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* ''Series/TheNewAvengers'': "Complex" opens with a man atop a skyscraper seemingly taking aim with a sniper rifle on a man leaving the building opposite. It is then revealed that the 'rifle' is actually a camera gun and he is taking photos of the target.
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** In "[Recap/MidsomerMurdersS24E4 [A Climate of Death]]", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
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** In "[Recap/MidsomerMurdersS24E4 [A "[[Recap/MidsomerMurdersS24E4 A Climate of Death]]", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
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* ''Anime/GhostInTheShellArise'': In the ''New Movie'', it's done without the lens click as it involves [[{{Cyberpunk}} purely digital technology]], but the freeze frame is used to show that Motoko is under surveillance.
* ''Manga/Golgo13'': In the opening of the anime episode "Cross Angle", a paparazzi in a helicopter captures a royal having sex on the deck of a yacht, with the subsequent shots showing her fleeing into the cabin. His next target is an actual sniper -- the world's greatest assassin at the moment he fires his shot.
* ''Manga/Golgo13'': In the opening of the anime episode "Cross Angle", a paparazzi in a helicopter captures a royal having sex on the deck of a yacht, with the subsequent shots showing her fleeing into the cabin. His next target is an actual sniper -- the world's greatest assassin at the moment he fires his shot.
Deleted line(s) 22,23 (click to see context) :
* ''Manga/Golgo13'': In the opening of the anime episode "Cross Angle", a paparazzi in a helicopter captures a royal having sex on the deck of a yacht, with the subsequent shots showing her fleeing into the cabin. His next target is an actual sniper -- the world's greatest assassin at the moment he fires his shot.
* ''Anime/GhostInTheShellArise'': In the ''New Movie'', it's done without the lens click as it involves [[{{Cyberpunk}} purely digital technology]], but the freeze frame is used to show that Motoko is under surveillance.
* ''Anime/GhostInTheShellArise'': In the ''New Movie'', it's done without the lens click as it involves [[{{Cyberpunk}} purely digital technology]], but the freeze frame is used to show that Motoko is under surveillance.
Changed line(s) 30 (click to see context) from:
[[folder:Films -- Live-Action]]
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* ''Film/ActOfValor''. A CIA operative meeting with her contact is photographed. A short time later armed men burst into her house, kill the contact and abduct her.
* Vicki Vale, an intrepid reporter, does this to Bruce Wayne as he visits the spot where his parents died in ''Film/Batman1989''.
* ''Film/{{Chinatown}}'' opens with what appears to be this trope, but as the camera pulls back we see the photos have already been taken and are being flicked through by the cuckolded husband.
* ''Film/TheEqualizer''. When the {{Corrupt Cop}}s working for TheMafiya begin to suspect that Robert [=McCall=] is the man they're looking for, they put him under surveillance with this trope. [[ChekhovsGun Later on]] TheDragon goes through the photos and realises from Robert's interaction with his coworkers that he's on friendly terms with them, so he decides to [[IHaveYourWife kidnap them to force Robert into the open]].
Deleted line(s) 32 (click to see context) :
* The 2008 film ''Film/WarGames: The Dead Code'' has a scene wherein the shot of Amy freezes into a photograph.
* ''Film/JumpinJackFlash''. Whoopi Goldberg's character delivers Jack's message to the British Embassy, but they claim not to understand it, telling her she must have been the victim of a practical joke. As she leaves, someone takes her photograph.
* Played with in ''Film/TheTallBlondManWithOneBlackShoe'' - an ordinary violinist is marked as a spy as he arrives at an airport, and several ''real'' spies secretly take his picture. He'd popped a large piece of chewy candy in his mouth, and every shutter click/freeze frame catches him in a goofy facial contortion as it gets stuck in his teeth.
* Played with in ''Film/TheTallBlondManWithOneBlackShoe'' - an ordinary violinist is marked as a spy as he arrives at an airport, and several ''real'' spies secretly take his picture. He'd popped a large piece of chewy candy in his mouth, and every shutter click/freeze frame catches him in a goofy facial contortion as it gets stuck in his teeth.
Changed line(s) 35,40 (click to see context) from:
* Vicki Vale, an intrepid reporter, does this to Bruce Wayne as he visits the spot where his parents died in Film/Batman1989.
* Played with in ''Film/TheTallBlondManWithOneBlackShoe'' - an ordinary violinist is marked as a spy as he arrives at an airport, and several ''real'' spies secretly take his picture. He'd popped a large piece of chewy candy in his mouth, and every shutter click/freeze frame catches him in a goofy facial contortion as it gets stuck in his teeth.
* ''Film/JumpinJackFlash''. Whoopi Goldberg's character delivers Jack's message to the British Embassy, but they claim not to understand it, telling her she must have been the victim of a practical joke. As she leaves, someone takes her photograph.
* ''Film/ActOfValor''. A CIA operative meeting with her contact is photographed. A short time later armed men burst into her house, kill the contact and abduct her.
* ''Film/TheEqualizer''. When the {{Corrupt Cop}}s working for TheMafiya begin to suspect that Robert [=McCall=] is the man they're looking for, they put him under surveillance with this trope. [[ChekhovsGun Later on]] TheDragon goes through the photos and realises from Robert's interaction with his coworkers that he's on friendly terms with them, so he decides to [[IHaveYourWife kidnap them to force Robert into the open]].
* ''Film/{{Chinatown}}'' opens with what appears to be this trope, but as the camera pulls back we see the photos have already been taken and are being flicked through by the cuckolded husband.
* Played with in ''Film/TheTallBlondManWithOneBlackShoe'' - an ordinary violinist is marked as a spy as he arrives at an airport, and several ''real'' spies secretly take his picture. He'd popped a large piece of chewy candy in his mouth, and every shutter click/freeze frame catches him in a goofy facial contortion as it gets stuck in his teeth.
* ''Film/JumpinJackFlash''. Whoopi Goldberg's character delivers Jack's message to the British Embassy, but they claim not to understand it, telling her she must have been the victim of a practical joke. As she leaves, someone takes her photograph.
* ''Film/ActOfValor''. A CIA operative meeting with her contact is photographed. A short time later armed men burst into her house, kill the contact and abduct her.
* ''Film/TheEqualizer''. When the {{Corrupt Cop}}s working for TheMafiya begin to suspect that Robert [=McCall=] is the man they're looking for, they put him under surveillance with this trope. [[ChekhovsGun Later on]] TheDragon goes through the photos and realises from Robert's interaction with his coworkers that he's on friendly terms with them, so he decides to [[IHaveYourWife kidnap them to force Robert into the open]].
* ''Film/{{Chinatown}}'' opens with what appears to be this trope, but as the camera pulls back we see the photos have already been taken and are being flicked through by the cuckolded husband.
to:
* Vicki Vale, an intrepid reporter, does this to Bruce Wayne as he visits The 2008 film ''Film/WarGames: The Dead Code'' has a scene wherein the spot where his parents died in Film/Batman1989.
* Played with in ''Film/TheTallBlondManWithOneBlackShoe'' - an ordinary violinist is marked as a spy as he arrives at an airport, and several ''real'' spies secretly take his picture. He'd popped a large pieceshot of chewy candy in his mouth, and every shutter click/freeze frame catches him in a goofy facial contortion as it gets stuck in his teeth.
* ''Film/JumpinJackFlash''. Whoopi Goldberg's character delivers Jack's message to the British Embassy, but they claim not to understand it, telling her she must have been the victim of a practical joke. As she leaves, someone takes her photograph.
* ''Film/ActOfValor''. A CIA operative meeting with her contact is photographed. A short time later armed men burstAmy freezes into her house, kill the contact and abduct her.
* ''Film/TheEqualizer''. When the {{Corrupt Cop}}s working for TheMafiya begin to suspect that Robert [=McCall=] is the man they're looking for, they put him under surveillance with this trope. [[ChekhovsGun Later on]] TheDragon goes through the photos and realises from Robert's interaction with his coworkers that he's on friendly terms with them, so he decides to [[IHaveYourWife kidnap them to force Robert into the open]].
* ''Film/{{Chinatown}}'' opens with what appears to be this trope, but as the camera pulls back we see the photos have already been taken and are being flicked through by the cuckolded husband.a photograph.
* Played with in ''Film/TheTallBlondManWithOneBlackShoe'' - an ordinary violinist is marked as a spy as he arrives at an airport, and several ''real'' spies secretly take his picture. He'd popped a large piece
* ''Film/JumpinJackFlash''. Whoopi Goldberg's character delivers Jack's message to the British Embassy, but they claim not to understand it, telling her she must have been the victim of a practical joke. As she leaves, someone takes her photograph.
* ''Film/ActOfValor''. A CIA operative meeting with her contact is photographed. A short time later armed men burst
* ''Film/TheEqualizer''. When the {{Corrupt Cop}}s working for TheMafiya begin to suspect that Robert [=McCall=] is the man they're looking for, they put him under surveillance with this trope. [[ChekhovsGun Later on]] TheDragon goes through the photos and realises from Robert's interaction with his coworkers that he's on friendly terms with them, so he decides to [[IHaveYourWife kidnap them to force Robert into the open]].
* ''Film/{{Chinatown}}'' opens with what appears to be this trope, but as the camera pulls back we see the photos have already been taken and are being flicked through by the cuckolded husband.
Changed line(s) 44 (click to see context) from:
* Literature/AbleTeam has a couple of literature versions of this trope.
to:
* Literature/AbleTeam ''Literature/AbleTeam'' has a couple of literature versions of this trope.
Deleted line(s) 51,53 (click to see context) :
* Happens a lot on ''Series/TheWire'', particularly in season one. For instance, the scene where Bubbles is doing his red hat trick and Kima is on the roof photographing the heroes.
* Happens in ''Series/TorchwoodMiracleDay'' - Gwen is in Venice Beach, and we see that someone's watching her through the shutter of the camera they're using to photograph her. The shot even pulls back to show the person with the long range lens.
* ''Series/VeronicaMars'': At least half the episodes have this, though that's unsurprising considering the character is a private eye.
* Happens in ''Series/TorchwoodMiracleDay'' - Gwen is in Venice Beach, and we see that someone's watching her through the shutter of the camera they're using to photograph her. The shot even pulls back to show the person with the long range lens.
* ''Series/VeronicaMars'': At least half the episodes have this, though that's unsurprising considering the character is a private eye.
* The pilot episode of ''Series/JessicaJones2015'' opens with this trope of an adulterous couple, accompanied by the requisite PrivateEyeMonologue of the title character who is taking the photos.
* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins of Commission]]" are seen through a camera lens like this. It turns out a housekeeper is photographing people for several reasons.
** In "[Recap/MidsomerMurdersS24E4 [A Climate of Death]]", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins of Commission]]" are seen through a camera lens like this. It turns out a housekeeper is photographing people for several reasons.
** In "[Recap/MidsomerMurdersS24E4 [A Climate of Death]]", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance. One of the Dogs is then shown slipping the film to a couple of Major Crime officers, with the Majors flicking through the developed photos later.
Changed line(s) 61,65 (click to see context) from:
* The pilot episode of ''Series/JessicaJones2015'' opens with this trope of an adulterous couple, accompanied by the requisite PrivateEyeMonologue of the title character who is taking the photos.
* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance. One of the Dogs is then shown slipping the film to a couple of Major Crime officers, with the Majors flicking through the developed photos later.
* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins of Commission]]" are seen through a camera lens like this. It turns out a housekeeper is photographing people for several reasons.
** In "A Climate of Death", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance. One of the Dogs is then shown slipping the film to a couple of Major Crime officers, with the Majors flicking through the developed photos later.
* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins of Commission]]" are seen through a camera lens like this. It turns out a housekeeper is photographing people for several reasons.
** In "A Climate of Death", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
to:
* The pilot episode of ''Series/JessicaJones2015'' opens with this trope of an adulterous couple, accompanied by the requisite PrivateEyeMonologue of the title character who Happens in ''Series/TorchwoodMiracleDay'' - Gwen is taking the photos.
* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]]in Venice Beach, and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance. One of the Dogs is then shown slipping the film to a couple of Major Crime officers, with the Majors flicking we see that someone's watching her through the developed photos later.
* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sinsshutter of Commission]]" are seen through a the camera lens like this. It turns out a housekeeper they're using to photograph her. The shot even pulls back to show the person with the long range lens.
* ''Series/VeronicaMars'': At least half the episodes have this, though that's unsurprising considering the character is a private eye.
* Happens a lot on ''Series/TheWire'', particularly in season one. For instance, the scene where Bubbles is doing his red hat trick and Kima is on the roof photographingpeople for several reasons.
** In "A Climate of Death", a blonde walks out ofthe Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.heroes.
* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]]
* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins
* ''Series/VeronicaMars'': At least half the episodes have this, though that's unsurprising considering the character is a private eye.
* Happens a lot on ''Series/TheWire'', particularly in season one. For instance, the scene where Bubbles is doing his red hat trick and Kima is on the roof photographing
** In "A Climate of Death", a blonde walks out of
* The opening to ''VideoGame/BeyondGoodAndEvil'' has this.
Deleted line(s) 74 (click to see context) :
* The opening to ''VideoGame/BeyondGoodAndEvil'' has this.
* In ''WesternAnimation/TheLooneyTunesShow'', the {{Flashback}} to Granny's days as a WAC has her camera sniping some German soldiers as they try to steal art from the Louvre.
Deleted line(s) 84 (click to see context) :
* In ''WesternAnimation/TheLooneyTunesShow'', the {{Flashback}} to Granny's days as a WAC has her camera sniping some German soldiers as they try to steal art from the Louvre.
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* ''Series/MidsomerMurders'':
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins of Commission]]" are seen through a camera lens like this. It turns out a housekeeper is photographing people for several reasons.
** In "A Climate of Death", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
** A few suspects in "[[Recap/MidsomerMurdersS7E4 Sins of Commission]]" are seen through a camera lens like this. It turns out a housekeeper is photographing people for several reasons.
** In "A Climate of Death", a blonde walks out of the Green Man wearing a trench coat, looking at her phone and arranging her hair. Someone is taking photos of her. She puts on her helmet and gets on a scooter. Someone follows her on a bike. The blonde girl arrives at the edge of town on the scooter and someone still shoots photos of her. She hops in a beat up old truck and drives off leaving a cloud of smoke.
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None
Changed line(s) 1,2 (click to see context) from:
[[quoteright:320:[[Film/TheTallBlondManWithOneBlackShoe https://static.tvtropes.org/pmwiki/pub/images/the_return_of_the_tall_blond_man_with_one_black_shoe.jpg]]]]
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[[folder:Anime and Manga]]
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[[folder:Anime and & Manga]]
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[[folder:Film]]
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TheGovernment, or [[CloakAndDagger the spies]], or the PrivateDetective, or the IntrepidReporter is watching his target.
The target is seldom aware at this point that there's a camera scope on him, but the audience gets to see an indication of the watchful character(s) because we see a Follow Shot of him walking, sleeping or just eating breakfast -- in short, just living his day-to-day life.
The shot goes into Freeze Frame (and may also switch from color to black and white), and is accompanied by a camera shutter sound and a blink or iris in shot to indicate that whoever was watching has just taken a photograph of the person targeted. The scene then resumes otherwise unchanged as the target goes about his or her business. This may happen two or three times in the same scene, indicating that there may later be a stack (or email) of photos presented to the watching entity's boss.
The target is seldom aware at this point that there's a camera scope on him, but the audience gets to see an indication of the watchful character(s) because we see a Follow Shot of him walking, sleeping or just eating breakfast -- in short, just living his day-to-day life.
The shot goes into Freeze Frame (and may also switch from color to black and white), and is accompanied by a camera shutter sound and a blink or iris in shot to indicate that whoever was watching has just taken a photograph of the person targeted. The scene then resumes otherwise unchanged as the target goes about his or her business. This may happen two or three times in the same scene, indicating that there may later be a stack (or email) of photos presented to the watching entity's boss.
to:
TheGovernment, or [[CloakAndDagger the spies]], or the PrivateDetective, or the IntrepidReporter is watching his their target.
The target is seldom aware at this point that there's a camera scope onhim, them, but the audience gets to see an indication of the watchful character(s) because we see a Follow Shot of him them walking, sleeping or just eating breakfast -- in short, just living his their day-to-day life.
The shot goes into Freeze Frame (and may also switch from color to black and white), and is accompanied by a camera shutter sound and a blink or iris in shot to indicate that whoever was watching has just taken a photograph of the person targeted. The scene then resumes otherwise unchanged as the target goes abouthis or her their business. This may happen two or three times in the same scene, indicating that there may later be a stack (or email) of photos presented to the watching entity's boss.
The target is seldom aware at this point that there's a camera scope on
The shot goes into Freeze Frame (and may also switch from color to black and white), and is accompanied by a camera shutter sound and a blink or iris in shot to indicate that whoever was watching has just taken a photograph of the person targeted. The scene then resumes otherwise unchanged as the target goes about
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Changed line(s) 54 (click to see context) from:
* ''Series/{{Hunter}}''. The episode "Avenging Angel" opens with this trope, as an unseen person is shown taking photographs of Hunter going about his everyday business, in a montage to the song "Every Breath You Take" (I'll Be Watching You) by the Police. He's then shown developing the photographs [[StalkerShrine and putting them up on his wall]].
to:
* ''Series/{{Hunter}}''.''Series/{{Hunter|1984}}''. The episode "Avenging Angel" opens with this trope, as an unseen person is shown taking photographs of Hunter going about his everyday business, in a montage to the song "Every Breath You Take" (I'll Be Watching You) by the Police. He's then shown developing the photographs [[StalkerShrine and putting them up on his wall]].
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* In the game ''VideoGame/DeadRising'', this is used in cutscenes, and is also implemented into gameplay.
to:
* In the game ''VideoGame/DeadRising'', this is used in cutscenes, and is also implemented into gameplay. It's quite fitting, seeing as the protagonist is a photojournalist.
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[[AC:{{Anime}} and {{Manga}}]]
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* ''Manga/{{Golgo 13}}''. In the opening of the anime episode "Cross Angle", a paparazzi in a helicopter captures a royal having sex on the deck of a yacht, with the subsequent shots showing her fleeing into the cabin. His next target is an actual sniper -- the world's greatest assassin at the moment he fires his shot.
* ''Anime/GhostInTheShellArise''. In the ''New Movie'' it's done without the lens click as it involves [[CyberPunk purely digital technology]], but the freeze frame is used to show Motoko is under surveillance.
[[AC:ComicBooks]]
* Commonplace for ComicBook/SpiderMan, but it's a subversion of the trope most of the time because it's Peter Parker's own camera on auto-shutter taking the pics of Spidey in action. But not always. Especially common in the animated fare featuring the [[SuperheroSobriquets Wallcrawler]].
[[AC:{{Film}}]]
* ''Anime/GhostInTheShellArise''. In the ''New Movie'' it's done without the lens click as it involves [[CyberPunk purely digital technology]], but the freeze frame is used to show Motoko is under surveillance.
[[AC:ComicBooks]]
* Commonplace for ComicBook/SpiderMan, but it's a subversion of the trope most of the time because it's Peter Parker's own camera on auto-shutter taking the pics of Spidey in action. But not always. Especially common in the animated fare featuring the [[SuperheroSobriquets Wallcrawler]].
[[AC:{{Film}}]]
to:
* ''Manga/{{Golgo 13}}''. ''Manga/Golgo13'': In the opening of the anime episode "Cross Angle", a paparazzi in a helicopter captures a royal having sex on the deck of a yacht, with the subsequent shots showing her fleeing into the cabin. His next target is an actual sniper -- the world's greatest assassin at the moment he fires his shot.
*''Anime/GhostInTheShellArise''. ''Anime/GhostInTheShellArise'': In the ''New Movie'' Movie'', it's done without the lens click as it involves [[CyberPunk [[{{Cyberpunk}} purely digital technology]], but the freeze frame is used to show that Motoko is under surveillance.
[[AC:ComicBooks]]
surveillance.
[[/folder]]
[[folder:Comic Books]]
* Commonplacefor ComicBook/SpiderMan, in ''ComicBook/SpiderMan'', but it's a subversion of the trope most of the time because it's Peter Parker's own camera on auto-shutter taking the pics of Spidey in action. But not always. Especially common in the animated fare featuring the [[SuperheroSobriquets Wallcrawler]].
[[AC:{{Film}}]]Wallcrawler]].
[[/folder]]
[[folder:Film]]
*
[[AC:ComicBooks]]
[[/folder]]
[[folder:Comic Books]]
* Commonplace
[[AC:{{Film}}]]
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[[folder:Film]]
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[[AC:Literature]]
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[[folder:Literature]]
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[[folder:Live-Action TV]]
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* The pilot episode of ''Series/JessicaJones'' opens with this trope of an adulterous couple, accompanied by the requisite PrivateEyeMonologue of the title character who is taking the photos.
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* The pilot episode of ''Series/JessicaJones'' ''Series/JessicaJones2015'' opens with this trope of an adulterous couple, accompanied by the requisite PrivateEyeMonologue of the title character who is taking the photos.
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[[AC:{{Music}}]]
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[[folder:Video Games]]
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* [[SupplementalMaterial/TeamFortress2 Team Fortress Comics #3]] ends this way, using an actual sniper rifle (obviously from the Sniper).
[[AC:VisualNovels]]
[[AC:VisualNovels]]
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* [[SupplementalMaterial/TeamFortress2 ''[[SupplementalMaterial/TeamFortress2 Team Fortress Comics #3]] Comics]]'' #3 ends this way, using an actual sniper rifle (obviously from the Sniper).
[[AC:VisualNovels]]Sniper).
[[/folder]]
[[folder:Visual Novels]]
[[AC:VisualNovels]]
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[[folder:Visual Novels]]
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[[AC:WesternAnimation]]
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[[folder:Western Animation]]
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* On ''WesternAnimation/TheLooneyTunesShow'' The {{Flashback}} to Granny's days as a [=WAC=] has her camera sniping some German soldiers as they try to steal art from the Louvre.
to:
* On ''WesternAnimation/TheLooneyTunesShow'' The In ''WesternAnimation/TheLooneyTunesShow'', the {{Flashback}} to Granny's days as a [=WAC=] WAC has her camera sniping some German soldiers as they try to steal art from the Louvre.Louvre.
[[/folder]]
[[/folder]]
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* ''Anime/GhostInTheShellArise''. In the ''New Movie'' it's done without the lens click as it involves [[CyberPunk purely digital technology]], but the freeze frame is used to show Motoko is under surveillance.
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* Seen in TheEighties movie ''Film/{{Gotcha}}''.
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* Seen in TheEighties movie ''Film/{{Gotcha}}''.''Film/{{Gotcha|1985}}''.
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* Seen in TheEighties movie ''Gotcha''.
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* Seen in TheEighties movie ''Gotcha''.''Film/{{Gotcha}}''.
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** In "Need to Know", the KGB are planning to snatch a prisoner from [=CI5=] custody. As the KGB agents tasked with the assignment arrive at the Soviet embassy, this trope happens and we see Doyle and Bodie with a telephoto lens camera, showing that [=CI5=] are onto their plan.
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** In "Stakeout", Bodie and Doyle are checking out a bowling alley for anything suspicious after a [=CI5=] agent is murdered near there. We keep getting shots of a camera lens clicking, which a middle-aged man is keeping hidden under his overcoat. But instead of a spy engaged in SinisterSurveillance, he's revealed to be a pervert taking upskirt shots of women bowling.
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** In "Stakeout", Bodie and Doyle are checking out a bowling alley for anything suspicious after a [=CI5=] agent is murdered near there. We keep getting closeup shots of a camera lens clicking, which a middle-aged man is keeping hidden under his overcoat. But instead of a spy engaged in SinisterSurveillance, he's revealed to be a [[RedHerring pervert taking upskirt shots of women bowling.bowling]].
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* ''Series/TheProfessionals''. In "Hunter/Hunted", Bodie and Doyle think they're being followed by a black Porsche on the highway. After some vehicular maneuvering the Porsche drives past with the unseen driver waving at them, so they assume it's the usual road rage CockFight. Then the Porsche turns up unnoticed at their destination, a telephoto lens extends out the car window and takes several photographs of Bodie and Doyle.
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* ''Series/TheProfessionals''. ''Series/TheProfessionals''
** In "Hunter/Hunted", Bodie and Doyle think they're being followed by a black Porsche on the highway. After some vehicular maneuvering the Porsche drives past with the unseen driver waving at them, so they assume it's the usual road rage CockFight. Then the Porsche turns up unnoticed at their destination, a telephoto lens extends out the car window and takes several photographs of Bodie andDoyle.Doyle.
** In "Stakeout", Bodie and Doyle are checking out a bowling alley for anything suspicious after a [=CI5=] agent is murdered near there. We keep getting shots of a camera lens clicking, which a middle-aged man is keeping hidden under his overcoat. But instead of a spy engaged in SinisterSurveillance, he's revealed to be a pervert taking upskirt shots of women bowling.
** In "Hunter/Hunted", Bodie and Doyle think they're being followed by a black Porsche on the highway. After some vehicular maneuvering the Porsche drives past with the unseen driver waving at them, so they assume it's the usual road rage CockFight. Then the Porsche turns up unnoticed at their destination, a telephoto lens extends out the car window and takes several photographs of Bodie and
** In "Stakeout", Bodie and Doyle are checking out a bowling alley for anything suspicious after a [=CI5=] agent is murdered near there. We keep getting shots of a camera lens clicking, which a middle-aged man is keeping hidden under his overcoat. But instead of a spy engaged in SinisterSurveillance, he's revealed to be a pervert taking upskirt shots of women bowling.
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[[AC:VisualNovels]]
* Implied with Daniela in ''VisualNovel/DoubleHomework''. [[spoiler:It turns out that she’s supposed to be recording his sexual experiences with his female classmates.]]
* Implied with Daniela in ''VisualNovel/DoubleHomework''. [[spoiler:It turns out that she’s supposed to be recording his sexual experiences with his female classmates.]]
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* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance.
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* ''Series/{{Phoenix}}''. Our introduction to the [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance.
surveillance. One of the Dogs is then shown slipping the film to a couple of Major Crime officers, with the Majors flicking through the developed photos later.
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* ''Series/{{Phoenix}}''. Our introduction to the Dogs (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance.
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* ''Series/{{Phoenix}}''. Our introduction to the Dogs [[InSeriesNickname Dogs]] (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance.
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** In "Texas Showdown", Able Team are photographed leaving a house with Hal Brognola by an army officer working for a drug gang. His superior is later shown going through the assorted photographs and trying to work out from their body language what the relationship between the subjects is.
** In "Ironman", a member of the Guatemalan secret police photographs Carl Lyons meeting with another man in a small Guatemalan village. Again we're shown his superior studying the photographs, only this man knows who Lyons is and arranges for the BigBad to be tipped off.
** In "Ironman", a member of the Guatemalan secret police photographs Carl Lyons meeting with another man in a small Guatemalan village. Again we're shown his superior studying the photographs, only this man knows who Lyons is and arranges for the BigBad to be tipped off.
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** In "Texas Showdown", Able Team are photographed leaving a house with Hal Brognola when they are photographed by an army officer working for a drug gang. His superior is later shown going through the assorted photographs and trying to work out from their body language what the relationship between the subjects is.
** In "Ironman", a member of the Guatemalan secret police photographs Carl Lyons meeting withanother man Nate in a small Guatemalan village. Again we're shown his superior studying the photographs, only this man knows who Lyons is and arranges for the BigBad to be tipped off.
off.
** In "Ironman", a member of the Guatemalan secret police photographs Carl Lyons meeting with
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* ''Series/{{Phoenix}}''. Our introduction to the Dogs (the Victorian police surveillance unit) is a [[SpiesInAVan white van with dark windows]] and the sound of a motorized camera clicking, accompanied by this trope as several criminals get out of a car and enter the building under surveillance.
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[[AC:Literature]]
* Literature/AbleTeam has a couple of literature versions of this trope.
** In "Texas Showdown", Able Team are photographed leaving a house with Hal Brognola by an army officer working for a drug gang. His superior is later shown going through the assorted photographs and trying to work out from their body language what the relationship between the subjects is.
** In "Ironman", a member of the Guatemalan secret police photographs Carl Lyons meeting with another man in a small Guatemalan village. Again we're shown his superior studying the photographs, only this man knows who Lyons is and arranges for the BigBad to be tipped off.
* Literature/AbleTeam has a couple of literature versions of this trope.
** In "Texas Showdown", Able Team are photographed leaving a house with Hal Brognola by an army officer working for a drug gang. His superior is later shown going through the assorted photographs and trying to work out from their body language what the relationship between the subjects is.
** In "Ironman", a member of the Guatemalan secret police photographs Carl Lyons meeting with another man in a small Guatemalan village. Again we're shown his superior studying the photographs, only this man knows who Lyons is and arranges for the BigBad to be tipped off.