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Film / Thelma & Louise

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"You've always been crazy. This is just the first chance you've ever had to really express yourself."
Louise Sawyer

A 1991 film directed by Ridley Scott and starring Geena Davis and Susan Sarandon, Thelma & Louise became one of the most iconic films of the decade. Scott, Davis, and Sarandon all received Academy Award nominations, while screenwriter and intended director Callie Khouri grabbed the Oscar for her screenplay.

Thelma Dickinson (Davis), a naïve housewife, and her best friend, the independent waitress Louise Sawyer (Sarandon), pile into Louise's Cool Car for a girls' weekend out. Things go downhill when Thelma is nearly raped by a stranger named Harlan (Timothy Carhart), whom Louise subsequently shoots. They hit the road to Mexico rather than face almost certain prosecution; along the way, they are pursued by a sympathetic FBI agent named Hal Slocumb (Harvey Keitel). As the two experience freedom they never had before, the long arm of the law finally corners them at a canyon similar to the Grand Canyon. In one of the most iconic, and infamous, endings in cinema history, instead of surrendering, the two decide to... well... If you read the lyrics at the top of the page, you'll get it.


This film features examples of:

  • Action Girl: Both of them, although it takes some Character Development (particularly Thelma).
  • All Men Are Perverts: The Movie, though Hal and Jimmy are exceptions.
  • Asshole Victim:
    • Harlan, right to the very end. See his Profane Last Words.
      Harlan: Bitch! I shoulda gone ahead and fucked her!
      Louise: What did you say?
      Harlan: I said suck my cock!
    • The trucker who follows and sexually harasses them on the highway. Their response? Blow up his entire truck. They had given him three chances to apologize, and he insulted them every time. The first, without retaliation. The second, they shot his tires. The third... he had it coming.
  • Attempted Rape: An attempted rape in a nightclub parking lot and what happens to the rapist afterwards starts the entire crazy roadtrip.
  • Berserk Button: Harlan's little taunt to Louise sets off hers, and that's why she shoots him.
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  • Better to Die than Be Killed: Rather than risk getting shot by the police (or the prospect of a lengthy prison term), they drive off the cliff edge into the canyon.
  • Bolivian Army Ending: Though the general consensus on what happened is they both died. There's... pretty much no way of surviving plunging into the Grand Canyon.
  • Central Theme: Taking control of your life.
  • Cerebus Callback: Thelma and Louise take a Polaroid photo of themselves at the start of their trip and stick it to the rear view mirror in the car. The photo flies off the mirror just as the car goes plunging into the Grand Canyon.
  • Chekhov's Gun: Thelma's gun. She packs it for the trip on the off-chance it'll be needed, and it's the subject of a gag when Louise discovers it in the bag ("Good lord, Thelma!") - but Louise then uses it to force Harlan to let Thelma go, and unfortunately shoot him.
  • Chick Flick: It's considered one, despite not really following the typical formula (a chick flick is normally considered a romantic comedy that's more obviously tailored towards women). Still, its female-centered story and themes of empowerment have helped its reputation as one.
  • Comically Missing the Point: One of the film's most famous exchanges, used in the trailer:
    Thelma: Louise. Shoot the radio.
    Louise: [shoots the cruiser's stereo]
    Thelma: The police radio, Louise!
  • Deadpan Snarker: Louise.
  • Disproportionate Retribution: The truck driver was definitely being a jerk and deserved some kind of comeuppance but blowing up his truck might have been slight overkill.
  • The Ditz: Thelma, at least initially. (In reality, Geena Davis is a member of Mensa.)
  • Downer Ending: The film ends with the title characters driving into the Grand Canyon to escape the police.
  • Driven to Suicide: The main couple. Literally.
  • Everything Is Big in Texas: Subverted slightly, in that they're going out of their way to avoid Texas, but they're in the same general area. Lots of glorious wide-frame shots show off the beauty of vast stretches of empty desert landscape, the sky, and a highway that seems endless.
  • Freeze-Frame Ending / Fade to White: The ending. The film ended on the duo driving their car into the Grand Canyon, freezing mid-flight.
  • From Bad to Worse: Thelma and Louise's road trip keeps getting worse.
  • Good Adultery, Bad Adultery:
    • Thelma is technically cheating when she dances with Harlan, but because her husband is shown to be a possessive asshole, she's shown sympathetically. She stops short of kissing, and even tries to fend Harlan off with "I'm married". Louise also says this will count against her if the matter goes to court - as a prosecutor would try to paint a rape victim as a liar trying to cover up her infidelity.
    • Thelma sleeping with JD later is considered AOK by the narrative because she has symbolically ended her relationship with Darryl - even if not legally.
  • Handsome Lech: What Harlan the rapist is implied to be.
  • Hero Antagonist: Slocumb is the antagonist, but he's a detective trying to catch two criminals, and does his best to grant them as much leeway as possible. When Thelma robs the gas station, he chews out JD for robbing their money and therefore forcing them to commit more crimes.
  • The Hero Dies: Both the eponymous characters themselves at the end.
  • Heterosexual Life-Partners: Thelma and Louise.
  • Hostile Hitchhiker: Downplayed: the otherwise friendly hitchhiker ends up stealing all their money.
  • Idiot Ball:
    • Louise has one that kicks off the plot. She has no good reason to kill Harlan when she does. He'd released Thelma, was no longer a threat to them, and both were walking away from him. He just happened to push her Berserk Button with his insults. Doing it that way meant there'd be little chance of claiming self defense (as she later points out), and fleeing the scene just made things worse.
    • Just days after almost being raped by a guy she just met, Thelma insists they give a ride to a guy she just met, then invites him into her motel room. Even after he admits he's an ex-con and armed robber, she still leaves him alone with all their money, which he promptly steals. So to get the money back, Thelma robs a convenience store, bringing more attention on them, and getting them charged with more crimes. To make matters worse, she even told J.D. they were heading to Mexico, which he then tells the police.
  • I Have a Family: What the cop says as they lock him in the trunk of his cruiser.
    Young Cop (sobbing): I have a wife and kids, please!
    Thelma: You do? Well, you're lucky. You be sweet to 'em. 'Specially your wife. My husband wasn't sweet to me. Look how I turned out.
  • Jerkass: Harlan, Darryl, and the truck driver.
  • Karma Houdini: J.D. Most of the men who cross Thelma and Louise get their comeuppance in some way. J.D. steals all their money and informs the police they're heading to Mexico, but gets away with it. It's possible the stolen money was taken off him and given back to Jimmy, but that's still getting off light.
  • Lovely Angels: Thelma and Louise start off as two pretty ordinary women, but the situation they're thrown into gradually reveals how strong and competent they are.
  • Mexican Standoff: How the movie ends... until Thelma has another idea.
  • Mr. Fanservice: Brad Pitt shows a lot of his toned bod in the film, which is kind of the point.
  • Nice Guy: Jimmy. Especially ironic, considering his actor Michael Madsen is known for playing psychopaths.
  • Nice Job Breaking It, Hero!:
    • Louise inadvertently leads the police to them when she chats to Slocumb on the phone too long, allowing them to trace the call (having earlier warned Thelma that the police will probably trace the call when she phones Darryl).
    • Thelma leaves the money she and Louise were going to use to start a new life (or at least get them as far as Mexico) in a room with a known shoplifter. And when JD of course takes the money, she robs a convenience store to pretty much seal her and Louise's fates. She also told JD they were headed to Mexico, which he tells the police when they catch him.
  • No Escape but Down: Thelma and Louise are cornered by the feds on the edge of a cliff. They decide they prefer pulling a Hail Mary and drive off the cliff than being caught. The movie ends with a freeze frame of the falling car.
  • No Kill Like Overkill: There's a lot of guns pointed at the duo at the end.
  • Noodle Incident: Whatever happened to Louise in Texas, it must have been bad. Given Louise's knowledge about the forensics of proving rape, and her statement about not wanting to be caught in Texas after shooting an attempted rapist, the implication is that she was raped there.
  • Phone-Trace Race: The cops need Darryl to keep Thelma on the line long enough for them to trace the call and encourage him to be calm and loving toward her once he's got her on the phone. However, the moment Darryl greets her with a cheerful "Honey!", she knows something's up and hangs up immediately.
    • Later played straight, when Louise phones Slocumb. Slocumb doesn't want the call to be traced, sensing that with a little negotiation, the women can be convinced to turn themselves in. But another officer traces the call and dispatches the Feds, escalating the situation.
  • Police Are Useless: Subverted. The police figure out very quickly who Harlan's murderers were, where they were headed and eventually where they are. Detective Slocumb also gives them multiple opportunities to turn themselves in.
  • Punch-Clock Villain: Hey, the cop who pulls them over is just doing his job.
  • Reasonable Authority Figure: Hal, who is also the Only Sane Man. Unfortunately, neither woman knows Hal has the best of intentions for them.
  • Red Oni, Blue Oni: When the film begins, nervous, naive housewife Thelma is Blue, while independent and adventurous Louise is Red (see Tomboy and Girly Girl below). Halfway through the film, they switch when Thelma takes a level in badass and becomes more ruthless and reckless, just as Louise begins to have doubts.
  • Road Trip Plot: It starts with a planned weekend vacation, and turns into running for the border. Most of the film takes place in the car.
  • Rule of Cool: Numerous continuity errors throughout the film. The route supposedly taken makes little sense, and who can drive or ride in the back of a convertible wearing a cowboy hat? The shot showing Louise's foot switching from brake to accelerator comes after the car is already moving.
  • Run for the Border: The ladies decide to go to Mexico.
  • Second-Face Smoke: Louise blows one to Harlan.
  • Shirtless Scene: The one that made Brad Pitt a legend.
  • Shoot the Fuel Tank: Not just the fuel tank, but the whole damn truck.
  • Slut-Shaming: Louise points out that people would deny Thelma's claim of Attempted Rape due to Thelma flirting, dancing, and drinking with the man.
  • Soundtrack Dissonance: The alternate ending.
  • Surprise Vehicle: A helicopter arises from the Grand Canyon.
  • Tomboy and Girly Girl: Louise is the Tomboy, Thelma is the Girly Girl (at first, anyway).
  • Too Dumb to Live: Both Harlan and the pervert trucker continue to talk dirty and/or throw insults while having guns pointed at themselves.
  • Took a Level in Badass: Thelma, after she had sex with Brad Pitt.
  • Toxic Friend Influence: Darryl, Thelma's husband, sees Louise as being this to Thelma.
  • Villainous Crush: Harlan obviously develops one on Thelma pretty quickly.
  • Vomit Indiscretion Shot: Louise pulls over to vomit minutes after she killed Harlan. According to Susan on the DVD Commentary, it was egg whites, which is also used in sex scenes.
  • Wham Line:
    Thelma: Let's keep going.
    Louise: What do you mean?
    (long pause)
    Thelma: ... go!
  • What the Hell, Hero?: Hal is pretty outraged at the end of the small army of police cars complete with assault weapons and sniper rifles, all for two fleeing women.
    Hal: Hey, don't let them shoot those girls! This is too much! You have guns pointed at them!
    Hal: How many times?! How many times are they going to be fucked over?!
  • Yank the Dog's Chain: Thelma's one-night-stand with J.D. can be thought of as this: he gives her what is apparently her first ever enjoyable sexual experience with a man, only to steal all of her and Louise's cash the next day when she leaves him alone in her motel room. On the other hand, she then uses the technique he showed her on how he carries out his armed robberies to carry out her own robbery of a liquor store to replenish the money he stole.


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