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* ShoutOut: Javellana had something of a hard-on for Philippine national hero Jose Rizal. The title alludes to Rizal's 1887 novel ''Literature/NoliMeTangere'', written in the context of the then-current Spanish colonial rule:

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* ShoutOut: Javellana had something of a hard-on for the works of Philippine national hero Jose Rizal. The title alludes to Rizal's 1887 novel ''Literature/NoliMeTangere'', written in the context of the then-current Spanish colonial rule:


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** It's not just that; Lucing's second son Crisostomo is—in-universe—named after Crisostomo Ibarra, the ''Noli'''s protagonist. A mini-discussion of the book features during the child's baptism where his parents, and half the town of Calinog, decide on a name.
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* ShoutOut: The title quotes Philippine national hero Jose Rizal's 1887 novel ''Literature/NoliMeTangere'', written in the context of the then-current Spanish colonial rule:

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* ShoutOut: The title quotes Javellana had something of a hard-on for Philippine national hero Jose Rizal. The title alludes to Rizal's 1887 novel ''Literature/NoliMeTangere'', written in the context of the then-current Spanish colonial rule:



--->-- Charles Derbyshire translation, 1912

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--->-- Elias, in Charles Derbyshire Derbyshire's ''Noli'' translation, 1912
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* ShoutOut: The title quotes Philippine national hero Jose Rizal's novel ''Literature/NoliMeTangere'':
->I die without seeing the dawn brighten over my native land! You, who have it to see, welcome it – and forget not those who have fallen during the night!
-->--Charles Derbyshire translation

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* ShoutOut: The title quotes Philippine national hero Jose Rizal's 1887 novel ''Literature/NoliMeTangere'':
->I
''Literature/NoliMeTangere'', written in the context of the then-current Spanish colonial rule:
-->I
die without seeing the dawn brighten over my native land! You, who have it to see, welcome it – and forget not those who have fallen during the night!
-->--Charles --->-- Charles Derbyshire translationtranslation, 1912
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-->I die without seeing the dawn brighten over my native land! You, who have it to see, welcome it – and forget not those who have fallen during the night!

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-->I ->I die without seeing the dawn brighten over my native land! You, who have it to see, welcome it – and forget not those who have fallen during the night!
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* ShoutOut: The title quotes Philippine national hero Jose Rizal's ''Literature/NoliMeTangere'':

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* ShoutOut: The title quotes Philippine national hero Jose Rizal's novel ''Literature/NoliMeTangere'':



-->Charles Derbyshire translation

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-->Charles -->--Charles Derbyshire translation

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* LaResistance: In Part 2, Carding joins the guerrilla units taking down the Japanese and their local collaborators.

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* LaResistance: In Part 2, Carding joins the guerrilla units taking down the Japanese and their local collaborators. The novel ends just as Carding's unit engages in battle and [[BolivianArmyEnding we never learn his fate.]] Though given [[TheHeroDies what the book's title alludes to...]]


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* ShoutOut: The title quotes Philippine national hero Jose Rizal's ''Literature/NoliMeTangere'':
-->I die without seeing the dawn brighten over my native land! You, who have it to see, welcome it – and forget not those who have fallen during the night!
-->Charles Derbyshire translation
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* CerebusSyndrome: The novel hits this ''hard'' transitioning into Part 2, aptly named "Night" as a counterpart to Part 1's "Day", because the second part covers the arrival of the much-dreaded Japanese occupation in the Visayas.
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* DeathOfAChild: Not once, but ''twice''—[[spoiler:two chapters are devoted to Lucing's two stillborn sons. Plus, that's not even to count, technically, the adolescent Poncing, whom the Japanese brutally murder (and whom they also tortured beforehand!).]]

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* DeathOfAChild: Not once, once or twice, but ''twice''—[[spoiler:two ''thrice''—[[spoiler:two full chapters are devoted to Lucing's two stillborn sons. sons, and the only one to actually survive birth—her second son, Crisostomo—is strongly implied to have been killed by the Japanese before he reaches his first or second birthday, though she claims to Carding (who was away training at the time) that he (and Tatay Juan) died of illness. Plus, that's not even to count, technically, the adolescent Poncing, whom the Japanese also brutally murder (and whom they also tortured beforehand!).]]

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* SickEpisode: The chapter "The Rice Fields", set after Carding and Lucing have arrived in Calinog town. Carding becomes so determined to plow all his fields that he overworks himself and catches a nasty fever after a sudden downpour. This being a very rural setting without modern medicine, Lucing sends for a witch doctor, who diagnoses that the cause was Carding plowing through an anthill inhabited by powerful—and vengeful—nature spirits. Offerings are made to appease the spirits but it's a slow recovery until Carding manages to sweat out the fever, with Lucing double-wrapping him in blankets and embracing him for warmth at night.

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* SickEpisode: The chapter "The Rice Fields", set after Carding and Lucing have arrived in Calinog town. Carding becomes so determined to plow all his fields that he overworks himself and catches a nasty fever after a sudden downpour. This being a very rural setting without modern medicine, Lucing sends for a witch doctor, WitchDoctor, who diagnoses that the cause was Carding plowing through an anthill inhabited by powerful—and vengeful—nature spirits. Offerings are made to appease the spirits but it's a slow recovery until Carding manages to sweat out the fever, with Lucing double-wrapping him in blankets and embracing him for warmth at night.


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* WitchDoctor: Olang Rufo, who diagnoses Carding's fever as caused by the latter's destroying an anthill that was basically home to the local equivalent of TheFairFolk. He instructs that food offerings (including animal sacrifices) be made to appease the spirits, and performs a dance with sharp blades apparently to communicate with them.
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Contrast ''Theatre/APortraitOfTheArtistAsFilipino'', set in almost exactly the same era (around 1941 as well, just before the war and the Japanese invasion), but which is set in Manila, and focuses on the other end of the social spectrum—the high-class, oligarchic elites that lived in the Walled City of Intramuros at the time prior to its wholesale destruction.

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Contrast Compare ''{{Literature/Tree}}'', a novel set in roughly the same era but in the Ilocos region to the north, and which follows instead the family of a plantation administrator, rather than the tenants, strictly speaking. Also contrast ''Theatre/APortraitOfTheArtistAsFilipino'', set in almost exactly the same era (around 1941 as well, just before the war and the Japanese invasion), but which is set in Manila, and focuses on the other end of the social spectrum—the high-class, oligarchic elites that lived in the Walled City of Intramuros at the time prior to its wholesale destruction.
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* SexIsEvilAndIAmHorny: Extramarital sex in this case, with Lucing's feelings after meeting [[LatinLover Luis Castro]]. She appears to capitulate rather quickly though—and given the level of village gossip when she was ''interrupted'', imagine the effect on her reputation had it been consummated!
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* TheBeautifulElite: The Spanish mestizo Luis Castro. Especially from Lucing's point of view, he looks every bit like a prince (she explicitly compares him to TheHero of the ''Ibong Adarna'' play), what with his light skin, relatively fair hair, [[CarpetOfVirility hairy limbs]], and pencil moustache.

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* TheBeautifulElite: The Spanish mestizo Luis Castro. Especially from Lucing's point of view, he looks every bit like a an Iberian prince (she explicitly compares him to TheHero of the ''Ibong Adarna'' play), what with his light skin, relatively fair hair, [[CarpetOfVirility hairy limbs]], and pencil moustache.moustache. Still, he's not considered leaps-and-bounds handsomer than, say, Carding, whose own looks are very positively described (he's big, strong, muscular, richly browned from working in the sun, etc.).

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* TheBeautifulElite: The Spanish mestizo Luis Castro. Especially from Lucing's point of view, he looks every bit like a prince (she explicitly compares him to TheHero of the ''Ibong Adarna'' play), what with his light skin, relatively fair hair, [[CarpetOfVirility hairy limbs]], and pencil moustache.



* DashingHispanic / LatinLover / TheBeautifulElite: The Spanish mestizo Luis Castro. Especially from Lucing's point of view, he looks every bit like a prince (she explicitly compares him to TheHero of the ''Ibong Adarna'' play), what with his light skin, relatively fair hair, [[CarpetOfVirility hairy limbs]], and pencil moustache.

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* DashingHispanic / LatinLover / TheBeautifulElite: The Spanish mestizo DashingHispanic: Luis Castro. Especially from Lucing's point Castro, though he doesn't see much of view, any real fighting action unlike most instances of this trope—the one fight he looks every bit like gets into is with Carding, for his drunken attempts on Lucing. No swordplay's involved, either—it's a prince (she explicitly compares him to TheHero of pure fistfight, and in this the ''Ibong Adarna'' play), what incredibly strong Carding easily wipes the floor with his light skin, relatively fair hair, [[CarpetOfVirility hairy limbs]], and pencil moustache.ass.



* DeathOfAChild: Not once, but ''twice''—[[spoiler:two chapters are devoted to Lucing's two stillborn sons. Plus, that's not even to count, technically, the adolescent Poncing, whom the Japanese brutally murder (and whom they also tortured beforehand!).]]



* DownOnTheFarm: The Filipino version; in this case, it covers the lives of poor ''hacienda'' farmers (think a LighterAndSofter version of black plantation slaves in TheDeepSouth, since here the farmers aren't technically enslaved—though they are paid very minimally and often endure abuses by their landlords anyway).

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* DownOnTheFarm: The Filipino version; in this case, it covers the lives of poor ''hacienda'' farmers (think a LighterAndSofter version of black plantation slaves in TheDeepSouth, since here the farmers aren't technically enslaved—though they are paid very minimally minimally, and often endure abuses by from their landlords anyway).



* LatinLover: Luis Castro, who actually is of Spanish descent. He quickly gets smitten with Lucing and eventually seduces her while drunk, and while Carding's away. It's telling Lucing quickly falls for him too even as she battles with the (characteristically Catholic) guilt over her lusty feelings. Unfortunately for Luis, though, Carding comes back a little too early.
* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—specifically, half the union rates for carrying luggage. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through port needing the porters' assistance.



* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—specifically, half the union rates for carrying luggage. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through port needing the porters' assistance.
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* BoisterousBruiser: Carding. He's monstrously strong, and uses his fists to win a lot of arguments.
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* TheGhost: Don Diego Castro, an absentee landlord in the purest sense of the term, never shows up in the novel directly, but he obviously wields outsized influence over the farming communities of Manhayang. The only contact the tenants have with him is when his son Luis visits Manhayang (and gets involved with Lucing, for which Carding beats up his ass), and when—implicitly in retaliation—his administrator Señor Dorado carries out his orders to divest Tatay Juan of his land, and to have Carding relocate his house because it's standing on fertile land.

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* TheGhost: Don Diego Castro, an absentee landlord in the purest sense of the term, never shows up in the novel directly, but he obviously wields outsized influence over the farming communities of Manhayang. The only contact the tenants have with him is when his son Luis visits Manhayang (and gets involved with Lucing, for which Carding beats up his ass), and when—implicitly in retaliation—his administrator Señor Dorado carries out his orders to divest Tatay Juan of his land, and to have Carding relocate his house because it's standing on fertile land.



* SickEpisode: The chapter "The Rice Fields", set after Carding and Lucing have arrived in Calinog town. Carding becomes so determined to plow all his fields that he overworks himself and catches a nasty fever after a sudden downpour. This being a very rural setting without modern medicine, Lucing sends for a witch doctor, who diagnoses that the cause was Carding plowing through an anthill inhabited by a powerful—and vengeful—nature spirit. Offerings are made to appease the spirits but it's a slow recovery until Carding manages to sweat out the fever, with Lucing double-wrapping him in blankets and embracing him for warmth at night.

to:

* SickEpisode: The chapter "The Rice Fields", set after Carding and Lucing have arrived in Calinog town. Carding becomes so determined to plow all his fields that he overworks himself and catches a nasty fever after a sudden downpour. This being a very rural setting without modern medicine, Lucing sends for a witch doctor, who diagnoses that the cause was Carding plowing through an anthill inhabited by a powerful—and vengeful—nature spirit.spirits. Offerings are made to appease the spirits but it's a slow recovery until Carding manages to sweat out the fever, with Lucing double-wrapping him in blankets and embracing him for warmth at night.

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* TheGhost: Don Diego Castro, an absentee landlord in the purest sense of the term, never shows up in the novel directly, but he obviously wields outsized influence over the farming communities of Manhayang. The only contact the tenants have with him is when his son Luis visits Manhayang (and gets involved with Lucing, for which Carding beats up his ass), and when—implicitly in retaliation—his administrator Señor Dorado carries out his orders to divest Tatay Juan of his land, and to have Carding relocate his house because it's standing on fertile land.



* IronicName: Carding's family name is Suerte—i.e., the Spanish for "lucky". The whole novel is about his various ''misfortunes''—a more MeaningfulName would be ''Malasuerte'' ("bad luck"). (There are moments when he does get lucky, i.e., when he's called to the town of Calinog, where the harvest is bigger and better, but even that doesn't last long.)

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* IronicName: Carding's family name is Suerte—i.e., the Spanish for "lucky". The whole novel is about his various ''misfortunes''—a ''misfortunes''—so much so, that in fact a more MeaningfulName for him would be ''Malasuerte'' ("bad luck"). (There are moments when he does get lucky, i.e., when he's called to the town of Calinog, where the harvest is bigger and better, which has semiannual rather than annual harvests, but even that doesn't last long.)
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** It is sometimes played with though, as when Luis Castro first arrives in Manhayang, Carding doesn't bear him any ill will, not knowing initially that he would have designs on Lucing (though outwardly, Filipinos tend to hide their real feelings about each other in social encounters).
* DashingHispanic / LatinLover / TheBeautifulElite: The Spanish mestizo Luis Castro. Especially from Lucing's point of view, he looks every bit like a prince (she explicitly compares him to TheHero of the ''Ibong Adarna'' play), what with his light skin, relatively fair hair, [[CarpetOfVirility hairy limbs]], and pencil moustache.


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* ContemplativeBoss: After Señor Dorado (see CorruptBureaucrat below) orders Tatay Juan to turn over his rice land to his neighbour Tatay Emil, Tatay Juan begins to protest or question the order, but Dorado ignores him, goes over to his window and stares out wordlessly.
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A 1947 novel by Filipino author Stevan Javellana focusing mainly on the lives of a farming community in rural Iloilo province, working on a rice plantation owned by a powerful absentee landlord, in the late U.S. colonial era and just before the outbreak of WorldWarII. The novel crosses over into wartime and depicts every grisly detail of the sudden Japanese occupation, and how ruthlessly it distorts and destroys the lives of all those involved.

More specifically, the bulk of the plot focuses on a young, simple, rural, quickly married couple—Carding, the huge, strong, if illiterate rice farmer, and small but responsible village beauty Lucing, who runs their small household when they move out of their respective parents' homes. The novel follows them from the tiny rural village of Sta. Barbara, where they're surrounded by family and friends they've known their whole lives, thence to Iloilo City when Carding's father's land is taken from him, further to another Ilonggo village where the harvest is better, and eventually into the depths of the war.

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A 1947 English-language novel by Filipino author Stevan Javellana focusing mainly on the lives of a farming community in rural Iloilo province, working on a rice plantation owned by a powerful absentee landlord, in the late U.S. colonial era and just before the outbreak of WorldWarII. The novel crosses over into wartime and depicts every grisly detail of the sudden Japanese occupation, and how ruthlessly it distorts and destroys the lives of all those involved.

More specifically, the bulk of the plot focuses on follows a young, simple, rural, quickly married couple—Carding, the huge, strong, if illiterate rice farmer, and small but responsible village beauty Lucing, who runs their small household when they move out of their respective parents' homes. The novel follows them from the tiny rural village of Sta. Barbara, Manhayang, where they're surrounded by family and friends they've known their whole lives, thence to Iloilo City when Carding's father's land is taken from him, further to another Ilonggo village where the harvest is better, and eventually into the depths of the war.



* ScrewThisImOuttaHere: A rare, heroic version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara (a conflict started over her suspicions of him cheating—as it turns out, well-founded, given his dalliance with Rosing), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring and unions, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.

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* ScrewThisImOuttaHere: A rare, heroic version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara Manhayang (a conflict started over her suspicions of him cheating—as it turns out, well-founded, given his dalliance with Rosing), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring and unions, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.
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* DownOnTheFarm: The Filipino version; in this case, it covers the lives of poor ''hacienda'' farmers (think a LighterAndSofter version of plantation slaves in Jim Crow America, since here the farmers aren't technically enslaved—though they are paid very minimally and often endure abuses by their landlords anyway).

to:

* DownOnTheFarm: The Filipino version; in this case, it covers the lives of poor ''hacienda'' farmers (think a LighterAndSofter version of black plantation slaves in Jim Crow America, TheDeepSouth, since here the farmers aren't technically enslaved—though they are paid very minimally and often endure abuses by their landlords anyway).
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* CityOfAdventure: TheCity of Iloilo, where Carding and Lucing move midway through Part 1, after Don Diego expropriates Carding's family of their land. There they room with Lucing's cousin Badong, who suggested the idea, and Carding finds work as a port labourer.
* CorruptBureaucrat: Señor Marcial Dorado, the overseer (administrator) of Don Diego Castro's ''haciendas''. He calls out Tatay Juan and essentially takes his family's land away from him, giving it to one of their neighbours. Señor Dorado also orders the transfer of Carding's new ''bahay kubo'' because it's planted on arable land, and will incur a crushing rent if it's not moved.

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* CityOfAdventure: TheCity TheCity: of Iloilo, where Carding and Lucing move midway through Part 1, after Don Diego expropriates Carding's family of their land. There they room with Lucing's cousin Badong, who suggested the idea, and Carding finds work as a port labourer.
* CorruptBureaucrat: Señor Marcial Dorado, the overseer (administrator) of Don Diego Castro's ''haciendas''. He calls out One day he summons Tatay Juan and essentially takes his family's land away from him, giving it to one of their neighbours. Señor Dorado also orders the transfer of Carding's new ''bahay kubo'' because it's planted built on arable land, and will incur a crushing rent if it's not moved.

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* CityOfAdventure: TheCity of Iloilo, where Carding and Lucing move midway through Part 1, after Don Diego expropriates Carding's family of their land. There they room with Lucing's cousin Badong, who suggested the idea, and Carding finds work as a port labourer.



* EagleLand: Decidedly Type 1—rather embarrassingly, in fact, for a country that was a U.S. ''colonial possession'' for the half-century prior to the novel's publication. The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.

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* EagleLand: Decidedly Type 1—rather embarrassingly, 1—quite embarrassingly so, in fact, for a country that was a U.S. ''colonial possession'' for the half-century prior to the novel's publication. The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.
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* ScrewThisImOuttaHere: A rare "heroic" version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara (a conflict started over her suspicions of him cheating—as it turns out, well-founded, given his dalliance with Rosing), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring and unions, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.

to:

* ScrewThisImOuttaHere: A rare "heroic" rare, heroic version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara (a conflict started over her suspicions of him cheating—as it turns out, well-founded, given his dalliance with Rosing), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring and unions, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.
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* SickEpisode: The chapter "The Rice Fields", set after Carding and Lucing have arrived in Calinog town. Carding becomes so determined to plow all his fields that he overworks himself and catches a nasty fever after a sudden downpour. This being a very rural setting without modern medicine, Lucing sends for a witch doctor, who diagnoses that the cause was Carding plowing through an anthill inhabited by a powerful—and vengeful—nature spirit. Offerings are made to appease the spirits but it's a slow recovery until Carding manages to sweat out the fever, with Lucing double-wrapping him in blankets and embracing him for warmth at night.
Is there an issue? Send a MessageReason:
None


* EagleLand: Decidedly Type 1 (rather embarrassingly for a country that was a U.S. ''colonial possession'' for the half-century prior to the novel's publication). The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.

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* EagleLand: Decidedly Type 1 (rather embarrassingly 1—rather embarrassingly, in fact, for a country that was a U.S. ''colonial possession'' for the half-century prior to the novel's publication).publication. The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.



* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—specifically, half the union rate for carrying luggage. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through the port needing the porters' assistance.

to:

* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—specifically, half the union rate rates for carrying luggage. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through the port needing the porters' assistance.



* ScrewThisImOuttaHere: A rare "heroic" version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara (a conflict started over her—as it turns out, well-founded—suspicions of him cheating), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.

to:

* ScrewThisImOuttaHere: A rare "heroic" version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara (a conflict started over her—as her suspicions of him cheating—as it turns out, well-founded—suspicions of him cheating), well-founded, given his dalliance with Rosing), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring, stevedoring and unions, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.

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* EagleLand: Decidedly Type 1 (rather embarrassingly for a country that was a U.S. ''colonial possession'' for the fifty years prior to the novel's publication). The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.

to:

* EagleLand: Decidedly Type 1 (rather embarrassingly for a country that was a U.S. ''colonial possession'' for the fifty years half-century prior to the novel's publication). The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.



* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—half the union rate. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through the port needing the porters' assistance.

to:

* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—half passenger—specifically, half the union rate.rate for carrying luggage. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through the port needing the porters' assistance.


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* ScrewThisImOuttaHere: A rare "heroic" version in Carding. After Lucing leaves him in the city and returns to Sta. Barbara (a conflict started over her—as it turns out, well-founded—suspicions of him cheating), and when the Iloilo port strike ends, Carding decides he's had enough of stevedoring, and decides to return to the farm as well—even with the union boss Tio Sergio enticing him to stay on, become his bodyguard for extra pay, and hopefully rise up in the union ranks.
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None

Added DiffLines:

Contrast ''Theatre/APortraitOfTheArtistAsFilipino'', set in almost exactly the same era (around 1941 as well, just before the war and the Japanese invasion), but which is set in Manila, and focuses on the other end of the social spectrum—the high-class, oligarchic elites that lived in the Walled City of Intramuros at the time prior to its wholesale destruction.


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* NotSoSafeHarbour: On Carding's very first day of work in the port town of Iloilo City, he gets assaulted by a union stevedore named Nestong, all because Carding undercharged a disembarking passenger—half the union rate. The union leadership later effectively threaten him that things will be hard for him if he doesn't sign up. Carding does sign up, for a while anyway, and quickly gets used to the union's sometimes underhanded methods of hustling fees out of everyone who passes through the port needing the porters' assistance.

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* CorruptBureaucrat: Señor Marcial Dorado, the overseer (administrator) of Don Diego Castro's ''haciendas''. He calls out Tatay Juan and essentially takes his family's land away from him, giving it to one of their neighbours. Señor Dorado also orders the transfer of Carding's new ''bahay kubo'' because it's planted on arable land, and will incur a crushing rent if it's not moved.
** Would've counted for ObstructiveBureaucrat too, except he's actually pretty swift in executing Don Diego's orders. It's funny how bureaucrats can be slow for heroes but fast for villains, as Tatay Juan himself discovers the hard way.



* ObstructiveBureaucrat: Señor Marcial Dorado, the overseer (administrator) of Don Diego Castro's ''haciendas''. He calls out Tatay Juan and essentially takes his family's land away from him, giving it to one of their neighbours. Señor Dorado also orders the transfer of Carding's new ''bahay kubo'' because it's planted on arable land, and will incur a crushing rent if it's not moved.

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* IronicName: Carding's family name is Suerte—i.e., the Spanish for "lucky". The whole novel is about his various ''misfortunes''—a more MeaningfulName would be ''Malasuerte'' ("bad luck"). (There are moments when he does get lucky, i.e., when he's called to the town of Calinog, where the harvest is bigger and better, but even that doesn't last long.)



* ScrewTheRulesIHaveMoney: When Carding beats up Luis Castro for getting handsy with Lucing, his father Tatay Juan frets about possibly getting Carding a lawyer. Tatay Marcelo quickly disabuses him that it's next to useless: Don Diego, Luis' father ''and'' the landlord who owns the land the entire village is tilling, is wealthy enough to hire the best attorneys in the land, and whatever legal defence Carding can get will easily be shot down.

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* ObstructiveBureaucrat: Señor Marcial Dorado, the overseer (administrator) of Don Diego Castro's ''haciendas''. He calls out Tatay Juan and essentially takes his family's land away from him, giving it to one of their neighbours. Señor Dorado also orders the transfer of Carding's new ''bahay kubo'' because it's planted on arable land, and will incur a crushing rent if it's not moved.
* ScrewTheRulesIHaveMoney: When Carding beats up Luis Castro for getting handsy with Lucing, his father Tatay Juan frets about possibly getting Carding a lawyer. lawyer in case he gets charged with assault. Tatay Marcelo quickly disabuses him that it's next to useless: Don Diego, Luis' father ''and'' the landlord who owns owner of the land the entire village is tilling, is wealthy enough to hire the best attorneys in the land, and whatever legal defence Carding can get get, it will easily be quickly and mercilessly shot down.

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* AristocratsAreEvil: Treated as a fact of life, since obviously peasant families like Carding's have absolutely no chance against any action initiated by their landlord, Don Diego Castro. It's a huge deal when Carding beats up Don Diego's son Luis for attempting to seduce his wife Lucing, and the village elders discuss just how helpless Tatay Juan (Carding's father) will be if Don Diego presses charges.



* ScrewTheRulesIHaveMoney: When Carding beats up Luis Castro for getting handsy with Lucing, his father Tatay Juan frets about possibly getting Carding a lawyer. Tatay Marcelo quickly disabuses him that it's next to useless: Don Diego, Luis' father ''and'' the landlord who owns the land the entire village is tilling, is wealthy enough to hire the best attorneys in the land, and whatever legal defence Carding can get will easily be shot down.



* YourCheatingHeart: While in the "big" city of Iloilo, Carding quickly falls for a taxi-dancer named Rosing, and expectedly they do it a few times. Lucing begins to suspect this when she notices Carding has been dressing up in his fanciest clothes when ostensibly he claims to simply be attending union meetings.

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* YourCheatingHeart: On both sides of the marriage:
** Lucing falls for the Spanish-mestizo Luis Castro, son of the town's landowner Don Diego Castro. This feeling has disastrous consequences when they start, well, getting jiggy with it—precisely when Carding comes back from pasturing their carabao.
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While in the "big" city of Iloilo, Carding quickly falls for a taxi-dancer named Rosing, and expectedly they do it a few times. Lucing begins to suspect this when she notices Carding has been dressing up in his fanciest clothes when ostensibly he claims to simply be attending union meetings.
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A 1947 novel by Filipino author Stevan Javellana focusing mainly on the lives of a farming community in rural Iloilo province, working on a rice plantation owned by a powerful absentee landlord, in the late U.S. colonial era and just before the outbreak of WorldWarII. The novel crosses over into wartime and depicts every grisly detail of the sudden Japanese occupation, and how ruthlessly it distorts and destroys the lives of all those involved.

More specifically, the bulk of the plot focuses on a young, simple, rural, quickly married couple—Carding, the huge, strong, if illiterate rice farmer, and small but responsible village beauty Lucing, who runs their small household when they move out of their respective parents' homes. The novel follows them from the tiny rural village of Sta. Barbara, where they're surrounded by family and friends they've known their whole lives, thence to Iloilo City when Carding's father's land is taken from him, further to another Ilonggo village where the harvest is better, and eventually into the depths of the war.

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!!Relevant Tropes:
* DefeatMeansFriendship: When Carding knocks out the port labourer Nestong (who started the fight when he found out Carding wasn't a union member, like himself), the latter befriends him.
* DownOnTheFarm: The Filipino version; in this case, it covers the lives of poor ''hacienda'' farmers (think a LighterAndSofter version of plantation slaves in Jim Crow America, since here the farmers aren't technically enslaved—though they are paid very minimally and often endure abuses by their landlords anyway).
* DuringTheWar
* EagleLand: Decidedly Type 1 (rather embarrassingly for a country that was a U.S. ''colonial possession'' for the fifty years prior to the novel's publication). The simple families on the farm have this unwavering faith that America will deliver them safely from war and potential Japanese invasion, which is why many of the village's young men (including, of course, Carding) eagerly sign up with the colonial Army at the close of Part 1.
* InfantImmortality: [[spoiler:Sadly averted, and ''twice''—two of Lucing's children are stillborn.]]
* GenteelInterbellumSetting: The first half of the book is certainly genteel compared to the second half, which opens with the war and the Japanese occupation underway, though it doesn't focus on any sort of aristocracy, but quite the opposite—it focuses on a poor rural community. Specifically, though no years are mentioned, the historical background is specific enough to place most of the plot around 1941–42.
* LaResistance: In Part 2, Carding joins the guerrilla units taking down the Japanese and their local collaborators.
* TheOldestProfession: Rosing. Not quite explicitly, because her actual job description is "taxi-dancer" (i.e., she dances at a cabaret with paying customers), but otherwise she fits all the markers.
* YourCheatingHeart: While in the "big" city of Iloilo, Carding quickly falls for a taxi-dancer named Rosing, and expectedly they do it a few times. Lucing begins to suspect this when she notices Carding has been dressing up in his fanciest clothes when ostensibly he claims to simply be attending union meetings.
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