pushin' To Hard" by The Seeds.
** In "A Little Green, Rosetta" Zappa references both "Jamming" by BobMarley as the evergreen "I'm The Japanese Sandman".
* SpokenWordInMusic: The Central Scrutinizer narrates.



* STDImmunity: Averted ''hard'' with Lucille and Joe.

to:

* STDImmunity: Averted ''hard'' with Lucille and Joe.Joe in "Why Does It Hurt When I Pee?"
* ThrowItIn: The final track "A Little Green Rosetta" has nothing to do with the rest of the story, but is just thrown in as a more amusing closing song.
* TooDumbToLive: Mary in "Crew Slut" has no idea what kind of "present" the boys in the crew have for her. In "Wet T-Shirt Nite" she's not particularly bright either.


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* WolfWhistle: Can be heard several times during "Wet T-Shirt Nite".
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The story starts with the Central Scrutinizer introducing the premise of the tale: this is a government-sponsored album about how music can mess you up. It then moves on to tell the tale of Joe, who started a rock band as the government was planning to outlaw music, and what happened after he got arrested for disturbing the peace. Soon enough, his girlfriend Mary leaves him and turns into a slut, his priest becomes an MC at a Florida bar, and he contracts an STD from a girl he met named Lucille. With nowhere to go, he eventually turns to the [[ChurchOfHappyology Church of Appliantology]] and pays them 50 dollars to learn that he is apparently a [[Robosexual latent appliance fetishist]]. This in mind, he learns German and dresses up as a housewife before going into a bar called "The Closet" that apparently caters to appliances. After picking one up, he takes it home and ends up breaking it. For this, he is arrested and taken to jail. Specifically, he is put in a special jail for people in the music business, as the government has just enacted a law banning music.

to:

The story starts with the Central Scrutinizer introducing the premise of the tale: this is a government-sponsored album about how music can mess you up. It then moves on to tell the tale of Joe, who started a rock band as the government was planning to outlaw music, and what happened after he got arrested for disturbing the peace. Soon enough, his girlfriend Mary leaves him and turns into a slut, his priest becomes an MC at a Florida bar, and he contracts an STD from a girl he met named Lucille. With nowhere to go, he eventually turns to the [[ChurchOfHappyology Church of Appliantology]] and pays them 50 dollars to learn that he is apparently a [[Robosexual [[{{Robosexual}} latent appliance fetishist]]. This in mind, he learns German and dresses up as a housewife before going into a bar called "The Closet" that apparently caters to appliances. After picking one up, he takes it home and ends up breaking it. For this, he is arrested and taken to jail. Specifically, he is put in a special jail for people in the music business, as the government has just enacted a law banning music.
Is there an issue? Send a MessageReason:
None


* AllThereInTheManual: The story is easier to understand if you read the liner notes. This is especially true of the reasoning behind the premise, which is found in said notes.



* RippedFromTheHeadlines: The basic premise was inspired by Iran making rock music illegal during the Iranian Revolution.



* [[WetSariScene Wet T-Shirt Contest]]: "Wet T-Shirt Nite", of course!

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* [[WetSariScene Wet T-Shirt Contest]]: "Wet T-Shirt Nite", of course!course!
* WhyDoYouKeepChangingJobs: Father Riley goes from being a Catholic priest at the start of the story ("Catholic Girls") to an MC at a BikiniBar ("Wet T-Shirt Nite") to being the chaplain at the prison Joe is sent to.
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* [[spoiler:DownerEnding: Joe gives up at the end, and simply retreats into his room so he can play one last imaginary guitar solo before he comes back to sanity and gets a job at the Utility Muffin Research Kitchen.

to:

* [[spoiler:DownerEnding: Joe gives up at the end, and simply retreats into his room so he can play one last imaginary guitar solo before he comes back to sanity and gets a job at the Utility Muffin Research Kitchen.]]
Is there an issue? Send a MessageReason:
None


Joe's Garage is a 1979 RockOpera by Music/{{FrankZappa}} that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's Garage Part I (a single album) and Joe's Garage Parts II and III (a double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.

to:

Joe's Garage is a 1979 RockOpera by Music/{{FrankZappa}} Music/FrankZappa that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's Garage Part I (a single album) and Joe's Garage Parts II and III (a double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.
Is there an issue? Send a MessageReason:
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* BreadEggsBreadedEggs: During the wet T-shirt contest:
-->'''Ike Willis''': "I know you want someone to show you some tits. Big ones...wet ones...big wet ones!"

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Adding tropes.


-->''Opening lines of the album.''

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-->''Opening -->'''Opening lines of the album.''
album'''



While in prison, he is [[PrisonRape raped]] many times, and when he eventually gets out, has gone somewhat insane, a condition not helped by the fact that music is illegal and he so has nothing to do. Instead, he becomes sullen and withdrawn, and decides to "dwindle off into the twilight realm of my own secret thoughts", wherein he dreams of imaginary guitar notes that he knows would irritate all the music executives that tortured him. [[spoiler:He continues to wander around town, dreaming of guitar notes, until eventually he realizes that the notes only exist in his mind. As such, he goes into his room, plays one last imaginary guitar solo (Watermelon in Easter Hay), and then hocks his guitar in order to get a job at the Utility Muffin Research Factory.]] The album closes with the Central Scrutinizer pointing out once again that yes, music can really mess you up, and singing the last song on the album in order to prove it.

to:

While in prison, he is [[PrisonRape raped]] many times, and when he eventually gets out, has gone somewhat insane, a condition not helped by the fact that music is illegal and he so has nothing to do. Instead, he becomes sullen and withdrawn, and decides to "dwindle off into the twilight realm of my own secret thoughts", wherein he dreams of imaginary guitar notes that he knows would irritate all the music executives that tortured him. [[spoiler:He continues to wander around town, dreaming of guitar notes, until eventually he realizes that the notes only exist in his mind. As such, he goes into his room, plays one last imaginary guitar solo (Watermelon in Easter Hay), and then hocks his guitar in order to get a job at the Utility Muffin Research Factory.Kitchen.]] The album closes with the Central Scrutinizer pointing out once again that yes, music can really mess you up, and singing the last song on the album in order to prove it.it.

----
!!!The White Zone is for troping and un-troping only. If you have to trope, go to the White Zone. You'll love it. It's a way of life.
*ArcWords: "The White Zone is for loading and unloading only. If you have to load, go to the White Zone. You'll love it. It's a way of life."
*BaldOfEvil: Bald-Headed John, of course.
*BigBad: From the listener's perspective, it's the Central Scrutinizer. However, in-universe, music (and to a lesser extent Joe) is the big bad of the story.
*BiggerIsBetterInBed: Bald-Headed John. [[spoiler:Inverted, as he's the one who [[PrisonRape rapes Joe]] and the whole point of ''Dong Work for Yuda'' is that it will ''hurt''.]]
*BlackComedyRape: See PrisonRape
*CatholicSchoolGirlsRule: "Catholic Girls", an entire song dedicated to this trope.
*[[ChurchOfHappyology Church Of Appliantology]]: Joe visits it and ends up paying fifty dollars to L. Ron Hoover for his consultation.
*ConceptAlbum
*[[spoiler:DownerEnding: Joe gives up at the end, and simply retreats into his room so he can play one last imaginary guitar solo before he comes back to sanity and gets a job at the Utility Muffin Research Kitchen.
*EpicRocking: "Packard Goose" (11:34) is the longest example, but much of the album counts, including Lucille Has Messed My Mind Up (7:17), Sy Borg (8:56), Keep It Greasey (8:22), He Used to Cut the Grass (8:35), Watermelon In Easter Hay (9:09), and A Little Green Rosetta (8:15).
*HumiliationConga: In a way, the [[UpToEleven whole ''album'']] is this for Joe.
*IntercourseWithYou: "Crew Slut", "Stick It Out", and (in a much creepier variant) "Keep It Greasey".
**"Wet T-Shirt Nite" is a borderline example.
*MediumAwareness: Exhibited in "Sy Borg" when Joe mentions to the Central Scrutinizer that he is unable to pay due to having given all his money to L. Ron Hoover "a couple of songs ago".
*MyGirlIsASlut: Lucille is one. [[spoiler:Also, Mary, although Joe refuses to believe this.]]
*MyGirlIsNotASlut: Joe thinks this about Mary.
*NoCelebritiesWereHarmed: L. Ron ''Hoover'' and his Church of ''Appliantology''.
*PrisonRape: "Dong Work for Yuda" and "Keep It Greasey" are all over this. Also, to a lesser extent, "Outside Now".
*{{Robosexual}}: The entire [[ChurchOfHappyology Church Of Appliantology]] seems to be built around this trope, and Joe becomes one on advice from L. Ron Hoover. It ends up getting him thrown into jail.
*StartOfDarkness: The Central Scrutinizer presents the title track as such.
*STDImmunity: Averted ''hard'' with Lucille and Joe.
*[[WetSariScene Wet T-Shirt Contest]]: "Wet T-Shirt Nite", of course!

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Hopefully this works as a summation.


[[quoteright:350:http://upload.wikimedia.org/wikipedia/en/9/9a/Zappa_Joe%27s_Garage.jpg]]



Joe's Garage is a 1979 RockOpera by Music/{{FrankZappa}} that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's Garage Part I (a single album) and Joe's Garage Parts II and III (a DoubleAlbum). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.

The story starts with the Central Scrutinizer introducing the premise of the tale: this is a government-sponsored album about how music can mess you up. It then moves on to tell the tale of Joe, who started a rock band as the government was planning to outlaw music, and what happened after he got arrested for disturbing the peace. Soon enough, his girlfriend Mary leaves him and turns into a slut, his priest becomes an MC at a Florida bar, and he contracts an STD from a girl he met named Lucille. With nowhere to go, he eventually turns to the [[ChurchOfHappyology Church of Appliantology]] and pays them 50 dollars to learn that he is apparently a [[Robosexual latent appliance fetishist]]. This in mind, he learns German and dresses up as a housewife before going into a bar called "The Closet" that apparently caters to appliances. After picking one up, he takes it home and ends up breaking it. For this, he is arrested and taken to jail. Specifically, he is put in a special jail for musicians, as the government has just enacted a law banning music.

to:

Joe's Garage is a 1979 RockOpera by Music/{{FrankZappa}} that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's Garage Part I (a single album) and Joe's Garage Parts II and III (a DoubleAlbum).double album). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.

The story starts with the Central Scrutinizer introducing the premise of the tale: this is a government-sponsored album about how music can mess you up. It then moves on to tell the tale of Joe, who started a rock band as the government was planning to outlaw music, and what happened after he got arrested for disturbing the peace. Soon enough, his girlfriend Mary leaves him and turns into a slut, his priest becomes an MC at a Florida bar, and he contracts an STD from a girl he met named Lucille. With nowhere to go, he eventually turns to the [[ChurchOfHappyology Church of Appliantology]] and pays them 50 dollars to learn that he is apparently a [[Robosexual latent appliance fetishist]]. This in mind, he learns German and dresses up as a housewife before going into a bar called "The Closet" that apparently caters to appliances. After picking one up, he takes it home and ends up breaking it. For this, he is arrested and taken to jail. Specifically, he is put in a special jail for musicians, people in the music business, as the government has just enacted a law banning music.music.

While in prison, he is [[PrisonRape raped]] many times, and when he eventually gets out, has gone somewhat insane, a condition not helped by the fact that music is illegal and he so has nothing to do. Instead, he becomes sullen and withdrawn, and decides to "dwindle off into the twilight realm of my own secret thoughts", wherein he dreams of imaginary guitar notes that he knows would irritate all the music executives that tortured him. [[spoiler:He continues to wander around town, dreaming of guitar notes, until eventually he realizes that the notes only exist in his mind. As such, he goes into his room, plays one last imaginary guitar solo (Watermelon in Easter Hay), and then hocks his guitar in order to get a job at the Utility Muffin Research Factory.]] The album closes with the Central Scrutinizer pointing out once again that yes, music can really mess you up, and singing the last song on the album in order to prove it.
Is there an issue? Send a MessageReason:
Still working on this page.

Added DiffLines:

[[quoteright:350:http://upload.wikimedia.org/wikipedia/en/9/9a/Zappa_Joe%27s_Garage.jpg]]

->''"Hello. This is the Central Scrutinizer."''
-->''Opening lines of the album.''

Joe's Garage is a 1979 RockOpera by Music/{{FrankZappa}} that follows the trials and tribulations of Joe, a guitarist in a world where music has been made illegal. It is told through the eyes of the Central Scrutinizer, who reminds us throughout how music can mess you up. Originally, it was released as two albums: Joe's Garage Part I (a single album) and Joe's Garage Parts II and III (a DoubleAlbum). On CD, the first disc consists of Part I and the first half of Part II and the second disc contains the rest of the album.

The story starts with the Central Scrutinizer introducing the premise of the tale: this is a government-sponsored album about how music can mess you up. It then moves on to tell the tale of Joe, who started a rock band as the government was planning to outlaw music, and what happened after he got arrested for disturbing the peace. Soon enough, his girlfriend Mary leaves him and turns into a slut, his priest becomes an MC at a Florida bar, and he contracts an STD from a girl he met named Lucille. With nowhere to go, he eventually turns to the [[ChurchOfHappyology Church of Appliantology]] and pays them 50 dollars to learn that he is apparently a [[Robosexual latent appliance fetishist]]. This in mind, he learns German and dresses up as a housewife before going into a bar called "The Closet" that apparently caters to appliances. After picking one up, he takes it home and ends up breaking it. For this, he is arrested and taken to jail. Specifically, he is put in a special jail for musicians, as the government has just enacted a law banning music.

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