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*** Mr. Rogers eventually makes it clear that you, the viewer, aren't actually inside his house, [[MediumAwareness you're watching his home on television]].

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*** Mr. Rogers eventually makes it clear that you, the viewer, aren't actually inside his house, [[MediumAwareness you're watching his home on television]].television]].
*According to blameitonjorge's videos on disturbing cartoon memoriez,the five-part arc called "Conflict" (in which the kingdom assumes that a neighbouring land called Southwood was building up arms in order to attack them,but really just building a bridge) was made in response to a movie called "The Morning After",which dealt with nuclear war. Now there was a warning to parents (before the movie started) that they were not to let their kids see this movie due to its content,and presumably it aired during a time when most kids were already in bed. So why make this story in response to a film kids weren't likely to watch to begin with?
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*** Mr. Rogers eventually makes it clear that you, the viewer, aren't actually inside his house, you're watching his home on television.

to:

*** Mr. Rogers eventually makes it clear that you, the viewer, aren't actually inside his house, [[MediumAwareness you're watching his home on television.television]].
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*** Also, teleportation. Just like for going outside, or to any of the other buildings in the neighborhood. Even if that means you're actually watching Picture-Picture from an eye-ruining distance.

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*** Also, teleportation. Just like for going outside, or to any of the other buildings in the neighborhood. Even if that means you're actually watching Picture-Picture from an eye-ruining distance.distance.
**** Mr. Rogers eventually makes it clear that you, the viewer, aren't actually inside his house, you're watching his home on television.
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** You ask politely.

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** You ask politely.politely.
*** Also, teleportation. Just like for going outside, or to any of the other buildings in the neighborhood. Even if that means you're actually watching Picture-Picture from an eye-ruining distance.
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* How did we get in Mr. Rogers' house?

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* How did we get in Mr. Rogers' house?house?
** You ask politely.
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* How did we get in Mr. Rogers' house?

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