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* BitchInSheepsClothing: Harry Norris, one of Henry's oldest friends, is called "Gentle Norris" for his manners. Cromwell's use of the nickname is always sarcastic because Norris only behaves this way towards his equals in rank and manages to snap up all the most lucrative posts of the Privy Chamber while behaving as though he's doing everyone else a favor by taking them.

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* BitchInSheepsClothing: BitchInSheepsClothing:
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Harry Norris, one of Henry's oldest friends, is called "Gentle Norris" for his manners. Cromwell's use of the nickname is always sarcastic because Norris only behaves this way towards his equals in rank and manages to snap up all the most lucrative posts of the Privy Chamber while behaving as though he's doing everyone else a favor by taking them.them.
** Thomas More is depicted as this; at first glance, he is a pious, humble and intelligent man, the ideal Rennaissance scholar. Beneath that, he beats his servants, publicly humiliates his family, and tortures Protestants...while still claiming he has never caused any harm. Cromwell despises this about him, remarking bitterly that because More and his friends write the history books, history will remember him only as he chooses to portray himself. More hangs an enormous painting of his family in his home, and Cromwell notes that it's set up so that you see the impressive, painted version of the family before you see the real thing. He decides that prefers the painted More.

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* {{Foreshadowing}}: In ''Bring Up the Bodies'', there are hints ahead to Cromwell's fate. After Henry's public tirade Cromwell admits to himself that he can envision the day when his head will be on the block. When Anne is executed, Wriothesly opines that Cromwell could be contemplating treason against Henry for Wolsey's sake. Cromwell can feel "the dagger between his shoulders" and suspects that it was Stephen Gardiner who put the thought into Risely's head; Gardiner would indeed be one of the architects of Cromwell's demise. Lastly Anne's "lovers" warn Cromwell that Henry had went against Dudley, Empson, Wolsey, Thomas More, and now them, what makes Cromwell any different?

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* {{Foreshadowing}}: {{Foreshadowing}}:
** The very last line of ''Wolf Hall'' has Cromwell planning for the king to stop at Wolf Hall and visit the Seymours on his way back to London. This obviously foreshadows the next book, with the downfall of the Boleyns and the rise of the Seymours to power after Henry forsakes Anne for Jane.
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In ''Bring Up the Bodies'', there are hints ahead to Cromwell's fate. After Henry's public tirade Cromwell admits to himself that he can envision the day when his head will be on the block. When Anne is executed, Wriothesly opines that Cromwell could be contemplating treason against Henry for Wolsey's sake. Cromwell can feel "the dagger between his shoulders" and suspects that it was Stephen Gardiner who put the thought into Risely's head; Gardiner would indeed be one of the architects of Cromwell's demise. Lastly Anne's "lovers" warn Cromwell that Henry had went against Dudley, Empson, Wolsey, Thomas More, and now them, what makes Cromwell any different?
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* DidYouJustHaveSex: Cromwell can tell by the look on the king's face, and the feather in his hat, the morning after Henry finally banged Anne Boleyn.

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* CallForward: Cardinal Wolsey, morose after he has been pushed out of power and exiled to his diocese in York, starts talking about 'prophecies, and the downfall of the priests of England", which he says will come soon. He's right, as the Reformation is around the corner.

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* CallForward: CallForward:
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Cardinal Wolsey, morose after he has been pushed out of power and exiled to his diocese in York, starts talking about 'prophecies, and the downfall of the priests of England", which he says will come soon. He's right, as the Reformation is around the corner.corner.
** Cromwell takes a look around Calais, England's last foothold in on the continent, and concludes that with "one hard push" either the German emperor or the French king could take it. This happened a little over 20 years later during the reign of Henry's daughter Mary.
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** Thomas More, who is busy torturing and burning Protestants, says he suspects Cromwell is a Protestant (he is) and that Cromwell is in contact with other Protestants. Cromwell asks if More is threatening him and More says "Yes, that is precisely what I am doing."
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* ItWillNeverCatchOn: Anne Boleyn gleefully tells Cromwell of a sex scandal in the Seymour family, then says of Jane Seymour, her lady in waiting: "No one wants Milksop, and now no one will." This is...not correct.
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* CallForward: Cardinal Wolsey, morose after he has been pushed out of power and exiled to his diocese in York, starts talking about 'prophecies, and the downfall of the priests of England", which he says will come soon. He's right, as the Reformation is around the corner.
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Spell My Name With An S has been cut/disambiguated.


* SpellMyNameWithAnS: Many of the names are given their early modern spelling rather than the contemporary one--Ralph Sadler is Rafe, Elizabeth Wykes is Wykys. Also, Catherine of Aragon is spelled as Katherine (which ''is'' how she spelled it in her signature).

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** All the fuss over Henry's quest for a male heir for one thing. At one point Cromwell thinks that there's no way the "ginger infant" (read: Elizabeth) will get the throne.

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** All the fuss over Henry's quest for a male heir heir, for one thing. At one point Cromwell thinks that there's no way the "ginger infant" (read: Elizabeth) will get the throne. What's more, Anne is fixated on marrying her daughter to a French prince, and if not that then making some sort of brilliant match for her. Once she grew up and became queen, Elizabeth would be legendary for choosing ''never'' to marry.



** Anne is fixated on marrying her daughter Elizabeth to a French prince, and if not that then making some sort of brilliant match for her. Once she grew up and became queen, Elizabeth would be legendary for choosing ''never'' to marry.



** Cromwell is happy to visit financial and legal ruination on people, but he doesn't like using physical violence if he can achieve his purpose another way. He visits a piece of astonishing cruelty on Harry Percy at the end of ''Bring Up the Bodies'', but he remains seated while Harry is railing around the room because it keeps him from fetching the ill man a smack. He also finds the idea of torturing Mark akin to stamping on a dormouse and is the only one to treat Anne with some measure of dignity and courtesy--unlike her own relatives--even while he's busily setting up her scaffold. He's also somewhat disturbed at the climate of fear that he himself has created around court.

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** Cromwell is happy to visit financial and legal ruination on people, but he doesn't like using physical violence if he can achieve his purpose another way. He visits a piece of astonishing cruelty on Harry Percy at the end of ''Bring Up the Bodies'', but he remains seated while Harry is railing around the room because it keeps him from fetching the ill man a smack. He also finds the idea of torturing Mark akin to stamping on a dormouse and is the only one to treat Anne with some measure of dignity and courtesy--unlike courtesy -- unlike her own relatives--even relatives -- even while he's busily setting up her scaffold. He's also somewhat disturbed at the climate of fear that he himself has created around court.



* TheScrooge: Henry is willing to pour fortunes into his military campaigns, but when it comes to the women in his life he can be much more stingy. He tries to get hold of Katherine's fine furs and plate after she dies, even though Richard Riche points out that if Henry and Katherine were never truly married -- as Henry has been claiming nonstop for close on a decade -- then he's only her brother-in-law, and therefore not legally entitled to her property. When Henry sends Jane Seymour a courting gift of a prayer book, she's disappointed when she sees that it still has the initials H and A on the cover. As Cromwell makes excuses, saying the A can be replaced, he mentally notes that you can still see where the ''' ''K'' ''' used to be, meaning Henry's used the same gift for three different women. And when his bastard son Fitzroy dies of consumption, Henry refuses to let his daughter-in-law Mary Howard keep many of the lands that should have come to her as his son's widow, since the marriage wasn't consummated (on Henry's order, mind you!).

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* TheScrooge: Henry is willing to pour fortunes into his military campaigns, but when it comes to the women in his life he can be much more stingy. He tries to get hold of Katherine's fine furs and plate after she dies, even though Richard Riche points out that if Henry and Katherine were never truly married -- as Henry has been claiming nonstop for close on a decade -- then he's only her brother-in-law, and therefore not legally entitled to her property. When (Cromwell muses that Henry will find some loophole and get the furs and plate regardless.) When he sends Jane Seymour a courting gift of a prayer book, she's disappointed when she sees that it still has the initials H and A on the cover. As cover; as Cromwell makes excuses, saying the A can be replaced, he mentally notes that you can still see where the ''' ''K'' ''' used to be, meaning Henry's used the same gift for three different women. And when his bastard son Fitzroy dies of consumption, Henry refuses to let his daughter-in-law Mary Howard keep many of the lands that should have come to her as his son's widow, since the marriage wasn't consummated (on Henry's order, mind you!).
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* BigShutUp: Wyatt after Anne's executions starts musing about her fate and his own relationship. Cromwell bluntly tells him to shut up before he says anything stupid.

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* AdiposeRex: Henry VIII's getting there. Hans Holbein at one point wonders whether it would be more appropriate to paint Henry as he was five years ago, or ten. Cromwell: 'Stick to five. He'll think you're mocking him.'

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* AdiposeRex: Henry VIII's getting there. Hans Holbein at one point wonders whether it would be more appropriate to paint Henry as he was five years ago, or ten. Cromwell: 'Stick to five. He'll think you're mocking him.'
' By book three, Henry is well and truly this trope, and his doctors anxiously ask Cromwell if there's any way to convince the king to maybe lay off the giant dinners. Cromwell is doubtful.



* BluntYes: In a flashback in ''The Mirror and the Light'', a friar named Robert Barnes is brought before Wolsey for criticizing the cardinal's lavish lifestyle.

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* BluntYes: BluntYes:
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In a flashback in ''The Mirror and the Light'', a friar named Robert Barnes is brought before Wolsey for criticizing the cardinal's lavish lifestyle.



** During their first real conversation, Henry and Cromwell get into a spirited debate about war (which Cromwell is infamously against). At one point, Henry angrily demands if Cromwell would prefer a king who never fought, who hid away like a sick child. Cromwell responds, "That would be ideal, for fiscal purposes." Luckily, Henry finds this to be ActuallyPrettyFunny.



* DeliberateValuesDissonance: Marriage among royalty and the nobility is much more of a business contract and meant to form alliances than because of any feelings on the part of the bride and groom; when Anne Boleyn and Harry Percy try to marry for love, it doesn't end well as their families and Wolsey quickly separate them. It's more relaxed amidst the lower classes, but Liz's father is bemused when she and Cromwell want to at least get to know each other first before they marry, and Cromwell has to plead Rafe Sadler's case to his father when Rafe marries without his permission. These attitudes clash horribly with Henry's far more modern desire to actually be in love with his wife from the start, leaving his advisors confused and annoyed about why he can't just suck it up for the sake of an important alliance.

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* DeliberateValuesDissonance: DeliberateValuesDissonance:
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Marriage among royalty and the nobility is much more of a business contract and meant to form alliances than because of any feelings on the part of the bride and groom; when Anne Boleyn and Harry Percy try to marry for love, it doesn't end well as their families and Wolsey quickly separate them. It's more relaxed amidst the lower classes, but Liz's father is bemused when she and Cromwell want to at least get to know each other first before they marry, and Cromwell has to plead Rafe Sadler's case to his father when Rafe marries without his permission. These attitudes clash horribly with Henry's far more modern desire to actually be in love with his wife from the start, leaving his advisors confused and annoyed about why he can't just suck it up for the sake of an important alliance.alliance.
** Henry's bastard son Fitzroy gets into an argument with Cromwell over why he's not allowed to "live with" his new bride. Both of them are fourteen. Cromwell tries to claim that it would be inappropriate as they are too young, but Fitzroy reminds him that Brandon has married and regularly sleeps with his fourteen-year-old bride, and Henry's grandmother gave birth at thirteen. He's right, of course; nobody cares about their ages or wellbeing, they just don't want Fitzroy to have a legitimate son before Henry has one.


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* InsistentTerminology: It's ''Lady'' Mary Tudor, not Princess. It's ''Dowager Princess'' Katherine, not the Queen. Henry did not ''divorce'' Katherine and Anne, his marriages were void. Cromwell makes careful note of people who don't play along with this, although he himself sometimes seems exhausted with the whole thing.


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* NotWhatItLooksLike: Cromwell is very respectful and kind to Mary Tudor, especially in the final book, often buying her presents, protecting her from her enemies, and risking his own status to try and reconcile her and the king. Most of the court, possibly including Henry, assumes that he's doing it because he wants to marry her. The assumption is not helped by Cromwell's steadfast refusal to marry any other woman, even when he has a ''lot'' of choice. In reality, he made a promise to Katherine that he would look after her daughter and he takes it very seriously.
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* TheBluebeard: Henry apparently gains this reputation on the continent after Jane Seymour dies in childbirth. When Cromwell bluffs to two ambassadors from France that Henry is close to making a match with Christina of Denmark, one of the ambassadors says that he's heard Christina is afraid and begging to not be made to marry the king of England; he wonders to Henry's face how he'll find any lady to marry him at all, since he kills his wives.
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** Henry chafes at the idea of marrying someone he doesn't actually love -- which might be an admirable trait for a hero in a ballad but is a ''really'' unfortunate opinion when held by a king.

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** Henry chafes at the idea was genuinely in love with Katherine of marrying Aragon, Anne Boleyn and Jane Seymour when he married them, and is reluctant to marry someone he doesn't actually ''doesn't'' love -- which might be an admirable trait for a hero in a ballad but is a ''really'' unfortunate opinion when held by a king.it's the turn of Anne of Cleves.
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* DeliberateValuesDissonance: Marriage among royalty and the nobility is much more of a business contract and meant to form alliances than because of any feelings on the part of the bride and groom; when Anne Boleyn and Harry Percy try to marry for love, it doesn't end well as their families and Wolsey quickly separate them. It's more relaxed amidst the middle classes, but Liz's father is bemused when she and Cromwell want to at least get to know each other first before they marry, and Cromwell has to plead Rafe Sadler's case to his father when Rafe marries without his permission. These attitudes clash horribly with Henry's far more modern desire to actually be in love with his wife from the start, leaving his advisors confused and annoyed about why he can't just suck it up for the sake of an important alliance.

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* DeliberateValuesDissonance: Marriage among royalty and the nobility is much more of a business contract and meant to form alliances than because of any feelings on the part of the bride and groom; when Anne Boleyn and Harry Percy try to marry for love, it doesn't end well as their families and Wolsey quickly separate them. It's more relaxed amidst the middle lower classes, but Liz's father is bemused when she and Cromwell want to at least get to know each other first before they marry, and Cromwell has to plead Rafe Sadler's case to his father when Rafe marries without his permission. These attitudes clash horribly with Henry's far more modern desire to actually be in love with his wife from the start, leaving his advisors confused and annoyed about why he can't just suck it up for the sake of an important alliance.
Is there an issue? Send a MessageReason:
None


* DeliberateValuesDissonance: Marriage among royalty and the nobility is much more of a business contract and meant to form alliances than because of any feelings on the part of the bride and groom; when Anne Boleyn and Harry Percy try to marry for love, it doesn't end well as their families and Wolsey quickly separate them. It's more relaxed amidst the middle classes, but Liz's father is confused when she and Cromwell want to at least get to know each other first before they marry, and Cromwell has to plead Rafe Sadler's case to his father when his son marries without his permission. These attitudes clash horribly with Henry's much more modern desire to actually be in love with his wife from the start, leaving his advisors confused and annoyed about why he can't just suck it up for the sake of an important alliance.

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* DeliberateValuesDissonance: Marriage among royalty and the nobility is much more of a business contract and meant to form alliances than because of any feelings on the part of the bride and groom; when Anne Boleyn and Harry Percy try to marry for love, it doesn't end well as their families and Wolsey quickly separate them. It's more relaxed amidst the middle classes, but Liz's father is confused bemused when she and Cromwell want to at least get to know each other first before they marry, and Cromwell has to plead Rafe Sadler's case to his father when his son Rafe marries without his permission. These attitudes clash horribly with Henry's much far more modern desire to actually be in love with his wife from the start, leaving his advisors confused and annoyed about why he can't just suck it up for the sake of an important alliance.

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