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* CharacterDevelopment: What made Parzival stand out in contrast to many other heroes of medieval literature and made him fascinating to many modern readers and writers. In expanding Chrétien de Troyes' much shorter story, Wolfram created a lot of meat for psychological interpretations.


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* MyBelovedSmother: Herzeloyde. She raises Parzival alone in a forest and does everything she can so that the fate of his father (Gahmuret was killed in battle) does not befall him, even dressing him up in a fool's costume as he sets out into the world.
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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien. ''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied or quoted as often.

''Parzival'' proved very influential in the presentation of the Grail Legend, as well as being the touchstone for the German understanding of the stories of King Arthur. RichardWagner's last opera, ''Parsifal'', was based on this, while his earlier opera ''{{Lohengrin}}'' was written around a sequel to the poem [[note]]Lohengrin is Parzival's son[[/note]].

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.

''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied or quoted as often.

often. Although some of the more educated authors of the time, e. g. Gottfried von Straßburg, the writer of the Middle High German "Tristan", looked down on the "wild tale" (''wilde maere''), it was one of the main reasons why in the middle ages it was said of Wolfram: "''layen mund nye pas gesprach''" (the mouth of no lay person ever spoke better). ''Parzival'' proved very influential in the presentation of the Grail Legend, as well as being the touchstone for the German understanding of the stories of King Arthur. RichardWagner's last opera, ''Parsifal'', was based on this, while his earlier opera ''{{Lohengrin}}'' was written around a sequel "sequel" to the poem [[note]]Lohengrin is Parzival's son[[/note]].
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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien. ''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied as often (there are over 80 manuscripts in existence).

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien. ''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied or quoted as often (there are over 80 manuscripts in existence).
often.
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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien. ''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied as often.

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien. ''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied as often.
often (there are over 80 manuscripts in existence).

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.

to:

Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.
Chrétien. ''Parzival'' was the equivalent of a best-seller in its age: no other 13th-century literary work was copied as often.



* AlwaysSomeoneBetter: For Parzival this is [[spoiler: his elder brother Feirefis]].

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* AlwaysSomeoneBetter: For Parzival this is [[spoiler: his elder brother Feirefis]].Feirefiz]].



* CanonWelding: With ''Parzival'', Wolfram linked the story of Percival with that of the Swan Knight (by identifying the latter as Parzival's son) and with the legend of Prester John, who according to Wolfram is descended from Parzival's brother Feirefiz.



* DuelToTheDeath: Pretty much every encounter Parzival or Gawan have with another knight ends in this.

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* DuelToTheDeath: Pretty much every encounter Many encounters Parzival or Gawan have with another knight ends end in this.



* LongLostRelative: Several, but especially Parzival's Moorish half-brother Feirefis.

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* LongLostRelative: Several, but especially Parzival's Moorish half-brother Feirefis.Feirefiz.



* MixedAncestry: Feirefis. Being the son of a white father and a white mother, [[ArtisticLicenseBiology he has skin that is black and white like a magpie]].

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* MixedAncestry: Feirefis.Feirefiz. Being the son of a white father and a white mother, [[ArtisticLicenseBiology he has skin that is black and white like a magpie]].



* SomeoneToRememberHimBy: Gahmuret's two sons are this to his two widows. Wolfram in particular describes Belacane kissing the white parts of baby Feirefis's piebald skin because they reminded her of his father.

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* SomeoneToRememberHimBy: Gahmuret's two sons are this to his two widows. Wolfram in particular describes Belacane kissing the white parts of baby Feirefis's Feirefiz's piebald skin because they reminded her of his father.
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* HealingHands: Gawan is not just a great fighter, he is also a skilled healer.
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* [[DamselInDistress Damsels in Distress]: Gahmuret, Parzival and Gawan save their share. Taken up to Eleven with Gawan, who has to liberate several hundreds of ladies imprisoned by the wizard Klingsor in his castle.

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* [[DamselInDistress Damsels in Distress]: Distress]]: Gahmuret, Parzival and Gawan save their share. Taken up to Eleven with Gawan, who has to liberate several hundreds of ladies imprisoned by the wizard Klingsor in his castle.
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* [[DamselInDistress Damsels in Distress]: Gahmuret, Parzival and Gawan save their share. Taken up to Eleven with Gawan, who has to liberate several hundreds of ladies imprisoned by the wizard Klingsor in his castle.
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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien des Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Li contes del Graal ou Le roman de Perceval'' by Chrétien des de Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.
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* SomeoneToRememberHimBy: Gahmuret's two sons are this to his two widows. Wolfram in particular describes who Belacane would kiss the white parts of baby Feirefis's piebald skin because they reminded her of his father.

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* SomeoneToRememberHimBy: Gahmuret's two sons are this to his two widows. Wolfram in particular describes who Belacane would kiss kissing the white parts of baby Feirefis's piebald skin because they reminded her of his father.

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Perceval, le Conte du Graal'' by Chrétien des Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.

to:

Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Perceval, le Conte du Graal'' ''Li contes del Graal ou Le roman de Perceval'' by Chrétien des Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival'', although Wolfram probably only knew it via Chrétien.



* HeroOfAnotherStory: Wolfram linked the already existing but originally completely unrelated stories of Percivale and the Swan Knight by identifying the latter as Parzival's son Loherangrin.


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* HeroOfAnotherStory: Wolfram linked the already existing but originally completely unrelated stories of Percival and the Swan Knight by identifying the latter as Parzival's son Loherangrin.
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* SomeoneToRememberHimBy: Gahmuret's two sons are this to his two widows. Wolfram in particular describes who Belacane would kiss the white parts of baby Feirefis's piebald skin because they reminded her of his father.
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* PlotTumor: Some look on much of the Gawan-centric chapters as this, but the Gawan plot actually serves an important purpose: The protagonist and deuteragonist epitomize two different models of chivalry, Gawan as the perfect knight in the traditional Arthurian mold, while Parzival aspires to a higher ideal as a Knight of the Grail.

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* PlotTumor: Some look on much of the Gawan-centric chapters as this, but the Gawan plot actually serves an important purpose: The protagonist and deuteragonist epitomize two different models of chivalry, Gawan as the perfect knight in the traditional Arthurian mold, while Parzival aspires to a and ultimately reaches the higher ideal as of a Christian Knight of the Grail.

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* MeaningfulNames: Quite a few, even if it is not always easy to see as they usually take the form of Old French names phonetically spelled by a speaker of Middle High German. For instance, the Grail Castle is called ''Munsalvaesche'', which would correspond to Modern French ''Mont Sauvage'' (wild mountain).

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* MeaningfulNames: [[MeaningfulName MeaningfulNames]]: Quite a few, even if it is not always easy to see as they usually take the form of Old French names phonetically spelled by a speaker of Middle High German. For instance, the Grail Castle is called ''Munsalvaesche'', which would correspond to Modern French ''Mont Sauvage'' (wild mountain).


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* PlotTumor: Some look on much of the Gawan-centric chapters as this, but the Gawan plot actually serves an important purpose: The protagonist and deuteragonist epitomize two different models of chivalry, Gawan as the perfect knight in the traditional Arthurian mold, while Parzival aspires to a higher ideal as a Knight of the Grail.
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* GratuitousFrench: Wolfram liked to use French vocabulary, even if he apparently only knew it by ear (e. g. Parzival comes from the house of ''Anschouwe'', i. e. [[TheHouseOfPlantagenet Anjou]]). He is sometimes called the medieval German poet who brought more French words into the German language than any other.


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* MeaningfulNames: Quite a few, even if it is not always easy to see as they usually take the form of Old French names phonetically spelled by a speaker of Middle High German. For instance, the Grail Castle is called ''Munsalvaesche'', which would correspond to Modern French ''Mont Sauvage'' (wild mountain).
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** The theme was of great importance to Wolfram, who explicitly took it to a fundamental level in his unfinished epic poem ''Willehalm'' where Gyburc (Willehalm's wife, who converted to Christianity from Islam) in her "tolerance speech" pleads with the Christians to spare their "heathen" (Muslim) enemies pointing out that all humans are descended from heathens, most notably Adam, Eve and Noah.

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* LiteraryAgentHypothesis: Wolfram by and large follows the narrative Chrétien de Troyes' unfinished ''Perceval li Gallois'', but to justify where he deviates from it he [[RefugeInAudacity claims that Chrétien got important details wrong]]. How does he know? Because he got the true account. This was written down by the wise Moorish astrologer Flegetanis, the son of an Arabian father and a Jewish mother, who read it from the stars. Flegetanis' work was translated from Arabic into Latin in Toledo and made its way to France, where it was translated into Provencal by the writer Kyot or Guiot. This led not a few scholars to set off in search of Wolfram's alleged source, the book of Guiot, [[CaptainObvious so far without success]].



* ThrowTheDogABone: Sir Kay tends to be a bit of a JerkAss and ButtMonkey in Arthurian Romance, but when he portrays Kay getting into a fight with Parzival (and losing, of course), Wolfram notes that in his distrust of strangers coming to Arthur's and rudeness to them he actually fulfilled a valuable function. If only, Wolfram says, his own benefactor Duke Henry of Thuringia had a Kay at his court [[TakeThat it would not be so overrun with spongers]]!

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* ThrowTheDogABone: Sir Kay tends to be a bit of a JerkAss and ButtMonkey in Arthurian Romance, but when he portrays Kay getting into a fight with Parzival (and losing, of course), Wolfram notes that in his distrust of strangers coming to Arthur's and rudeness to them he actually fulfilled a valuable function. If only, Wolfram says, his own benefactor Duke Henry landgrave Hermann of Thuringia had a Kay at his court [[TakeThat it would not be so overrun with spongers]]!
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* NotWhatItLooksLike: Parzival, spurred by what his mother told him a knight should do, innocently takes tokens of her favour. When her husband arrives once Parzival has gone, he believes that she has been unfaithful to him. This is definitely not PlayedForLaughs.

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* NotWhatItLooksLike: Parzival, spurred by what his mother told him a knight should do, innocently takes tokens of her favour. favour from Jeschute. When her husband Orilus arrives once Parzival has gone, he believes that she has been unfaithful to him. This is definitely not PlayedForLaughs.
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* AlwaysSomeoneBetter: For Parzival this is [[spoiler: his half-brother Feirefis]].

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* AlwaysSomeoneBetter: For Parzival this is [[spoiler: his half-brother elder brother Feirefis]].
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* HeroOfAnotherStory: Wolfram linked the already existing but originally completely unrelated stories of Percivale and the Swan Knight by identifying the latter as Parzival's son Loherangrin.
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* AChildShallLeadThem: Obie's child sister Obilot convinces Gawan to aid Obie against her rejected suitor King Meljanz. After Gawan captures Meljanz, he leaves him in Obilot's care so she can reconcile him with her sister.

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* DoesThisRemindYouOfAnything: Most scholars agree that the idealized community of Grail Knights and Maidens is modeled on and may be seen as recruitment propaganda for TheKnightsTemplar.



* MixedAncestry: Feirefis.

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* MixedAncestry: Feirefis. Being the son of a white father and a white mother, [[ArtisticLicenseBiology he has skin that is black and white like a magpie]].
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* ThrowTheDogABone: Sir Kay tends to be a bit of a JerkAss and ButtMonkey in Arthurian Romance, but when he portrays Kay getting into a fight with Parzival (and losing, of course), Wolfram notes that in his distrust of strangers coming to Arthur's and rudeness to them he actually fulfilled a valuable function. If only, Wolfram says, his own benefactor Duke Henry of Thuringia had a Kay at his court [[TakeThat it would not be so overrun with spongers]]!
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* NotWhatItLooksLike: Parzival, spurred by what he has heard a knight should do, innocently takes tokens of her favour. When her husband arrives once Parzival has gone, he believes that she has been unfaithful to him. This is definitely not PlayedForLaughs.

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* NotWhatItLooksLike: Parzival, spurred by what he has heard his mother told him a knight should do, innocently takes tokens of her favour. When her husband arrives once Parzival has gone, he believes that she has been unfaithful to him. This is definitely not PlayedForLaughs.

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* InterracialRomance: Parzival's father Gahmuret and his black-skinned first wife Belacane, mother of Feirefis.


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* MalignedMixedMarriage: Parzival's white, Christian father Gahmuret and his black, Muslim first wife Belacane, mother of Feirefis. Christian clerics encourage Gahmuret to marry Herzeloyde (a white Christian) without bothering about an anulment or divorce.


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* MixedAncestry: Feirefis.
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* CorruptChurch: Just about the only time clerics appear is when they tell Parzival's father-to-be Gahmuret that it is okay for him to marry Queen Herzeloyde even though he is still married to the Muslim Queen Belacane. A marriage to a heathen does not really count, they say. Otherwise clerics are strangely absent, leading to Parzival to receive his deeper religious instruction from Trevrizent, a laic hermit.


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* InterracialRomance: Parzival's father Gahmuret and his black-skinned first wife Belacane, mother of Feirefis.
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* RedIsHeroic: Parzival, early on, is known as the Red Knight, on account of his armour.

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* RedIsHeroic: Parzival, early on, is known as the Red Knight, on account of his armour. Subverted in that the armour originally belonged to Ither, a relative of his, whom he unwittingly killed in a way that was not exactly considered worthy of a knight. So the red armour turns into a mark of shame.

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* AlwaysSomeoneBetter: For Parzival this is [[spoiler: his half-brother Feirefis]].



* TheGoodKing: King Arthur.
* TheHermit: Trevrizent, the retired knight.



* LongLostRelative: Several, but especially Parzival's Moorish half-brother Feirefis.
* TheMentor: First Gurnemanz, who teaches Parzival the knightly ethos and courtly manners (and unfortunately tells him it is rude to ask unnecessary questions), then Trevrizent, who instructs Parzival in the deeper Christian ethics.



* TheGoodKing: King Arthur.
* TheHermit: Trevrizent, the retired knight.

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Perceval, le Conte du Graal'' by Chrétien des Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival''.

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Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Perceval, le Conte du Graal'' by Chrétien des Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival''.
''Parzival'', although Wolfram probably only knew it via Chrétien.


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* {{Prequel}}: Wolfram's final, unfinished poem -- which scholars entitled ''Titurel'' after the first name mentioned in it -- elaborates on the story of Parzival's cousin Sigune and her lover Schionatulander. In ''Parzival'' Sigune is first seen grieving over Schionatulander after he was killed in a joust.
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-> ''This was a thing which was called the Grail, Earth's perfection's transcendence.''
--> -- Book V

''Parzival'' is a narrative romance in Middle High German by Wolfram von Eschenbach detailing the exploits of Parzival (Percival), knight of the Round Table, in his search for the Holy Grail. Divided into sixteen 'books' written in long verses of rhyming couplets, the first two portray the ([[ChekovsGun bigamous]]) exploits of Parzival's father, then the next three show Parzival's career as a young and inexperienced knight, culminating in his stay at the mysterious castle of the Grail, with its tormented king. On failing to ask the question which would end the king's suffering, Parzival finds himself cast out in shame, and spends the remainder of the poem attempting to find the castle again in order to ask the right question. [[spoiler: He does.]] The latter half of the poem is interspersed with episodes following Gawan (Gawain) in his efforts to disprove an accusation of murder, and then get married, with the last books uniting the two plots. The story is considerably embellished by the idiosyncratic style of Wolfram himself, prone to digressions, comments on his society (and his love life), as well as sarcastic attacks on his readers and other authors.

Dating from the first decades of the thirteenth century, it took its inspiration from the unfinished twelfth-century French romance ''Perceval, le Conte du Graal'' by Chrétien des Troyes, which was the first work about a quest for the Grail. Both works drew on the idealised presentation of KingArthur in Geoffrey of Monmouth's ''HistoryOfTheKingsOfBritain'', and it is Geoffrey's vision of courtly life that forms the background for Wolfram's ''Parzival''.

''Parzival'' proved very influential in the presentation of the Grail Legend, as well as being the touchstone for the German understanding of the stories of King Arthur. RichardWagner's last opera, ''Parsifal'', was based on this, while his earlier opera ''{{Lohengrin}}'' was written around a sequel to the poem [[note]]Lohengrin is Parzival's son[[/note]].
----
!! ''Parzival'' provides examples of:

* AnachronismStew: Mediaeval writers generally had a very loose sense of historical accuracy, and Wolfram was no different, including both the worship of Roman gods and the courtly standards of his own time in a story set roughly halfway between both time periods. The illuminations to the various manuscripts continue this, with the characters depicted in [[MiddleAges contemporary dress]].
* ArtisticLicenseGeography: Places and distances in ''Parzival'' are entirely arbitrary.
* BookDumb: From the ''author'', who [[UnreliableNarrator claims]] not to know "a letter of the alphabet".
* CannotSpitItOut: Parzival's first attempt to ask the question of the Grail King.
* ClearMyName: Gawan's motivation.
* CourtlyLove: The ''point'' of most of what happens.
* {{Deuteragonist}}: Gawan, who is the subject of most of the middle third of the poem.
* DrivingQuestion: In this case, the question is "What is the question?" [[spoiler: "What ails you?"]]
* DuelToTheDeath: Pretty much every encounter Parzival or Gawan have with another knight ends in this.
* EveryoneIsRelated: Everyone manages to be Parzival's distant relation.
* {{Exposition}}: Parzival's meeting with the hermit, which takes up most of a book.
* FigureItOut: What Parzival must do with the question to the Grail King.
* HeroesPreferSwords: Though, on horseback, they'll use a lance too.
* HeroicBSOD: On being separated from his wife for years in his search for the grail, the sight of three drops of blood which form a resemblance to her causes Parzival to become immobile.[[note]]But not so badly that he can't defeat any knight that tries to take advantage of him, before going right back to rigid silence[[/note]]
* IncorruptiblePurePureness: Parzival believes himself to be this, but over time he comes to realise his sins, and then repent them.
* KnightErrant: Most of the male characters.
* KnightInShiningArmour: Lots.
* LoadsAndLoadsOfCharacters
* MyGodWhatHaveIDone: A particularly potent one as, in one conversation, Parzival discovers that he had killed a relative, was responsible for the death of his mother (by leaving to become a knight), and had been unworthy to find the Grail.
* NotWhatItLooksLike: Parzival, spurred by what he has heard a knight should do, innocently takes tokens of her favour. When her husband arrives once Parzival has gone, he believes that she has been unfaithful to him. This is definitely not PlayedForLaughs.
* OneTrueLove: Parzival and Condwiramurs.
* PassingTheTorch: Parzival [[spoiler: becomes the new Grail King]].
* PublicDomainArtifact: The Grail.
* PurityPersonified: Most of the women in the story, particularly the [[VirginPower Grail Maidens]].
* RedIsHeroic: Parzival, early on, is known as the Red Knight, on account of his armour.
* SkilledButNaive: Parzival, particularly in the first half of the poem.
* SlapSlapKiss: Gawan and Orgeluse's relationship.
* TheGoodKing: King Arthur.
* TheHermit: Trevrizent, the retired knight.
* TropeCodifier: Both for the Grail Legend and, particularly in the German-speaking world, the stories of KingArthur.

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