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* OneLiner: Everywhere, constantly. Sometimes paths diverge depending on which one-liner your character chooses to use (and then converge again later, but still). On one path, you, the reader, are given a blank line on which to write your own one-liner.

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* OneLiner: Everywhere, constantly. Sometimes paths diverge depending on which one-liner your character chooses to use (and TheManyDeathsOfYou: Naturally. Occasionally parodied, for example when Hamlet jumps out of a fifth story window, miraculously survives, and then converge again later, trips over a body part and breaks his neck. The narration says that you could complain about the out of nowhere neck-breaking death, but still). On one path, you, jumping out the reader, are given a blank line on which to write your own one-liner.window in the first place was so stupid that you sorta can't.



* OneLiner: Everywhere, constantly. Sometimes paths diverge depending on which one-liner your character chooses to use (and then converge again later, but still). On one path, you, the reader, are given a blank line on which to write your own one-liner.



* TheManyDeathsOfYou: Naturally. Occasionally parodied, for example when Hamlet jumps out of a fifth story window, miraculously survives, and then trips over a body part and breaks his neck. The narration says that you could complain about the out of nowhere neck-breaking death, but jumping out the window in the first place was so stupid that you sorta can't.
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-->[[StarTrekVTheFinalFrontier ''Proof! You demand proof? Then here is the proof you seek"]]
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* AlternateCharacterInterpretation: Rosencrantz and Guildenstern are portrayed much more favorably as awesome friends to Hamlet, and the narrator frequently sings their praises in the PARTY BOAT!!! branch. (You can guess North is a fan of TomStoppard). In fact, when Hamlet discovers the letter recommending his death to the King of England, Ros and Guil are as surprised as he is. The covert letter-swap still happens, but rather than designating his friends for death, Hamlet advises the King of England to set them up lavishly instead. Ros and Guil stay as Hamlet's allies from then on.
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* AlternateCharacterInterpretation: Rosencrantz and Guildenstern are portrayed much more favorably as awesome friends to Hamlet, and the narrator frequently sings their praises in the PARTY BOAT!!! branch. (You can guess North is a fan of TomStoppard). In fact, when Hamlet discovers the letter recommending his death to the King of England, Ros and Guil are as surprised as he is. The covert letter-swap still happens, but rather than designating his friends for death, Hamlet advises the King of England to set them up lavishly instead. Ros and Guil stay as Hamlet's allies from then on.
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* PuzzleBoss: Ophelia vs Gertrude in a deadly chess match at the end of one path.


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* RoaringRampageOfRevenge: During the path where Claudius's ghost kills Hamlet, Ophelia sets out to "kill everyone in Hamlet, and by that I mean this village!" with Gertrude as the FinalBoss.
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* NeverOneMurder: One of Ophelia's endings has her murder Claudius in front of Gertrude. Which naturally makes her have to murder Gertrude as well, only to notice Horatio - and so on and so on until Ophelia's killed every single character with her bare hands again. By the time Hamlet arrives, Ophelia has become so used to killing people that she accidentally kills him as well.
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* GottaKillEmAll: One ending has Ophelia killing ''every single character in the story'', because Claudius' ghost convinces them to kill ''her'' first, or die trying.
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* {{Dedication}}: "To Bea."
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* {{Railroading}}: The narrator likes to punish you for insisting on the stupid and/or sexist choices by forcing you along a particular path. These tend to happen along the "canon" path.

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* {{Railroading}}: The narrator likes to punish you for insisting on the stupid and/or sexist choices by forcing you along a particular path. These tend to happen Unsurprisingly, this happens quite a bit along the "canon" path.route.

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* {{Railroading}}: The narrator likes to punish you for insisting on the stupid and/or sexist choices by forcing you along a particular path. These tend to happen along the "canon" path.
* RealityEnsues: You can have Hamlet try to kill Claudius by firing himself out of a cannon, at which point the narrator asks what kind of outcome you're aiming for. Choosing the realistic outcome has Hamlet turned into a fine red mist which splatters Claudius and Gertrude.



* ScrewYourself: In one ending Hamelt goes back in time to kill Claudius with his past self. The epilogue states that they ended up making out a little and it was weird.
* ShoutOut: To ''SweetBroAndHellaJeff'' here:
-->“Dude, are you scoping this letter’s CHOICE ASSASSINATION ORDERS?” asks Rosencrantz.
-->“I told you, man! [[MemeticMutation I TOLD YOU ABOUT CLAUDIUS]],” Guildenstern yells.
** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[ViolenceIsTheOnlyOption "Kill Every Character In Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.

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* ScrewYourself: In one ending Hamelt ending, Hamlet goes back in time to kill Claudius with his past self. The epilogue states suggests that they ended up making out a little and it was weird.
this is exactly what ensues.
* ShoutOut: To ''SweetBroAndHellaJeff'' here:
-->“Dude, are you scoping this letter’s CHOICE ASSASSINATION ORDERS?” asks Rosencrantz.
-->“I told you, man! [[MemeticMutation I TOLD YOU ABOUT CLAUDIUS]],” Guildenstern yells.
** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[ViolenceIsTheOnlyOption "Kill Every Character
Dozens. In Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also Ophelia quipping "that is going to keep happening." Generally, any particular, every time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.references to SweetBroAndHellaJeff - up to and including actually ''looking'' like them in some of the ending art.
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* ScrewYourself: In one ending Hamelt goes back in time to kill Claudius with his past self. The epilogue states that they ended up making out a little and it was weird.
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* {{AFGNCAAP}}: Parodied.
-->“That was my uncle Skellington!” screams your husband or wife, depending on your sexual orientation and life choices. If you are not married, you scream it to yourself while looking in the mirror as you realize what you’ve done.

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* BiTheWay: Ophelia, judging by the fact that one of the people she can date in England is a woman.



* DatingSim: If you choose to take a vacation as Ophelia, the adventure instead turns into one of these as Ophelia gets to choose from between three guys to find True Love. And then terrorists attack instead.

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* DatingSim: If you choose to take a vacation as Ophelia, the adventure instead turns into one of these as Ophelia gets to choose from between three guys people to find True Love. And then terrorists attack instead.instead.
* GenreRoulette: Is the story a mystery? A grizzly gore fest? A romance? An adventure? Either way, the only thing that stays constant is that it's a comedy.
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* DatingSim: If you choose to take a vacation as Ophelia, the adventure instead turns into one of these as Ophelia gets to choose from between three guys to find True Love. And then terrorists attack instead.
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* AnachronismStew: If you were expecting complete historical accuracy, you're not gonna find it in this book wherein Ophelia invents indoor heating, Hamlet signs to Ophelia "YA SERIOUSLY WTF" and the characters occasionally discuss the sexism inherent in the time period. Of course, this is completely intentional as per RuleOfCool and RuleOfFunny.
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* HeManWomanHater: Laertes. His first line in the book is 'If you sleep with Hamlet you're a slut!'


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* ScoringPoints: Occasionally the game offers points, especially at endings. They are, of course, always useless. For example, one ending earns you apples out of 100. Another earns you 15 litres of points.


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* {{Slutshaming}}: Laertes in his first appearance. The narrative presents this as misogynistic and stupid, though.
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* NoodleImplements: At one point when killing Claudius as Ophelia.
-->Anyway, I don’t want to get too gory but you kill Claudius with a mace and two knives and a vegetable peeler!

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* ActingUnnatural: While trying to cover up Polonius' murder, Hamlet is many times given the option to just play the situation off by acting casual. Since lying down on the floor in a room covered with blood isn't exactly the most normal of actions, it fails miserably every time.



* BadLiar: Pretty much everyone, but Claudius really takes the cake: at one point while playing him you're given the option to suddenly yell "I'M NOT A MURDERER!", throw a book at Hamlet, yell "I regret nothing!" and then run away sobbing. Before anyone has actually accused you of anything.




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* YouCantGetYeFlask: Parodied in a sequence based around text adventure games when Hamlet tries to find increasingly bizarre ways of rephrasing the sentence 'look room'.
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** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[ViolenceIsTheBestSolution "Kill Every Character In Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.

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** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[ViolenceIsTheBestSolution [[ViolenceIsTheOnlyOption "Kill Every Character In Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.
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None


** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[MurderIsTheBestSolution "Kill Every Character In Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.

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** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[MurderIsTheBestSolution [[ViolenceIsTheBestSolution "Kill Every Character In Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.
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** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the "Kill Every Character In Hamlet" route involves not only them being thrown down the stairs repeatedly, but also involves Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.

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** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the [[MurderIsTheBestSolution "Kill Every Character In Hamlet" Hamlet"]] route involves not only them being thrown down the stairs repeatedly, but also involves Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.
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** Also Hamlet's attempt to give Rosencrantz and Guildenstern a friendly slap on the back ends up dropping a reference to "flipping it turn-ways," and Rosencrantz and Guildenstern's death in the "Kill Every Character In Hamlet" route involves not only them being thrown down the stairs repeatedly, but also involves Ophelia quipping "that is going to keep happening." Generally, any time Rosencrantz and Guildenstern show up, you can expect a SBAHJ reference.
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* HurricaneOfPuns: During the fight with the pirate captain. Every attack Hamlet makes comes complete with a pun of some kind.
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* NarrativeProfanityFilter: During the fight with the pirate captain.
-->The pirate captain gloats at drawing first blood, pointing to you and calling you a bunch of very unkind names that I’m not going to say here because I don’t want you to throw down this book so you can try to find and murder this pirate in real life! Just take my word for it: the things he says about you are ''that bad.''
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* ChooseYourOwnAdventure
* IAmAHumanitarian: If you choose to dump Polonius' body parts into a stew and then eat it, for some reason.


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* {{Retcon}}: If you choose the crazy options when interacting with Ophelia early on, the narrator gets annoyed and retcons an earlier scene to have Hamlet tell Horatio that he's going to act crazy for a little while in an attempt to find a justification for your actions.


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* ShowWithinAShow: As in the original. This time, however, the inner book is another Choose Your Own Adventure story partially about killing skeletons.
* TheManyDeathsOfYou: Naturally. Occasionally parodied, for example when Hamlet jumps out of a fifth story window, miraculously survives, and then trips over a body part and breaks his neck. The narration says that you could complain about the out of nowhere neck-breaking death, but jumping out the window in the first place was so stupid that you sorta can't.
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* ButHeSoundsHandsome: Happens on a meta level when Hamlet hears that an author is coming to the castle [[MostWritersAreWriters and immediately starts talking about how handsome and sexy authors are.]]
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* ShoutOut: To ''SweetBroAndHellaJeff'' here:
-->“Dude, are you scoping this letter’s CHOICE ASSASSINATION ORDERS?” asks Rosencrantz.
-->“I told you, man! [[MemeticMutation I TOLD YOU ABOUT CLAUDIUS]],” Guildenstern yells.
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''To Be or Not To Be: That is the Adventure'' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by [[Webcomic/DinosaurComics Ryan North]]. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare lifted a single path and later turned that path into a play, the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.

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''To '''''To Be or Not To Be: That is Is the Adventure'' Adventure''''' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by [[Webcomic/DinosaurComics Ryan North]]. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare lifted a single path and later turned that path into a play, the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.




!!This work contains examples of:

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\n!!This work contains !!''To Be or Not To Be: That Is the Adventure'' provides examples of:
of the following tropes:



* ValuesDissonance: In-universe. The narrator occasionally speculates that "future generations" might view certain choices as more socially acceptable than others. Sometimes it explicitly describes choices Hamlet can make as sexist - every one of which Shakespeare chose on his path.

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* ValuesDissonance: In-universe. The narrator occasionally speculates that "future generations" might view certain choices as more socially acceptable than others. Sometimes it explicitly describes choices Hamlet can make as sexist - -- every one of which Shakespeare chose on his path.

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Getting this started.


To Be or Not To Be: That Is The Adventure is a ChooseYourOwnAdventure written by Ryan North.

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To ''To Be or Not To Be: That Is The Adventure is the Adventure'' is a ChooseYourOwnAdventure ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by [[Webcomic/DinosaurComics Ryan North.North]]. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare lifted a single path and later turned that path into a play, the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.

The book was funded by a [[http://www.kickstarter.com/projects/breadpig/to-be-or-not-to-be-that-is-the-adventure Kickstarter campaign]] that, when it ended, was the most successful publishing project in Kickstarter history, attaining 2,904% of its $20,000 goal.

----

!!This work contains examples of:

* ActionGirl: Ophelia.
-->Ophelia's adventure is as well-thought-out as Hamlet's, but rather than being a hero suffering from crippling inaction, you are a smart, self-sufficient woman who knows what she wants and is totally rad 100% of the time, and also you are dating a PRINCE. You can choose what you want to do with your life: help your boyfriend who's crying about a spooky ghost, or I don't know TAKE DOWN INTERNATIONAL TERRORISTS INSTEAD?? It's nuts. It's awesome. Oh my gosh.
* OneLiner: Everywhere, constantly. Sometimes paths diverge depending on which one-liner your character chooses to use (and then converge again later, but still). On one path, you, the reader, are given a blank line on which to write your own one-liner.
* ValuesDissonance: In-universe. The narrator occasionally speculates that "future generations" might view certain choices as more socially acceptable than others. Sometimes it explicitly describes choices Hamlet can make as sexist - every one of which Shakespeare chose on his path.

----
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To Be or Not To Be: That Is The Adventure is a ChooseYourOwnAdventure written by Ryan North.

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