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* Music/{{SikTh}} (early TropeCodifier, also NuMetal. The EnsembleDarkhorse of the subgenre)
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* Music/{{SikTh}} (early TropeCodifier, also NuMetal. The EnsembleDarkhorse of the subgenre)
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* Music/{{SikTh}} (early TropeCodifier, also NuMetal. The EnsembleDarkhorse of the subgenre)Music/{{Spiritbox}}
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** Moreover, djent is better described as a style of guitar ''playing'' than an actual genre; the djent "sound" can vary greatly across different bands and can resemble anything from {{Metalcore}} and ProgressiveMetal, to more extreme and technical forms of DeathMetal, DoomMetal and AvantGardeMetal, and can even sound like conventional GrooveMetal, AlternativeMetal, IndustrialMetal, or NuMetal with syncopation and polyrhythms added in.
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** Moreover, while there are many which refer to djent as a musical genre, djent is better more accurately described as a specific style of guitar ''playing'' than an actual genre; ''playing''; the djent "sound" can vary greatly across different bands and can resemble anything from {{Metalcore}} and ProgressiveMetal, to more extreme and technical forms of DeathMetal, DoomMetal and AvantGardeMetal, and can even sound like conventional GrooveMetal, AlternativeMetal, IndustrialMetal, or NuMetal with syncopation and polyrhythms added in.
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** Moreover, because djent is better described as a style of guitar playing, the sound can vary greatly across different bands and can resemble anything from {{Metalcore}} and ProgressiveMetal, to more extreme and technical forms of DeathMetal, DoomMetal and AvantGardeMetal, and can even sound like conventional GrooveMetal, AlternativeMetal, IndustrialMetal, or NuMetal with syncopation and polyrhythms added in.
to:
** Moreover, because djent is better described as a style of guitar playing, ''playing'' than an actual genre; the sound djent "sound" can vary greatly across different bands and can resemble anything from {{Metalcore}} and ProgressiveMetal, to more extreme and technical forms of DeathMetal, DoomMetal and AvantGardeMetal, and can even sound like conventional GrooveMetal, AlternativeMetal, IndustrialMetal, or NuMetal with syncopation and polyrhythms added in.
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* TechnoBabble: A common trope in djent lyrics, song titles, and album naming. Often overlaps with GreenAesop themes and is most noticeable in bands with an IndustrialMetal influence.
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* Music/{{Nevermore}} (the other TropeMaker; quite possibly the only djent band ever that overlaps with PowerMetal)
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* Music/{{Nevermore}} (the other TropeMaker; quite possibly the only one of few djent band ever bands that overlaps overlap with PowerMetal)
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* Music/ScarSymmetry (another early example rooted in PowerMetal)
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** Moreover, because djent is better described as a style of guitar playing, the sound can vary greatly across different bands and can resemble anything from {{Metalcore}} and ProgressiveMetal, to more extreme and technical forms of DeathMetal, DoomMetal and AvantGardeMetal, and can even sound like conventional GrooveMetal, AlternativeMetal, IndustrialMetal, or NuMetal with syncopation and polyrhythms added in.
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* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre, even the earliest examples, use downtuned six-strings seven-strings.
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* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre, even the earliest examples, use downtuned six-strings seven-strings.seven-string or conventional (albeit downtuned) six-string guitars.
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* Music/{{AERIAL}}
to:
* Music/{{AERIAL}} Music/{{AERIAL|Band}}
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* AERIAL
to:
* AERIAL Music/{{AERIAL}}
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* The Afterimage
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* The Afterimage Music/TheAfterimage
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* Aviana
* Betraying the Martyrs (also deathcore)
* Blankfield (known for doing the music for the ''Danmaku Unlimited'' games)
* Betraying the Martyrs (also deathcore)
* Blankfield (known for doing the music for the ''Danmaku Unlimited'' games)
to:
* Aviana
Music/{{Aviana}}
*Betraying the Martyrs Music/BetrayingTheMartyrs (also deathcore)
*Blankfield Music/{{Blankfield}} (known for doing the music for the ''Danmaku Unlimited'' games)
*
*
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* Car Bomb (''w^w^^w^w/Waveform'' onward, also mathcore)
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* Car Bomb Music/CarBomb (''w^w^^w^w/Waveform'' onward, also mathcore)
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* The Contortionist (earlier material, abandoned the genre completely in favor of prog-tinged post-hardcore on ''Clairvoyant'')
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* The Contortionist Music/TheContortionist (earlier material, abandoned the genre completely in favor of prog-tinged post-hardcore on ''Clairvoyant'')
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* A Fine Constant
* Frontierer (also mathcore)
* Frontierer (also mathcore)
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* A Fine Constant
Music/AFineConstant
*Frontierer Music/{{Frontierer}} (also mathcore)
*
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* Haunted Shores (mixed with AlternativeMetal. Also see Periphery)
* Humanity's Last Breath (an offshoot of Vildhjarta, also deathcore and mathcore; their later material also has prominent dissonant death metal elements)
* Humanity's Last Breath (an offshoot of Vildhjarta, also deathcore and mathcore; their later material also has prominent dissonant death metal elements)
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* Haunted Shores Music/HauntedShores (mixed with AlternativeMetal. Also see Periphery)
*Humanity's Last Breath Music/HumanitysLastBreath (an offshoot of Vildhjarta, also deathcore and mathcore; their later material also has prominent dissonant death metal elements)
*
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* Ion Dissonance (''Minus the Herd'' onward, also deathcore and mathcore)
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* Ion Dissonance Music/IonDissonance (''Minus the Herd'' onward, also deathcore and mathcore)
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* Jinjer (some nu metal elements)
* Krosis (also deathcore)
* Sarah Longfield (also see A Fine Constant; her solo work toes the line between djent and modern instrumental prog ala Scale the Summit, but she is ultimately rooted in djent)
* Krosis (also deathcore)
* Sarah Longfield (also see A Fine Constant; her solo work toes the line between djent and modern instrumental prog ala Scale the Summit, but she is ultimately rooted in djent)
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* Jinjer Music/{{Jinjer}} (some nu metal elements)
*Krosis Music/{{Krosis}} (also deathcore)
*Sarah Longfield Music/SarahLongfield (also see A Fine Constant; her solo work toes the line between djent and modern instrumental prog ala Scale the Summit, but she is ultimately rooted in djent)
*
*
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* Myth of I (also instrumental prog)
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* Myth of I Music/MythOfI (also instrumental prog)
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* Ovid's Withering (overlaps with deathcore and SymphonicMetal)
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* Ovid's Withering Music/OvidsWithering (overlaps with deathcore and SymphonicMetal)
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* Reaping Asmodeia (also deathcore)
* Jason Richardson
* Skyharbor
* Jason Richardson
* Skyharbor
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* Reaping Asmodeia Music/ReapingAsmodeia (also deathcore)
*Jason Richardson
Music/JasonRichardson
*SkyharborMusic/{{Skyharbor}}
*
*
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* Dan Sugarman
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* Dan SugarmanMusic/DanSugarman
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* The Tony Danza Tapdance Extravaganza (also deathcore and mathcore)
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* The Tony Danza Tapdance Extravaganza Music/TheTonyDanzaTapdanceExtravaganza (also deathcore and mathcore)
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* Viscera (also deathcore and metalcore)
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* Viscera Music/{{Viscera}} (also deathcore and metalcore)
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* Voyager (overlaps with progressive metal on their earlier material, but ''Colours in the Sun'' mostly abandoned this for a djent/synthwave hybrid sound)
to:
* Voyager Music/{{Voyager}} (overlaps with progressive metal on their earlier material, but ''Colours in the Sun'' mostly abandoned this for a djent/synthwave hybrid sound)
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* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre, even the earliest examples, use downtuned seven strings.
to:
* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre, even the earliest examples, use downtuned seven strings.six-strings seven-strings.
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* MohsScaleOfRockAndMetalHardness: Usually around the 8-10 range. Some bands like Novelists FR and Hacktivist can dip into a 6 whereas more extreme bands like Meshuggah, Vildhjarta, and The Tony Danza Tapdance Extravaganza occasionally venture into Level 11.
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'''Djent''' is a subgenre of heavy metal characterized by heavy syncopated riffs, polyrhythmic drumming, and irregular time signatures which became popular in the early 2010s. Later bands also added in other elements that became commonly associated with the genre, namely clean, ethereal atmospheric textures, [[ElectronicMusic electronic]] overtones, and occasionally clean singing depending on the act. Dissonance is sometimes associated with the genre in the late 2010s, usually in more extreme acts that may or may not use the "thall" tag[[note]]an onomatopoeia created by Vildhjarta to describe the sound of an open note on an extended-range guitar[[/note]]; this was largely codified by Car Bomb and Vildhjarta in the earlier part of the decade and additionally popularized by Humanity's Last Breath in the final quarter of the decade, and most extreme djent acts with prominent dissonant death metal or post-metal elements fit within this stylistic framework. Essentially, a cross between ProgressiveMetal and GrooveMetal.
to:
'''Djent''' is a subgenre of heavy metal characterized by heavy syncopated riffs, polyrhythmic drumming, and irregular time signatures which became popular in the early 2010s. Later bands also added in other elements that became commonly associated with the genre, namely clean, ethereal atmospheric textures, [[ElectronicMusic electronic]] overtones, and occasionally clean singing depending on the act. Dissonance is sometimes associated with the genre in the late 2010s, 2010s and early 2020s, usually in more extreme acts that may or may not use the "thall" tag[[note]]an onomatopoeia created by Vildhjarta to describe the sound of an open note on an extended-range guitar[[/note]]; this was largely codified by Car Bomb and Vildhjarta in the earlier part of the decade and additionally popularized by Humanity's Last Breath in the final quarter of the decade, and most extreme djent acts with prominent dissonant death metal or post-metal elements fit within this stylistic framework. Essentially, a cross between ProgressiveMetal and GrooveMetal.
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* Northlane (early material was straightforward djent/metalcore, ''Alien'' mixes in nu-metal and rave music)
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* Northlane Music/{{Northlane}} (early material was straightforward djent/metalcore, ''Alien'' mixes in nu-metal and rave music)
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'''Djent''' is a subgenre of heavy metal characterized by heavy syncopated riffs, polyrhythmic drumming, and irregular time signatures which became popular in the early 2010s. Later bands also added in other elements that became commonly associated with the genre, namely clean, ethereal atmospheric textures, [[ElectronicMusic electronic]] overtones, and occasionally clean singing depending on the act. Essentially, a cross between ProgressiveMetal and GrooveMetal.
to:
'''Djent''' is a subgenre of heavy metal characterized by heavy syncopated riffs, polyrhythmic drumming, and irregular time signatures which became popular in the early 2010s. Later bands also added in other elements that became commonly associated with the genre, namely clean, ethereal atmospheric textures, [[ElectronicMusic electronic]] overtones, and occasionally clean singing depending on the act. Dissonance is sometimes associated with the genre in the late 2010s, usually in more extreme acts that may or may not use the "thall" tag[[note]]an onomatopoeia created by Vildhjarta to describe the sound of an open note on an extended-range guitar[[/note]]; this was largely codified by Car Bomb and Vildhjarta in the earlier part of the decade and additionally popularized by Humanity's Last Breath in the final quarter of the decade, and most extreme djent acts with prominent dissonant death metal or post-metal elements fit within this stylistic framework. Essentially, a cross between ProgressiveMetal and GrooveMetal.
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* Blankfield (known for doing the music for the ''Danmaku Unlimited'' games)
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* Chelsea Grin (''Ashes to Ashes'' and ''Self Inflicted'', also metalcore and deathcore, though they have regularly flirted with this over the years)
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* Chelsea Grin Music/ChelseaGrin (''Ashes to Ashes'' and ''Self Inflicted'', also metalcore and deathcore, though they have regularly flirted with this over the years)
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* MohsScaleofRockAndMetalHardness: Usually around the 8-10 range. Some bands like Novelists FR and Hacktivist can dip into a 6 whereas more extreme bands like Meshuggah, Vildhjarta, and The Tony Danza Tapdance Extravaganza occasionally venture into Level 11.
to:
* MohsScaleofRockAndMetalHardness: MohsScaleOfRockAndMetalHardness: Usually around the 8-10 range. Some bands like Novelists FR and Hacktivist can dip into a 6 whereas more extreme bands like Meshuggah, Vildhjarta, and The Tony Danza Tapdance Extravaganza occasionally venture into Level 11.
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* Dan Sugarman
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* Voyager (overlaps with progressive metal on their earlier material, but ''Colours in the Sun'' mostly abandoned this for a djent/synthwave hybrid sound)
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* Music/{{Deftones}} (from ''Diamond Eyes'' onwards, also AvantGardeMetal)
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* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre use downtuned seven strings.
to:
* AluminumChristmasTrees: Many metal fans new to djent often find it surprising to discover that guitars with more than six strings exist and are actually in common use.
* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in thegenre genre, even the earliest examples, use downtuned seven strings.
* DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the
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* FollowTheLeader: One of the biggest criticisms of the genre, and even its musicians will (half-jokingly) admit to it. The stereotype of the Periphery or Animals as Leaders soundalike with a plural noun name, preppy-looking members in dress shirts, a vocalist (if the band isn't an instrumental ensemble) whose clean singing voice sounds suspiciously similar to [[Music/LinkinPark Chester Bennington]] or [[Music/{{Deftones}} Chino Moreno]], guitarists who use Kiesels or Strandbergs, run everything through Axe-Fx, and play a mix of chugging riffs, groovy bends, effects-laden atmospheric textures, and heavily processed fusionesque leadwork, and Website/YouTube channels that are mostly covers and Jared Dines-aping comedy sketches exists for a reason, and all but the most self-unaware djent musicians will probably laugh with you and/or offer several additional components if you bring it up.
to:
* FollowTheLeader: One of the biggest criticisms of the genre, and even its musicians will (half-jokingly) [[LampshadeHanging admit to it. it]]. The stereotype of the Periphery or Animals as Leaders soundalike with a plural noun name, preppy-looking members in dress shirts, a vocalist (if the band isn't an instrumental ensemble) whose clean singing voice sounds suspiciously similar to [[Music/LinkinPark Chester Bennington]] or [[Music/{{Deftones}} Chino Moreno]], guitarists who use Kiesels or Strandbergs, run everything through Axe-Fx, and play a mix of chugging riffs, groovy bends, effects-laden atmospheric textures, and heavily processed fusionesque leadwork, and Website/YouTube channels that are mostly covers and Jared Dines-aping comedy sketches exists for a reason, and all but the most self-unaware djent musicians will probably laugh with you and/or offer several additional components if you bring it up.up.
* FromClonesToGenre: Many bands in the early days of the genre just started out copying Meshuggah or other GrooveMetal bands and varying up the riffing style to some degree. Soon enough there were many bands performing in a similar style that they could be classified into their own separate microgenre.
* FromClonesToGenre: Many bands in the early days of the genre just started out copying Meshuggah or other GrooveMetal bands and varying up the riffing style to some degree. Soon enough there were many bands performing in a similar style that they could be classified into their own separate microgenre.
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* MohsScaleofRockAndMetalHardness: Usually around the 8-10 range. Some bands like Novelists FR and Hacktivist can dip into a 6 whereas more death metal flavored bands like Meshuggah, Vildhjarta, and The Tony Danza Tapdance Extravaganza go into 11 range.
to:
* MohsScaleofRockAndMetalHardness: Usually around the 8-10 range. Some bands like Novelists FR and Hacktivist can dip into a 6 whereas more death metal flavored extreme bands like Meshuggah, Vildhjarta, and The Tony Danza Tapdance Extravaganza go occasionally venture into 11 range. Level 11.
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* ThreeChordsAndTheTruth: Zigzagged - the main focus of the genre is on start-stop riffs that are mostly devoid of melody, with some bands even writing entire songs with only one to three ''notes''. But what djent riffs lack in melody, they make up for in precisely-timed picking and [[UncommonTime sheer complexity of rhythm]]. Many bands also add lush ambient soundscapes and even include guitar solos to break up the monotony of the polyrhythmic chugging.
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* Haunted Shores (mixed with AlternativeMetal. Also see Periphery)
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* Northlane (early material was straight forward djent/metalcore, ''Alien'' mixes in nu-metal and rave music)
to:
* Northlane (early material was straight forward straightforward djent/metalcore, ''Alien'' mixes in nu-metal and rave music)
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* DeadUnicornTrope - Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre use downtuned seven strings.
to:
* DeadUnicornTrope - DeadUnicornTrope: Djent bands are stereotyped as always using 8 and 9-string guitars, largely due to the influence of Meshuggah. In reality, most bands in the genre use downtuned seven strings.
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* FollowTheLeader: One of the biggest criticisms of the genre, and even its musicians will (half-jokingly) admit to it. The stereotype of the Periphery or Animals as Leaders soundalike with a plural noun name, preppy-looking members in dress shirts, a vocalist (if the band isn't an instrumental ensemble) whose clean singing voice sounds suspiciously similar to [[Music/LinkinPark Chester Bennington]] or [[Music/{{Deftones}} Chino Moreno]], guitarists who use Kiesels or Strandbergs, run everything through Axe-Fx, and play a mix of djent riffs, effects-laden atmospheric textures, and heavily processed fusionesque leadwork, and Website/YouTube channels that are mostly covers and Jared Dines-aping comedy sketches exists for a reason, and all but the most self-unaware djent musicians will probably laugh with you and/or offer several additional components if you bring it up.
to:
* FollowTheLeader: One of the biggest criticisms of the genre, and even its musicians will (half-jokingly) admit to it. The stereotype of the Periphery or Animals as Leaders soundalike with a plural noun name, preppy-looking members in dress shirts, a vocalist (if the band isn't an instrumental ensemble) whose clean singing voice sounds suspiciously similar to [[Music/LinkinPark Chester Bennington]] or [[Music/{{Deftones}} Chino Moreno]], guitarists who use Kiesels or Strandbergs, run everything through Axe-Fx, and play a mix of djent chugging riffs, groovy bends, effects-laden atmospheric textures, and heavily processed fusionesque leadwork, and Website/YouTube channels that are mostly covers and Jared Dines-aping comedy sketches exists for a reason, and all but the most self-unaware djent musicians will probably laugh with you and/or offer several additional components if you bring it up.
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* IAmTheBand: In Djent, a lot of "bands" in the genre are really just one guy who can play guitar and bass using programmed drums. The genre has become rather notorious for that.
to:
* IAmTheBand: In Djent, a lot of "bands" in the genre are really just one guy who can play guitar and bass using programmed drums. The genre has become rather notorious for that. Many of these one-man projects evolve into full lineups, however.
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* Humanity's Last Breath (also deathcore and mathcore; their later material also has prominent dissonant death metal elements)
to:
* Humanity's Last Breath (also (an offshoot of Vildhjarta, also deathcore and mathcore; their later material also has prominent dissonant death metal elements)
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* Myth of I
to:
* Myth of II (also instrumental prog)
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* Music/{{Vildhjarta}}
to:
* Music/{{Vildhjarta}}Music/{{Vildhjarta}} (also see Humanity's Last Breath)
* Viscera (also deathcore and metalcore)
* Viscera (also deathcore and metalcore)
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* AERIAL
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* The Afterimage
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* Aviana
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* Music/TheCyclamen (strong prog-metal influence, their mellower songs verge on [[Main/PostHardcore post-hardcore]])
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* Music/{{Earthists}} (also metalcore, notable ambient influence)
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* Music/InventAnimate
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* Northlane (early material was straight forward djent/metalcore, ''Alien'' mixes in nu-metal and rave music)
* Music/NovelistsFR (also prog and metalcore, their lightest material goes into [[Main/PostHardcore post-hardcore]])
* Music/NovelistsFR (also prog and metalcore, their lightest material goes into [[Main/PostHardcore post-hardcore]])
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* GreenAesop: Bands with more of an ambient influence have this as a lyrical topic, Earthists, Invent Animate, and Aviana being the most notable. Yuto of Earthists jokingly refers to their style of music as ''naturecore.''
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* MohsScaleofRockAndMetalHardness: Usually around the 8-10 range. Some bands like Novelists FR and Hacktivist can dip into a 6 whereas more death metal flavored bands like Meshuggah, Vildhjarta, and The Tony Danza Tapdance Extravaganza go into 11 range.
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* Music/BornOfOsiris (Also {{Deathcore}} and [[TechnicalDeathMetal Progressive Death Metal]])
to:
* Music/BornOfOsiris (Also {{Deathcore}} and [[TechnicalDeathMetal Progressive Death Metal]])Metal]], though they have mostly leaned towards metalcore from ''Tomorrow We Die ∆live'' onward)
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* Chelsea Grin (''Ashes to Ashes'' and ''Self Inflicted'', also metalcore and deathcore, though they have regularly flirted with this over the years)
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* Music/{{Nevermore}} (UrExample; quite possibly the only djent band ever that overlaps with PowerMetal)
to:
* Music/{{Nevermore}} (UrExample; (the other TropeMaker; quite possibly the only djent band ever that overlaps with PowerMetal)
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* TropeMaker - {{Music/Meshuggah}}
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* TropeMaker - {{Music/Meshuggah}}{{Music/Meshuggah}} and {{Music/Nevermore}}
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* Music/VeilOfMaya (also {{Deathcore}})
to:
* Music/VeilOfMaya (also {{Deathcore}})(mixed {{Deathcore}} early on-their fifth album switched to a straightfoward Djent sound)
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* InternetBackdraft[=/=]FlameBait: Go onto any metal forum, ask if Djent is a genre and see what happens. If you want a ''really'' vicious response, go onto a prog forum.
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* Humanity's Last Breath (also deathcore and mathcore)
to:
* Humanity's Last Breath (also deathcore and mathcore)mathcore; their later material also has prominent dissonant death metal elements)
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* Polyphia
to:
* PolyphiaMusic/{{Polyphia}} (Though they took a ''hard'' left into ProgressiveMetal by their 2nd album.)
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* Entheos (''Primal'', mixed with TechnicalDeathMetal; they mostly shed this on ''The Infinite Nothing'')
to:
* Entheos Music/{{Entheos}} (''Primal'', mixed with TechnicalDeathMetal; they mostly shed this on ''The Infinite Nothing'')
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* Krosis (also deathcore)
* Sarah Longfield (also see A Fine Constant; her solo work toes the line between djent and modern instrumental prog ala Scale the Summit, but she is ultimately rooted in djent)
* Sarah Longfield (also see A Fine Constant; her solo work toes the line between djent and modern instrumental prog ala Scale the Summit, but she is ultimately rooted in djent)