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The band have [[https://www.britishseapower.co.uk a Web site]] with the usual news, videos, merchandise, and such.

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The band have [[https://www.britishseapower.co.uk a Web site]] with the usual news, videos, merchandise, and such.
such. In 2021, [[https://www.theguardian.com/music/2021/aug/09/british-sea-power-change-name-to-avoid-antagonistic-nationalism-connotations they renamed themselves simply “Sea Power”]] to avoid associations with “isolationist, antagonistic nationalism” which they saw as a current problem.

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* ClimateChange: “Oh Larsen B” deals with the collapse of an Antarctic ice-shelf, while “Canvey Island” appears to deal with a fear of the consequences of climate change.


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* GlobalWarming: “Oh Larsen B” deals with the collapse of an Antarctic ice-shelf, while “Canvey Island” appears to deal with a fear of the consequences of climate change.

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Renamed per TRS


* ClimateChange: “Oh Larsen B” deals with the collapse of an Antarctic ice-shelf, while “Canvey Island” appears to deal with a fear of the consequences of climate change.



* GlobalWarming: “Oh Larsen B” deals with the collapse of an Antarctic ice-shelf, while “Canvey Island” appears to deal with a fear of the consequences of climate change.
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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery, and they also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. This is balanced by the ability to produce quality rock music ranging from punky to pop. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a couple of documentaries, and worked with brass bands to create new arrangements of their songs. They also contributed the sound for the UrbanFantasy RolePlayingGame ''VideoGame/DiscoElysium''.

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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery, and they also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. This is balanced by the ability to produce quality rock music ranging from punky to pop. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a couple of documentaries, and worked with brass bands to create new arrangements of their songs. They also contributed the sound soundtrack for the UrbanFantasy RolePlayingGame ''VideoGame/DiscoElysium''.
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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery, and they also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. This is balanced by the ability to produce quality rock music ranging from punky to pop. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a couple of documentaries, and worked with brass bands to create new arrangements of their songs.

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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery, and they also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. This is balanced by the ability to produce quality rock music ranging from punky to pop. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a couple of documentaries, and worked with brass bands to create new arrangements of their songs.
songs. They also contributed the sound for the UrbanFantasy RolePlayingGame ''VideoGame/DiscoElysium''.
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** The Albert of “Albert's Eyes” appears to be UsefulNotes/AlbertEinstein.
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** ‘The Lonely’ gives a nod to Music/{{Liberace}}.
* TakeThat: ‘No Lucifer’ contains a few burns aimed at Pope Benedict XVI.

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** ‘The Lonely’ “The Lonely” gives a nod to Music/{{Liberace}}.
* TakeThat: ‘No Lucifer’ “No Lucifer” contains a few burns aimed at Pope Benedict XVI.
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** ‘The Lonely’ gives a nod to Liberace.

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** ‘The Lonely’ gives a nod to Liberace.Music/{{Liberace}}.
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** ‘The Lonely’ gives a nod to Liberace.
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* VillainWithGoodPublicity: The subject of the song "The Voice of Ivy Lee" (On ''Let the Dancers Inherit the Party'') is presumably a bad person with excellent PR. (Ivy Lee was the inventor of the modern public relations industry.)

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* VillainWithGoodPublicity: The subject of the song "The Voice of Ivy Lee" (On (on the album ''Let the Dancers Inherit the Party'') is presumably a bad person with excellent PR. (Ivy Lee was the inventor of the modern public relations industry.)
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* VillainWithGoodPublicity: The subject of the song "The Voice of Ivy Lee" (On ''Let the Dancers Inherit the Party'') is presumably a bad person with excellent PR. (Ivy Lee was the inventor of the modern public relations industry.)
-->''How could you refute such a godly lover\\
A taste in your mouth you could never release\\
And after all there'll be no other\\
Just algorithms in the breeze...''
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* AlbumTitleDrop: The title of the album ''Let the Dancers Inherit the Party'' is dropped twice in the song "Praise for Whatever":
-->''And in a world of extremities\\
We all are accessories\\
So let the dancers inherit the party\\
...\\
And in a world made of allegories\\
Tell me what are you supposed to be\\
Oh let the dancers inherit the party''
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* TakeThat: ‘No Lucifer’ contains a few barns aimed at Pope Benedict XVI

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* TakeThat: ‘No Lucifer’ contains a few barns burns aimed at Pope Benedict XVIXVI.
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* TakeThat: ‘No Lucifer’ contains a few barns aimed at Pope Benedict XVI
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* CrowdChant: Live performances of “No Lucifer” tend to inspire this response with its opening chant of “Easy! Easy!”.
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** The title of the album ''Machineries of Joy'' invokes ashort storycollection by Creator/RayBradbury.

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** The title of the album ''Machineries of Joy'' invokes ashort storycollection a short story collection by Creator/RayBradbury.
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** The title of the album ''Machineries of Joy'' invokes Creator/RayBradbury.

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** The title of the album ''Machineries of Joy'' invokes ashort storycollection by Creator/RayBradbury.

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* ShoutOut: To early 1960s British songwriter Geoff Goddard, in “Radio Goddard”.

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* ShoutOut: To early ShoutOut:
** The title of the album ''Machineries of Joy'' invokes Creator/RayBradbury.
** Early
1960s British songwriter Geoff Goddard, in Goddard is referenced by the song “Radio Goddard”.
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* AnachronisticSoundtrack: The band's soundtrack for the 1934 Irish "fictional documentary" ''Man of Aran'' makes no particular effort to match itself to the period, or the low-tech community depicted in the movie.

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* AnachronisticSoundtrack: The band's soundtrack for the 1934 Irish "fictional documentary" “fictional documentary” ''Man of Aran'' makes no particular effort to match itself to the period, or the low-tech community depicted in the movie.
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-->''I think I took a little too much\

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-->''I think I took a little too much\much\\
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-->Noble

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-->Noble-->-- Noble
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->''We kind of exist in our own world...''
-->Noble
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* DrugsAreBad: One might guess that the frenetic “K Hole” isn’t entirely in favour of recreational ketamine use.
-->''I think I took a little too much\
We may be in some trouble...''
* GlobalWarming: “Oh Larsen B” deals with the collapse of an Antarctic ice-shelf, while “Canvey Island” appears to deal with a fear of the consequences of climate change.

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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a couple of documentaries, and worked with brass bands to create new arrangements of their songs.

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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery.imagery, and they also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a couple of documentaries, and worked with brass bands to create new arrangements of their songs.


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* LongRunnerLineUp: The band have been quite stable in membership, with just one departure from their initial line-up once it was settled, and a couple of guest musicians being eased into full membership.
* ShoutOut: To early 1960s British songwriter Geoff Goddard, in “Radio Goddard”.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/british_sea_power_band.jpg]]
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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a number of documentaries, and worked with brass bands to create new arrangements of their songs.

to:

The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem to have a particular taste for mid-20th-century British imagery. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a number couple of documentaries, and worked with brass bands to create new arrangements of their songs.
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British Sea Power (BSP) are an indie rock band based in [[UsefulNotes/HomeCounties Brighton]], England, although three of the band members originally came from Cumbria, off to the [[OopNorth north]], and some of the band met at Reading University. Their first album (''The Decline of British Sea Power'') was released in 2003, and they've been recording and performing pretty much continuously ever since. Since 2008, their line-up has consisted of Jan Scott Wilkinson ("Yan") on vocals and guitar, Neil Hamilton Wilkinson ("Hamilton") on vocals, bass, and guitar, Martin Noble ("Noble") on guitar and keyboards, Matthew Wood ("Wood") on drums, Abi Fry on viola and keyboards, and Phil Sumner on cornet, keyboards, and guitar.

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British Sea Power (BSP) are an indie rock IndieRock band based in [[UsefulNotes/HomeCounties Brighton]], England, although three of the band members originally came from Cumbria, off to the [[OopNorth north]], and some of the band met at Reading University. Their first album (''The Decline of British Sea Power'') was released in 2003, and they've been recording and performing pretty much continuously ever since. Since 2008, their line-up has consisted of Jan Scott Wilkinson ("Yan") on vocals and guitar, Neil Hamilton Wilkinson ("Hamilton") on vocals, bass, and guitar, Martin Noble ("Noble") on guitar and keyboards, Matthew Wood ("Wood") on drums, Abi Fry on viola and keyboards, and Phil Sumner on cornet, keyboards, and guitar.
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YMMV entry


* GeniusBonus: Songs about floods in 1950s England, melting Antarctic ice shelfs, and early '60s British songwriters are entirely typical of the band.

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The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem ti have a particular taste for mid-20th-century British imagery. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. They

The band have [[https://www.britishseapower.co.uk a Web site]] with the usual news, videos, merchandise, and such.

to:

The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem ti to have a particular taste for mid-20th-century British imagery. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. They

Alongside relatively conventional songwriting and performance, BSP have created well-regarded soundtracks for a number of documentaries, and worked with brass bands to create new arrangements of their songs.

The band have [[https://www.britishseapower.co.uk a Web site]] with the usual news, videos, merchandise, and such.such.

!! Tropes Associated with BSP:

* AnachronisticSoundtrack: The band's soundtrack for the 1934 Irish "fictional documentary" ''Man of Aran'' makes no particular effort to match itself to the period, or the low-tech community depicted in the movie.
* GeniusBonus: Songs about floods in 1950s England, melting Antarctic ice shelfs, and early '60s British songwriters are entirely typical of the band.
----
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British Sea Power (BSP) are an indie rock band based in [[UsefulNotes/HomeCounties Brighton]], England, although three of the band members originally came from Cumbria, off to the [[OopNorth north]], and some of the band met at Reading University. Their first album (''The Decline of British Sea Power'') was released in 2003, and they've been recording and performing pretty much continuously ever since. Since 2008, their line-up has consisted of Jan Scott Wilkinson ("Yan") on vocals and guitar, Neil Hamilton Wilkinson ("Hamilton") on vocals, bass, and guitar, Martin Noble ("Noble") on guitar and keyboards, Matthew Wood ("Wood") on drums, Abi Fry on viola and keyboards, and Phil Sumner on cornet, keyboards, and guitar.

The band are noted for an eccentric approach to their work, verging on the {{Cloudcuckoolander}}; they seem ti have a particular taste for mid-20th-century British imagery. This is balanced by the ability to produce quality rock music ranging from punky to pop. They also have a taste for playing in unusual venues such as a club on the Isles of Scilly, Village Halls, the Czech Embassy in London, caves in Cornwall, museums, libraries and sea forts. They

The band have [[https://www.britishseapower.co.uk a Web site]] with the usual news, videos, merchandise, and such.

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