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* The dead are not able to attack the living while in their world as they must obey by their rules, yet Scraps is still able to bite Lord Barkis. He is able to do this because he's a dog skeleton, and dogs are not well-known for being able to follow every little rule.
** Or, Scraps was Victor's dog. Of course he can bite the person who is upsetting his master.
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Moved to Headscratchers


[[folder:Fridge Logic]]
* The dead are not able to attack the living while in their world as they must obey by their rules, yet Scraps is still able to bite Lord Barkis. He is able to do this because he's a dog skeleton, and dogs are not well-known for being able to follow every little rule.
** Or, Scraps was Victors dog. Of course he can bite the person whose upsetting his master.
[[/folder]]
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**Or, Scraps was Victors dog. Of course he can bite the person whose upsetting his master.

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pardon me


*** With how Finis says "me" when he means "my", he doesn't seem to be upper-class originally... Did the two of them end up in the same arrangement, with even the genders matching, and for the same reasons as Victor and Victoria did years later?


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** But with how Finis says "me" when he means "my", he doesn't seem to be upper-class originally...
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*** With how Finis says "me" when he means "my", he doesn't seem to be upper-class originally... Did the two of them end up in the same arrangement, with even the genders matching, and for the same reasons as Victor and Victoria did years later?
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* During the scene where Victoria is discussing her upcoming arranged marriage with her mother, she asks, "But what if we don't like each other?" Mrs. Everglott retorts, "As if ''that'' has anything to do with marriage!" Yes, it's poking fun at the fact that Mr. and Mrs. Everglott clearly can't stand each other, but consider that ''they'' probably had an arranged marriage (or at least a marriage of convenience), too.
** Given that either Mr. or Mrs. Everglott (or both) came from old money, it probably was. This also adds some insight into ''why'' their marriage is such a tense one: they went into their union for the sake of wealth and security -- and [[ImpoverishedPatrician ended up with neither]].
* You can actually infer that Mr. Everglot is the one who came from old money by the fact the manor is filled to the brim with aristocratic paintings of people who look [[GenerationXerox exactly like him.]]

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* During the scene where Victoria is discussing her upcoming arranged marriage with her mother, she asks, "But what if we don't like each other?" Mrs. Lady Everglott retorts, "As if ''that'' has anything to do with marriage!" Yes, it's poking fun at the fact that Mr. Lord and Mrs. Lady Everglott clearly can't stand each other, but consider that ''they'' probably had an arranged marriage (or at least a marriage of convenience), too.
** Given that either Mr. Lord or Mrs. Lady Everglott (or both) came from old money, it probably was. This also adds some insight into ''why'' their marriage is such a tense one: they went into their union for the sake of wealth and security -- and [[ImpoverishedPatrician ended up with neither]].
* You can actually infer that Mr. Lord Everglot is the one who came from old money by the fact the manor is filled to the brim with aristocratic paintings of people who look [[GenerationXerox exactly like him.]]
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*** Baby's breath also signifies innocence - Emily was innocent, a loving young woman unaware of her suitor's intentions, but her murder put paid to that.
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* Emily needs the help of the Elder Gutknecht with a "Ukrainian Haunting Spell." Why, since she was able to wait for her true love? Because her vow was fulfilled when Victor proposed and its charm wore off.

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[[WMG:Emily's family]]



!!The Parents

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!!The Parents[[WMG:The Parents]]



!!Emily tearing off the heads of the flowers in her bouquet

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!!Emily [[WMG:Emily tearing off the heads of the flowers in her bouquetbouquet]]

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!!The Lighting at the end:

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!!The Lighting [[WMG:The lighting at the end:end]]



!!Emily herself completely fits the "something old, something new, something borrowed, something blue" custom.

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!!Emily [[WMG:Emily herself completely fits the "something old, something new, something borrowed, something blue" custom.]]



!!The Skeletons:
* Now, who exactly are these skeletons who serve as a chorus to Bonejangles during ''Die, die, we all pass away'' ? Well, they have a very high-pitched voice when they shout "die, die, die, die die". Their size exclude the idea of children, so they must be women. Now, what are women doing with him ? Why, they're Bonejangles's groupies, of course ! After all, he behaves like a famous singer (falling from stage at the end of the song and all that), so it makes sense.

!!Other

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!!The Skeletons:
[[WMG:The Skeletons]]
* Now, who exactly are these skeletons who serve as a chorus to Bonejangles during ''Die, "Die, die, we all pass away'' ? away"? Well, they have a very high-pitched voice when they shout "die, die, die, die die". Their size exclude the idea of children, so they must be women. Now, what are women doing with him ? Why, they're Bonejangles's groupies, of course ! After all, he behaves like a famous singer (falling from stage at the end of the song and all that), so it makes sense.

!!Other[[WMG:Other]]



!!Emily is dead, and then she dies... again?

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!!Emily [[WMG:Emily is dead, and then she dies... again?again?]]



!!Endless torture for Barkis Bittern
* The FateWorseThanDeath regarding Barkis Bittern, who after unwittingly consuming poison, is now one of the dead, which conveniently removes the restriction that the dead cannot harm the living, and has an angry mob descend upon him. Made worse in that we never really do find out what they do to him. NothingIsScarier.

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!!Endless [[WMG:Endless torture for Barkis Bittern
Bittern]]
* The FateWorseThanDeath regarding Barkis Bittern, Barkis, who after unwittingly consuming poison, is now one of the dead, which conveniently removes the restriction that the dead cannot harm the living, and has an angry mob descend upon him. Made worse in that we never really do find out what they do to him. NothingIsScarier.



!!Dead children

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!!Dead children[[WMG:Dead children]]



!!Emily's family
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!!Social Class Distinctions:

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!!Social Class Distinctions:[[WMG:Social class distinctions]]
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* The dead are not able to attack the living while in their world as they must obey by their rules, yet Scraps is still able to bite Lord Barkis. He is able to do this because he is a dog skeleton and dogs are not well-known for being able to follow every little rule.

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* The dead are not able to attack the living while in their world as they must obey by their rules, yet Scraps is still able to bite Lord Barkis. He is able to do this because he is he's a dog skeleton skeleton, and dogs are not well-known for being able to follow every little rule.

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[[AC:FridgeBrilliance]]

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[[AC:FridgeBrilliance]][[foldercontrol]]

[[folder:Fridge Brilliance]]




[[AC:FridgeHorror]]

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\n[[AC:FridgeHorror]][[/folder]]

[[folder:Fridge Horror]]




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[[/folder]]

[[folder:Fridge Logic]]
* The dead are not able to attack the living while in their world as they must obey by their rules, yet Scraps is still able to bite Lord Barkis. He is able to do this because he is a dog skeleton and dogs are not well-known for being able to follow every little rule.
[[/folder]]
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** The Land of the Dead is Purgatory, which, in Catholic teachings, is basically Hell-Lite where people with a chance, however small, of acheiving Heaven go to get their deserved suffering for their sins out of the way so they can go Up There with no regrets. If Barkis were damned, he'd just have gone straight down after he died. He's a tosser to be sure, but he'll still be welcome in Heaven after a few centuries of pennance.
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** A Napoleon-like skeleton drinks at the bar with a fellow (with a hole from a cannonball in his torso) clad in the dirty, tattered remains of a British uniform. In life, the French and English were bitter foes; joined in death, their old squabbles are forgotten, and they happily celebrate together. Technically, the uniform appears to be of ''American'' Revolutionary War vintage, not French, but, again, in eternity, these differences are immaterial.

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** * A Napoleon-like skeleton drinks at the bar with a fellow (with a hole from a cannonball in his torso) clad in the dirty, tattered remains of a British uniform. In life, the French and English were bitter foes; joined in death, their old squabbles are forgotten, and they happily celebrate together. Technically, the uniform appears to be of ''American'' Revolutionary War vintage, not French, but, again, in eternity, these differences are immaterial.
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to:

** A Napoleon-like skeleton drinks at the bar with a fellow (with a hole from a cannonball in his torso) clad in the dirty, tattered remains of a British uniform. In life, the French and English were bitter foes; joined in death, their old squabbles are forgotten, and they happily celebrate together. Technically, the uniform appears to be of ''American'' Revolutionary War vintage, not French, but, again, in eternity, these differences are immaterial.
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* Ever notice how, in [[{{Foil}} contrast]] to Victor and Emily's humongous wedding cake, Barkis and Victoria's own wedding cake is rather small? It hardly even qualifies as a cake fit to serve multiple guests, defeating the purpose of being a wedding cake. The brilliance is, it isn't ''just'' small just to drive home how joyless the Living World is. It's a "[[InternalReveal hint]]" of how poor the Everglots are and how they can only afford a small, cheap cake.

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** Given that either Mr. or Mrs. Everglott (or both) came from old money, it probably was. This also adds some insight into ''why'' their marriage is such a tense one: they went into their union for the sake of wealth and security -- and [[ImpoverishedPatrician ended up with nether]].

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** Given that either Mr. or Mrs. Everglott (or both) came from old money, it probably was. This also adds some insight into ''why'' their marriage is such a tense one: they went into their union for the sake of wealth and security -- and [[ImpoverishedPatrician ended up with nether]].neither]].
* You can actually infer that Mr. Everglot is the one who came from old money by the fact the manor is filled to the brim with aristocratic paintings of people who look [[GenerationXerox exactly like him.]]

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* I always found it brilliant that Emily's soul was freed after Victor and Victoria get together. She said she'd wait until she found true love, and she found it. A couple who genuinely love and care for each other, and would do anything for the other. Yes, she wasn't the one who had the 'love' but she found it, and that's what matters.

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* I always found it brilliant that Emily's soul was freed after Victor and Victoria get together. She said she'd wait until she found true love, and she found it. A couple who genuinely love and care for each other, and would do anything for the other. Yes, she wasn't the one who had the 'love' but she found it, and that's what matters.


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* I always found it brilliant that Emily's soul was freed after Victor and Victoria get together. She said she'd wait until she found true love, and she found it. A couple who genuinely love and care for each other, and would do anything for the other. Yes, she wasn't the one who had the 'love' but she found it, and that's what matters.
** Alternatively, true love set her free -- but it was ''her love for someone else'', someone she couldn't have but wanted to make happy anyway.
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** Or because he was telling the truth? Between those two events, the robbing of Emily happened.
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* When courting Emily, Barkis didn't hide that he was "down on his cash"[[note]]although it could be a lie - he's a conman after all[[/note]]. When trying to charm the Everglots, he lets them think he's rich so they want to match him with Victoria. Could it be because in his previous con the parents tried to keep his victim from being with him, because of his apparent poverty? And now he tried the opposite strategy... well, [[ImpoverishedPatrician look how that turned out]].

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** That statement, I'm afraid, is incorrect. The flowers follow the Victorian Period flower language (Floriography), a trend that was very much common at the time. Within the context of marriage, white Baby's Breath doesn't symbolize the wish to have a baby, but rather everlasting love, which was distinguished from eternal love (keeping the love alive) as the desire to spend the rest of your life with the person you love.



*** That statement, I'm afraid, is incorrect. The flowers follow the Victorian Period flower language (Floriography), a trend that was very much common at the time. Within the context of marriage, white Baby's Breath doesn't symbolize the wish to have a baby, but rather everlasting love, which was distinguished from eternal love (just keeping the lvoe alive) as the desire to spend the rest of your life with the person you love.

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*** That statement, I'm afraid, is incorrect. The flowers follow the Victorian Period flower language (Floriography), a trend that was very much common at the time. Within the context of marriage, white Baby's Breath doesn't symbolize the wish to have a baby, but rather everlasting love, which was distinguished from eternal love (just keeping the lvoe alive) as the desire to spend the rest of your life with the person you love.
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None

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*** That statement, I'm afraid, is incorrect. The flowers follow the Victorian Period flower language (Floriography), a trend that was very much common at the time. Within the context of marriage, white Baby's Breath doesn't symbolize the wish to have a baby, but rather everlasting love, which was distinguished from eternal love (just keeping the lvoe alive) as the desire to spend the rest of your life with the person you love.
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* TheTeetotaler: Creator/RichardEGrant, the voice of Barkis, has a distaste and physical intolerance for alcohol. The fate that befalls his character at the end of the film? [[spoiler:Dying due to downing a cup of wine that, unbeknownst to him, was poisoned.]]

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* TheTeetotaler: Creator/RichardEGrant, the voice of Barkis, has a distaste and physical intolerance for alcohol. The fate that befalls his character at the end of the film? [[spoiler:Dying Dying due to downing a cup of wine that, unbeknownst to him, was poisoned.]]poisoned.



* Lord Barkis appears on screen by walking from a fishmonger's. Given the way he acts even before [[spoiler:the reveal that he's a money-hungry wife-murderer]], it's easy to say that there is certainly something... [[IncrediblyLamePun fishy]] about him.

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* Lord Barkis appears on screen by walking from a fishmonger's. Given the way he acts even before [[spoiler:the the reveal that he's a money-hungry wife-murderer]], wife-murderer, it's easy to say that there is certainly something... [[IncrediblyLamePun fishy]] about him.
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* Why was everyone in the land of the dead so utterly stoked that there was going to be a wedding? Because weddings don't happen in the land of the dead, and this was likely the last time they'd ever be invited to any sort of joyful life milestone.

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* It gets even worse when you consider what possible reason Barkis could have for coming back for Victoria after finding out her family was broke. He was probably going to murder her. After doing something [[RapeIsASpecialKindOfEvil else...]] He ''does'' declare that she's still his wife, and therefore his. Just for added [[ForTheEvulz Evulz]], try and guess which he will do first....and how often.

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* It gets even worse when you consider what possible reason Barkis could have for coming back for Victoria after finding out her family was broke. He was probably going to murder her. After doing something [[RapeIsASpecialKindOfEvil else...]] He ''does'' declare that she's still his wife, and therefore his. Just for added [[ForTheEvulz Evulz]], try and guess which he will do first....first... and how often.




* Don't forget that Barkis "is" dead, though: Like Emily said in her song, "In the ice and in the sun, it's all the same." Other actions in the movie, no one else seems able to feel pain, so they can't really hurt Barkis, just give him a good scare.

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\n* Don't forget that Barkis "is" ''is'' dead, though: Like Emily said in her song, "In the ice and in the sun, it's all the same." Other actions in the movie, no one else seems able to feel pain, so they can't really hurt Barkis, just give him a good scare.
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* Lord Barkis appears on screen by walking from a fishmonger's. Given the way he acts even before [[spoiler:the reveal that he's a money-hungry wife-murderer]], it's easy to say that there is certainly something...[[IncrediblyLamePun fishy]] about him.

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* Lord Barkis appears on screen by walking from a fishmonger's. Given the way he acts even before [[spoiler:the reveal that he's a money-hungry wife-murderer]], it's easy to say that there is certainly something... [[IncrediblyLamePun fishy]] about him.
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* The contrast between the World of the Living and the World of the Dead is a rather clever play on class distinctions in the Victorian era. On at least one occasion, the two realms are ''literally'' identified as [[Series/UpstairsDownstairs "upstairs" and "downstairs"]]. The World of the Dead, as a reflection of working class culture, is colorful, lively, and unreserved; even Emily, who was wealthy in life, behaves more like a working class girl, being vivacious and free-spirited (in contrast to Victoria, who is proper and demure). By contrast, the World of the Living is drab, stuffy and restrained -- very much like the upper class itself.

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* The contrast between the World of the Living and the World of the Dead is a rather clever play on class distinctions in the Victorian era. On at least one occasion, the two realms are ''literally'' identified as [[Series/UpstairsDownstairs "upstairs" and "downstairs"]]. The World of the Dead, as a reflection of working class culture, is colorful, lively, and unreserved; even Emily, who was wealthy in life, behaves more like a working class girl, being vivacious and free-spirited and less concerned with social etiquette (in contrast to Victoria, who is proper and demure). By contrast, the World of the Living is drab, stuffy and restrained -- very much like the upper class itself.
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** To be fair, there were some dead children around, back then adoption was something only married couples did, so perhaps a workaround could be made.
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Fridge Logic goes on Headscratchers



[[AC:FridgeLogic]]
!!Emily knowing Victor's name and Scraps:
* When Victor runs from The Ball & Socket and Emily goes looking for him, she calls him by his name... even though the two had just met, AccidentalMarriage or not, and Victor didn't even have a chance to introduce himself (understandably, considering how fast things were going). She also somehow knew that Scraps was Victor's deceased dog, despite that, again, she and Victor had technically just met.
** Considering she knew Scraps and could understand him, it's possible they met at some point and he told her about Victor, who serendipitously happened to be the one to propose to her corpse.
** Also plausible that Victor has some dead relatives running around, especially considering the time. It seems unlikely at his age his grandparents aren't dead, and Emily seems popular enough among the dead that when she finds a husband they might know and recognize him?

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