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** ''Film/TheEvilDead'' starts the series with a splash, with its shoestring budget and grocery-store gore effects combining into a bloody mess that earned it the title of most violent film in 1979 and a comfortable spot on the VideoNasties list. From a simple pencil jabbed into the ankle, to the dismemberment of the demonically-possessed Deadites, to a finale featuring claymation demons melting like really gory candle wax, it's no wonder the crew struggled with the MPAA to not get an X rating, even with the multicolored Deaite blood.

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** ''Film/TheEvilDead'' starts the series with a splash, with its shoestring budget and grocery-store gore effects combining into a bloody mess that earned it the title of most violent film in 1979 and a comfortable spot on the VideoNasties list. From a simple pencil jabbed into the ankle, to the dismemberment of the demonically-possessed Deadites, to a finale featuring claymation demons melting like really gory candle wax, it's no wonder the crew struggled with the MPAA to not get an X rating, even with the multicolored Deaite Deadite blood.
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* ''Franchise/EvilDead:
** ''Film/TheEvilDead'' starts the series with a splash, with its shoestring budget and grocery-store gore effects combining into a bloody mess that earned it the title of most violent film in 1979 and a comfortable spot on the VideoNasties list. From a simple pencil jabbed into the ankle, to the dismemberment of the demonically-possessed Deadites, to a finale fearing claymation demons melting like really gory candle wax, it's no wonder the crew struggled with the MPAA to not get an X rating, even with the multicolored Deaite blood.

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* ''Franchise/EvilDead:
''Franchise/EvilDead'':
** ''Film/TheEvilDead'' starts the series with a splash, with its shoestring budget and grocery-store gore effects combining into a bloody mess that earned it the title of most violent film in 1979 and a comfortable spot on the VideoNasties list. From a simple pencil jabbed into the ankle, to the dismemberment of the demonically-possessed Deadites, to a finale fearing featuring claymation demons melting like really gory candle wax, it's no wonder the crew struggled with the MPAA to not get an X rating, even with the multicolored Deaite blood.
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* ''Film/ReAnimator'' and its sequels are billed as some of the goriest films of all time, packing their run-times with so much blood, guts, transgressive sexuality, and pitch-black humor that Creator/StuartGordon elected to start his own studio rather than subject his vision to censors and risk it getting edited into oblivion. When an opening scene featuring exploding eyeballs is considered one of the tamer gags, you know you're in for a wild ride, as proven when the climax redefines "giving head".

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* ''Film/EvilDead2'', in line with the increasingly comedic tone of the series, featured gallons of stage blood of various colors and visual gags involving zombie parts as it essentially parodied its own (more straightfaced) prequel.
* ''Film/EvilDead2013'', which is bloodier by far than the original series and features graphic dismemberings and mutilations (some self-inflicted), including a more brutal version of the original's tree-rape scene.

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* ''Franchise/EvilDead:
** ''Film/TheEvilDead'' starts the series with a splash, with its shoestring budget and grocery-store gore effects combining into a bloody mess that earned it the title of most violent film in 1979 and a comfortable spot on the VideoNasties list. From a simple pencil jabbed into the ankle, to the dismemberment of the demonically-possessed Deadites, to a finale fearing claymation demons melting like really gory candle wax, it's no wonder the crew struggled with the MPAA to not get an X rating, even with the multicolored Deaite blood.
**
''Film/EvilDead2'', in line with the increasingly comedic tone of the series, featured gallons of stage blood of various colors and visual gags involving zombie parts as it essentially parodied its own (more straightfaced) prequel.
* ** ''Film/EvilDead2013'', which is bloodier by far than the original series and features graphic dismemberings dismemberments and mutilations (some self-inflicted), including a more brutal version of the original's tree-rape scene.
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* ''Film/StreetTrash'' is a splatstick exploitation film centered around a liquor store owner who starts selling bottles of Tenafly Viper from the 1920s to the homeless for a dollar a pop... with the minor drawback that anyone who drinks the booze soon melts into a puddle of steaming day-glo ooze while screaming in horror. Of course, since the creators state that they wanted to offend as many people as possible, this only provides a loose framework for other gags like implied necrophilia,a cop deliberately vomiting on a mafia boss he just fought, and a game of keep-away involving a character's town-off manhood.

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* ''Film/StreetTrash'' is a splatstick exploitation film centered around a liquor store owner who starts selling bottles of Tenafly Viper from the 1920s to the homeless for a dollar a pop... with the minor drawback that anyone who drinks the booze soon melts into a puddle of steaming day-glo ooze while screaming in horror. Of course, since the creators state that they wanted to offend as many people as possible, this only provides a loose framework for other gags like implied necrophilia,a cop deliberately vomiting on a mafia boss he just fought, and a game of keep-away involving a character's town-off torn-off manhood.
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** ''Film/TokyoGorePolice'' centers around a world where people called Engineers are able to produce weapons out of any injury. The Engineer Hunters fighting this menace are assisted by Ruka, who has become very good at killing them during her hunt for the assassin that killed her father. However, the plot can easily get lost in the BodyHorror, [[ImAHumanitarian cannibalism]], self-harm, HighPressureBlood that allows people to fly, and state-sanctioned sadism on display. Fortunately, a curious viewer gets an early warning in case he has a weak stomach: the first [[YourHeadAsplode exploding head]] occurs a bit over a minute in.
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* ''Film/StreetTrash'' is a splatstick exploitation film centered around a liquor store owner who starts selling bottles of Tenafly Viper from the 1920s to the homeless for a dollar a pop... with the minor drawback that anyone who drinks the booze soon melts into a puddle of steaming day-glo ooze while screaming in horror. Of course, since the creators state that they wanted to offend as many people as possible, this only provides a loose framework for other gags like implied necrophilia,a cop deliberately vomiting on a mafia boss he just fought, and a game of keep-away involving a character's town-off manhood.
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* The ''VideoGame/GodOfWar'' games offer this in spades as the VillainProtagonist Kratos plows his way through humans and mythical monsters alike with all the brutality of a wheat thresher with anger management issues. Many of his finishers involve ripping off a Gorgon's head or force-feeding a minotaur one of his chain-blades, and even the gods and godlike beings he faces down are torn to pieces, with the only concession to their higher power level being how long he has to beat on them with how many power-ups. The death of Poseidon in particular is pretty brutal even for the series, as Kratos beats his face in with his bare hands, shown from Poseidon's ever-messier point of view.


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[[folder:Western Animation]]
* ''WesternAnimation/MrPickles'' offers us the BlackComedy adventures of an adorable border collie who just loves his owner Tommy Goodman... when he isn't using innocent bystanders as fodder for his demonic sadism. People get mutilated and flayed alive in punishment for often relatively minor offenses, but mainly anyone who would threaten or insult Tommy.
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[[folder:Web Animation]]
* ''WebAnimation/HappyTreeFriends'' is a series of animated shorts centering around a gang of fuzzy woodland creatures that seem to be unaware that they are in a SadistShow set in a CrapsaccharineWorld. Rare is the character that does not suffer graphic injuries or death in any given episode, though [[CrossesTheLineTwice whether the result is horrifying or hilarious is left as an exercise for the viewer]].
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* Even the Franchise/DoctorWhoExpandedUniverse got into this with the Literature/PastDoctorAdventures novel ''Rags'' by Mick Lewis, in which a demonically-possessed undead punk rock group create a HatePlague near every gig they play, with spectacularly gruesome results. It's one of the darkest works under the ''Doctor Who'' banner in any medium.
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* ''Film/TheToxicAvenger'', known as the film that built the house of Creator/{{Troma}}, is a superhero black comedy splatter film that marked the point when Troma transitioned from sex comedies to exclusively horror films. It takes elements from the teen and superhero genres and turns them up to their most gruesome extreme, including high school bullies that deliberately run over a kid on a bicycle so that his head is smashed like a watermelon, toxic waste [[NoOSHACompliance that just happens to be sitting around]] turning a 98-pound weakling into a deformed superhero [[BlindAndTheBeast who eventually gets a blind girlfriend]], said superhero fighting crime through graphic dismemberment and bloodshed, and generally all of the schlockiest special effects one could possibly stomach. This film went on to spawn a franchise that spanned four movies, a short-lived animated series (!), a musical (!!), and a beat-em-up video game.
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** ''Film/SplatterNakedBlood'' starts with an experimental painkiller that turns pain into pleasure, given to three women during a trial of a new birth control. This leads two of the women to mutilate themselves in a blissful bloodbath: one of them cutting off bits of herself (especially erogenous zones) and eating them, and the other piercing her flesh with anything pointy she can get her hands on until she looks like a Cenobite from a jewelry boutique.

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** ''Film/SplatterNakedBlood'' ''Splatter: Naked Blood'' starts with an experimental painkiller that turns pain into pleasure, given to three women during a trial of a new birth control. This leads two of the women to mutilate themselves in a blissful bloodbath: one of them [[{{Autocannibalism}} cutting off bits of herself (especially erogenous zones) and eating them, them]], and the other [[MalevolentMutilation piercing her flesh with anything pointy she can get her hands on until she looks like a Cenobite from a jewelry boutique.boutique]].

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* The ''Guinea Pig'' films are a series of six Japanese horror films from the 1980s and 1990s that gained global notoriety mainly for the first two films (''The Devil's Experiment'' and ''Flower of Flesh and Blood''), which led to the producer needing to prove that nobody was actually hurt or killed during the graphic torture and dismemberment sequences, as well as for the sixth film (''Devil Woman Doctor'') being found in the possession of Japanese serial killer Tsutomu Miyazaki. In particular, ''Flower of Flesh and Blood'' scared Creator/CharlieSheen so badly that he called the FBI to report a snuff film.



* ''Film/IchiTheKiller'' is an insane fever-dream of a yakuza film whose title character is capable of sexually-charged berserker rages that tend to leave his enemies as little more than a fresh coat of paint on the walls. Add to this a sadomasochistic dandy with a pierced GlasgowGrin named Kakihara who is willing to hang people up by hooks as a ''prelude'' to torturing them, and who is equally eager to cut off the tip of his own tongue in penance (shown in gory technicolor), and it's hard to know who to root for amid the bloodbath... but at least fans of Japanese splatter will have a blast.

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* Japanese splatter films tend to be especially crazy even within this subgenre, with their anime-inspired plot elements and special effects that range from schlocky and visceral to horrifyingly realistic (sometimes within the same movie). Some samples:
**
''Film/IchiTheKiller'' is an insane fever-dream of a yakuza film whose title character is capable of sexually-charged berserker rages that tend to leave his enemies as little more than a fresh coat of paint on the walls. Add to this a sadomasochistic dandy with a pierced GlasgowGrin named Kakihara who is willing to hang people up by hooks as a ''prelude'' to torturing them, and who is equally eager to cut off the tip of his own tongue in penance (shown in gory technicolor), and it's hard to know who to root for amid the bloodbath... but at least fans of Japanese splatter will have a blast.blast.
** ''Film/SplatterNakedBlood'' starts with an experimental painkiller that turns pain into pleasure, given to three women during a trial of a new birth control. This leads two of the women to mutilate themselves in a blissful bloodbath: one of them cutting off bits of herself (especially erogenous zones) and eating them, and the other piercing her flesh with anything pointy she can get her hands on until she looks like a Cenobite from a jewelry boutique.
** The ''Guinea Pig'' films are a series of six Japanese horror films from the 1980s and 1990s that gained global notoriety mainly for the first two films (''The Devil's Experiment'' and ''Flower of Flesh and Blood''), which led to the producer needing to prove that nobody was actually hurt or killed during the graphic torture and dismemberment sequences, as well as for the sixth film (''Devil Woman Doctor'') being found in the possession of Japanese serial killer Tsutomu Miyazaki. In particular, ''Flower of Flesh and Blood'' scared Creator/CharlieSheen so badly that he called the FBI to report a snuff film.
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* ''Film/IchiTheKiller'' is an insane fever-dream of a yakuza film whose title character is capable of sexually-charged berserker rages that tend to leave his enemies as little more than a fresh coat of paint on the walls. Add to this a sadomasochistic dandy with a pierced GlasgowGrin named Kakihara who is willing to hang people up by hooks as a ''prelude'' to torturing them, and who is equally eager to cut off the tip of his own tongue in penance (shown in gory technicolor), and it's hard to know who to root for amid the bloodbath... but at least fans of Japanese splatter will have a blast.
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* While the first half of ''Film/TheFly1986'' is fairly tame, the second half takes a messy hard left as Seth Brundle's fusion with the housefly causes a grotesque transformation into a human[=/=]fly hybrid: his teeth and hair fall out, he accidentally pulls out a fingernail and then squirts pus out of the denuded fingertip, his skin becomes lumpy and almost tumorous, and he becomes unable to digest solid food, forcing him to essentially vomit up stomach acid on a potential meal and slurp up the resultant slurry. In the end his human shape falls apart to reveal the hybrid form underneath, showcasing the squishiest of 80's special effects. Why yes, it was a Creator/DavidCronenberg film, why do you ask?
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* The ''Film/{{Hatchet}}'' films are modern throwbacks to the gleefully gory, cheesy slasher films of the 1980s, featuring the monstrously strong and deformed antagonist Victor Crowley (played by slasher veteran Creator/KaneHodder) ripping apart the MadeOfPlasticine main cast with his hands as much as with hunting tools both powered and unpowered. While a few kills get {{Gory Discretion Shot}}s, plenty of brutality is shown onscreen, such as a woman getting her skull pulled open like a Pez dispenser, a girl getting vertically bisected with an [[AbsurdlySharpBlade stupidly sharp ax]], and a fisherman getting a hole punched into his stomach and his guts pulled out.
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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Franchise/FridayThe13th Jason Voorhees]] and [[Film/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.

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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Franchise/FridayThe13th Jason Voorhees]] and [[Film/ANightmareOnElmStreet [[Franchise/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.
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* ''Film/{{Ravenous|1999}}'', being a borderline BlackComedy historical thriller about cannibalism, was not only so bloody that the production ''ran out of fake blood'' during the climactic battle, but also presents meat dishes with the same loving attention most films would give an eviscerated murder victim. In fact, one of the main themes is comparing human meat to animal meat, and considering the lead actor, the writer, and the director are all vegetarians, the honest disgust shown towards meat in general [[TropesAreNotBad enhances horror of the cannibalism scenes nicely]].

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* ''Film/{{Ravenous|1999}}'', being a borderline BlackComedy historical thriller about cannibalism, was not only so bloody that the production ''ran out of fake blood'' during the climactic battle, but also presents meat dishes with the same loving attention most films would give an eviscerated murder victim. In fact, one of the main themes is comparing human meat to animal meat, and considering the lead actor, the writer, and the director are all vegetarians, the honest disgust shown towards meat in general [[TropesAreNotBad [[Administrivia/TropesAreTools enhances horror of the cannibalism scenes nicely]].
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* The 1986 arcade shooter ''Chiller'' is legendary for being banned virtually everywhere, and distills splatter horror down to its 8-bit core, offering up bound torture victims that the player can shoot at to open bloody wounds or set off traps and torture devices to mutilate them.
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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Franchise/FridayTheThirteenth Jason Voorhees]] and [[Film/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.

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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Franchise/FridayTheThirteenth [[Franchise/FridayThe13th Jason Voorhees]] and [[Film/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.

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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Film/FridayTheThirteenth Jason Voorhees]] and [[Film/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.

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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Film/FridayTheThirteenth [[Franchise/FridayTheThirteenth Jason Voorhees]] and [[Film/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.


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* ''VideoGame/CarnEvil'' is a light gun rail shooter that has the player menaced by freakish carnival... creations that embody MalevolentMutilation and BodyHorror even before you shoot them into bloody pieces. One can almost smell the gore in certain levels, even through the cartoony graphics.
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* The ''VideoGame/MortalKombat'' series first made its mark on video game history by adding blood and gore to the versus fighting genre, to the point where MoralGuardians immediately decried its potential harm to any children that might stumble across it. From showers of blood knocked off combatants with every punch or kick to over-the-top fatalities frequently send blood, limbs, organs and several skeletons' worth of bones in all directions. It really says something when guest fighters like [[Film/FridayTheThirteenth Jason Voorhees]] and [[Film/ANightmareOnElmStreet Freddy Krueger]] look restrained by comparison.
* ''VideoGame/DeadSpace'' drops hapless engineer Isaac Clarke in the middle of the intersection between ''Film/EventHorizon'' and ''VideoGame/ResidentEvil'', forcing him to face down the dead-ish crew of the ''Ishimura'' in the form of Necromorphs that can only be defeated by dismembering them with power tools or stomping on them--a process which is exactly as messy as it sounds.
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[[folder:Films]]

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[[folder:Films]][[folder:Films -- Live-Action]]



* ''Film/{{Ravenous 1999}}'', being a borderline BlackComedy historical thriller about cannibalism, was not only so bloody that the production ''ran out of fake blood'' during the climactic battle, but also presents meat dishes with the same loving attention most films would give an eviscerated murder victim. In fact, one of the main themes is comparing human meat to animal meat, and considering the lead actor, the writer, and the director are all vegetarians, the honest disgust shown towards meat in general [[TropesAreNotBad enhances horror of the cannibalism scenes nicely]].

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* ''Film/{{Ravenous 1999}}'', ''Film/{{Ravenous|1999}}'', being a borderline BlackComedy historical thriller about cannibalism, was not only so bloody that the production ''ran out of fake blood'' during the climactic battle, but also presents meat dishes with the same loving attention most films would give an eviscerated murder victim. In fact, one of the main themes is comparing human meat to animal meat, and considering the lead actor, the writer, and the director are all vegetarians, the honest disgust shown towards meat in general [[TropesAreNotBad enhances horror of the cannibalism scenes nicely]].



[[folder:Theatre]]

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[[folder:Theatre]][[folder:Theater]]



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* The Italian supernatural revenge film ''Adam Chaplin'' centers around the title character's quest for revenge against the mob boss who had his wife murdered via immolation. He enlists the assistance of a demon who sits just behind his shoulder, and who gives him super-speed and super-strength, allowing him to rip off limbs, impale victims, and beat people to a literal pulp with his bare hands, resulting in frequent deluges of blood. Bear in mind, Adam is the ''protagonist''.

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* The Italian supernatural revenge film ''Adam Chaplin'' ''Film/AdamChaplin'' centers around the title character's quest for revenge against the mob boss who had his wife murdered via immolation. He enlists the assistance of a demon who sits just behind his shoulder, and who gives him super-speed and super-strength, allowing him to rip off limbs, impale victims, and beat people to a literal pulp with his bare hands, resulting in frequent deluges of blood. Bear in mind, Adam is the ''protagonist''.
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* ''Film/{{Braindead}}'' is one of the more infamous "splatstick" films, with grotesque special effects mainly surrounding the slow decomposition of Lionel's mother Vera and her victims, culminating in a climax that involves a chest-mounted lawnmower, a basement full of zombies, and the most stage blood that had ever been used in any film at that time.

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* ''Film/{{Braindead}}'' is one of the more infamous "splatstick" films, with grotesque special effects mainly surrounding the slow decomposition of Lionel's mother Vera and her victims, culminating in a climax that involves a chest-mounted lawnmower, a basement full of zombies, and the most stage blood that had ever been used in any film at that time.[[note]]As of this writing, it has yet to be surpassed.[[/note]]
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** Then there's [[Film/EvilDead2013 the 2013 remake]], which is bloodier by far than the original series and features graphic dismemberments and mutilations (some self-inflicted), including a more brutal version of the original's tree-rape scene.

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** Then there's [[Film/EvilDead2013 the 2013 remake]], * ''Film/EvilDead2013'', which is bloodier by far than the original series and features graphic dismemberments dismemberings and mutilations (some self-inflicted), including a more brutal version of the original's tree-rape scene.


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* ''Film/BloodFeast'', directed by Creator/HerschellGordonLewis, is considered the first splatter film, notable for its depictions of onscreen gore. As such, it is the oldest film to be included on the VideoNasty list.

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* ''Film/BloodFeast'', directed by Creator/HerschellGordonLewis, is considered the first splatter film, notable for its depictions of onscreen gore. As such, it is the oldest film to be included on the VideoNasty {{Video Nast|ies}}y list.
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* The Italian supernatural revenge film ''Adam Chaplin'' centers around the title character's quest for revenge against the mob boss who had his wife murdered via immolation. He enlists the assistance of a demon who sits just behind his shoulder, and who gives him super-speed and super-strength, allowing him to rip off limbs, impale victims, and beat people to a literal pulp with his bare hands, resulting in frequent deluges of blood. Bear in mind, Adam is the ''protagonist''.
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* The ''Film/{{Cube}}'' series of movies center around cubical mazes where some of the rooms contain brutal deathtraps that can take out the unwary in a number of creative ways, ranging from razor wire to flesh-eating bacteria to abstract four-dimensional rearrangements of spacetime. Figuring out the pattern behind the placement of the traps and how best to avoid them and not go splat provides much of the tension.

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