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* ''Literature/LittleWomen'': It's painful for Beth to die young; it's more painful for Jo to live without her little sister. [[CreatorBreakdown As Louisa knew firsthand]].

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* ''Literature/LittleWomen'': It's painful for Beth to die young; it's more painful for Jo to live without her little sister. [[CreatorBreakdown As Louisa knew firsthand]]. Played with in that Beth's sadness and gradual coming to terms with her fate get more attention than in most examples of this trope, though the adaptations often downplay them for more focus on Jo.
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Disambiguation


* In ''ComicBook/IdentityCrisis'' Sue Dibny is raped, but the story completely ignores the issue of how the attack affects her in favour of focusing on how it affects ''everyone else''. The comic's multiple narrators are all men, so while rape as a plot device is used by bad writers as "a thing that happens to women", an actual woman's take on the attack isn't provided, let alone the victim's own experience.

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* In ''ComicBook/IdentityCrisis'' ''ComicBook/IdentityCrisis2004'' Sue Dibny is raped, but the story completely ignores the issue of how the attack affects her in favour of focusing on how it affects ''everyone else''. The comic's multiple narrators are all men, so while rape as a plot device is used by bad writers as "a thing that happens to women", an actual woman's take on the attack isn't provided, let alone the victim's own experience.

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* ''WesternAnimation/SpiderManAcrossTheSpiderVerse'': Defied. The death of [[spoiler:a policeman close to Spider-Man]] is considered by Miguel to be such a superhero-formative event that he lambasts Miles for saving Pavitr's, and is willing to [[spoiler:let Miles' newly-promoted NYPD captain father die to ensure the safety of his universe.]] Miles rejects Miguel's assessment, fully believing that he can be Spider-Man without suffering such a loss.
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[[folder:Films -- Live-Action]]
* In ''Film/GranTorino'', Sue is beaten and gang-raped by her own gangster cousins to get back at her, her brother, and Walt for standing up to them and challenging them, though the movie focuses more on Walt's reaction, partly because the attack immediately followed his own browbeating of one of the gangsters. Not to mention that he was the main character of the film.

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* ''WesternAnimation/SpiderManAcrossTheSpiderVerse'': Defied. The death of [[spoiler:a policeman close to Spider-Man]] is considered by Miguel to be such a superhero-formative event that he lambasts Miles for saving Pavitr's, and is willing to [[spoiler:let Miles' newly-promoted NYPD captain father die to ensure the safety of his universe.]] universe]]. Miles rejects Miguel's assessment, fully believing that he can be Spider-Man without suffering such a loss.
[[//folder]]

[[folder:Films -- Live-Action]]
* In ''Film/GranTorino'', Sue is beaten and gang-raped by her own gangster cousins to get back at her, her brother, and Walt for standing up to them and challenging them, though the movie focuses more on Walt's reaction, partly because the attack immediately followed his own browbeating of one of the gangsters. Not to mention that he was the main character of the film.
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[[folder:Films -- Live-Action]]
* In ''Film/GranTorino'', Sue is beaten and gang-raped by her own gangster cousins to get back at her, her brother, and Walt for standing up to them and challenging them, though the movie focuses more on Walt's reaction, partly because the attack immediately followed his own browbeating of one of the gangsters. Not to mention that he was the main character of the film.
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[[folder:Films -- Animation]]
* ''WesternAnimation/SpiderManAcrossTheSpiderVerse'': Defied. The death of [[spoiler:a policeman close to Spider-Man]] is considered by Miguel to be such a superhero-formative event that he lambasts Miles for saving Pavitr's, and is willing to [[spoiler:let Miles' newly-promoted NYPD captain father die to ensure the safety of his universe.]] Miles rejects Miguel's assessment, fully believing that he can be Spider-Man without suffering such a loss.
[[//folder]]
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grammar


* ''VideoGame/StarCraft2'': In ''Wings of Liberty'', Raynor feels responsible for letting Kerrigan being overrunned and turned into a monster by the Zerg during the first game. The campaign revolves around him trying to find a way to either kill her or make her return human.

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* ''VideoGame/StarCraft2'': In ''Wings of Liberty'', Raynor feels responsible for letting Kerrigan being overrunned be overrun and turned into a monster by the Zerg during the first game. The campaign revolves around him trying to find a way to either kill her or make her return human.
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Compare and contrast with AesopCollateralDamage, where a peripheral character's undeserved suffering is also used to teach the protagonist a lesson. Compare with DisposableWoman, which can be seen as the extreme version of this trope.

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Compare and contrast with AesopCollateralDamage, where a peripheral character's undeserved suffering is also used to teach the protagonist a lesson. Compare with DisposableWoman, DisposableWoman and StuffedIntoTheFridge, which can be seen as the extreme version of this trope.
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* ''Franchise/AceAttorney'': Played with with Mia Fey's death; her death ''does'' badly affect Phoenix and Maya (since they're her protege and sister respectively), but neither considers her death to be their fault and she wasn't killed because of them (she was investigating a blackmailer, and he killed her to keep her from exposing him), and[[spoiler: she ultimately avenges ''herself'' post-mortem by exposing Redd White as her killer, and remains a major character due to spirit channeling]]. Later, in ''Trials and Tribulations'', focus is given to how her death affected [[spoiler: her old boyfriend, Diego Armando]], but in this case the point is more that this person is letting their grief turn them into someone Mia wouldn't like. Mia also gets to be the protagonist of two flashback cases, and the BigBad is as much her ArchNemesis as Phoenix's.
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* Both Kisa and Rin are viciously attacked by Akito in ''Manga/FruitsBasket''. Rin, in particular, is badly injured after being pushed out of an upper floor window. However, both girls seem to discount these events in their catalogue of tragedies. Kisa is more worried about the bullying she suffers at school, while Rin desperately searches for a cure to the Sohma curse in between hospital visits. Their love interests, Hiro and Hatsuharu respectively, on the other hand, angst constantly about their failure to protect their girlfriends. Hiro especially sees his inability to stand up to Akito and prevent the attack as an insult to his masculine pride and proof that he is unworthy of Kisa.

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* ''Manga/FruitsBasket'': Both Kisa and Rin are viciously attacked by Akito in ''Manga/FruitsBasket''.Akito. Rin, in particular, is badly injured after being pushed out of an upper floor window. However, both girls seem to discount these events in their catalogue of tragedies. Kisa is more worried about the bullying she suffers at school, while Rin desperately searches for a cure to the Sohma curse in between hospital visits. Their love interests, Hiro and Hatsuharu respectively, on the other hand, angst constantly about their failure to protect their girlfriends. Hiro especially sees his inability to stand up to Akito and prevent the attack as an insult to his masculine pride and proof that he is unworthy of Kisa.



* The ''Franchise/GreenLantern'' plot arc where Kyle Rayner's assistant Terry Berg gets gay bashed focused more on Kyle dealing with the angst of such a thing happening to his best friend, tracking down the assailants and scaring the bejeesus out of them, and eventually deciding that he was running out of faith in humanity and taking off for the stars. All while Terry, the one who actually got attacked, lay in traction.

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* ''ComicBook/GreenLantern'': The ''Franchise/GreenLantern'' plot arc where Kyle Rayner's assistant Terry Berg gets gay bashed focused more on Kyle dealing with the angst of such a thing happening to his best friend, tracking down the assailants and scaring the bejeesus out of them, and eventually deciding that he was running out of faith in humanity and taking off for the stars. All while Terry, the one who actually got attacked, lay in traction.



* This is basically the role of [[ComicBook/{{Batgirl}} Barbara Gordon]] in ''ComicBook/TheKillingJoke'', to the point that her only dialogue after she is shot and paralyzed is devoted to her worrying about how her father and Bruce will take it.

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* ''ComicBook/TheKillingJoke'': This is basically the role of [[ComicBook/{{Batgirl}} Barbara Gordon]] in ''ComicBook/TheKillingJoke'', Gordon]], to the point that her only dialogue after she is shot and paralyzed is devoted to her worrying about how her father and Bruce will take it.
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* ''Fanfic/NoAntidote'': Aside from one monologue, the majority of the concern and reactions to Marty's poor condition come from everyone around him, particularly his Bulbasaur partner.


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* ''Fanfic/TowardABrightFuture'':
** Despite how Y/N is kidnapped by [[spoiler:the League of Villains]], she pays more attention to the six boys from her class who witnessed her abduction, as all six are blaming themselves for not being able to stop it. Particularly Tokoyami and Bakugou, since she [[spoiler:put herself in the line of fire in order to protect them]].
** In particular, when Midoriya and Bakugou start fighting over the incident, Y/N steps in and apologizes, saying ''she'' wasn't strong enough to protect ''them'', as well as apologizing to Bakugou for 'making' him witness her abduction and not recognizing that he was putting on a strong facade to hide his insecurities.

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* Creator/DavidWeber makes a point of using this with his character deaths; the focus is almost always on the pain of the dead character's surviving friends and family. This is part of a larger, overarching WarIsHell Aesop, in which Weber makes damned sure to remind his readers that no matter how noble or necessary a death might be, it's still going to hurt like hell for the people left behind. A prime example occurs in ''[[Literature/HonorHarrington At All Costs]]'': losing [[spoiler:Javier Giscard]] in battle hurts like hell, as is par for the course for Weber, but the ''real'' agony is in [[spoiler:his lover Eloise Pritchart]]'s reaction to losing [[spoiler:the man who was essentially her husband in all but name]]. (The reaction in question is, of course, an utterly broken heart.)



* Creator/DavidWeber makes a point of using this with his character deaths; the focus is almost always on the pain of the dead character's surviving friends and family. This is part of a larger, overarching WarIsHell Aesop, in which Weber makes damned sure to remind his readers that no matter how noble or necessary a death might be, it's still going to hurt like hell for the people left behind. A prime example occurs in ''[[Literature/HonorHarrington At All Costs]]'': losing [[spoiler:Javier Giscard]] in battle hurts like hell, as is par for the course for Weber, but the ''real'' agony is in [[spoiler:his lover Eloise Pritchart]]'s reaction to losing [[spoiler:the man who was essentially her husband in all but name]]. (The reaction in question is, of course, an utterly broken heart.)



* ''VideoGame/StarCraft2'': In ''Wings of Liberty'', Raynor feels responsible for letting Kerrigan being overrunned and turned into a monster by the Zerg during the first game. The campaign revolves around him trying to find a way to either kill her or make her return human.



* ''VideoGame/StarCraft2'': In ''Wings of Liberty'', Raynor feels responsible for letting Kerrigan being overrunned and turned into a monster by the Zerg during the first game. The campaign revolves around him trying to find a way to either kill her or make her return human.


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* ''WesternAnimation/MiraculousLadybug'': In the "[[Recap/MiraculousLadybugSP01MiraculousWorldNewYork United HeroeZ]]" special, Cat Noir [[AccidentalMurder accidentally murders]] [[spoiler:Uncanny Valley]] with an errant Cataclysm. The special makes out the victim's mother as being ''unreasonable'' for wanting the power that killed their child taken away from him, especially since Ladybug was able to bring the victim BackFromTheDead with [[WorldHealingWave Miraculous Cure]]. The victim themselves claims that their death was "no big deal" and is fully supportive of Cat Noir.
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* ''WesternAnimation/BatmanTheAnimatedSeries'': "I Am the Night" is all about Batman's distress about Commissioner Gordon being wounded on the field. So much that Gordon himself and his daughter are the ones who comfort him and Bullock is clearly expected to be viewed as incredibly mean for chastising him.
* ''WesternAnimation/TheSimpsons'': Defied. An early episode had Homer believing that he was going to die of food poisoning. As Marge sobs profusely, Homer calmly but snidely tells her that he is the one dying, not her.

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* ''WesternAnimation/BatmanTheAnimatedSeries'': "I "[[Recap/BatmanTheAnimatedSeriesE49IAmTheNight I Am the Night" Night]]" is all about Batman's distress about Commissioner Gordon being wounded on the field. So much that Gordon himself and his daughter are the ones who comfort him and Bullock is clearly expected to be viewed as incredibly mean for chastising him.
* ''WesternAnimation/TheSimpsons'': Defied. An early episode "[[Recap/TheSimpsonsS2E11OneFishTwoFishBlowfishBlueFish One Fish, Two Fish, Blowfish, Blue Fish]]" had Homer believing that he was going to die of food poisoning. As Marge sobs profusely, Homer calmly but snidely tells her that he is the one dying, not her.
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* ''VideoGame/StarCraft2'': In ''Wings of Liberty'', Raynor feels responsible for letting Kerrigan being overrunned and turned into a monster by the Zerg during the first game. The campaign revolves around him trying to find a way to either kill her or make her return human.

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