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Changed line(s) 82 (click to see context) from:
* ShirtlessScene: The one that made Creator/BradPitt a legend.
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Changed line(s) 86 (click to see context) from:
* SoundtrackDissonance: The alternate ending.
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Changed line(s) 24 (click to see context) from:
* AttemptedRape: An attempted rape in a nightclub parking lot and what happens to the rapist afterwards starts the entire crazy roadtrip.
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* AttemptedRape: An attempted rape in a nightclub parking lot and what happens to the rapist afterwards afterward starts the entire crazy roadtrip.
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* SoreLoser: The only thing closely resembling a rational explanation on why Harlan and the sexist trucker keep running their mouths with guns trained on them.
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* YouWouldntShootMe: Yes, she would Harlan. Yes, she would. The boorish trucker from later also counts considering he thought saying "FUCK YOU!!" to an armed woman with a gun pointed in his direction was a smart idea, though he got off much easier with only his truck blown up. Both characters seemingly buy into the extremely outdated belief that a woman doesn't have it in her to kill, only to be proven very very wrong, though the fatal part only applies to the former-mentioned dirtbag.
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One trope per example.
Changed line(s) 42 (click to see context) from:
* FreezeFrameEnding / FadeToWhite: The ending. The film ended on the duo driving their car into the Grand Canyon, freezing mid-flight.
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* FreezeFrameEnding / FadeToWhite: FreezeFrameEnding: The ending. The film ended on the duo driving their car into the Grand Canyon, freezing mid-flight.
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grammer
Changed line(s) 9,10 (click to see context) from:
Naïve Arkansas housewife Thelma Dickinson (Davis) and her best friend, independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill when [[AttemptedRape Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), who Louise subsequently shoots and kills.
to:
Naïve Arkansas housewife Thelma Dickinson (Davis) and her best friend, independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill when [[AttemptedRape Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), who whom Louise subsequently shoots and kills.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:310: ''"[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t look down.]]"'']]
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[[caption-width-right:310: ''"[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t don't look down.]]"'']]
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Changed line(s) 87 (click to see context) from:
%%* TomboyAndGirlyGirl: Louise is the Tomboy, Thelma is the Girly Girl (at first, anyway).
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Changed line(s) 89 (click to see context) from:
%%* TookALevelInBadass: Thelma, after she had sex with Creator/BradPitt.
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It turns out this is his title.
Changed line(s) 74 (click to see context) from:
* PoliceAreUseless: Subverted. The police figure out very quickly who Harlan's murderers were, where they were headed and eventually where they are. Agent Slocumb also gives them multiple opportunities to turn themselves in.
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* PoliceAreUseless: Subverted. The police figure out very quickly who Harlan's murderers were, where they were headed and eventually where they are. Agent Investigator Slocumb also gives them multiple opportunities to turn themselves in.
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Changed line(s) 47 (click to see context) from:
* HandsomeLech: What Harlan the rapist is implied to be.
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Changed line(s) 50 (click to see context) from:
* HeterosexualLifePartners: Thelma and Louise.
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Changed line(s) 53 (click to see context) from:
** Louise has one that kicks off the plot. She has no good reason to kill Harlan when she does. He'd released Thelma, was no longer a threat to them, and both were walking away from him. He just happened to push her BerserkButton with his insults. Doing it that way meant there'd be little chance of claiming self defense (as she later points out), and fleeing the scene just made things worse.
to:
** Louise has one that kicks off the plot. She has no good reason to kill Harlan when she does. He'd released Thelma, was no longer a threat to them, and both were walking away from him. He just happened to push her BerserkButton with his insults. Doing it that way meant there'd be little chance of claiming self defense self-defense (as she later points out), and fleeing the scene just made things worse.
Changed line(s) 58 (click to see context) from:
* JerkAss: Harlan, Darryl, and the truck driver.
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Changed line(s) 70 (click to see context) from:
* PhoneTraceRace: The cops need Darryl to keep Thelma on the line long enough for them to trace the call and encourage him to be calm and loving toward her once he's got her on the phone. However, the moment Darryl greets her with a cheerful "Honey!", she knows something's up and hangs up immediately.
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* PhoneTraceRace: PhoneTraceRace:
** The cops need Darryl to keep Thelma on the line long enough for them to trace the call and encourage him to be calm and loving toward her once he's got her on the phone. However, the moment Darryl greets her with a cheerful "Honey!", she knows something's up and hangs up immediately.
** The cops need Darryl to keep Thelma on the line long enough for them to trace the call and encourage him to be calm and loving toward her once he's got her on the phone. However, the moment Darryl greets her with a cheerful "Honey!", she knows something's up and hangs up immediately.
Changed line(s) 73 (click to see context) from:
* PoliceAreUseless: Subverted. The police figure out very quickly who Harlan's murderers were, where they were headed and eventually where they are. Detective Slocumb also gives them multiple opportunities to turn themselves in.
to:
* PoliceAreUseless: Subverted. The police figure out very quickly who Harlan's murderers were, where they were headed and eventually where they are. Detective Agent Slocumb also gives them multiple opportunities to turn themselves in.
Changed line(s) 86 (click to see context) from:
* TomboyAndGirlyGirl: Louise is the Tomboy, Thelma is the Girly Girl (at first, anyway).
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Changed line(s) 88 (click to see context) from:
* TookALevelInBadass: Thelma, after she had sex with Creator/BradPitt.
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Changed line(s) 90 (click to see context) from:
* VillainousCrush: Harlan obviously develops one on Thelma pretty quickly.
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Changed line(s) 17 (click to see context) from:
* AllMenArePerverts: TheMovie, though Hal and Jimmy are exceptions.
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Changed line(s) 36 (click to see context) from:
* DeadpanSnarker: Louise.
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Changed line(s) 38 (click to see context) from:
* TheDitz: Thelma, at least initially. (In reality, Geena Davis is a member of UsefulNotes/{{Mensa}}.)
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* TheDitz: Thelma, at least initially. (In initially (in reality, Geena Davis is a member of UsefulNotes/{{Mensa}}.)UsefulNotes/{{Mensa}}).
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Changed line(s) 9,10 (click to see context) from:
Naïve Arkansas housewife Thelma Dickinson (Davis) and her best friend, independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill when [[RapeAsDrama Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), who Louise subsequently shoots and kills.
to:
Naïve Arkansas housewife Thelma Dickinson (Davis) and her best friend, independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill when [[RapeAsDrama [[AttemptedRape Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), who Louise subsequently shoots and kills.
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J.D.'s gonna go back to jail for breaking his parole, but Darryl gets away.
Changed line(s) 59 (click to see context) from:
* KarmaHoudini: J.D. Most of the men who cross Thelma and Louise get their comeuppance in some way. J.D. steals all their money and informs the police they're heading to Mexico, but gets away with it. It's possible the stolen money was taken off him and given back to Jimmy, but that's still getting off light.
to:
* KarmaHoudini: J.D. Darryl. Most of the men who cross Thelma and Louise get their comeuppance in some way. J.D. steals all their money and informs the police they're heading to Mexico, way, but he gets away off with it. It's possible the stolen money was taken off him and given back to Jimmy, but that's still getting off light.nothing except his wife leaving him.
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"unfortunately"?! girl fuck that fucker
Changed line(s) 30 (click to see context) from:
* ChekhovsGun: Thelma's gun. She packs it for the trip on the off-chance it'll be needed, and it's the subject of a gag when Louise discovers it in the bag ("Good lord, Thelma!") - but Louise then uses it to force Harlan to let Thelma go, and unfortunately shoot him.
to:
* ChekhovsGun: Thelma's gun. She packs it for the trip on the off-chance it'll be needed, and it's the subject of a gag when Louise discovers it in the bag ("Good lord, Thelma!") - but Louise then uses it to force Harlan to let Thelma go, and unfortunately shoot him.
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Changed line(s) 11,12 (click to see context) from:
Rather than face almost certain prosecution, the duo decide to hit the road to Mexico; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As they experience freedom they never had before, the long arm of the law finally corners them at the top of Grand Canyon. In one of the most iconic -- and infamous -- endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
to:
Rather than face almost certain prosecution, the duo decide to hit the road to Mexico; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As they experience freedom they never had before, the long arm of the law finally corners them at the top of Grand Canyon. In one of the most iconic -- and infamous -- endings iconic--and infamous--endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
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Changed line(s) 11,12 (click to see context) from:
Rather than face almost certain prosecution, the duo decide to hit the road to Mexico; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As they experience freedom they never had before, the long arm of the law finally corners them at Grand Canyon. In one of the most iconic -- and infamous -- endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
to:
Rather than face almost certain prosecution, the duo decide to hit the road to Mexico; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As they experience freedom they never had before, the long arm of the law finally corners them at the top of Grand Canyon. In one of the most iconic -- and infamous -- endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
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Changed line(s) 11,12 (click to see context) from:
Rather than face almost certain prosecution, the duo decide to hit the road to Mexico; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As they experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to Grand Canyon. In one of the most iconic -- and infamous -- endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
to:
Rather than face almost certain prosecution, the duo decide to hit the road to Mexico; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As they experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to Grand Canyon. In one of the most iconic -- and infamous -- endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
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Changed line(s) 11,12 (click to see context) from:
They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
to:
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Changed line(s) 1 (click to see context) from:
[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/thelma_and_louise_poster.jpg]]
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[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/thelma_and_louise_poster.org/pmwiki/pub/images/thelma_and_louise_1991_movie_poster.jpg]]
Changed line(s) 9,10 (click to see context) from:
Thelma Dickinson (Davis), a naïve housewife, and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill [[RapeAsDrama when Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), whom Louise subsequently shoots.
to:
Naïve Arkansas housewife Thelma Dickinson (Davis), a naïve housewife, (Davis) and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill when [[RapeAsDrama when Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), whom who Louise subsequently shoots.shoots and kills.
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Changed line(s) 1,3 (click to see context) from:
[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/thelma_and_louise_poster.jpg]]
[[caption-width-right:320: ''"[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t look down.]]"'']]
[[caption-width-right:320: ''"[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t look down.]]"'']]
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Changed line(s) 1,3 (click to see context) from:
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/thelma-and-louise.jpg]]
[[caption-width-right:300: ''[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t look down.]]'']]
[[caption-width-right:300: ''[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t look down.]]'']]
to:
[[caption-width-right:300: ''[[Music/BBKing
[[caption-width-right:320: ''"[[Music/BBKing Better not look down, if you want to keep on flying, put the hammer down, keep it full speed ahead. Better not look back, or you might just wind up crying, you can keep it moving, if you don´t look down.
Changed line(s) 9,10 (click to see context) from:
Thelma Dickinson (Davis), a naïve housewife, and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill [[RapeAsDrama when Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), whom Louise subsequently shoots. They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
to:
Thelma Dickinson (Davis), a naïve housewife, and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill [[RapeAsDrama when Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), whom Louise subsequently shoots.
They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics below the image, you'll get it.
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Changed line(s) 9,10 (click to see context) from:
Thelma Dickinson (Davis), a naïve housewife, and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill [[RapeAsDrama when Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), whom Louise subsequently shoots. They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics at the top of the page, you'll get it.
to:
Thelma Dickinson (Davis), a naïve housewife, and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's CoolCar for a girls' weekend out. Things go downhill [[RapeAsDrama when Thelma is nearly raped]] by a stranger named Harlan (Timothy Carhart), whom Louise subsequently shoots. They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Creator/HarveyKeitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... [[BolivianArmyEnding well...]] If you read the lyrics at below the top of the page, image, you'll get it.
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Added DiffLines:
* PlatonicKissing: Right before the car goes over the cliff, the protagonists kiss and hold hands. It's a moment of platonic friendship declaration rather than a romantic gesture.
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No longer a trope.
Deleted line(s) 99 (click to see context) :
* YourCheatingHeart: Darryl is implied to be cheating on Thelma; Harlan, a noted womanizer, admits that he's married right before he tries to rape Thelma; and the vulgar truck driver can be seen removing his wedding ring just as he's getting out of his truck to what he thinks is a hookup with Thelma and/or Louise.
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Possibly too much of a grey area
Changed line(s) 35,37 (click to see context) from:
* DisproportionateRetribution:
** Arguably what kicks off the plot is that Louise cannot justify killing Harlan as she had already stopped him from raping Thelma and at the time she shot him he didn’t pose an immediate threat, he was just being a total [[AssholeVictim asshole]] and said [[BerserkButton the wrong thing]].
** The truck driver was definitely being a jerk and deserved some kind of comeuppance but blowing up his truck might have been slight overkill.
** Arguably what kicks off the plot is that Louise cannot justify killing Harlan as she had already stopped him from raping Thelma and at the time she shot him he didn’t pose an immediate threat, he was just being a total [[AssholeVictim asshole]] and said [[BerserkButton the wrong thing]].
** The truck driver was definitely being a jerk and deserved some kind of comeuppance but blowing up his truck might have been slight overkill.
to:
* DisproportionateRetribution:
** Arguably what kicks off the plot is that Louise cannot justify killing Harlan as she had already stopped him from raping Thelma and at the time she shot him he didn’t pose an immediate threat, he was just being a total [[AssholeVictim asshole]] and said [[BerserkButton the wrong thing]].
**DisproportionateRetribution: The truck driver was definitely being a jerk and deserved some kind of comeuppance but blowing up his truck might have been slight overkill.
** Arguably what kicks off the plot is that Louise cannot justify killing Harlan as she had already stopped him from raping Thelma and at the time she shot him he didn’t pose an immediate threat, he was just being a total [[AssholeVictim asshole]] and said [[BerserkButton the wrong thing]].
**
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Added DiffLines:
* DisproportionateRetribution:
** Arguably what kicks off the plot is that Louise cannot justify killing Harlan as she had already stopped him from raping Thelma and at the time she shot him he didn’t pose an immediate threat, he was just being a total [[AssholeVictim asshole]] and said [[BerserkButton the wrong thing]].
** The truck driver was definitely being a jerk and deserved some kind of comeuppance but blowing up his truck might have been slight overkill.
** Arguably what kicks off the plot is that Louise cannot justify killing Harlan as she had already stopped him from raping Thelma and at the time she shot him he didn’t pose an immediate threat, he was just being a total [[AssholeVictim asshole]] and said [[BerserkButton the wrong thing]].
** The truck driver was definitely being a jerk and deserved some kind of comeuppance but blowing up his truck might have been slight overkill.
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Added DiffLines:
* NoEscapeButDown: Thelma and Louise are cornered by the feds on the edge of a cliff. [[spoiler:They decide they prefer pulling a Hail Mary and drive off the cliff than being caught. The movie ends with a freeze frame of the falling car.]]
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Added DiffLines:
* SecondFaceSmoke: Louise blows one to Harlan.
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Added DiffLines:
* CentralTheme: Taking control of your life.
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Changed line(s) 52,53 (click to see context) from:
-->'''Young Cop'''(sobbing): I have a wife!\\
'''Thelma''': That's nice. You be sweet to her. My husband wasn't sweet to me and look how I turned out.
'''Thelma''': That's nice. You be sweet to her. My husband wasn't sweet to me and look how I turned out.
to:
-->'''Young Cop'''(sobbing): Cop''' (sobbing): I have a wife!\\
wife and kids, please!\\
'''Thelma''':That's nice. You do? Well, you're lucky. You be sweet to her. 'em. 'Specially your wife. My husband wasn't sweet to me and look me. Look how I turned out.
'''Thelma''':
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Changed line(s) 24 (click to see context) from:
* BetterToDieThanBeKilled: Rather than risk getting shot by the police, they [[spoiler:drive off the cliff edge into the canyon]].
to:
* BetterToDieThanBeKilled: Rather than risk getting shot by the police, police (or the prospect of a lengthy prison term), they [[spoiler:drive off the cliff edge into the canyon]].
Changed line(s) 26 (click to see context) from:
* CerebusCallback: Thelma and Louise take a polaroid photo of themselves at the start of their trip and stick it to the rear view mirror in the car. The photo flies off the mirror just as the car goes plunging into the Grand Canyon.
to:
* CerebusCallback: Thelma and Louise take a polaroid Polaroid photo of themselves at the start of their trip and stick it to the rear view mirror in the car. The photo flies off the mirror just as the car goes plunging into the Grand Canyon.
* ComicallyMissingThePoint: One of the film's most famous exchanges, used in the trailer:
-->'''Thelma''': Louise. Shoot the radio.\\
'''Louise''': ''[shoots the cruiser's stereo]''\\
'''Thelma''': The ''police'' radio, Louise!
-->'''Thelma''': Louise. Shoot the radio.\\
'''Louise''': ''[shoots the cruiser's stereo]''\\
'''Thelma''': The ''police'' radio, Louise!
Changed line(s) 33 (click to see context) from:
* EverythingIsBigInTexas
to:
* EverythingIsBigInTexasEverythingIsBigInTexas: Subverted slightly, in that they're going out of their way to ''avoid'' Texas, but they're in the same general area. Lots of glorious wide-frame shots show off the beauty of vast stretches of empty desert landscape, the sky, and a highway that seems endless.
-->'''Young Cop'''(sobbing): I have a wife!\\
'''Thelma''': That's nice. You be sweet to her. My husband wasn't sweet to me and look how I turned out.
'''Thelma''': That's nice. You be sweet to her. My husband wasn't sweet to me and look how I turned out.
Changed line(s) 50 (click to see context) from:
* LovelyAngels
to:
* LovelyAngelsLovelyAngels: Thelma and Louise start off as two pretty ordinary women, but the situation they're thrown into gradually reveals how strong and competent they are.
Changed line(s) 55 (click to see context) from:
** Louise inadvertantly leads the police to them when she chats to Slocumb on the phone too long, allowing them to trace the call (having earlier warned Thelma that the police will probably trace the call when she phones Darryl).
to:
** Louise inadvertantly inadvertently leads the police to them when she chats to Slocumb on the phone too long, allowing them to trace the call (having earlier warned Thelma that the police will probably trace the call when she phones Darryl).
* PhoneTraceRace: The cops need Darryl to keep Thelma on the line long enough for them to trace the call and encourage him to be calm and loving toward her once he's got her on the phone. However, the moment Darryl greets her with a cheerful "Honey!", she knows something's up and hangs up immediately.
** Later played straight, when Louise phones Slocumb. Slocumb doesn't ''want'' the call to be traced, sensing that with a little negotiation, the women can be convinced to turn themselves in. But another officer traces the call and dispatches the Feds, escalating the situation.
** Later played straight, when Louise phones Slocumb. Slocumb doesn't ''want'' the call to be traced, sensing that with a little negotiation, the women can be convinced to turn themselves in. But another officer traces the call and dispatches the Feds, escalating the situation.
Changed line(s) 62 (click to see context) from:
* RedOniBlueOni: Thelma is Blue, Louise is Red (see TomboyAndGirlyGirl below).
to:
* RedOniBlueOni: When the film begins, nervous, naive housewife Thelma is Blue, while independent and adventurous Louise is Red (see TomboyAndGirlyGirl below).below). Halfway through the film, they switch when Thelma [[TookALevelInBadass takes a level in badass]] and becomes more ruthless and reckless, just as Louise begins to have doubts.
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* BerserkButton: Harlan's little taunt to Louise sets off hers, and that's why she shoots him.
Changed line(s) 26,27 (click to see context) from:
* ChekhovsGun: Thelma's gun.
* ChickFlick: Albeit a rather violent one.
* ChickFlick: Albeit a rather violent one.
to:
* ChekhovsGun: Thelma's gun.
gun. She packs it for the trip on the off-chance it'll be needed, and it's the subject of a gag when Louise discovers it in the bag ("Good lord, Thelma!") - but Louise then uses it to force Harlan to let Thelma go, and unfortunately shoot him.
* ChickFlick:Albeit It's considered one, despite not really following the typical formula (a chick flick is normally considered a rather violent romantic comedy that's more obviously tailored towards women). Still, its female-centered story and themes of empowerment have helped its reputation as one.
* ChickFlick:
Changed line(s) 53 (click to see context) from:
* NiceJobBreakingItHero: Louise inadvertantly leads the police to them when she chats to Slocumb on the phone too long, allowing them to trace the call (having earlier warned Thelma that the police will probably trace the call when she phones Darryl).
to:
* NiceJobBreakingItHero: NiceJobBreakingItHero:
** Louise inadvertantly leads the police to them when she chats to Slocumb on the phone too long, allowing them to trace the call (having earlier warned Thelma that the police will probably trace the call when she phonesDarryl). Darryl).
** Thelma leaves the money she and Louise were going to use to start a new life (or at least get them as far as Mexico) in a room with a known shoplifter. And when JD of course takes the money, she robs a convenience store to pretty much seal her and Louise's fates. She also told JD they were headed to Mexico, which he tells the police when they catch him.
** Louise inadvertantly leads the police to them when she chats to Slocumb on the phone too long, allowing them to trace the call (having earlier warned Thelma that the police will probably trace the call when she phones
** Thelma leaves the money she and Louise were going to use to start a new life (or at least get them as far as Mexico) in a room with a known shoplifter. And when JD of course takes the money, she robs a convenience store to pretty much seal her and Louise's fates. She also told JD they were headed to Mexico, which he tells the police when they catch him.