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* EvilTaintedThePlace: [[spoiler: After finding out that the ghosts haunting their new house are a mother and her two children she murdered, Victor’s mother believes this of the house and insists they move.]]
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* EtherealWhiteDress: The children are often in their white nightclothes. Anne fully embodies the trope in her first communion gown.
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* CirclesOfHell: Grace teaches the children the strict Catholic doctrine of the divisions of hell and reminds them which one they’ll go to if they are liars.
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* PurgatoryAndLimbo: Discussed throughout. Grace explains to the children that lying would send them to Limbo when they died when they both agreed they would deny Christ to save their lives. Anne later calls her on this saying she knows Limbo is only for the unbaptized. In the end [[spoiler: they contemplate their existence as ghosts and wonder if they are in some form of either, but at this point Grace admits she has no answers]].
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* BreakTheHaughty: Grace is very adamant and almost smug in her rock solid belief in Catholic doctrine. She completely breaks when [[spoiler: she realizes she is ''in '' the afterlife and it is not at all what the her faith promised her.]] When Anne asks why, she quietly responds that she simply does not know.

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* BreakTheHaughty: Grace is very adamant and almost smug in her rock solid belief in Catholic doctrine. She completely breaks when [[spoiler: she realizes she is ''in '' the afterlife and it is not at all what the her faith promised her.]] When Anne asks why, she quietly responds that she simply does not know.
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*BreakTheHaughty: Grace is very adamant and almost smug in her rock solid belief in Catholic doctrine. She completely breaks when [[spoiler: she realizes she is ''in '' the afterlife and it is not at all what the her faith promised her.]] When Anne asks why, she quietly responds that she simply does not know.
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* MirrorScare: Played with. When Grace begins ripping the sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which she ''absolutely'' closed when she entered the room. Nothing is behind her in the mirror, but something absolutely was and just left.

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* MirrorScare: Played with. When Grace begins ripping the sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which she ''absolutely'' closed when she entered the room. Nothing is behind her in the mirror, but something absolutely was definitely ''was'' and just left.
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* MirrorScare: Played with. When Grace begins ripping the sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which she ''absolutely'' closed when she entered the room. Nothing is behind her on the mirror, but something absolutely was and just left.

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* MirrorScare: Played with. When Grace begins ripping the sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which she ''absolutely'' closed when she entered the room. Nothing is behind her on in the mirror, but something absolutely was and just left.
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* MirrorScare: Played with. When Grace begins ripping the sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which she ‘’’absolutely’’’ closed when she entered the room. Nothing is behind her on the mirror, but something absolutely was and just left.

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* MirrorScare: Played with. When Grace begins ripping the sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which she ‘’’absolutely’’’ ''absolutely'' closed when she entered the room. Nothing is behind her on the mirror, but something absolutely was and just left.
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* MirrorScare: Completely averted. There is a significant use of mirrors and reflections throughout the film, which may lead some viewers to believe that a MirrorScare is going to be set up, but it isn't.

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* MirrorScare: Completely averted. There is a significant use of mirrors and reflections throughout Played with. When Grace begins ripping the film, sheets off the furniture in the junk room, she comes face to face with herself in a mirror. No ghost is behind her, but she watches the door close which may lead some viewers to believe that a MirrorScare she ‘’’absolutely’’’ closed when she entered the room. Nothing is going to be set up, behind her on the mirror, but it isn't.something absolutely was and just left.

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* MamaBear: Grace.

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* MamaBear: Grace. She is very quick to grab her shotgun when she believes there is danger to her children. Her demeanor suggests she would not hesitate to shoot anyone threatening them.
* MaybeMagicMaybeMundane: Anne’s battle with Victor over the curtains. The entire scene plays out in a way where it is perfectly plausible that Anne is doing everything she blames on Victor to scare Nicholas. When Victor speaks, it is even in a harsh whisper that could easily be Anne’s voice. The camera shot is behind her head when he speaks, and her chin visibly moves though it doesn’t quite line up with Victor’s speech.
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* DefrostingIceQueen: Grace is a very cold and harsh woman with the things she has been through. As her fears for her children and her own guilt eat at her, she becomes gradually more gentle with them and friendly towards Mrs. Mills. [[spoiler: When she finally comes to terms with her own death, her demeanor becomes much softer and loving.]]
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''The Others'' is a 2001 supernatural horror film directed by Alejandro Amenábar, and starring Creator/NicoleKidman, Creator/ChristopherEccleston and Fionnula Flanagan. It became the first English-language film ever to receive the Best Film Award at Spain's Goya Awards.

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''The Others'' is a 2001 supernatural horror film directed by Alejandro Amenábar, and starring Creator/NicoleKidman, Creator/ChristopherEccleston and Fionnula Flanagan.Creator/FionnulaFlanagan. It became the first English-language film ever to receive the Best Film Award at Spain's Goya Awards.
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\n\n\n* WhamShot: A double whammy occurs near the end of the movie, when Grace searches the servants' room and notices an envelope left under the bed. She opens it to reveal [[spoiler:a group ''post mortem'' photo of deceased Mrs. Mills, Mr. Tuttle and Lydia. Cut to Anne staring -- in utter shock -- at a gravestone with Mrs. Mills' name on it]].



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''The Others'' is a 2001 supernatural horror film directed by Alejandro Amenábar, and starring Creator/NicoleKidman, Christopher Eccleston and Fionnula Flanagan. It became the first English-language film ever to receive the Best Film Award at Spain's Goya Awards.

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''The Others'' is a 2001 supernatural horror film directed by Alejandro Amenábar, and starring Creator/NicoleKidman, Christopher Eccleston Creator/ChristopherEccleston and Fionnula Flanagan. It became the first English-language film ever to receive the Best Film Award at Spain's Goya Awards.
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* PaperDestructionOfAnger: [[spoiler: Grace shreds several sheets of paper in a desperate attempt to prove she and the children are alive]]
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* PerspectiveFlip: [[spoiler: Grace charges "the others" table, shaking it and tearing up the papers in an effort to prove that she and the children are alive. We then see it from the living persons POV where these things happen on their own.]]

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* PerspectiveFlip: [[spoiler: Grace charges "the others" table, shaking it and tearing up the papers in an effort to prove that she and the children are alive. We then see it from the living persons POV where these things happen on their own. Afterwards, they discuss the tragedy that took place and we realize that from their point of view, that it's Grace and the children's ghosts that have been terrorizing the living family rather than the other way around as we've been led to believe.]]

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* FriendlyEnemy: While their relationship is mostly offscreen, Anne and Victor appear to be at the very least civil enemies. Even though one of them is a ghost the other isn't scared, and even though they don't seem to like each other much, Anne says that they regularly hold conversations with each other about the going-ons in the house anyway.

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* FriendlyEnemy: While their relationship is mostly offscreen, Anne and Victor appear to be at the very least civil enemies. Even though one of them is a ghost ghost, the other isn't scared, and even though they don't seem to like each other much, Anne says that they regularly hold conversations with each other about the going-ons in the house anyway.


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** [[spoiler: The movie in general. Since when has there been a haunted house movie from the POV of the ghosts doing the haunting? (Though they don't know it as yet).]]

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* PerspectiveFlip: [[spoiler: Grace charges "the others" table, shaking it and tearing up the papers in an effort to prove that she and the children are alive. We then see it from the living persons POV where these things happen on their own.]]



* TheReveal: [[spoiler:Not only are Mrs. Mills, Mr. Tuttle and Lydia all ghosts, but so are Grace and her family, and the "others" are, in fact, living people who have bought the house and, none too pleased about the fact that it's haunted, are using the services of an old blind medium to try and contact the spirits of Grace and her children.]]

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* TheReveal: [[spoiler:Not only are Mrs. Mills, Mr. Tuttle and Lydia all ghosts, but so are Grace and her family, and the "others" are, in fact, living people who have bought the house and, none too pleased about the fact that it's haunted, are using the services of an old blind medium to try and to contact and exorcise the spirits of Grace and her children.]]
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Unlaunched and discarded trope.


* SharingRoomStrife: Creator/NicoleKidman's two children share a room, despite the fact that they are of opposite sexes and they and their mother live alone in an absolutely huge house. This allows for some scary scenes where the older one deliberately scares her six-year-old brother.
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[[/folder]]
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* SharingRoomStrife: Creator/NicoleKidman's two children share a room, despite the fact that they are of opposite sexes and they and their mother live alone in an absolutely huge house. This allows for some scary scenes where the older one deliberately scares her six-year-old brother.
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** Subverted in a scene where Grace is searching the house and a face suddenly appears in the shadows over her shoulder (the audience sees it, but she does not). A moment later, the light from her lamp reveals that the face belongs to a painting on the wall.
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** Coupled with HarsherInHindsight is the twice-said [[spoiler:"Stop breathing like that... Stop breathing!"]]

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** Coupled with HarsherInHindsight is the twice-said [[spoiler:"Stop breathing like that... Stop breathing!"]]

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Infant Immortality has been renamed and split per Trope Repair Shop.


* DeathOfAChild: When Grace is flipping through the "book of the dead", there are photographs of deceased children as well as adults. [[spoiler: Also, as it turns out, both Anne and Nicholas are dead, having been smothered to death.]]



* InfantImmortality: Subverted - when Grace is flipping through the "book of the dead", there are photographs of deceased children as well as adults. [[spoiler: Also, as it turns out, both Anne and Nicholas are dead, having been smothered to death.]]

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* ChekhovsGun: The "book of the dead." It's filled with photographs of the corpses of recently deceased people; a practice that's supposed to help bring them back as spirits.

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* ChekhovsGun: ChekhovsGun:
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The "book of the dead." It's filled with photographs of the corpses of recently deceased people; a practice that's supposed to help bring them back as spirits.



* CreepyGood: As the film goes on, [[spoiler:the servants, Mrs. Mills in particular, gradually get more and more sinister]], leading up to the [[TheReveal revelation]] that [[spoiler: they're ghosts]]. Ultimately, however, they mean no harm and only want to help Grace and her children.

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* CreepyGood: CreepyGood:
**
As the film goes on, [[spoiler:the servants, Mrs. Mills in particular, gradually get more and more sinister]], leading up to the [[TheReveal revelation]] that [[spoiler: they're ghosts]]. Ultimately, however, they mean no harm and only want to help Grace and her children.



* FutureShadowing: Grace's reaction when she first [[spoiler:picks up the rifle]] when attempting to hunt down the "intruders" foreshadows the film's TwistEnding.

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* FutureShadowing: FutureShadowing:
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Grace's reaction when she first [[spoiler:picks up the rifle]] when attempting to hunt down the "intruders" foreshadows the film's TwistEnding.



* MadnessMantra: [[spoiler:"We're not dead! WE'RE NOT DEAD!"]]

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* MadnessMantra: MadnessMantra:
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[[spoiler:"We're not dead! WE'RE NOT DEAD!"]]



* OhCrap: When Anne and Nicholas realise that they aren't alone when they are hiding in the cupboard.

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* OhCrap: OhCrap:
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When Anne and Nicholas realise that they aren't alone when they are hiding in the cupboard.



* SmallSecludedWorld: Used to make the presence of the "others" more eerie. The entire film takes place on a very empty island estate, occupied only by the Stewart family and three new servants. To add to this effect, almost every time we see outside it's misty, creating a bigger sense of isolation.

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* SmallSecludedWorld: SmallSecludedWorld:
**
Used to make the presence of the "others" more eerie. The entire film takes place on a very empty island estate, occupied only by the Stewart family and three new servants. To add to this effect, almost every time we see outside it's misty, creating a bigger sense of isolation.



* SpookyPhotographs: The [[http://en.wikipedia.org/wiki/Post-mortem_photography memento mori]] - pictures taken of very recently deceased corpses.

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* SpookyPhotographs: SpookyPhotographs:
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The [[http://en.wikipedia.org/wiki/Post-mortem_photography memento mori]] - pictures taken of very recently deceased corpses.



* ThousandYardStare: Charles does this a lot, presumably because of the horrors he's seen while fighting in UsefulNotes/WorldWarII.

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* ThousandYardStare: ThousandYardStare:
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Charles does this a lot, presumably because of the horrors he's seen while fighting in UsefulNotes/WorldWarII.



* WhamLine: [[spoiler:"Is that how she ''killed'' you?"]]

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* WhamLine: WhamLine:
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[[spoiler:"Is that how she ''killed'' you?"]]
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The film is set on the British Channel Island of Jersey in the immediate aftermath of WorldWarII, and follows devout Catholic Grace Stewart and her two young children, Anne and Nicholas, who both suffer from a rare disease which means that they cannot risk exposure to sunlight as it will be fatal to them. The arrival of three servants coincides with a number of odd and increasingly disturbing events - disembodied voices, strange noises and the children claiming to have seen several ghostly figures - causing Grace to fight to save her children while struggling to keep her sanity.

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The film is set on the British Channel Island of Jersey in the immediate aftermath of WorldWarII, UsefulNotes/WorldWarII, and follows devout Catholic Grace Stewart and her two young children, Anne and Nicholas, who both suffer from a rare disease which means that they cannot risk exposure to sunlight as it will be fatal to them. The arrival of three servants coincides with a number of odd and increasingly disturbing events - disembodied voices, strange noises and the children claiming to have seen several ghostly figures - causing Grace to fight to save her children while struggling to keep her sanity.



* BrokenBird: Lydia, who has been left mute due to an unspecified [[spoiler: (until the ending)]] trauma, and is generally very [[ShrinkingViolet shy]] and constantly looks miserable. Grace also qualifies, as she's been through WorldWarII, her husband is missing and presumed dead, and has been stuck raising her young children in darkness and isolation.

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* BrokenBird: Lydia, who has been left mute due to an unspecified [[spoiler: (until the ending)]] trauma, and is generally very [[ShrinkingViolet shy]] and constantly looks miserable. Grace also qualifies, as she's been through WorldWarII, UsefulNotes/WorldWarII, her husband is missing and presumed dead, and has been stuck raising her young children in darkness and isolation.



* ThousandYardStare: Charles does this a lot, presumably because of the horrors he's seen while fighting in WorldWarII.

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* ThousandYardStare: Charles does this a lot, presumably because of the horrors he's seen while fighting in WorldWarII.UsefulNotes/WorldWarII.
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* EmpathicEnvironment: Throughout the film, the weather surrounding the house is damp, gloomy, and foggy. At the end, it's bright and sunny. With what we've learned by now, [[spoiler: the gloomy weather represented the land of the dead, while the sunny weather was that of the living (also possibly symbolizes Grace and the children's acceptance of their situation)]]
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* DeadAllAlong: [[spoiler:Grace and both of her children at the end.]]

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* DeadAllAlong: [[spoiler:Grace and both of her children at children, as well as the end.servants.]]
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* CaliforniaDoubling: The film is set in Jersey, but the exterior shots of the mansion were filmed in Spain.

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