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* DaylightHorror: Despite the movie obviously taking place mostly at night, the first time we see a zombie attack is during the day.

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* DaylightHorror: Despite the movie obviously taking place mostly at night, the first time we see a zombie attack is during the day. [[spoiler:And Ben gets killed in the morning.]]


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* TheStinger: A shot of a burning pile of bodies follows the end credits.
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''Night of the Living Dead'' is a 1968 horror film directed by George A. Romero and written by Romero and John Russo; it is one of the most influential horror films ever, helping to make zombies the staple monster of the ZombieApocalypse genre. Before ''Living Dead'', zombies were creatures of voodoo who obeyed their master, but Romero's zombies were [[OurZombiesAreDifferent something completely different]]; no explanation was given (besides a speculative HandWave about a space probe and [[NuclearNasty radioactive fallout]]) for the zombies, but more than that, the film showed the increasing tension in society -- the zombies weren't the only enemies, they were only the most visible ones.

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''Night of the Living Dead'' is a 1968 horror film directed by George A. Romero and written by Romero and John Russo; it is one of the most influential horror films ever, helping to make zombies the staple monster of the ZombieApocalypse genre. Before ''Living Dead'', zombies were creatures of voodoo who obeyed their master, but Romero's zombies were [[OurZombiesAreDifferent something completely different]]; for one, thing, no explanation was given for their existence (besides a speculative HandWave about a space probe and [[NuclearNasty radioactive fallout]]) for the zombies, fallout]]), but more than that, the film showed the increasing tension in society -- the zombies weren't the only enemies, they were only the most visible ones.
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''Night of the Living Dead'' is a 1968 horror film directed by George A. Romero and written by Romero and John Russo; it is one of the most influential horror films ever, helping to make zombies the staple monster of the ZombieApocalypse genre. Before ''Living Dead'', zombies were creatures of voodoo who obeyed their master, but Romero's zombies were [[OurZombiesAreDifferent something completely different]]; no explanation was given (besides a speculative HandWave about a space probe and [[ILoveNuclearPower radiation]]) for the zombies, but more than that, the film showed the increasing tension in society -- the zombies weren't the only enemies, they were only the most visible ones.

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''Night of the Living Dead'' is a 1968 horror film directed by George A. Romero and written by Romero and John Russo; it is one of the most influential horror films ever, helping to make zombies the staple monster of the ZombieApocalypse genre. Before ''Living Dead'', zombies were creatures of voodoo who obeyed their master, but Romero's zombies were [[OurZombiesAreDifferent something completely different]]; no explanation was given (besides a speculative HandWave about a space probe and [[ILoveNuclearPower radiation]]) [[NuclearNasty radioactive fallout]]) for the zombies, but more than that, the film showed the increasing tension in society -- the zombies weren't the only enemies, they were only the most visible ones.
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After ''Night of the Living Dead'' became an unexpected success, Romero and Russo discussed making a {{sequel}} but disagreed on what direction the next film was to go in, so they decided to each do their own version: Romero's became the equally successful ''DawnOfTheDead'' (and not-quite-as successful ''DayOfTheDead''), while Russo made his films more comedic with the ''ReturnOfTheLivingDead'' pentalogy (which single-handedly introduced the concept of zombies eating brains). Both series have had modern sequels: Romero directed the fourth film (''Land of the Dead'') in 2005 and then made a quasi-reboot (''DiaryOfTheDead''), while the ''Return of the Living Dead'' films became less comedic and more {{Gorn}}. All three of the films of Romero's trilogy have been remade, with varying degrees of success (the first remake of ''Night'' was actually written and produced by Romero himself and directed by close friend Tom Savini). ''Night'' was also [[TheRemake remade]] for a second time in 2006, filmed in [[{{ptitle49fktc1oipjq}} 3D]]; Romero had no involvement with this remake, which -- unlike Savini's more faithful adaptation -- departs fairly radically from the source material.

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After ''Night of the Living Dead'' became an unexpected success, Romero and Russo discussed making a {{sequel}} but disagreed on what direction the next film was to go in, so they decided to each do their own version: Romero's became the equally successful ''DawnOfTheDead'' (and not-quite-as successful ''DayOfTheDead''), while Russo made his films more comedic with the ''ReturnOfTheLivingDead'' pentalogy (which single-handedly introduced the concept of zombies eating brains). Both series have had modern sequels: Romero directed the fourth film (''Land of the Dead'') in 2005 and then made a quasi-reboot (''DiaryOfTheDead''), (''DiaryOfTheDead'') which had its own POVSequel (''SurvivalOfTheDead''), while the ''Return of the Living Dead'' films became less comedic and more {{Gorn}}. All three of the films of Romero's trilogy have been remade, with varying degrees of success (the first remake of ''Night'' was actually written and produced by Romero himself and directed by close friend Tom Savini). ''Night'' was also [[TheRemake remade]] for a second time in 2006, filmed in [[{{ptitle49fktc1oipjq}} 3D]]; Romero had no involvement with this remake, which -- unlike Savini's more faithful adaptation -- departs fairly radically from the source material.
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* ItGotWorse: Things ''really'' start going to hell beginning with [[spoiler:Tom and Judy's death]].
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After ''Night of the Living Dead'' became an unexpected success, Romero and Russo disagreed on what direction the sequel was to go in, so they decided to each do their own version: Romero's became the equally successful ''DawnOfTheDead'' (and not-quite-as successful ''DayOfTheDead''), while Russo made his films more comedic with the ''ReturnOfTheLivingDead'' pentalogy (which single-handedly introduced the concept of zombies eating brains). Both series have had modern sequels: Romero directed the fourth film (''Land of the Dead'') in 2005 and then made a quasi-reboot (''DiaryOfTheDead''), while the ''Return of the Living Dead'' films became less comedic and more {{Gorn}}. All three of the films of Romero's trilogy have been remade, with varying degrees of success (the first remake of ''Night'' was actually written and produced by Romero himself and directed by close friend Tom Savini). ''Night'' was also [[TheRemake remade]] for a second time in 2006, filmed in [[{{ptitle49fktc1oipjq}} 3D]]; Romero had no involvement with this remake, which -- unlike Savini's more faithful adaptation -- departs fairly radically from the source material.

to:

After ''Night of the Living Dead'' became an unexpected success, Romero and Russo discussed making a {{sequel}} but disagreed on what direction the sequel next film was to go in, so they decided to each do their own version: Romero's became the equally successful ''DawnOfTheDead'' (and not-quite-as successful ''DayOfTheDead''), while Russo made his films more comedic with the ''ReturnOfTheLivingDead'' pentalogy (which single-handedly introduced the concept of zombies eating brains). Both series have had modern sequels: Romero directed the fourth film (''Land of the Dead'') in 2005 and then made a quasi-reboot (''DiaryOfTheDead''), while the ''Return of the Living Dead'' films became less comedic and more {{Gorn}}. All three of the films of Romero's trilogy have been remade, with varying degrees of success (the first remake of ''Night'' was actually written and produced by Romero himself and directed by close friend Tom Savini). ''Night'' was also [[TheRemake remade]] for a second time in 2006, filmed in [[{{ptitle49fktc1oipjq}} 3D]]; Romero had no involvement with this remake, which -- unlike Savini's more faithful adaptation -- departs fairly radically from the source material.
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* CreatorCameo: George Romero appears as one of the TV reporters interviewing the military spokesmen in Washington.
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* WhatCouldHaveBeen: Romero originally wanted to cast Betty Aberlin, best known as Lady Aberlin on ''MisterRogersNeighborhood'', as Judy. Although Romero and fellow Pittsburgher Fred Rogers had worked together in the past, Rogers refused to allow one of the stars of his beloved children's show to be featured as zombie barbecue. Go figure.
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* UglyGuyHotWife: The Coopers, in both versions.
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* [[GetAHoldOfYourselfMan Get a Hold of Yourself, Woman!]]: At one point Barbra wigs out and tries to go out the front door to "get Johnny". When Ben stops her, she slaps his face, and he responds by ''punching'' hers. Subverted in that it actually sends her even further into shock and stupor.
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** The first attack was changed to remain surprising. In the original, the [[MeaningfulBackgroundEvent man shambling in the background]] is a zombie that attacks Barbra (quite a shocker in 1968). In the remake the man is an alive but deeply confused hearse driver. Then a zombie attacks ''Johnny''.

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** The first attack was changed to remain surprising. In the original, the [[MeaningfulBackgroundEvent man shambling in the background]] is a zombie that attacks Barbra (quite a shocker in 1968). In the remake the man is an alive but deeply confused hearse driver. Then a zombie attacks appears out of nowhere to attack ''Johnny''.
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* DramaticThunder: The appearance of the first zombie in the cemetery is heralded by this.
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* {{Jerkass}}: Cooper in both versions.

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* {{Jerkass}}: Cooper Cooper, in both versions.versions. Johnny seems to be a bit of one as well.
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* FullFrontalAssault: As shown in the poster, theres a brief scene of a naked female zombie among the horde that invade the house. Course its shown from behind so you don't really see much.

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* FullFrontalAssault: As shown in the poster, theres there's a brief scene of a naked female zombie among the horde that invade the house. Course its Of course, it's shown from behind so you don't really see much.
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* BrickJoke: The gas pump key is forgotten about after [[spoiler: Tom and Judy get blown up. It shows up in the cellar at the end as a final irony]].

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* BrickJoke: The gas pump key is forgotten about after [[spoiler: Tom and Judy get blown up. It up]]. In the 1990 remake, [[spoiler: it shows up in the cellar at the end as a final irony]].
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* MeaningfulName: The house in Tom Savini's remake has the name "M. Celeste", in reference to the famous ship ''Mary Celeste'' where the crew disappeared without explanation in the middle of the Atlantic Ocean.

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* MeaningfulName: The house in Tom Savini's remake has the name "M. Celeste", in reference to the famous ship GhostShip ''Mary Celeste'' where the Celeste'', whose crew disappeared without explanation in the middle of the Atlantic Ocean.
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* MeaningfulBackgroundEvent: The very first zombie in the movie can be seen shambling around the cemetery before it attacks Barbra and Johnny.

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* MeaningfulBackgroundEvent: The very first zombie in the movie can be seen shambling around the cemetery well before it attacks Barbra and Johnny.
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* WhatDoYouMeanItsNotForKids: This shock movie was the first of its kind - parents were used to their children going to a saturday afternoon matinee seeing "scary" movies with monsters in rubber suits, little gore, and upbeat endings. The MPAA rating system still hadn't been established. Roger Ebert noted that when he went to see it the children in the theater weren't taking it very well in the second half.
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Because of the public domain status, the film can be sold on home video by anyone with the resources to distribute it; as of 2006, the Internet Movie Database lists 23 different releases of the film on DVD and 19 on VHS. The film is available to view or download free on Internet sites such as [[http://video.google.com/videoplay?docid=-2956447426428748010 Google Video,]] [[http://www.archive.org/details/night_of_the_living_dead Internet Archive]] and [[http://www.youtube.com/watch?v=85C2JnZOY4k YouTube.]] In 1999, the original 1968 film was rereleased by Russo for its 30th anniversary without Romero's involvement, with new footage filmed and a new soundtrack composed. The altered version's continuity had a sequel in 2001 called ''ChildrenOfTheLivingDead''.

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Because of the public domain status, the film can be sold on home video by anyone with the resources to distribute it; as of 2006, the Internet Movie Database lists 23 different releases of the film on DVD and 19 on VHS. The film is available to view or download free on Internet sites such as [[http://video.google.com/videoplay?docid=-2956447426428748010 Google Video,]] [[http://www.archive.org/details/night_of_the_living_dead Internet Archive]] and [[http://www.youtube.com/watch?v=85C2JnZOY4k YouTube.]] In 1999, the original 1968 film was rereleased by Russo for its 30th anniversary without Romero's involvement, with new footage filmed and a new soundtrack composed. The altered version's continuity had a sequel in 2001 called ''ChildrenOfTheLivingDead''.
''Children of the LivingDead''.
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* NewscasterCameo: Bill Cardille
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* [[spoiler:KillEmAll: None of the main characters make it through the film alive.]]

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* [[spoiler:KillEmAll: None KillEmAll: [[spoiler:None of the main characters make it through the film alive.]]

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** Jesus, [[spoiler:Tom]], how hard is it to work a damned gas pump?
*** Watch again. The hose was too short, he jerked the nozzle towards the truck, the hose ran out, and his hand hit the trigger.

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** Jesus, [[spoiler:Tom]], how hard is it to work a damned gas pump?
*** Watch again. The
pump? Admittedly the hose was too short, he jerked the nozzle towards the truck, the hose ran out, and his hand hit the trigger.trigger spraying the gas - but anyone who has been to an unfamiliar gas pump ''once'' knows to stop the car close enough that even a short hose can reach. He parks a good 20 feet away!
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** Ben's plan with the gas pump [[spoiler: would have worked had the cast not been TooDumbToLive]].

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** Ben's plan with the gas pump [[spoiler: would have worked had the cast not been TooDumbToLive]]. Ben also didn't seem to notice until he actually got out to the pump that he could shoot out the lock with the gun he found ''long'' before he was told where he could find the keys.
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* WhatDoYouMeanItsNotForKids: This shock movie was the first of its kind - parents were used to their children going to a saturday afternoon matinee seeing "scary" movies with monsters in rubber suits, little gore, and upbeat endings. The MPAA rating system still hadn't been established. Roger Ebert noted that when he went to see it the children in the theater weren't taking is very well in the second half.

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* WhatDoYouMeanItsNotForKids: This shock movie was the first of its kind - parents were used to their children going to a saturday afternoon matinee seeing "scary" movies with monsters in rubber suits, little gore, and upbeat endings. The MPAA rating system still hadn't been established. Roger Ebert noted that when he went to see it the children in the theater weren't taking is it very well in the second half.
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It\'s a YMMV trope, however the dissonance caused by this film being the first of its type I think merits putting it on the main page. I won\'t revert it if this gets changed, I just feel its noteworthy.

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* WhatDoYouMeanItsNotForKids: This shock movie was the first of its kind - parents were used to their children going to a saturday afternoon matinee seeing "scary" movies with monsters in rubber suits, little gore, and upbeat endings. The MPAA rating system still hadn't been established. Roger Ebert noted that when he went to see it the children in the theater weren't taking is very well in the second half.
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* ShootOutTheLock: Upon arrival at the gas pump, the key does not work. Ben shoots the lock. One must assume he was inwardly pondering why he didn't think about this sooner when griping about being unable to find the key.

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* ShootOutTheLock: Upon arrival at the gas pump, the key does not work. Ben simply shoots the lock. One must assume he was inwardly pondering why he didn't think about this sooner when griping about being unable to find the key.
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There are few greater joys than finally seeing a popular, iconic film that it feels everyone has seen except for you, then coming to the trope page and seeing there are tropes you saw that no one has posted here yet.

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* FanserviceExtra: The female zombie with the naked behind. There's also a very grainy, blink-and-you'll-miss-it breast shot.


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* RedHerring: In the original, Barbara is near-catatonic and then spacey. She feels warm, says so and takes her jacket off. She flinches at the fire when Mrs. Cooper lights her cigarette. Despite all this, she ''doesn't'' turn into a zombie before getting dragged out of the house.


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* ShootOutTheLock: Upon arrival at the gas pump, the key does not work. Ben shoots the lock. One must assume he was inwardly pondering why he didn't think about this sooner when griping about being unable to find the key.
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*** Watch again. The hose was too short, he jerked the nozzle towards the truck, the hose ran out, and his hand hit the trigger.
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* EarlyInstallmentWeirdness: Black-and-white, relatively little gore, overacting by the humans, relatively human acting (and makeup) by the ghouls, very sixties musical stings, very little of the social commentary of later films, NotUsingTheZWord - the whole thing feels more like an unusually gory sixties BMovie than a Romero horror.
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* GutPunch: The FamilyUnfriendlyDeath of [[spoiler: Tom and Judy]] was the first signal that this wasn't going to be [[WhatDoYouMeanItsNotForKids the typical horror film of its time]].

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* GutPunch: The FamilyUnfriendlyDeath Roger Ebert's reaction to the [[FamilyUnfriendlyDeath Family Unfriendly Deaths]] of [[spoiler: Tom and Judy]] was provides the first signal page quote for that this wasn't going to be [[WhatDoYouMeanItsNotForKids the typical horror film of its time]].trope.

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