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* The eponymous character in ''[[Creator/WilliamShakespeare The Merchant of Venice]]'' is Antonio, not the more well-known Shylock, or the protagonist Bassanio (who is a student). This is made explicit by the front cover of the 1600 quarto: ''The moſt excellent Hiſtorie of the Merchant of Venice. [=VVith=] the extreame crueltie of Shylocke the Iewe towards the ſayd Merchant, in cutting a iuſt pound of his fleſh: and the obtayning of Portia by the choyſe of three cheſts''.
* The song "In the Hall of the Mountain King," the most famous piece in the incidental music Grieg wrote for the play ''Peer Gynt'', is often simply called "Peer Gynt". "The Mountain King" referred to in the title of the song is not Peer Gynt, the protagonist of the play, but an evil Troll.
** In the UK it's most commonly known as "the Alton Towers theme", Alton Towers being a theme park that plays that piece in its advertisements as well as around the park itself. However that's probably another trope.
*** Ask any kid in North America and they'd say it was the song from ''WesternAnimation/TheNightmareBeforeChristmas''.
* The extremely famous opening chorus "O Fortuna," from a certain cantata by Carl Orff, is often referred to as ''"Carmina Burana"'', ignoring the rest of the work. And only the people who read right through the liner notes know that "Carmina Burana" (Songs of Beuern/Benediktbeuern) should actually refer to the whole body of Latin and German poetry found in the Benedictine abbey at Benediktbeuern when it was dissolved, and not just the handful that Orff set to music.
* ''Theatre/TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.
* The leading tenor character in ''Theatre/{{Pagliacci}}'' is not ''named'' Pagliacci. His real name is Canio and the clown character he [[ShowWithinAShow plays]] is named Pagliacci''o'' [[ADogNamedDog ("clown").]] "Pagliacci" is the plural of "pagliaccio," meaning "clowns," and refers to all the principle characters.
* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[Music/TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".
* ''Theatre/FiddlerOnTheRoof'': The protagonist Tevye the milkman neither plays the violin nor stands on a roof. The Fiddler is a separate walk-on character with very few appearances and no spoken lines. (He functions as a metaphor for the show's theme of balancing tradition and modernity and the situation of the Jews in the country.)

to:

* The eponymous character in ''[[Creator/WilliamShakespeare The Merchant of Venice]]'' is Antonio, not the more well-known Shylock, or the protagonist Bassanio (who is a student). This is made explicit by the front cover of the 1600 quarto: ''The moſt excellent Hiſtorie of the Merchant of Venice. [=VVith=] the extreame crueltie of Shylocke the Iewe towards the ſayd Merchant, in cutting a iuſt pound of his fleſh: and the obtayning of Portia by the choyſe of three cheſts''.
* The song "In the Hall of the Mountain King," the most famous piece in the incidental music Grieg wrote for the play ''Peer Gynt'', is often simply called "Peer Gynt". "The Mountain King" referred to in the title of the song is not Peer Gynt, the protagonist of the play, but an evil Troll.
** In the UK it's most commonly known as "the Alton Towers theme", Alton Towers being a theme park that plays that piece in its advertisements as well as around the park itself. However that's probably another trope.
*** Ask any kid in North America and they'd say it was the song from ''WesternAnimation/TheNightmareBeforeChristmas''.
* The extremely famous opening chorus "O Fortuna," from a certain cantata by Carl Orff, is often referred to as ''"Carmina Burana"'', ignoring the rest of the work. And only the people who read right through the liner notes know that "Carmina Burana" (Songs of Beuern/Benediktbeuern) should actually refer to the whole body of Latin and German poetry found in the Benedictine abbey at Benediktbeuern when it was dissolved, and not just the handful that Orff set to music.
* ''Theatre/TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.
* The leading tenor character in ''Theatre/{{Pagliacci}}'' is not ''named'' Pagliacci. His real name is Canio and the clown character he [[ShowWithinAShow plays]] is named Pagliacci''o'' [[ADogNamedDog ("clown").]] "Pagliacci" is the plural of "pagliaccio," meaning "clowns," and refers to all the principle characters.
* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[Music/TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".
* ''Theatre/FiddlerOnTheRoof'': The protagonist Tevye the milkman neither plays the violin nor stands on a roof. The Fiddler is a separate walk-on character with very few appearances and no spoken lines. (He functions as a metaphor for the show's theme of balancing tradition and modernity and the situation of the Jews in the country.)
[[redirect:IAmNotShazam/{{Theatre}}]]
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* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".

to:

* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[TheCanCanSong "[[Music/TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".
Is there an issue? Send a MessageReason:
None


* ''TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.

to:

* ''TheBarberOfSeville'' ''Theatre/TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.
Is there an issue? Send a MessageReason:
None


* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".

to:

* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".Galop".
* ''Theatre/FiddlerOnTheRoof'': The protagonist Tevye the milkman neither plays the violin nor stands on a roof. The Fiddler is a separate walk-on character with very few appearances and no spoken lines. (He functions as a metaphor for the show's theme of balancing tradition and modernity and the situation of the Jews in the country.)
Is there an issue? Send a MessageReason:
None


* The leading tenor character in ''Theatre/{{Pagliacci}}'' is not ''named'' Pagliacci. His real name is Canio and the clown character he [[ShowWithinAShow plays]] is named Pagliacci''o'' [[ADogNamedDog ("clown").]] "Pagliacci" is the plural of "pagliaccio," meaning "clowns," and refers to all the principle characters.

to:

* The leading tenor character in ''Theatre/{{Pagliacci}}'' is not ''named'' Pagliacci. His real name is Canio and the clown character he [[ShowWithinAShow plays]] is named Pagliacci''o'' [[ADogNamedDog ("clown").]] "Pagliacci" is the plural of "pagliaccio," meaning "clowns," and refers to all the principle characters.characters.
* The song from Offenbach's ''Orpheus in the Underworld'' commonly known as "[[TheCanCanSong The Can Can]]", after the dance performed to it, is actually titled "Infernal Galop".
Is there an issue? Send a MessageReason:
None


* ''TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.

to:

* ''TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.protagonist.
* The leading tenor character in ''Theatre/{{Pagliacci}}'' is not ''named'' Pagliacci. His real name is Canio and the clown character he [[ShowWithinAShow plays]] is named Pagliacci''o'' [[ADogNamedDog ("clown").]] "Pagliacci" is the plural of "pagliaccio," meaning "clowns," and refers to all the principle characters.
Is there an issue? Send a MessageReason:
None


*** Ask any kid in North America and they'd say it was the song from ''TheNightmareBeforeChristmas''.

to:

*** Ask any kid in North America and they'd say it was the song from ''TheNightmareBeforeChristmas''.''WesternAnimation/TheNightmareBeforeChristmas''.
Is there an issue? Send a MessageReason:
None


* The extremely famous opening chorus "O Fortuna," from a certain cantata by Carl Orff, is often referred to as ''"Carmina Burana"'', ignoring the rest of the work. And only the people who read right through the liner notes know that "Carmina Burana" (Songs of Beuern/Benediktbeuern) should actually refer to the whole body of Latin and German poetry found in the Benedictine abbey at Benediktbeuern when it was dissolved, and not just the handful that Orff set to music.

to:

* The extremely famous opening chorus "O Fortuna," from a certain cantata by Carl Orff, is often referred to as ''"Carmina Burana"'', ignoring the rest of the work. And only the people who read right through the liner notes know that "Carmina Burana" (Songs of Beuern/Benediktbeuern) should actually refer to the whole body of Latin and German poetry found in the Benedictine abbey at Benediktbeuern when it was dissolved, and not just the handful that Orff set to music.music.
* ''TheBarberOfSeville'' subverts this. As most people would guess, Figaro ''is'' the barber, but Almaviva is the protagonist.
Is there an issue? Send a MessageReason:
None


* The eponymous character in ''[[{{Shakespeare}} The Merchant of Venice]]'' is Antonio, not the more well-known Shylock, or the protagonist Bassanio (who is a student). This is made explicit by the front cover of the 1600 quarto: ''The moſt excellent Hiſtorie of the Merchant of Venice. [=VVith=] the extreame crueltie of Shylocke the Iewe towards the ſayd Merchant, in cutting a iuſt pound of his fleſh: and the obtayning of Portia by the choyſe of three cheſts''.

to:

* The eponymous character in ''[[{{Shakespeare}} ''[[Creator/WilliamShakespeare The Merchant of Venice]]'' is Antonio, not the more well-known Shylock, or the protagonist Bassanio (who is a student). This is made explicit by the front cover of the 1600 quarto: ''The moſt excellent Hiſtorie of the Merchant of Venice. [=VVith=] the extreame crueltie of Shylocke the Iewe towards the ſayd Merchant, in cutting a iuſt pound of his fleſh: and the obtayning of Portia by the choyſe of three cheſts''.



*** Ask any kid in North America and they'd say it was the song from ''TheNightmareBeforeChristmas''.
* The extremely famous opening chorus "O Fortuna," from a certain cantata by Carl Orff, is often referred to as ''"Carmina Burana"'', ignoring the rest of the work. And only the people who read right through the liner notes know that "Carmina Burana" (Songs of Beuern/Benediktbeuern) should actually refer to the whole body of Latin and German poetry found in the Benedictine abbey at Benediktbeuern when it was dissolved, and not just the handful that Orff set to music.

to:

*** Ask any kid in North America and they'd say it was the song from ''TheNightmareBeforeChristmas''.
''TheNightmareBeforeChristmas''.
* The extremely famous opening chorus "O Fortuna," from a certain cantata by Carl Orff, is often referred to as ''"Carmina Burana"'', ignoring the rest of the work. And only the people who read right through the liner notes know that "Carmina Burana" (Songs of Beuern/Benediktbeuern) should actually refer to the whole body of Latin and German poetry found in the Benedictine abbey at Benediktbeuern when it was dissolved, and not just the handful that Orff set to music.
Is there an issue? Send a MessageReason:
None

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*** Ask any kid in North America and they'd say it was the song from ''TheNightmareBeforeChristmas''.

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