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->The juxtaposition of short shots to represent action or ideas; Intellectual montage is used to consciously convey subjective messages through the juxtaposition of shots which are related in composition or movement, through repetition of images, through cutting rhythm, detail or metaphor. Montage editing, unlike invisible editing, uses conspicuous techniques which may include: use of close- ups, relatively frequent cuts, dissolves, superimposition, fades and jump cuts. Such editing should suggest a particular meaning.
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->The juxtaposition of short shots to represent action or ideas; Intellectual montage is used to consciously convey subjective messages through the juxtaposition of shots which are related in composition or movement, through repetition of images, through cutting rhythm, detail or metaphor. Montage editing, unlike invisible editing, uses conspicuous techniques which may include: use of close- ups, relatively frequent cuts, dissolves, superimposition, fades [[FadeIn fades]], and jump cuts. Such editing should suggest a particular meaning.
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* Visible in ''Film/ButchCassidyAndTheSundanceKid'' in a fade in/out of a tree branch with dew, set to "Raindrops Keep Falling On My Head".
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* Visible in ''Film/ButchCassidyAndTheSundanceKid'' in a fade in/out FadeIn/FadeOut of a tree branch with dew, set to "Raindrops Keep Falling On My Head".
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* In the Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
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* In the Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', ''Film/ALittlePrincess1995'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
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* Used several times in ''Film/{{Walkabout}}'' to show the bugs and lizards of the Australian outback that the main characters are wandering through.
* Many of the shots during musical sequences of ''Film/EasyRider''.
** A classic, almost definitive example can be [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw found here.]]
* Many of the shots during musical sequences of ''Film/EasyRider''.
** A classic, almost definitive example can be [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw found here.]]
to:
* Used several times in ''Film/{{Walkabout}}'' to show the bugs and lizards ''Film/AmericanHoney'' features frequent close-ups of the Australian outback that the main characters are wandering through.
* Manygrass and insects of the shots during musical sequences open fields in the American Midwest.
* During David's first transformation in ''Film/AnAmericanWerewolfInLondon'', the film cuts briefly to a smiling Mickey Mouse figurine, then back to David completing the transformation.
* As ''Film/BartonFink'' slowly loses it in his HellHotel, we get a lot of''Film/EasyRider''.
** A classic, almost definitive example can be [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw found here.]]these showing details of his room. One long, slow zoom right before a particularly nasty scene takes us into the bathroom, up to the sink, and [[BlackComedy down the drain]].
* Many
* During David's first transformation in ''Film/AnAmericanWerewolfInLondon'', the film cuts briefly to a smiling Mickey Mouse figurine, then back to David completing the transformation.
* As ''Film/BartonFink'' slowly loses it in his HellHotel, we get a lot of
** A classic, almost definitive example can be [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw found here.]]
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* Creator/TerrenceMalick is fond of this trope.
** ''Film/{{Badlands}}'': As Kit and Holly hide out in the woods after he murdered her father, living an idyllic existence in a crude hut, there are several closeups of bugs and flowers and other flora and fauna.
** ''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
* This may include the film ''Film/LaJetee'', which is made up of ''all'' still shots with one motion shot.
** ''Film/{{Badlands}}'': As Kit and Holly hide out in the woods after he murdered her father, living an idyllic existence in a crude hut, there are several closeups of bugs and flowers and other flora and fauna.
** ''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
* This may include the film ''Film/LaJetee'', which is made up of ''all'' still shots with one motion shot.
to:
* Creator/TerrenceMalick is fond of this trope.
** ''Film/{{Badlands}}'': As Kit and Holly hide outRosebud does not apply in ''Film/CitizenKane'', but the woods after he murdered her father, living an idyllic existence snowglobe possibly does. In fact, snowglobes in a crude hut, there general.
* Many shots in ''Film/DancerInTheDark'' are examples of this.
* ''Film/DaughtersOfTheDust'' includes severalcloseups close ups of bugs the reeds and flowers and other flora and fauna.
** ''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening inthe trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
* This may include the film ''Film/LaJetee'', which is made upwildlife of ''all'' still shots with one motion shot.St. Helena.
** ''Film/{{Badlands}}'': As Kit and Holly hide out
* Many shots in ''Film/DancerInTheDark'' are examples of this.
* ''Film/DaughtersOfTheDust'' includes several
** ''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in
* This may include the film ''Film/LaJetee'', which is made up
* Soviet propaganda film ''Film/Earth1930'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth�fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
* Many of the shots during musical sequences of ''Film/EasyRider''.
** A classic, almost definitive example can be [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw found here.]]
* [[http://camswonks.blogs.com/cinesthesia/2005/03/hill_on_the_fil.html: Karina Hill]] writes about [[Creator/SergeiEisenstein Eisenstein]]: [-"His associational montages use dialectic elements to activate audience emotions. Generally, his associational montages are used to sadden or disgust the audience. Intellectual montage is the colliding of two unrelated shots in order to arrive at an understanding of an abstract concept or message. The Soviet system within which he worked emphasized the social utility of film and he believed that film could be used to reeducate the public. Therefore, Eisenstein used montages to incite physiological, emotional, and intellectual responses in spectators, with the ultimate goal of motivating them to take action."-]
** To illustrate, here are some examples from ''Film/BattleshipPotemkin'': A shot of an officer tapping the hilt of his sword is followed by a shot of a priest tapping his crucifix, to imply the connection between the Church and the oppressive tsarist government; an officer is dumped overboard and a shot of the water churning after he falls is compared to an earlier close-up of the maggot-ridden meat that let to the revolt; and the famous three successive shots of lion statues in progressive stages of standing up, symbolizing the people standing up against oppression.
* Many of the shots during musical sequences of ''Film/EasyRider''.
** A classic, almost definitive example can be [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw found here.]]
* [[http://camswonks.blogs.com/cinesthesia/2005/03/hill_on_the_fil.html: Karina Hill]] writes about [[Creator/SergeiEisenstein Eisenstein]]: [-"His associational montages use dialectic elements to activate audience emotions. Generally, his associational montages are used to sadden or disgust the audience. Intellectual montage is the colliding of two unrelated shots in order to arrive at an understanding of an abstract concept or message. The Soviet system within which he worked emphasized the social utility of film and he believed that film could be used to reeducate the public. Therefore, Eisenstein used montages to incite physiological, emotional, and intellectual responses in spectators, with the ultimate goal of motivating them to take action."-]
** To illustrate, here are some examples from ''Film/BattleshipPotemkin'': A shot of an officer tapping the hilt of his sword is followed by a shot of a priest tapping his crucifix, to imply the connection between the Church and the oppressive tsarist government; an officer is dumped overboard and a shot of the water churning after he falls is compared to an earlier close-up of the maggot-ridden meat that let to the revolt; and the famous three successive shots of lion statues in progressive stages of standing up, symbolizing the people standing up against oppression.
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* Many shots in ''Film/DancerInTheDark'' are examples of this.
* Rosebud does not apply in ''Film/CitizenKane'', but the snowglobe possibly does. In fact, snowglobes in general.
* [[http://camswonks.blogs.com/cinesthesia/2005/03/hill_on_the_fil.html: Karina Hill]] writes about [[Creator/SergeiEisenstein Eisenstein]]: [-"His associational montages use dialectic elements to activate audience emotions. Generally, his associational montages are used to sadden or disgust the audience. Intellectual montage is the colliding of two unrelated shots in order to arrive at an understanding of an abstract concept or message. The Soviet system within which he worked emphasized the social utility of film and he believed that film could be used to reeducate the public. Therefore, Eisenstein used montages to incite physiological, emotional, and intellectual responses in spectators, with the ultimate goal of motivating them to take action."-]
** To illustrate, here are some examples from ''Film/BattleshipPotemkin'': A shot of an officer tapping the hilt of his sword is followed by a shot of a priest tapping his crucifix, to imply the connection between the Church and the oppressive tsarist government; an officer is dumped overboard and a shot of the water churning after he falls is compared to an earlier close-up of the maggot-ridden meat that let to the revolt; and the famous three successive shots of lion statues in progressive stages of standing up, symbolizing the people standing up against oppression.
* During David's first transformation in ''Film/AnAmericanWerewolfInLondon'', the film cuts briefly to a smiling Mickey Mouse figurine, then back to David completing the transformation.
* In ''Film/TaxiDriver'', there is a scene where Travis is at a table with some cabbie colleagues, and while the conversation is going on around him, the camera cuts to a slow push into his glass of water with alka-seltzer in it. It's a great way to illustrate his increasing social and emotional isolation.
* As ''Film/BartonFink'' slowly loses it in his HellHotel, we get a lot of these showing details of his room. One long, slow zoom right before a particularly nasty scene takes us into the bathroom, up to the sink, and [[BlackComedy down the drain]].
* In the Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
* Soviet propaganda film ''Film/Earth1930'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth�fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
* Rosebud does not apply in ''Film/CitizenKane'', but the snowglobe possibly does. In fact, snowglobes in general.
* [[http://camswonks.blogs.com/cinesthesia/2005/03/hill_on_the_fil.html: Karina Hill]] writes about [[Creator/SergeiEisenstein Eisenstein]]: [-"His associational montages use dialectic elements to activate audience emotions. Generally, his associational montages are used to sadden or disgust the audience. Intellectual montage is the colliding of two unrelated shots in order to arrive at an understanding of an abstract concept or message. The Soviet system within which he worked emphasized the social utility of film and he believed that film could be used to reeducate the public. Therefore, Eisenstein used montages to incite physiological, emotional, and intellectual responses in spectators, with the ultimate goal of motivating them to take action."-]
** To illustrate, here are some examples from ''Film/BattleshipPotemkin'': A shot of an officer tapping the hilt of his sword is followed by a shot of a priest tapping his crucifix, to imply the connection between the Church and the oppressive tsarist government; an officer is dumped overboard and a shot of the water churning after he falls is compared to an earlier close-up of the maggot-ridden meat that let to the revolt; and the famous three successive shots of lion statues in progressive stages of standing up, symbolizing the people standing up against oppression.
* During David's first transformation in ''Film/AnAmericanWerewolfInLondon'', the film cuts briefly to a smiling Mickey Mouse figurine, then back to David completing the transformation.
* In ''Film/TaxiDriver'', there is a scene where Travis is at a table with some cabbie colleagues, and while the conversation is going on around him, the camera cuts to a slow push into his glass of water with alka-seltzer in it. It's a great way to illustrate his increasing social and emotional isolation.
* As ''Film/BartonFink'' slowly loses it in his HellHotel, we get a lot of these showing details of his room. One long, slow zoom right before a particularly nasty scene takes us into the bathroom, up to the sink, and [[BlackComedy down the drain]].
* In the Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
* Soviet propaganda film ''Film/Earth1930'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth�fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
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* ''Film/DaughtersOfTheDust'' includes several close ups of the reeds and the wildlife of St. Helena.
to:
* ''Film/DaughtersOfTheDust'' includes This may include the film ''Film/LaJetee'', which is made up of ''all'' still shots with one motion shot.
* In the Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
* Creator/TerrenceMalick is fond of this trope.
** ''Film/{{Badlands}}'': As Kit and Holly hide out in the woods after he murdered her father, living an idyllic existence in a crude hut, there are severalclose ups closeups of bugs and flowers and other flora and fauna.
** ''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
* In ''Film/TaxiDriver'', there is a scene where Travis is at a table with some cabbie colleagues, and while the conversation is going on around him, the camera cuts to a slow push into his glass of water with alka-seltzer in it. It's a great way to illustrate his increasing social and emotional isolation.
* Used several times in ''Film/{{Walkabout}}'' to show the bugs and lizards of thereeds and Australian outback that the wildlife of St. Helena.main characters are wandering through.
* In the Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
* Creator/TerrenceMalick is fond of this trope.
** ''Film/{{Badlands}}'': As Kit and Holly hide out in the woods after he murdered her father, living an idyllic existence in a crude hut, there are several
** ''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
* In ''Film/TaxiDriver'', there is a scene where Travis is at a table with some cabbie colleagues, and while the conversation is going on around him, the camera cuts to a slow push into his glass of water with alka-seltzer in it. It's a great way to illustrate his increasing social and emotional isolation.
* Used several times in ''Film/{{Walkabout}}'' to show the bugs and lizards of the
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* Soviet propaganda film ''Film/{{Earth}}'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth�fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
to:
* Soviet propaganda film ''Film/{{Earth}}'' ''Film/Earth1930'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth�fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
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* ''Disney/TheLionKing'': as Simba climbs Pride Rock to take his rightful place as king, there is a brief shot of a wildebeest skull being washed away in the rain, as if to indicate that the land is being cleansed of the excesses of Scar's regime.
to:
* ''Disney/TheLionKing'': ''WesternAnimation/TheLionKing1994'': as Simba climbs Pride Rock to take his rightful place as king, there is a brief shot of a wildebeest skull being washed away in the rain, as if to indicate that the land is being cleansed of the excesses of Scar's regime.
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The original image note made no sense, I tried to preserve what I think was the intended gag
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[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.[[note]]Wait, what are you'''[[StuffBlowingUp ]]'''[[/note]]]]
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[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.[[note]]Wait, what are you'''[[StuffBlowingUp ]]'''[[/note]]]]
[[note]][[JustForFun/IThoughtItMeant Woah, woah,]] I didn't mean that [[StuffBlowingUp literally!]][[/note]]]]
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What it is '''not:''' Shots of an object with major significance to the subject (the Ring in ''Film/LordOfTheRings'', the Coffee and the Cigarettes in ''Film/CoffeeAndCigarettes'', [[Film/CitizenKane Rosebud]]...)
to:
What it is '''not:''' Shots of an object with major significance to the subject (the Ring in ''Film/LordOfTheRings'', ''Film/TheLordOfTheRings'', the Coffee and the Cigarettes in ''Film/CoffeeAndCigarettes'', [[Film/CitizenKane Rosebud]]...)
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** A classic, almost definitive example can be found [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw here]].
to:
** A classic, almost definitive example can be found [[https://www.youtube.com/watch?v=jMqVrUSz62o&feature=fvw here]].found here.]]
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* Seen in most UsefulNotes/{{Dogme 95}} films, such as ''[[https://www.youtube.com/watch?v=I7DoHUY3-TY&feature=related The Idiots]]''.
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* Seen in most UsefulNotes/{{Dogme 95}} films, such as ''[[https://www.youtube.com/watch?v=I7DoHUY3-TY&feature=related The Idiots]]''.Idiots.]]''
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* ''Film/DaughtersOfTheDust'' includes several close ups of the reeds and the wildlife of St. Helena.
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* A clever variant in ''Film/KongSkullIsland'' that foreshadows [[{{Kaiju}} the juxtaposition of size]] throughout the film. As the crew's helicopters arrive at Skull Island, we follow a shot of them as they pass the forest canopy. As the shot moves from wide focus to close, we see that one of the helicopters [[DepthDeception is in fact a dragonfly]], landing on a foreground leaf.
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In some cases, the technique is also used in action films or scenes; while a car or other vehicle carrying members of the film's cast goes by, the camera might focus on an object lying next to or in the road, like a discarded candy wrapper or a dandelion growing on the verge.
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What it is '''not:''' Shots of an object with major significance to the subject (the Ring in ''Film/LordOfTheRings'', the Coffee and the Cigarettes in ''Coffee And Cigarettes'', [[Film/CitizenKane Rosebud]]...)
to:
What it is '''not:''' Shots of an object with major significance to the subject (the Ring in ''Film/LordOfTheRings'', the Coffee and the Cigarettes in ''Coffee And Cigarettes'', ''Film/CoffeeAndCigarettes'', [[Film/CitizenKane Rosebud]]...)
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Added collapsible folders.
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[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.[[note]]Wait, what are you'''[[StuffBlowingUp <KABOOOOOOM>]]'''[[/note]]]]
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[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.[[note]]Wait, what are you'''[[StuffBlowingUp <KABOOOOOOM>]]'''[[/note]]]]
]]'''[[/note]]]]
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[[AC: Poetry]]
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[[folder: Poetry ]]
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[[AC:{{Anime}}]]
* In ''Manga/DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing.
[[AC: {{Comics}}]]
* In ''Manga/DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing.
[[AC: {{Comics}}]]
to:
[[folder: Anime ]]
* In ''Manga/DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are
[[AC: {{Comics}}]]
[[/folder]]
[[folder: Comics ]]
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[[AC:{{Film}} - Animated]]
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[[folder: Film -
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[[AC:{{Film}} - Live-Action]]
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[[folder: Film -
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* Soviet propaganda film ''Film/{{Earth}}'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth—fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
[[AC:{{Literature}}]]
[[AC:{{Literature}}]]
to:
* Soviet propaganda film ''Film/{{Earth}}'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth—fruit earth�fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
[[AC:{{Literature}}]][[/folder]]
[[folder: Literature ]]
[[folder: Literature ]]
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[[AC: LiveActionTV]]
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[[folder: Live Action TV ]]
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[[/folder]]
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Added namespaces.
Changed line(s) 57,58 (click to see context) from:
* In ''TaxiDriver'', there is a scene where Travis is at a table with some cabbie colleagues, and while the conversation is going on around him, the camera cuts to a slow push into his glass of water with alka-seltzer in it. It's a great way to illustrate his increasing social and emotional isolation.
* As BartonFink slowly loses it in his HellHotel, we get a lot of these showing details of his room. One long, slow zoom right before a particularly nasty scene takes us into the bathroom, up to the sink, and [[BlackComedy down the drain]].
* As BartonFink slowly loses it in his HellHotel, we get a lot of these showing details of his room. One long, slow zoom right before a particularly nasty scene takes us into the bathroom, up to the sink, and [[BlackComedy down the drain]].
to:
* In ''TaxiDriver'', ''Film/TaxiDriver'', there is a scene where Travis is at a table with some cabbie colleagues, and while the conversation is going on around him, the camera cuts to a slow push into his glass of water with alka-seltzer in it. It's a great way to illustrate his increasing social and emotional isolation.
* AsBartonFink ''Film/BartonFink'' slowly loses it in his HellHotel, we get a lot of these showing details of his room. One long, slow zoom right before a particularly nasty scene takes us into the bathroom, up to the sink, and [[BlackComedy down the drain]].
* As
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** ''TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
to:
** ''TheThinRedLine''.''Film/TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
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Changed line(s) 49 (click to see context) from:
* Seen in most {{Dogme 95}} films, such as ''[[http://www.youtube.com/watch?v=I7DoHUY3-TY&feature=related The Idiots]]''.
to:
* Seen in most {{Dogme UsefulNotes/{{Dogme 95}} films, such as ''[[http://www.youtube.com/watch?v=I7DoHUY3-TY&feature=related The Idiots]]''.
Changed line(s) 51 (click to see context) from:
* Many examples are silent or musical, many have dialogue, often painful dialogue, going over. ''HighHopes'' by Mike Leigh has quite a few "overlong" shots of doors, an elderly lady's dentures, a series of shots of gravestones, often used to reflect a malaise of the characters.
to:
* Many examples are silent or musical, many have dialogue, often painful dialogue, going over. ''HighHopes'' by Mike Leigh Creator/MikeLeigh has quite a few "overlong" shots of doors, an elderly lady's dentures, a series of shots of gravestones, often used to reflect a malaise of the characters.
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Changed line(s) 60,61 (click to see context) from:
* Soviet propaganda film ''Film/{{Earth}} is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth—fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
to:
* Soviet propaganda film ''Film/{{Earth}} ''Film/{{Earth}}'' is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth—fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
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Added namespaces.
Changed line(s) 63,64 (click to see context) from:
* In the second ''SisterhoodOfTheTravelingPants'' book, [[TheUnfavorite Tibby]] is taking a college film course for the summer and makes her project a bitter portrait of her mother, tricking her by only asking to interview her when she's busy, so that all the shots she gets are of her mother looking harried and telling her she can't talk right now. The {{Jerkass}}-but-talented kid she's trying to befriend at the college suggests that she add in shots like a patch of dead grass in the yard so that it doesn't "get predictable."
to:
* In the second ''SisterhoodOfTheTravelingPants'' ''Literature/TheSisterhoodOfTheTravelingPants'' book, [[TheUnfavorite Tibby]] is taking a college film course for the summer and makes her project a bitter portrait of her mother, tricking her by only asking to interview her when she's busy, so that all the shots she gets are of her mother looking harried and telling her she can't talk right now. The {{Jerkass}}-but-talented kid she's trying to befriend at the college suggests that she add in shots like a patch of dead grass in the yard so that it doesn't "get predictable."
Changed line(s) 66 (click to see context) from:
* ''TheBiggestLoser'' often does scenery cutaways as transitions, but in Season 9, episode 17, there was a bizarre close-up of a single wild rose, wet with dew, sandwiched between two of the scenery shots. [[FauxSymbolism The rose had nothing to do with anything]].
to:
* ''TheBiggestLoser'' ''Series/TheBiggestLoser'' often does scenery cutaways as transitions, but in Season 9, episode 17, there was a bizarre close-up of a single wild rose, wet with dew, sandwiched between two of the scenery shots. [[FauxSymbolism The rose had nothing to do with anything]].
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* In ''DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing.
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* In ''DeathNote'', ''Manga/DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing.
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* ''Series/TheOfficeUK'' often divides scenes with a still shot of a random office object, such as the water cooler. The same handful of shots are used repeatedly throughout the show.
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* ''TheThinRedLine''. Body blows up -- cut to blade of grass. Man slowly dying -- cut to birds preening in the trees. Narrator asks "why is nature at war with itself?" -- cut to a crocodile swimming.
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* Soviet propaganda film ''Film/{{Earth}} is about a farming village that's converting from individual farms to a collective. It includes many close-ups of the products of the earth—fruit on the vine, sunflowers, melons, wheat. These are juxtaposed with close-ups of the peasants, suggesting that they also are part of the land.
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* Creator/TerrenceMalick is fond of this trope.
** ''Film/{{Badlands}}'': As Kit and Holly hide out in the woods after he murdered her father, living an idyllic existence in a crude hut, there are several closeups of bugs and flowers and other flora and fauna.
** ''Film/{{Badlands}}'': As Kit and Holly hide out in the woods after he murdered her father, living an idyllic existence in a crude hut, there are several closeups of bugs and flowers and other flora and fauna.
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Changed line(s) 32,33 (click to see context) from:
* In ''DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing. This was not lost on the [=1Kids=] AbridgedSeries, in which Light rants at length asking how bikes have any significance to what's going on. The episode that contains this rant is even named "Bikes".
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* In ''DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing. This was not lost on the [=1Kids=] AbridgedSeries, in which Light rants at length asking how bikes have any significance to what's going on. The episode that contains this rant is even named "Bikes".\n
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What it is '''not:''' Shots of an object with major significance to the subject (the Ring in ''Film/LordOfTheRings'', the Coffee and the Cigarettes in ''Coffee And Cigarettes'', [[ItWasHisSled Rosebud]]...)
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What it is '''not:''' Shots of an object with major significance to the subject (the Ring in ''Film/LordOfTheRings'', the Coffee and the Cigarettes in ''Coffee And Cigarettes'', [[ItWasHisSled [[Film/CitizenKane Rosebud]]...)
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[[AC:{{Anime}}]]
* In ''DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing. This was not lost on the [=1Kids=] AbridgedSeries, in which Light rants at length asking how bikes have any significance to what's going on. The episode that contains this rant is even named "Bikes".
* In ''DeathNote'', there is a panning shot of a rack of bikes on campus while Light and L are conversing. This was not lost on the [=1Kids=] AbridgedSeries, in which Light rants at length asking how bikes have any significance to what's going on. The episode that contains this rant is even named "Bikes".
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[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.]]
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[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.]]
[[note]]Wait, what are you'''[[StuffBlowingUp <KABOOOOOOM>]]'''[[/note]]]]
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* In the AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
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* In the AlfonsoCuaron Creator/AlfonsoCuaron version of ''Literature/ALittlePrincess'', Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
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* Used several times in ''Film/{{Walkabout}}'' to show the bugs and lizards of the Australian outback that the main characters are wandering through.
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* Visible in ''ButchCassidyAndTheSundanceKid'' in a fade in/out of a tree branch with dew, set to "Raindrops Keep Falling On My Head".
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* Visible in ''ButchCassidyAndTheSundanceKid'' ''Film/ButchCassidyAndTheSundanceKid'' in a fade in/out of a tree branch with dew, set to "Raindrops Keep Falling On My Head".
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* This may include the film ''LaJetee'', which is made up of ''all'' still shots with one motion shot.
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* This may include the film ''LaJetee'', ''Film/LaJetee'', which is made up of ''all'' still shots with one motion shot.
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* Used to particularly creepy effect in ''{{Eraserhead}}'' by DavidLynch.
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* Used to particularly creepy effect in ''{{Eraserhead}}'' ''Film/{{Eraserhead}}'' by DavidLynch.Creator/DavidLynch.
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http://static.tvtropes.org/pmwiki/pub/images/Bluet_7925.jpg
[[caption-width:300:Focus in on the smallest detail. Now, blow it up.]]
[[caption-width:300:Focus in on the smallest detail. Now, blow it up.]]
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[[caption-width:300:Focus
[[caption-width-right:300:Focus in on the smallest detail. Now, blow it up.]]