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* ''Literature/TheHomestuckEpilogues'': The main villain of this installment ''isn't'' the insane, omnicidal Lord English, whom John has to return to Canon to fight. Both routes instead use humans, [[spoiler:namely [[SuddenSequelHeelSyndrome the adult versions of two of the Alpha kids]]. In the Candy route, Jane grows into a xenophobic tyrant and starts a war with the Trolls, with her firmly believing in [[AliensAreBastards the opposite trope]] the whole time. In the Meat route, Dirk merges with his Ultimate Self and [[HostileShowTakeover takes over the narrative itself]], attempting to steer the story towards the direction he feels it's "supposed" to go.]]
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* Mentioned in Creator/EoinColfer's ''Literature/ArtemisFowl'' books -- [[TheFairFolk The Fae]] blame having to move into underground cities on humans expanding, and constantly call humans "mud people", which just happens to be a real-life ethnic slur. Overall, the trope doesn't really apply, although this case isn't made explicitly -- the human villains often don't know who's helping Fowl or are brainwashed, and more often than not, the actual villains are other fairies.

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* Mentioned in Creator/EoinColfer's ''Literature/ArtemisFowl'' books -- [[TheFairFolk The Fae]] blame having to move into underground cities on humans expanding, and constantly call humans "mud people", which just happens to be a real-life ethnic slur. Overall, the trope doesn't really apply, although this case isn't made explicitly -- explicitly. With the human villains often don't know who's helping Fowl or are brainwashed, and more often than not, major exception of the first book (where Artemis serves as VillainProtagonist) most of the actual villains are other fairies.fairies, and the main concern with human villains is not related to them being intentionally malicous, but rather the concern that that will intentionally or unintentionally expose the existence of the Fae.
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* The Dark Ones in ''Literature/NightWatch'' take this as a basic tenet, though the Light Ones disagree. Case in point: the Light created Communism to try and improve humanity. They claim it was subverted by the Dark, but the Dark maintains they didn't do anything, and humans simply went on a destructive path as a result of their own natures.

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* The Dark Ones in ''Literature/NightWatch'' ''Literature/NightWatchSeries'' take this as a basic tenet, though the Light Ones disagree. Case in point: the Light created Communism to try and improve humanity. They claim it was subverted by the Dark, but the Dark maintains they didn't do anything, and humans simply went on a destructive path as a result of their own natures.
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* ''Literature/MarketOfMonsters'': Mainstream humanity sees the "unnaturals" (humans with special abilities or diets like feeding on pain or dead human flesh) as monsters, who face persecution and FantasticRacism everywhere they turn, such as being enslaved or sold on the black market. More than one human character who abuses unnaturals is told they're the real monster here.
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* Averted in ''Literature/TheGreatRingtailGarbageCaper''. While humans are directly responsible for cutting the protagonists off from their food supplies, the raccoons (at least the adults) don't actually ascribe any malice to such actions. They understand the garbage men have jobs to do, it's just a problem that the new ones are more efficient and responsible than their predecessors.
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* Creator/TerryPratchett plays with this in his ''Literature/{{Discworld}}'' novels. Sure, a lot of human characters are bastards, but instead of just leaving it at that, he often probes the question of ''why'' humans act that way, especially in his later, more philosophical books. Furthermore, there are more than a few non-human characters who are just as much bastards as humans can be; in the novel ''Discworld/FeetOfClay'', Commander Vimes is quoted as saying "Just because someone's a member of an ethnic minority doesn't mean they're ''not'' a nasty small-minded little jerk."

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* Creator/TerryPratchett plays with this in his ''Literature/{{Discworld}}'' novels. Sure, a lot of human characters are bastards, but instead of just leaving it at that, he often probes the question of ''why'' humans act that way, especially in his later, more philosophical books. Furthermore, there are more than a few non-human characters who are just as much bastards as humans can be; in the novel ''Discworld/FeetOfClay'', ''Literature/FeetOfClay'', Commander Vimes is quoted as saying "Just because someone's a member of an ethnic minority doesn't mean they're ''not'' a nasty small-minded little jerk."



** Played closest to straight in ''Discworld/TheAmazingMauriceAndHisEducatedRodents'', especially when Keith [[spoiler: pretends to]] feed the ratcatchers rat poison.

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** Played closest to straight in ''Discworld/TheAmazingMauriceAndHisEducatedRodents'', ''Literature/TheAmazingMauriceAndHisEducatedRodents'', especially when Keith [[spoiler: pretends to]] feed the ratcatchers rat poison.



** One of the clearest illustrations of this trope occurs in ''Discworld/GuardsGuards'' when the dragon, having just conquered the city, learns a good deal of human history by probing someone's mind. It's shocked and more than a little disgusted to find that there is nothing it can do to people that they have not, at some point in history, ''not already tried on each other''.

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** One of the clearest illustrations of this trope occurs in ''Discworld/GuardsGuards'' ''Literature/GuardsGuards'' when the dragon, having just conquered the city, learns a good deal of human history by probing someone's mind. It's shocked and more than a little disgusted to find that there is nothing it can do to people that they have not, at some point in history, ''not already tried on each other''.



** ''Discworld/{{Hogfather}}'': The one hundred percent human Mr. Teatime enters a realm made up by the dreams of children, where Death is powerless, under the assumption that this will give him the advantage. Except the children find Death far less terrifying than Mr. Teatime. In the end, someone stabs at Teatime with a fire poker that Susan has convinced children only kills monsters. Teatime hides behind Death; it goes through Death harmlessly, but kills Teatime. This confuses Susan.

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** ''Discworld/{{Hogfather}}'': ''Literature/{{Hogfather}}'': The one hundred percent human Mr. Teatime enters a realm made up by the dreams of children, where Death is powerless, under the assumption that this will give him the advantage. Except the children find Death far less terrifying than Mr. Teatime. In the end, someone stabs at Teatime with a fire poker that Susan has convinced children only kills monsters. Teatime hides behind Death; it goes through Death harmlessly, but kills Teatime. This confuses Susan.
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* Charlie Jane Anders' ''Literature/TheCityInTheMiddleOfTheNight'' explores this in depth. Humans have colonized a planet with non-human intelligent life, the Gelet, although they think of the Gelet as monsters and don't realize that they are capable of thought, invention, feeling, and engineering. After the human protagonist Sophie mind-shares with a Gelet and becomes its friend, she is horrified at the humans who hunt and even eat the Gelet.
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* Near the end of ''Literature/TheQuorum'', the HumanoidAbomination Derek Leech claims this regarding his actions. When he offers someone a DealWithTheDevil, he's only providing an opportunity; what they do with it is their own choice.
-->'''Leech:''' I'm not as bad as the Quorum. I am incapable of the kind of quixotic malice they have shown. I can't feel like that. And, make no mistake, the Quorum are no worse than the general run of people. If anything, they're a little above average.
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** ''Discworld/{{Hogfather}}'': The one hundred percent human Mr. Teatime enters a realm made up by the dreams of children, where Death is powerless, under the assumption that this will give him the advantage. Except the children find Death far less terrifying than Mr. Teatime. In the end, someone stabs at Teatime with a fire poker that Susan has convinced children only kills monsters. Teatime hides behind Death; it goes through Death harmlessly, but kills Teatime. This confuses Susan.
--->'''Susan:''' But... he was a man.\\
'''Death:''' [[AC:I think they know quite well what he was]].
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*In the Literature/LittleGreyMen, the cruel giant is actually a human who shoots and traps animals for no reason.
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* Inverted in the Bill Peet children's book, ''The Wump World''. If you read the part in the opener for this trope about mankind's chance to be such bastards on other planets via interstellar travel, the blue-skinned aliens in the book have us beat.

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* Inverted in the Bill Peet children's book, ''The Wump World''.''Literature/TheWumpWorld''. If you read the part in the opener for this trope about mankind's chance to be such bastards on other planets via interstellar travel, the blue-skinned aliens in the book have us beat.
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* In Creator/DouglasAdams's ''Last Chance to See'', he describes accompanying a group of tourists watching in delighted horror as a komodo dragon devours a live goat. Since the whole thing has been staged for the tourists, Adams concludes that there's one creature responsible for the goat's fate, and it ain't the lizard.
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* Averted in ''TheManWhoFellToEarth'' and its movie adaptation, because [[spoiler: according to Thomas, his people would likely have treated a human visitor as badly as Earth's people treated him]].

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* Averted in ''TheManWhoFellToEarth'' ''Literature/TheManWhoFellToEarth'' and its movie adaptation, because [[spoiler: according to Thomas, his people would likely have treated a human visitor as badly as Earth's people treated him]].
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Too biased


* In ''Literature/GulliversTravels'', the final voyage has Gulliver land in a place where he encounters the Yahoos - mindless, crude beasts that are ''visually indistinguishable from humans''. To the point that the "enlightened" (and horse-like) Houyhnhnms eventually forbid him from staying because he's too much like them. They try to use moral threat as a FreudianExcuse, but they're obviously not really afraid of Gulliver's baser moral tendencies. This moral contradiction makes the Houyhnhnms even bigger bastards than anybody, but Gulliver is so wrapped up in his newfound misanthropy that he doesn't notice (or probably doesn't want to).

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* In ''Literature/GulliversTravels'', the final voyage has Gulliver land in a place where he encounters the Yahoos - mindless, crude beasts that are ''visually indistinguishable from humans''. To the point that the "enlightened" enlightened (and horse-like) Houyhnhnms eventually forbid him from staying because he's too much like them. They try to use moral threat as a FreudianExcuse, but they're obviously not really afraid of Gulliver's baser moral tendencies. This moral contradiction makes the Houyhnhnms even bigger bastards than anybody, but Gulliver is so wrapped up in his newfound misanthropy that he doesn't notice (or probably doesn't want to).
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* In the ''Series/DoctorWho Literature/NewSeriesAdventures'' novel ''Plague City'', the Doctor has a conversation with an emotion-parasite that has taken over the body of someone he befriended and plans to spread over the Earth. The parasite points out it's not ''causing'' the misery it feeds on, the humans do that themselves. It's just acting out of hunger, but what humans do to each other is obscene. Bill says the parasite has a seriously messed up view of humanity, and the creature says actually, this is the view of humanity it was given by its host.
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* Creator/UrsulaKLeGuin's novella ''The Word for World is Forest'' features humans descending upon the forested planet of Athshe, harvesting the valuable lumber and terrorizing and enslaving the native inhabitants.

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* Creator/UrsulaKLeGuin's novella ''The Word for World is Forest'' ''Literature/TheWordForWorldIsForest'' features humans descending upon the forested planet of Athshe, harvesting the valuable lumber and terrorizing and enslaving the native inhabitants.
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* An aphorism occasionally seen on the Internet goes that "Intelligence is knowing that Literature/{{Frankenstein}} [[{{I Am Not Shazam}} isn't the monster]]. Wisdom is understanding that he is."

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* An aphorism occasionally seen on the Internet goes that "Intelligence "Knowledge is knowing that Literature/{{Frankenstein}} [[{{I Am Not Shazam}} isn't the monster]]. Wisdom is understanding that he is."
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* An aphorism occasionally seen on the Internet goes that "Intelligence is knowing that Literature/{{Frankenstein}} [[{{I Am Not Shazam}} isn't the monster]]. Wisdom is knowing that he is."

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* An aphorism occasionally seen on the Internet goes that "Intelligence is knowing that Literature/{{Frankenstein}} [[{{I Am Not Shazam}} isn't the monster]]. Wisdom is knowing understanding that he is."

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* Subverted in Creator/BrandonSanderson's short story ''Deefending Elysium''. The 'civilized' alien races have a peaceful society. The main character keeps knowledge of faster than light travel from humans with the belief that they would ruin the paradise society if they discovered it. [[spoiler: Then he finds out that the aliens define 'civilized' as being willing to imprison anyone who disagrees with their ideals in order to keep the peace, and that they aren't just inheirently good beings. ]]

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* Subverted in Creator/BrandonSanderson's short story ''Deefending Elysium''. The 'civilized' alien races have a peaceful society. The main character keeps knowledge of faster than light travel from humans with the belief that they would ruin the paradise society if they discovered it. [[spoiler: Then he finds out that the aliens define 'civilized' as being willing to imprison anyone who disagrees with their ideals in order to keep the peace, and that they aren't just inheirently good beings. ]]]]
* A major theme in ''Literature/MyVampireOlderSisterAndZombieLittleSister'' is that humans can be just as evil and/or dangerous as any supernatural being. The main antagonists [[spoiler:for the first two volumes]] are the Bright Cross, a CreatureHunterOrganisation that aims to wipe out the supernatural to prevent it from threatening humans. And in the third volume, the final and most dangerous enemy is [[spoiler:the main character's own mother, who has modified her body to allow her to overpower and hunt monsters]].
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* In the original version of ''Literature/IAmLegend'', [[spoiler:this is the ending twist. At the ending, Robert Neville finds the living vampires actually imprison him and sentence him to death, learning they are terrified of him; since Neville is the last human, and his idea of survival was murdering vampires indiscriminately, it's revealed Neville is being put to death because ''he's'' the true monster.]]

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* In the original version of ''Literature/IAmLegend'', [[spoiler:this is the ending twist.twist, though it's more HumansAreCthulhu. At the ending, Robert Neville finds the living vampires actually imprison him and sentence him to death, learning they are terrified of him; since Neville is the last human, and his idea of survival was murdering vampires indiscriminately, it's revealed Neville is being put to death because ''he's'' the true monster.]]
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* In one version of ''The Lion and the Mouse'', the Lion is a noble beast who finds many other animals who have been injured, enslaved, or captured by a cruel enemy; oxen used as pack-animals and beaten, an antelope caught in a hunting trap and bleeding to death, and another lion who lost its teeth after trusting the fiend; all identify this enemy as "Man". The Lion assumes "Man" is one being, becomes angrier with each encounter, and makes it his duty to hunt the villain down and slay him; unfortunately, he nearly falls victim to Man himself, only escaping because of the Mouse.
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* Subverted in Creator/BrandonSanderson's short story ''Deefending Elysium''. The 'civilized' alien races have a peaceful society. The main character keeps knowledge of faster than light travel from humans with the belief that they would ruin the paradise society if they discovered it. [[spoiler: Then he finds out that the aliens define 'civilized' as being willing to imprison anyone who disagrees with their ideals in order to keep the peace, and that they aren't just inheirently good beings. ]]
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Work made by a serial ban evader.


* ''Literature/ADeadlyPresence'': [[SlidingScaleOfIdealismVersusCynicism The people, of course,]] [[SarcasmMode show their their best qualities]] [[HumansAreBastards and set up the poor crippled animal for all their "noble" deeds: thievery of each others' farm animals,]] [[HumansAreTheRealMonsters drug trading and murders]]. Also they they set the traps, which guarantee slow death for the poor animals. And only Jean and Cliff fight for his right to live...
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* ''Literature/ADeadlyPresence'': [[SlidingScaleOfIdealismVersusCynicism The people, of course,]] [[SarcasmMode show their their best qualities]] [[HumansAreBastards and set up the poor crippled animal for all their "noble" deeds: thievery of each others' farm animals,]] [[HumansAreTheRealMonsters drug trading and murders]]. Also they they set the traps, which guarantee slow death for the poor animals. And only Jean and Cliff fight for his right to live...
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* Creator/AlanDeanFoster moderates this in his trilogy ''The Damned''. Humans appeared in a world where all life would be impossible by the standards of most aliens, and we went through some unpleasant evolutionary contortions to survive, but if we last much longer without outside interference, we'll achieve peace. Unfortunately, outside interference is coming -- and by book 3, after a thousand years as CannonFodder in an interstellar war, the humans are less "human" psychologically than the aliens are.

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* Creator/AlanDeanFoster moderates this in his trilogy ''The Damned''.''Literature/TheDamned''. Humans appeared in a world where all life would be impossible by the standards of most aliens, and we went through some unpleasant evolutionary contortions to survive, but if we last much longer without outside interference, we'll achieve peace. Unfortunately, outside interference is coming -- and by book 3, after a thousand years as CannonFodder in an interstellar war, the humans are less "human" psychologically than the aliens are.
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* ''Literature/TheMasterKey'': It's subtle, but compared to the Demon of Electricity, the human race has a lot of soul-searching to do. Except for the king of England, everybody Rob meets on his journey tries to kill him or cheat him out of his stuff, [[NotSoDifferent he himself]] sees nothing wrong with [[GodGuise deceiving "savages"]] and double-crossing armies, and, most tellingly, once he receives goggles that show if a person is good or evil, so many people are judged to be "evil" that he is afraid to use it on any of his loved ones, [[BrokenPedestal lest he learn that they are no better than the rest of the world]].
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** [[BreakTheCutie Sansa Stark]] thinks "There are no heroes ... In life, the monsters win" [[spoiler:when she sees her father killed.]]

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** It's worth expanding, the Bolos with the Human Mental fusion end up going on a generations long genocidal war against a larger alien empire. Thousands of worlds, Trillions of humans and aliens, and only a few million survive on a few very backward planets.

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** It's worth expanding, the Bolos with the Human Mental fusion end [[TheFederation Terran Confederation]] ends up going on a generations long genocidal war against a larger alien empire. Thousands of worlds, Trillions of humans and aliens, and only a few million survive on a few very backward planets.planets.
*** Although in this instance, humans aren't ''uniquely'' monstrous, since the Melconians (who didn't believe the Terran tech was as good as it was) wanted the war just as much as the humans (who didn't believe the Melconian Empire was as large as it was.)
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* Creator/BruceCoville's ''{{My Teacher|IsAnAlien}}'' series as well as the ''Literature/RodAlbrightAlienAdventures'' series both use this trope: aliens are aware of Earth but refuse to interact with humans because they consider them to be barbarians. It is revealed that one of the aliens in the "My Teacher" series invented television to keep people stupid so they couldn't advance technologically any more. We're so bad Bruce had to introduce [[spoiler:the pain and minor brain damage implied in cut-off telepathy]] to explain why we are as we are. We're also apparently the only species to do things like have homeless people, while most of the other aliens can't even understand the concept of a race at our technological and social level still having such problems (apparently other races fix things like poverty and wars long before they get as far as we have). It basically stops just short of actually having the aliens scratching their heads at this whole "capitalism" thing.

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* Creator/BruceCoville's ''{{My Teacher|IsAnAlien}}'' ''Literature/MyTeacherIsAnAlien'' series as well as the ''Literature/RodAlbrightAlienAdventures'' series both use this trope: aliens are aware of Earth but refuse to interact with humans because they consider them to be barbarians. It is revealed that one of the aliens in the "My Teacher" series invented television to keep people stupid so they couldn't advance technologically any more. We're so bad Bruce had to introduce [[spoiler:the pain and minor brain damage implied in cut-off telepathy]] to explain why we are as we are. We're also apparently the only species to do things like have homeless people, while most of the other aliens can't even understand the concept of a race at our technological and social level still having such problems (apparently other races fix things like poverty and wars long before they get as far as we have). It basically stops just short of actually having the aliens scratching their heads at this whole "capitalism" thing.
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** The ''Homecoming'' series is built on this trope: Humanity were such bastards that [[CrystalDragonJesus the Keeper of Earth]] more or less chased us off to the stars, and genetically altered the populations to receive signals from The Oversoul (super-computers designed to steer mankind's development away from weapons of mass destruction and other planet raping tech). Harmony's Oversoul outright states that he meant to last for a millennia or so before preparing for a trip back to Earth. Humans had been on Harmony for around 50,000,000 years and were no better than when they first arrived. Of course, this was only half of the [[AnAesop Aesop]]. The full Aesop was "since humans can't be any better by their own devices, they just have to trust in God."

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** The ''Homecoming'' series ''Literature/HomecomingSaga'' is built on this trope: Humanity were such bastards that [[CrystalDragonJesus the Keeper of Earth]] more or less chased us off to the stars, and genetically altered the populations to receive signals from The Oversoul (super-computers designed to steer mankind's development away from weapons of mass destruction and other planet raping tech). Harmony's Oversoul outright states that he meant to last for a millennia or so before preparing for a trip back to Earth. Humans had been on Harmony for around 50,000,000 years and were no better than when they first arrived. Of course, this was only half of the [[AnAesop Aesop]]. The full Aesop was "since humans can't be any better by their own devices, they just have to trust in God."

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