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* HardTruthAesop: The cops insist that "an innocent man has nothing to fear from the law". The film shreds that assumption by showing how the legal, medical, and social stigma from being accused of a crime can ruin an innocent man, his marriage, and his family, while also eating his already low income. And ultimately, while the film does end happily for them, said resolution comes entirely from blind luck, and an "act of God". Ultimately, the legal system can and will crush the innocent.
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His lawyer Frank O'Connor (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually released as the real robber , Rose remains in an apathetic state.

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His lawyer Frank O'Connor (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually released as the real robber , decides to hit another place and is caught in the act, Rose remains in an apathetic state.
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His lawyer Frank O'Connor (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually released, Rose remains in an apathetic state.

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His lawyer Frank O'Connor (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually released, released as the real robber , Rose remains in an apathetic state.
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* DoNotCallMePaul: Christopher Emmanuel Balestrero was universally called Manny by people who knew him. When the police first try to get his attention, they call him "Chris", which confuses him.

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In real life, the Balestreros went on to obscurity. But O'Connor became famous for this case and used it to relaunch his failing political career. He served as a New York State Senator in 1955, Queens County District Attorney (served 1956-1965), New York City Council President (1966-1968), and a justice of the New York Supreme Court (1969-1986). He died in 1992, due to an accidental fall from a flight of stairs.

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In real life, Hitchcock used many of the RealLife locations of the story in the film, and even a couple of the actual witnesses.

The
Balestreros went on to obscurity.kept a low profile for the rest of their lives (Rose died in 1984, Manny in 1998). But O'Connor became famous for this case and used it to relaunch his failing political career. He served as a New York State Senator in 1955, Queens County District Attorney (served 1956-1965), New York City Council President (1966-1968), and a justice of the New York Supreme Court (1969-1986). He died in 1992, due to an accidental fall from a flight of stairs.
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* CriminalDoppelganger: There's an armed robber who closely resembles Manny.

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* CriminalDoppelganger: There's an armed robber who closely resembles Manny.Manny (though it turns out [[https://hitchcockmaster.files.wordpress.com/2016/01/crook-and-victim.jpg?w=430 it really wasn't that strong a resemblance in the real case]]).



* PoliceAreUseless: As one of his perennial themes, undoubtedly this is one of the reasons Hitchcock was drawn to this story. The police detectives, eager to make an arrest, fall victim to confirmation bias and botch the investigation.

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* PoliceAreUseless: As one of his perennial themes, undoubtedly this is one of the reasons Hitchcock was drawn to this story. The police detectives, eager to make an arrest, fall victim to confirmation bias and botch the investigation. If anything, Hitchcock let the NYPD off lightly; in the actual case, detectives searched the Balestrero home, failed to locate any overcoat that looked like the one the witnesses said the robber was wearing, as well as not finding any notebook that could've provided the paper for the stick-up note, but still insisted Manny was guilty.

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** ThisIsReality: He foregoes the traditional cameo as "every word is true" in this story.

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** ThisIsReality: He foregoes the filmed one of his traditional cameo as cameos (as a Stork Club customer), but elected to leave it out of the film, to emphasize how "every word is true" in this story.


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* InTheStyleOf: Hitchcock had become fascinated with ItalianNeorealism and intended this film as his own take on it, though there are also a few arty touches that link it more with FilmNoir.
* JitterCam: A semi-example, with the camera shaking for a little bit when Manny gets locked in the cell, emphasizing his feelings of disorientation over his ordeal.
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* PoliceAreUseless: As one of his perennial themes, undoubtedly this is one of the reasons Hitchcock was drawn to this story. The police detectives, eager to make an arrest, botch the investigation. By telling them that Manny was a possible suspect, they predisposed the store owners into believing he was the guy. They also fall victim to confirmation bias, making way too big a deal over the handwriting sample and the misspelling (the word "drawer" written as "draw", which, as the final word in the note, and a word whose written version seems longer than the way it's usually said, wouldn't have been all that unusual for two different people to mistakenly abbreviate).

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* PoliceAreUseless: As one of his perennial themes, undoubtedly this is one of the reasons Hitchcock was drawn to this story. The police detectives, eager to make an arrest, botch the investigation. By telling them that Manny was a possible suspect, they predisposed the store owners into believing he was the guy. They also fall victim to confirmation bias, making way too big a deal over bias and botch the handwriting sample and the misspelling (the word "drawer" written as "draw", which, as the final word in the note, and a word whose written version seems longer than the way it's usually said, wouldn't have been all that unusual for two different people to mistakenly abbreviate).investigation.
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Added DiffLines:

* PoliceAreUseless: As one of his perennial themes, undoubtedly this is one of the reasons Hitchcock was drawn to this story. The police detectives, eager to make an arrest, botch the investigation. By telling them that Manny was a possible suspect, they predisposed the store owners into believing he was the guy. They also fall victim to confirmation bias, making way too big a deal over the handwriting sample and the misspelling (the word "drawer" written as "draw", which, as the final word in the note, and a word whose written version seems longer than the way it's usually said, wouldn't have been all that unusual for two different people to mistakenly abbreviate).
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A 1956 {{docudrama}} film directed by Creator/AlfredHitchcock and based on an actual legal case from 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (Creator/VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him at trial.

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A 1956 {{docudrama}} film directed by Creator/AlfredHitchcock and based on an actual legal case from 1953, as covered on in the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article for ''Time'' by Herbert Brean.

Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The City (the Stork Club was active from 1929 to 1965). His wife Rose (Creator/VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him at trial.



* ChristianityIsCatholic: Manny Balestrero is an Italian-American, and his mother is a practising Catholic. One of the items Manny keeps with him is his rosary beeds. Hitchcock himself was a practicing Catholic and this is one of his few films which deal with his faith.

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* ChristianityIsCatholic: Manny Balestrero is an Italian-American, and his mother is a practising practicing Catholic. One of the items Manny keeps with him is his rosary beeds.beads. Hitchcock himself was a practicing Catholic and this is one of his few films which deal with his faith.
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** ThisIsReality: He foregoes the traditional cameo as "every word is true" in this story.
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None

Added DiffLines:

* ChristianityIsCatholic: Manny Balestrero is an Italian-American, and his mother is a practising Catholic. One of the items Manny keeps with him is his rosary beeds. Hitchcock himself was a practicing Catholic and this is one of his few films which deal with his faith.

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* BittersweetEnding: [[spoiler: Manny is cleared, but Rose remains clinically depressed and hospitalized.]]
** However, [[spoiler: a title card at the very end states that she recovered two years later.]]

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\n* AdultFear: Being accused of a crime you didn't commit, the resulting legal process -- bail, legal fees, health fees -- being too expensive, your wife having a mental breakdown, further damaging the marriage and family, in addition to adding to the health fees, and ultimately the entire ordeal ends by pure dumb luck and not out of the competence of the legal system.
* BittersweetEnding: [[spoiler: Manny is cleared, but Rose remains clinically depressed and hospitalized.]]
** However, [[spoiler: a
A title card at the very end states that she recovered two years later.]]later, but the final sentence of the same card also said that this suffering really did happen to innocent people who didn't deserve it]].
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Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (Vera Miles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him at trial.

to:

Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (Vera Miles) (Creator/VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him at trial.
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''The Wrong Man'' is a 1956 {{docudrama}} film directed by Creator/AlfredHitchcock and based on an actual legal case from 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

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''The Wrong Man'' is a A 1956 {{docudrama}} film directed by Creator/AlfredHitchcock and based on an actual legal case from 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.
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'''The Wrong Man''' is a 1956 film, directed by Creator/AlfredHitchcock. It is a {{Docudrama}} based on an actual legal case from 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

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'''The ''The Wrong Man''' Man'' is a 1956 film, {{docudrama}} film directed by Creator/AlfredHitchcock. It is a {{Docudrama}} Creator/AlfredHitchcock and based on an actual legal case from 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.
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* GuiltByCoincidence: Manny so resembles a man who had twice held up an insurance office, that police are called when Manny unknowingly goes there on business. He is arrested after several witnesses identify him as the robber, and in providing a handwriting sample he misspells a word, which was also misspelled in a note written by the robber.

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* GuiltByCoincidence: Manny so resembles a man man, who had twice held up an insurance office, that police are called when Manny unknowingly goes there on business. He is arrested after several witnesses identify him as the robber, and in providing a handwriting sample he misspells a word, which was also misspelled in a note written by the robber.

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!!Tropes related to the movie:

* BittersweetEnding: [[spoiler:Manny is cleared, but Rose remains clinically depressed and hospitalized.]]
** However, [[spoiler:a title card at the very end states that she recovered two years later.]]

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!!Tropes
!! Tropes
related to the movie:

* BittersweetEnding: [[spoiler:Manny [[spoiler: Manny is cleared, but Rose remains clinically depressed and hospitalized.]]
** However, [[spoiler:a [[spoiler: a title card at the very end states that she recovered two years later.]]



* GuiltByCoincidence: Manny so resembles a man who had twice held up an insurance office that police are called when Manny unknowingly goes there on business. He is arrested after several witnesses identify him as the robber, and in providing a handwriting sample he misspells a word which was also misspelled in a note written by the robber.

to:

* GuiltByCoincidence: Manny so resembles a man who had twice held up an insurance office office, that police are called when Manny unknowingly goes there on business. He is arrested after several witnesses identify him as the robber, and in providing a handwriting sample he misspells a word word, which was also misspelled in a note written by the robber.
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* ValuesDissonance: Nowadays the case against Manny would probably be thrown out of court due to the police's flagrant violation of his Fifth Amendment rights, including forcing him to transcribe a note which ultimately incriminated him.
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to:

* ValuesDissonance: Nowadays the case against Manny would probably be thrown out of court due to the police's flagrant violation of his Fifth Amendment rights, including forcing him to transcribe a note which ultimately incriminated him.
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'''The Wrong Man''' is a 1956 film, directed by Creator/AlfredHitchcock. It is a {{Docudrama}} based on an actual legal case of 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (Vera Miles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on trial.

His lawyer Frank O'Connor (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually found innocent, Rose remains in an apathetic state.

to:

'''The Wrong Man''' is a 1956 film, directed by Creator/AlfredHitchcock. It is a {{Docudrama}} based on an actual legal case of from 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (Vera Miles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on at trial.

His lawyer Frank O'Connor (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually found innocent, released, Rose remains in an apathetic state.



* ClearMyName: What Manny has to do. Though he uses strictly legal means.

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* ClearMyName: What Manny has to do. Though do, though he uses strictly legal means.



* ValuesDissonance: Nowadays the case against Manny would probably be thrown out of court due to the police's flagrant violation of his Fifth Amendment rights, including forcing him to transcribe a note which ultimately incriminated him.

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* ValuesDissonance: Nowadays the case against Manny would probably be thrown out of court due to the police's flagrant violation of his Fifth Amendment rights, including forcing him to transcribe a note which ultimately incriminated him.

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** However, [[a title card at the very end states that she recovered two years later.]]

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** However, [[a [[spoiler:a title card at the very end states that she recovered two years later.]]



* CreatorCameo: Not really a cameo per se, but Hitchcock appears in silhouette to introduce the film at the beginning.



* RealityIsUnrealistic: As commented by the narrator at the beginning of the film.

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* RealityIsUnrealistic: As commented by Hitchcock himself in the narrator at the beginning of the film.prologue.
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* BittersweetEnding: [[spoiler:Manny is cleared, but Rose remains clinically depressed and hospitalized.]]
** However, [[a title card at the very end states that she recovered two years later.]]
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Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on trial.

to:

Christopher Emmanuel "Manny" Balestrero (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (VeraMiles) (Vera Miles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on trial.
Is there an issue? Send a MessageReason:
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His lawyer Frank O'Connor (AnthonyQuayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually found innocent, Rose remains in an apathetic state.

to:

His lawyer Frank O'Connor (AnthonyQuayle) (Anthony Quayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually found innocent, Rose remains in an apathetic state.
Is there an issue? Send a MessageReason:
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'''The Wrong Man''' is a 1956 film, directed by Creator/AlfredHitchcock. It is based on an actual legal case of 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

to:

'''The Wrong Man''' is a 1956 film, directed by Creator/AlfredHitchcock. It is a {{Docudrama}} based on an actual legal case of 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.
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to:

* ValuesDissonance: Nowadays the case against Manny would probably be thrown out of court due to the police's flagrant violation of his Fifth Amendment rights, including forcing him to transcribe a note which ultimately incriminated him.
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Namespace


Christopher Emmanuel "Manny" Balestrero (HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on trial.

to:

Christopher Emmanuel "Manny" Balestrero (HenryFonda) (Creator/HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on trial.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* GuiltByCoincidence: Manny so resembles a man who had twice held up an insurance office that police are called when Manny unknowingly goes there on business. He is arrested after several witnesses identify him as the robber, and in providing a handwriting sample he misspells a word which was also misspelled in a note written by the robber.
Is there an issue? Send a MessageReason:
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Annex_-_Fonda_Henry_Wrong_Man_The_02_7638.jpg]]

'''The Wrong Man''' is a 1956 film, directed by Creator/AlfredHitchcock. It is based on an actual legal case of 1953, as covered on the ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and on an article by Herbert Brean.

Christopher Emmanuel "Manny" Balestrero (HenryFonda) works as a musician in the Stork Club, a then-famous nightclub of New York City. (The Stork Club was active from 1929 to 1965). His wife Rose (VeraMiles) needs some dental work and Manny attempts to convince her insurance company to cover the medical expenses. Once he steps into their office, Manny finds himself accused of robbery. He is apparently a look-alike of an armed robber who has visited the office twice already. Several witnesses are willing to testify against him on trial.

His lawyer Frank O'Connor (AnthonyQuayle) decides to build the defense by proving that it is based on mistaken identity. Fortunately for the Balestreros, they were away on vacation at the time of the first robbery. Unfortunately for them, people who could testify on that are either dead or hard to locate. Rose slowly descends into depression to the point where she is institutionalized. While Manny is eventually found innocent, Rose remains in an apathetic state.

In real life, the Balestreros went on to obscurity. But O'Connor became famous for this case and used it to relaunch his failing political career. He served as a New York State Senator in 1955, Queens County District Attorney (served 1956-1965), New York City Council President (1966-1968), and a justice of the New York Supreme Court (1969-1986). He died in 1992, due to an accidental fall from a flight of stairs.

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!!Tropes related to the movie:

* ClearMyName: What Manny has to do. Though he uses strictly legal means.
* CriminalDoppelganger: There's an armed robber who closely resembles Manny.
* DespairEventHorizon: Rose slips into depression when it becomes clear that they cannot produce any useful witnesses.
* MistakenIdentity: The entire basis for the case.
* RealityIsUnrealistic: As commented by the narrator at the beginning of the film.
* SanitySlippage: Rose.

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