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* The producers of Series/WalkingWithDinosaurs wanted to continue making spin-offs once Creator/TheBBC, who apparently owns the brand itself, lost interest. However, the format is generic enough that the producers could simply produce them under a different name and use AdvertisingByAssociation.
** Series/PrehistoricPark is effectively an expanded version of the Series/ChasedByDinosaurs specials, this time directly incorporating time travel into the plot and adding a B-story set in the present day. That's because the two series share the same production company (Impossible Pictures), Producer (Jasper James), and presenter (Nigel Marven). However, Prehistoric Park aired on ITV, one of the BBC's rivals.
** WesternAnimation/MarchOfTheDinosaurs, also produced by Jasper James and aired on ITV, uses the ''Walking with Dinosaurs'' format.
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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClassic ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher Creator/SonyInteractiveEntertainment to greenlight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.

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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClassic ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher Creator/SonyInteractiveEntertainment to greenlight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.''VideoGame/{{Bloodborne}}''.
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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClassic ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher ''Creator/SonyInteractiveEntertainment'' to greenlight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.

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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClassic ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher ''Creator/SonyInteractiveEntertainment'' Creator/SonyInteractiveEntertainment to greenlight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.
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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClass ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher ''Creator/SonyInteractiveEntertainment'' to greelight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.

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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClass CultClassic ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher ''Creator/SonyInteractiveEntertainment'' to greelight greenlight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.
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* ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki wanted to create a follow up to his CultClass ''VideoGame/DemonsSouls'', but the game's sales were too low for publisher ''Creator/SonyInteractiveEntertainment'' to greelight a sequel. Thus, he went over to Creator/BandaiNamco, and created his successor under a slightly different name. Ironically, after ''Dark Souls'' became a sales success and proved highly influential on the video game industry, Sony went back to From and Miyazaki and proposed that they create another game, which resulted in yet another Creator-Driven Successor, ''VideoGame/Bloodborne''.
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** In turn, ''WesternAnimation/AdventureTime'' and ''WesternAnimation/RegularShow'' can be considered this to the three above shows. J. G. Quintel worked on ''Camp Lazlo'' before creating ''Regular Show'', while a number of ''[=SpongeBob=]'' and ''Phineas and Ferb'' writers eventually jumped ship to ''AT'' and ''RS''[[note]]''RS'' had Mike Roth, who used to work on ''P&F'' as a writer with Kent Osborne and Martin Olson, both of whom wrote for ''SBSP'' before moving to ''AT'' along with Nate Cash and Merriwether Williams.[[/note]]
** Furthermore, many crew members of those two shows moved over to ''WesternAnimation/StevenUniverse'' and ''WebAnimation/BeeAndPuppyCat''.[[note]]Kat Morris worked on ''RS'' before moving to ''SU'', former ''AT'' director Larry Leichliter directed every ''B&PC'' episode, Creator/PendletonWard moved to ''B&PC'' after ''AT'' ended, and Creator/IanJonesQuartey worked on ''AT'' before moving to ''SU''[[/note]] Also of note is that both of those shows' creators (Creator/RebeccaSugar and Natasha Allegri, respectively) worked on ''AT'' beforehand.

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** In turn, ''WesternAnimation/AdventureTime'' and ''WesternAnimation/RegularShow'' can be considered this to the three above shows. J. G. Quintel worked on ''Camp Lazlo'' before creating ''Regular Show'', while a number of ''[=SpongeBob=]'' and ''Phineas and Ferb'' writers eventually jumped ship to ''AT'' and ''RS''[[note]]''RS'' had Mike Roth, who used to work on ''P&F'' as a writer with Kent Osborne and Martin Olson, both of whom wrote for ''SBSP'' before moving to ''AT'' along with Nate Cash and Cash, Merriwether Williams.[[/note]]
Williams, and Derek Drymon.[[/note]].
** Furthermore, many crew members of those two shows moved over to ''WesternAnimation/StevenUniverse'' and ''WebAnimation/BeeAndPuppyCat''.[[note]]Kat Morris worked on ''RS'' before moving to ''SU'', former ''AT'' director Larry Leichliter directed every ''B&PC'' episode, Creator/PendletonWard moved to ''B&PC'' after ''AT'' ended, [[Creator/FrederatorStudios Fred Seibert]] was executive producer for both ''AT'' and ''B&PC'', Kent Osborne (writer for ''AT'' and one ''RS'' episode) moved to ''SU'' and ''B&PC'', and Creator/IanJonesQuartey worked on ''AT'' before moving to ''SU''[[/note]] ''SU''[[/note]]. Also of note is that both of those shows' creators (Creator/RebeccaSugar and Natasha Allegri, respectively) worked on ''AT'' beforehand.

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** In turn, ''WesternAnimation/AdventureTime'' and ''WesternAnimation/RegularShow'' can be considered this to the three above shows. J. G. Quintel worked on ''Camp Lazlo'' before creating ''Regular Show'', while a number of ''[=SpongeBob=]'' and ''Phineas and Ferb'' writers eventually jumped ship to AT and RS.

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** In turn, ''WesternAnimation/AdventureTime'' and ''WesternAnimation/RegularShow'' can be considered this to the three above shows. J. G. Quintel worked on ''Camp Lazlo'' before creating ''Regular Show'', while a number of ''[=SpongeBob=]'' and ''Phineas and Ferb'' writers eventually jumped ship to AT ''AT'' and RS.''RS''[[note]]''RS'' had Mike Roth, who used to work on ''P&F'' as a writer with Kent Osborne and Martin Olson, both of whom wrote for ''SBSP'' before moving to ''AT'' along with Nate Cash and Merriwether Williams.[[/note]]
** Furthermore, many crew members of those two shows moved over to ''WesternAnimation/StevenUniverse'' and ''WebAnimation/BeeAndPuppyCat''.[[note]]Kat Morris worked on ''RS'' before moving to ''SU'', former ''AT'' director Larry Leichliter directed every ''B&PC'' episode, Creator/PendletonWard moved to ''B&PC'' after ''AT'' ended, and Creator/IanJonesQuartey worked on ''AT'' before moving to ''SU''[[/note]] Also of note is that both of those shows' creators (Creator/RebeccaSugar and Natasha Allegri, respectively) worked on ''AT'' beforehand.
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* Takashi Tokita's directorial debut at [[Creator/SquareEnix Squaresoft]] was ''VideoGame/LiveALive'', a RPG about heroes from various periods of history confronting a powerful evil all throughout time and space. His next game after that? ''VideoGame/ChronoTrigger'', a RPG about... fundamentally the exact same premise. ''Chrono Trigger'' would however greatly streamline the concept (notably by building itself around an unified TimeTravel-based storyline, whereas each time period of ''Live A Live'' was practically its own mini-game with standalone plot and mechanics) and reach much greater success and popularity.


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[[folder:Visual Novels]]
* ''VisualNovel/{{Snatcher}}'' and ''VisualNovel/{{Policenauts}}'', both of which are sci-fi graphic adventure games directed by Creator/HideoKojima.
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[[folder:Live-Action TV]]
* ''Series/HailToTheChief'' is this to ''Series/{{Soap}}'', also created by Susan Harris. It has a very similar feel, of arc-driven over-the-top drama in the context of a half-hour sitcom. It has a token gay character who has actual stories. It even has the same style of Previously on…, ending with something like "Confused? You won't be after this episode of Hail to the Chief."


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[[folder:Live-Action TV]]
* ''Series/HailToTheChief'' is this to ''Series/{{Soap}}'', also created by Susan Harris. It has a very similar feel, of arc-driven over-the-top drama in the context of a half-hour sitcom. It has a token gay character who has actual stories. It even has the same style of Previously on…, ending with something like "Confused? You won't be after this episode of Hail to the Chief."
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[[folder:Literature]]
* Monsignor Creator/HughBenson made his name with his Catholic End-Times novel ''Literature/LordOfTheWorld'', which was so dystopian that it depressed a lot of readers. Eventually enough of them wrote to him about this that he placated them by writing another End-Times novel with a different interpretation—that Christianity will become more dominant the closer the world gets to ending, instead of less. This book is ''Literature/TheDawnOfAll'', which ends with [[spoiler:it being all just a dream, because the writer truly believed the premise went against what the Bible teaches]].
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-->"Every writer has only one story to tell, and he has to find a way of telling it until the meaning becomes clearer and clearer, until the story becomes at once more narrow and larger, more and more precise, more and more reverberating."
-->-- Creator/JamesBaldwin

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-->"Every ->''"Every writer has only one story to tell, and he has to find a way of telling it until the meaning becomes clearer and clearer, until the story becomes at once more narrow and larger, more and more precise, more and more reverberating."
"''
-->-- Creator/JamesBaldwin
'''Creator/JamesBaldwin'''

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Put it in the wrong spot; sorry. Haven't been awake very long.


A Creator-Driven Successor is a work that is effectively a successor to another work by the same creator, but belongs to a different franchise. This situation may be apparent if the creator takes care in having both works share similar themes, setting aesthetics, art style, or gameplay. A ThematicSeries may result from a string of creator-driven successors.




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A Creator-Driven Successor is a work that is effectively a successor to another work by the same creator, but belongs to a different franchise. This situation may be apparent if the creator takes care in having both works share similar themes, setting aesthetics, art style, or gameplay. A ThematicSeries may result from a string of creator-driven successors.
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Suggested here in the Spiritual Successor TRS thread

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-->"Every writer has only one story to tell, and he has to find a way of telling it until the meaning becomes clearer and clearer, until the story becomes at once more narrow and larger, more and more precise, more and more reverberating."
-->-- Creator/JamesBaldwin

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[[folder:VideoGames]]
* ''VideoGame/{{Bayonetta}}'' to ''VideoGame/DevilMayCry'', moreso the [[VideoGame/DevilMayCry1 first]] ''DMC'' game, but the traits are shared with later ''DMC'' games. Both were created by Hideki Kamiya, both share over the top action, and both have [[RuleOfCool styles of attacking]] where mixing it up grants a [[RankInflation higher score]] at the end of each section/chapter.
** The Kamiya-era ''Devil May Cry'' received another spiritual successor in the form of ''VideoGame/MetalGearRisingRevengeance'', just replace Demons with Cyborgs and Giant Robots.[[labelnote:Note]]Which becomes HilariousInHindsight when it came into direct competition with a post-Kamiya ''DmC'' Devil May Cry[[/labelnote]]
** For further irony, the "reboot", ''VideoGame/DMCDevilMayCry'', owes more to ''VideoGame/HeavenlySword'' than its series roots. In terms of combat and controls. The game being developerd by Creator/NinjaTheory invited comparisons, and most fans joking called [=DmC=], ''Heavenly Sword 2''.
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[[folder:Live-Action TV]]
* ''Series/HailToTheChief'' is this to ''Series/{{Soap}}'', also created by Susan Harris. It has a very similar feel, of arc-driven over-the-top drama in the context of a half-hour sitcom. It has a token gay character who has actual stories. It even has the same style of Previously on…, ending with something like "Confused? You won't be after this episode of Hail to the Chief."
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* ''WesternAnimation/TheVentureBrothers'' to ''WesternAnimation/TheTick''. They share a creator/writer (Jackson Publick), an actor/voice actor (Creator/PatrickWarburton), and numerous themes (including various genre [[{{Deconstruction}} deconstructions]].) ''Tick'' creator Ben Edlund is also the only person to write an episode ("¡Viva los Muertos!") of the Venture Brothers outside of creators Publick and Doc Hammer.

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[[folder:Webcomics]]
* ''Webcomic/TheAccidentalSpaceSpy'' is a successor to ''Webcomic/HitmenForDestiny'' by the same author. The setting and characters are different, but they both explore how BizarreAlienBiology might come about through evolution, and rely on {{farce}}.
* ''Webcomic/{{Girly}}'' by Jackie Lesnick is kind of a successor to her previous webcomic ''Webcomic/CuteWendy''. The two main characters from ''Cute Wendy'' are the mother and father/mother of Winter from ''Girly'', but the stories are separate and unique enough to be considered a league of its own.
* ''Webcomic/WeAreTheWyrecats'' is technically a sequel to ''Webcomic/RubyNation'', but it focuses on an (almost) entirely new cast of characters. What the two comics share is the same setting and the [[CreatorThumbprint same set of themes]].
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[[folder:Radio]]
* ''Gloomsbury'' to ''The Wordsmiths at Gorsemere'': a BBC Radio 4 slice-of-life sitcom written by Sue Limb about an exaggerated version of a well known group of writers (the Romantic poets and the Bloomsbury set), filled with {{punny name}}s.
* In the 1940s, Creator/RuthPark wrote a children's radio serial called ''The Wide-Awake Bunyip'', about an amiable but foolish bunyip and his best friend, Mouse. The serial was cancelled in 1951 after the death of the lead actor, then rebooted as ''Literature/TheMuddleHeadedWombat'', about an amiable but foolish wombat and his best friend, Mouse, with the same writer and production team and the same cast apart from the title role.
* ''Radio/XMinusOne'': This show was an effort to revive ''Radio/DimensionX'', an earlier ScienceFiction GenreAnthology which aired on NBC radio from 1950–1951. The director Creator/FredWeihe worked on both, as did scriptwriters Creator/ErnestKinoy and Creator/GeorgeLefferts. Out of the first thirty or so episodes, they {{Recycled|Script}} twenty-six of the scripts from the older RadioDrama.
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* ''WesternAnimation/{{A Christmas Carol|2009}}'' directed by Creator/RobertZemeckis serves as this to his preceding CGI-animated Christmas film ''WesternAnimation/ThePolarExpress''. Both films are based on a classic book centered around the holiday and are about a person whose perspective on life and attitude towards the holiday are changed as he goes through a supernatural journey started by beings who want to help them "open their eyes" so to speak.. Each also has a leading actor who plays several roles in the film. Ironically enough a marionette puppet of Ebenezer Scrooge appears in the film during the scene where they are in a car filled with abandoned/misfit toys being used by the hobo ghost. The Scrooge played by Creator/JimCarrey in the subsequent film has a strikingly similar appearance/design.
* ''WesternAnimation/CorpseBride'' was hotly anticipated by fans of ''WesternAnimation/TheNightmareBeforeChristmas''. In fact, with his distinctive style and usual repertory cast, you could consider the entire Creator/TimBurton oeuvre outside the more science fiction stuff one big de facto franchise.
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[[folder:Film - Animated]]
* Disney's ''WesternAnimation/{{Hercules}}'' would qualify as such to their preceding animated film ''WesternAnimation/{{Aladdin}}''. Both films are based on classic myths/folk-tales set in the ancient world. The main players include a well meaning yet frowned-upon young male outsider, who has confidence issues and wants to feel acceptance/respect, and who comes to embrace himself for who he is by the end (Hercules and Aladdin), a conniving and snarky man of power (Hades and Jafar) within the inner circles of a jovial king he seeks to supplant (Zeus and the Sultan) with the aid of sealed away ancient beings of immense power (the Genie and the Titans) who ultimately is punished by being trapped in a dark place without the use of his power when beaten by the hero, the feisty woman the hero loves who is trapped in a life position she seeks to break free from (Meg and Jasmine), among others such as in the various comedic sidekicks. (Such as the heroes' anthropomorphized modes of transportation, the villains' comedic sidekicks who are regularly abused by their masters and do a lot of the grunt work.) Both films also have a lighter, more irreverent tone than the more serious films that preceded (''WesternAnimation/BeautyAndTheBeast''/''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'') and followed them (''WesternAnimation/{{The Lion King|1994}}''/''WesternAnimation/{{Mulan}}'') in the Disney canon, with many comic anachronisms and pop culture references. Both films had the same pair of directors with Ron Clements and John Musker. And both, naturally, were animated Disney musicals with music by Music/AlanMenken.
* Disney's ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'' would qualify as such to their preceding animated film ''WesternAnimation/BeautyAndTheBeast''. Both films are based on classic pieces of literature based in France. The main players being a misunderstood/tortured man thought of as a monster by the outside world that lives in a monolithic building (Quasimodo and The Beast), his sidekicks in the form of legless anthropomorphic objects (the castle's denizens turned into household objects like Lumiere, Cogsworth, and Mrs. Potts from ''Beast'' and the Notre Dame gargoyles Victor, Hugo, and Laverne from ''Hunchback''), the strong and compassionate woman that defends him who he falls for (Esermelda and Belle), a villainous man with influence in his hometown that is deeply arrogant and lusts after the female lead who ultimately dies in a final confrontation when he besieges the aforementioned monolithic building where he falls to his death (Frollo and Gaston). Both films had the same pair of directors with Gary Trousdale and Kirk Wise. And both, naturally, were animated Disney musicals with music by Music/AlanMenken.
* ''WesternAnimation/{{Zootopia}}'' is one to Disney's previous film ''WesternAnimation/{{Robin Hood|1973}}''. In fact, ''Zootopia'' director Byron Howard's love for ''Robin Hood'' was the reason why the idea for ''Zootopia'' was pitched in the first place, [[http://variety.com/2013/film/news/d23-expo-disney-reveals-animated-zootopia-for-2016-1200576434/ since he wanted to do a film similar to one of his favorite toons]].
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* ''WesternAnimation/TeenageMutantNinjaTurtles2012'' shares much of the aesthetic qualities, storyline aspects, and humor as ''WesternAnimation/TeenTitans'', another series that Ciro Nieli executive produced, down to having at least [[KnightOfCerebus one villain that's darker than the rest]].
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* ''WesternAnimation/MyLifeAsATeenageRobot'' to ''WesternAnimation/WhateverHappenedToRobotJones''. Other than the obvious robot theme, the show's creators both worked on each other's shows.
* ''WesternAnimation/ReadyJetGo'' is one to ''WesternAnimation/SidTheScienceKid'', as both shows are Creator/PBSKids shows that have a science-driven curriculum, and both shows star four kind-hearted, cute, curious children who just want to learn about science. It also helps that the [[Creator/CraigBartlett creator]] of ''Jet'' worked on ''Sid'' as a story editor, and ''Jet'' premiered eight years after ''Sid''.


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* ''WesternAnimation/SpacePOP'' is one to ''WesternAnimation/{{Trollz}}''. The girls have similar archetypes and character designs to the Trollz characters, as do the villains and the characters' pets, and both shows were produced by the same man.
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Compare SameStoryDifferentNames, for other instances of creators copying themselves. Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless of whether the works share creators.

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Compare SameStoryDifferentNames, for other instances of creators copying themselves. Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless of whether the works share creators.creators.

!!Examples:

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[[folder:Western Animation]]
* ''WesternAnimation/AllGrownUp'' can be seen as one to ''WesternAnimation/AsToldByGinger'' as they're both realistic, SliceOfLife cartoons done by Creator/KlaskyCsupo that have middle school-aged protagonists.
* ''WesternAnimation/{{Animaniacs}}'' was more or less a continuation of ''WesternAnimation/TinyToonAdventures'' with a new cast of AnimatedActors. Both are comedy toons created by Creator/StevenSpielberg dedicated to reviving WesternAnimation/LooneyTunes-style humor.
* ''WesternAnimation/BatmanTheBraveAndTheBold'' is this to ''Franchise/TheDCAU'' as it uses a lot of the same actors, similar character designs, and focus on lesser-known DC characters.
* ''WesternAnimation/Ben10AlienForce'' is one to ''WesternAnimation/JusticeLeague'' as a sci-fi superhero series written and produced by Creator/DwayneMcDuffie.
* ''WesternAnimation/BeastWars'' to ''WesternAnimation/ReBoot'' as all-CG cartoon series by Creator/RainmakerEntertainment.
** ''WesternAnimation/ShadowRaiders'' is in turn a successor to both these shows, only much DarkerAndEdgier.
* ''WesternAnimation/BimblesBucket'' is very much is this to ''WesternAnimation/TheDreamstone'', with a very similar dynamic, tone and even most of the characters [[{{Expy}} resembling those of the previous show]]. Both shows take place in a fantasy world where an EvilOverlord desires the heroes' magical trinket, sending bumbling minions with a ZanyScheme to steal it every episode. Both were projects created by Mike Jupp and Martin Gates Productions, meaning a good amount of the same people worked on both series.
* ''WesternAnimation/CampLazlo'', ''WesternAnimation/PhineasAndFerb'' and ''WesternAnimation/SpongeBobSquarePants'' to ''WesternAnimation/RockosModernLife'' as [[ProductionPosse the men on the three former shows had worked on the latter one]] [[note]]''Lazlo'' had not only Joe Murray but also Martin Olson and Antoine Guilbaud, who also worked on ''P&F'' with Dan Povenmire and Jeff "Swampy" Marsh, who previously worked on ''SBSP'' with Stephen Hillenburg, Mr. (Doug) Lawrence, Alan Smart and Derek Drymon[[/note]].
** In turn, ''WesternAnimation/AdventureTime'' and ''WesternAnimation/RegularShow'' can be considered this to the three above shows. J. G. Quintel worked on ''Camp Lazlo'' before creating ''Regular Show'', while a number of ''[=SpongeBob=]'' and ''Phineas and Ferb'' writers eventually jumped ship to AT and RS.
* ''WesternAnimation/{{Futurama}}'' to ''WesternAnimation/TheSimpsons''. Animated sitcoms by Matt Groening set in a semi-CrapsackWorld with a cast full of lovable oafs, simple as that.
* ''WesternAnimation/TheJetsons'' to ''WesternAnimation/TheFlintstones'' as a family sitcom cartoon set in a specific time period far away from our own. There's also the much more obscure series ''WesternAnimation/TheRomanHolidays''.
* ''WesternAnimation/LoonaticsUnleashed'' to ''WesternAnimation/RoadRovers''. Both are action cartoons with some comedy elements based on futuristic anthropomorphic superheroes, and are both made by Warner Bros. [[{{Expy}} Also, there's a number of character similarities.]]
* ''WesternAnimation/MickeyMouse'' to ''WesternAnimation/OswaldTheLuckyRabbit'': After losing Oswald to his distributor, Creator/WaltDisney created a new series of cartoons around a new character, Mickey, who was pretty much Oswald with the primary difference being that Walt owned full legal rights to Mickey.
* ''WesternAnimation/ScoobyDoo'' was responsible for launching many spiritual successors from its own creators, all featuring teams of teens with a mascot character traveling around and solving mysteries. Among them were ''WesternAnimation/TheFunkyPhantom'', ''WesternAnimation/{{Fangface}}'', ''WesternAnimation/SpeedBuggy'', ''WesternAnimation/{{Jabberjaw}}'', and ''WesternAnimation/CaptainCavemanAndTheTeenAngels''.
* ''WesternAnimation/TinyToonAdventures'' is a successor to ''WesternAnimation/APupNamedScoobyDoo'', which was the last project most of the WBA staff worked on together at Hanna-Barbera and featured younger versions of cartoon icons (much like how most of the Tiny Toon Adventures cast are {{junior counterpart}}s to the ''Looney Tunes'' cast).
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* Their original work was written so conclusively that making further installments that do it justice would be [[ToughActToFollow too difficult]] or disrespectful.

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* Their original work was written so conclusively that making further installments that do it justice would be [[ToughActToFollow too difficult]] or disrespectful.[[{{Sequelitis}} disrespectful]].
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Grammar


The Creator-Driven Successor is where a work is effectively a successor to another work by the same creator, but belong to different franchises. This situation may be apparent if the creator takes care in having both works share similar themes, setting aesthetics, art style, or gameplay. A ThematicSeries may result from a string of creator-driven successors.

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The A Creator-Driven Successor is where a work that is effectively a successor to another work by the same creator, but belong belongs to a different franchises.franchise. This situation may be apparent if the creator takes care in having both works share similar themes, setting aesthetics, art style, or gameplay. A ThematicSeries may result from a string of creator-driven successors.



Compare SameStoryDifferentNames, for other instances of creators copying themselves. Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless if the works share creators.

to:

Compare SameStoryDifferentNames, for other instances of creators copying themselves. Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless if of whether the works share creators.
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[[WMG:[[center:[[AC:This trope is [[https://tvtropes.org/pmwiki/posts.php?discussion=1651253757097054800 under discussion]] in the Administrivia/TropeRepairShop.]]]]]]
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Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless if the works share creators.

to:

Compare SameStoryDifferentNames, for other instances of creators copying themselves. Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless if the works share creators.
Is there an issue? Send a MessageReason:
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The Creator-Driven Successor is where a work is effectively a successor to another work by the same creator, but belong to different franchises. This situation may be apparent if the creator takes care in having both works share similar themes, setting aesthetics, art style, or gameplay. A ThematicSeries may result from a string of creator-driven successors.

This is a way for creators that want to follow up on their previous work to get around the problems posed by attempts to continue a franchise directly, whether by a sequel, prequel, or NonLinearSequel.

The inability to do so may be because:
* The creators are [[ScrewedByTheLawyers legally unable to make further continuations]] because they quit working with the copyright holders of their previous work or failed to secure their permission.
* Their original work was written so conclusively that making further installments that do it justice would be [[ToughActToFollow too difficult]] or disrespectful.
* The creator wants their work's successor to have all the beloved things from their old work but without its unwanted baggage.
* The creator wants to add something new that clashes too hard with their previous work.

The creator-driven successor status can be subverted by CanonWelding, where the seemingly distinct franchises are revealed to be in the same continuity.

If creator-driven successors to a franchise are seen as better than official sequels [[BTeamSequel that were made without key creators]], OnlyTheCreatorDoesItRight may result.

Not to be confused with SpiritualSuccessor, where it's the audience that regards a work as a virtual successor to another, regardless if the works share creators.

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