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* Fisk's is [[spoiler:stuck in a small cell after losing everything, with only a similarly patterned wall that reminds him of the wall he stared at before he murdered his father for abusing his mother. He's going to have plenty of time to stare at the constant reminder of his deep-seated psychological issues. This is will only worsen his mental state and ruthlessness.]]
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* Fisk's partners had it wrong when [[spoiler: they thought Vanessa was a distraction that was compromising Fisk emotionally. This was already happening due to his daily nightmares concerning his father and increasing stress from the inhumanity his goals necessitated. The "Rabbit in the Snow" painting he wakes up to each day resembles the wall his father made him stare at, while abusing his mother and ended in Fisk murdering his further. It serves only as a reminder of his past and loneliness, sinking him deeper. The only time this changes is when Fisk wakes up and looks at Vanessa in bed beside him instead of the wall. He becomes much more stable thanks to her and gets on with business without distraction. In fact, her support gives him the stability and focus he needs during the many times his resolve is shaken during the show. Their interference and attempted poisoning of her marks the point where everything comes crashing down for their venture.]]
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That was stated outright (even if they didn\'t use the words \"alien invasion\").
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* Hell's Kitchen isn't nearly as hellish these days as it was back in the 80s. The series cleverly undoes much of the gentrification by using the destruction from the alien attack on New York in ''[[Film/TheAvengers2012 The Avengers]]'' as the reason for the change in the neighborhood.
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* Hell's Kitchen isn't nearly as hellish these days as it was back in the 80s. The series cleverly undoes much of the gentrification by using the destruction from the alien attack on New York in ''[[Film/TheAvengers2012 The Avengers]]'' as the reason for the change in the neighborhood.
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* At the beginning of "Shadows in the Glass", we see Fisk making himself an omelette for breakfast. What's the saying about [[WellIntentionedExtremist making omelettes]], again?
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* At the beginning of "Shadows in the Glass", we see Glass" reveals that Fisk making himself (who wants to make NYC a better place through ruthless tactics) makes and eats an omelette every day for breakfast. What's This could be a reference to the saying about common expression, "To make an omelette, you need to [[WellIntentionedExtremist making omelettes]], again? break a few eggs]]."
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He has horns because of he\'s the Devil of Hell\'s Kitchen. And he doesn\'t know that Fisk headbutts.
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* Why does Matt include such sharp and pronounced horns on his final costume? It might be because Fisk loves using the headbutt.
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* Closer to Fridge Squick really, but the scene with Stick and Matt eating ice cream counts when you realize just how ''much'' Stick (and Matt after his training) is able to tell about what's in the ice cream. Consider just how much Matt is able to tell about what goes into his food wherever he eats. It makes you wonder if he's ever been able to enjoy a meal ever since learning that little trick.
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Adding example under Fridge Logic. Feel free to refine or clean up.
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* In the first season, [[spoiler: Owlsley]] is among those that becomes concerned that Fisk's attachment to Vanessa is clouding his judgment and distracting him, causing him to act illogically. Later, after pressing Fisk's BerserkButton in regards to Vanessa, [[spoiler: Owlsley]]'s ploy relies on the same 'questionable judgment' Fisk reacting logically to being blackmailed.
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* The bright, gaudy billboard outside Matt's apartment does more than just allow him to get a good deal. It also justifies the light needed to film inside the set. Usually, the light in a scene is usually assumed to be coming from lightbulbs and lamps, but Matt, being blind, doesn't have that many.
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* The bright, gaudy billboard outside Matt's apartment does more than just allow him to get a good deal. It also justifies the light needed to film inside the set. Usually, the light in a scene is usually assumed to be coming from lightbulbs light bulbs and lamps, but Matt, being blind, doesn't have that many.
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Changed line(s) 24,25 (click to see context) from:
* With Fisk out of the way, doesn't that get rid of most of Matt's justification for being a vigilante? Only until you realize that the depth of Fisk's corruption has been revealed and a huge chunk of the police force went to prison with him.
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* With Fisk out of the way, doesn't that get rid of most of Matt's justification for being a vigilante? Only until you realize that the depth of Fisk's corruption has been revealed and a huge chunk of the police force went to prison with him.
him, meaning that there's no one left to keep the streets clean.
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* With Fisk out of the way, doesn't that get rid of most of Matt's justification for being a vigilante? Only until you realize that the depth of Fisk's corruption has been revealed and a huge chunk of the police force went to prison with him.
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* The bright, gaudy billboard outside Matt's apartment does more than just allow him to get a good deal. It also justifies the light needed to film inside the set. Usually, the light in a scene is usually assumed to be coming from lightbulbs and lamps, but Matt, being blind, doesn't have that many.
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* Why is the opening in a monotone red? Because that's how Matt sees the world.
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!FridgeHorror
* [[spoiler: Ben Urich's death]] is bad enough, but consider [[spoiler: how many times his Alzheimer's-afflicted wife is going to have to be told the bad news]].
* [[spoiler: Ben Urich's death]] is bad enough, but consider [[spoiler: how many times his Alzheimer's-afflicted wife is going to have to be told the bad news]].
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* At the beginning of "Shadows in the Glass", we see Fisk making himself an omelette for breakfast. What's the saying about [[WellIntentionedExtremist making omelettes]], again?
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*Why does Matt include such sharp and pronounced horns on his final costume? It might be because Fisk loves using the headbutt.
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* Thanks to his radar sense, the world from Matt's perspective resembles the stereotypical Christian Hell, where everything is engulfed in flames.
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* Thanks to his radar sense, the world from Matt's perspective resembles the stereotypical traditional Christian Hell, where everything is engulfed in flames.
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That\'s just the Christian Hell
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* Thanks to his radar sense, the world from Matt's perspective resembles the stereotypical Judeo-Christian Hell, where everything is engulfed in flames.
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* Thanks to his radar sense, the world from Matt's perspective resembles the stereotypical Judeo-Christian Christian Hell, where everything is engulfed in flames.
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* Thanks to his radar sense, the world from Matt's perspective [[spoiler:in a way resembles the stereotypical Judeo-Christian Hell where everything's engulfed in flames.]]
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* Thanks to his radar sense, the world from Matt's perspective [[spoiler:in a way resembles the stereotypical Judeo-Christian Hell Hell, where everything's everything is engulfed in flames.]]
flames.
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Not enough context. What details, what inspiration?
Changed line(s) 18,21 (click to see context) from:
* In lieu of the above, if one examines the series in closer detail, it becomes apparent Matt had a LOT of inspiration to adopt the image of a devil for his vigilante career. So much, it seemed just about inevitable.
** Thanks to his radar sense, the world from Matt's perspective [[spoiler:in a way resembles the stereotypical Judeo-Christian Hell where everything's engulfed in flames.]]
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* If one examines the series in closer detail, it becomes apparent Matt had a LOT of inspiration to adopt the image of a devil for his vigilante career. So much, it seemed just about inevitable.
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* If In lieu of the above, if one examines the series in closer detail, it becomes apparent Matt had a LOT of inspiration to adopt the image of a devil for his vigilante career. So much, it seemed just about inevitable.
**Thanks to his radar sense, the world from Matt's perspective [[spoiler:in a way resembles the stereotypical Judeo-Christian Hell where everything's engulfed in flames.]]
**Thanks to his radar sense, the world from Matt's perspective [[spoiler:in a way resembles the stereotypical Judeo-Christian Hell where everything's engulfed in flames.]]
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* If one examines the series in closer detail, it becomes apparent Matt had a LOT of inspiration to adopt the image of a devil for his vigilante career. So much so, it seemed just about inevitable.
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* If one examines the series in closer detail, it becomes apparent Matt had a LOT of inspiration to adopt the image of a devil for his vigilante career. So much so, much, it seemed just about inevitable.
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!FridgeLoggic
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!!FridgeLogic
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!FridgeLoggic
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!!FridgeLogic
* In-universe: after Matt reveals the incident that, after years of living in Hell's Kitchen with his powers, finally drove him over the edge and made him turn to vigilantism, Foggy has a moment to process. Matt ''couldn't'' have just snapped and gone out on a whim, with his training from Stick having atrophied for years. He would've had to keep it up, for some reason, in anticipation of an event like that. Foggy accuses Matt of deep down knowing that one day he would want to do something like this, and that it was just an excuse to put on a mask and take justice into his own hands.
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Fridge that demands an answer goes on headscratchers.
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* FridgeLogic
** How did Melvin know not to cut eyeholes into the mask?
*** Matt probably told him. We never heard his entire conversation with Melvin about the costume.
*** Also , Melvin he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes in the new mask .
** How did Melvin know not to cut eyeholes into the mask?
*** Matt probably told him. We never heard his entire conversation with Melvin about the costume.
*** Also , Melvin he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes in the new mask .
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** How did Melvin know not
%%
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%% This isn't Troper Tales or a forum. Refrain from first person entries, speculation, and "replying" to
%%
%%
%% Fridge that demands an answer goes on the
***
%% If you want to add a fridge example that needs an answer, or see a fridge example you want to answer, move it over to Headscratchers.
%%
%%
!!FridgeBrilliance
* When the priest is talking to Matt
*** Also , Melvin
-->'''Matt:''' I need
'''Melvin:''' Okay... what did you want?\\
'''Matt:''' A symbol.
----
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*** Also , Melvin he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes.
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*** Also , Melvin he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes.holes in the new mask .
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*** Also , Matt he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes.
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*** Also , Matt Melvin he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes.
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*** Matt probably told him. We never heard his entire conversation with Melvin about the costume.
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*** Matt probably told him. We never heard his entire conversation with Melvin about the costume.costume.
*** Also , Matt he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes.
*** Also , Matt he could see that Matt original mask had no eye holes. So figured logically that he really didnt need them. Hence no eye holes.
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** How did Melvin know not to cut eyeholes into the mask?
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** How did Melvin know not to cut eyeholes into the mask?mask?
*** Matt probably told him. We never heard his entire conversation with Melvin about the costume.
*** Matt probably told him. We never heard his entire conversation with Melvin about the costume.
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* FridgeLogic
** How did Melvin know not to cut eyeholes into the mask?
** How did Melvin know not to cut eyeholes into the mask?
