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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/81c_qkvqmql_sl1417.jpg]]
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The film's title refers to the cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, ''The Life and Times of Rosie the Riveter'' was selected for preservation in the United States National Film Registry as being “culturally, historically, or aesthetically significant’ by the Library of Congress.
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The film's title refers to the cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg ‘[[https://en.wikipedia.org/wiki/Rosie_the_Riveter#Images Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, ''The Life and Times of Rosie the Riveter'' was selected for preservation in the United States National Film Registry as being “culturally, historically, or aesthetically significant’ by the Library of Congress.
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So Connie Field got the idea to do a black-and-white documentary film about American woman who went to work during UsufulNotes/WorldWarII to do the men’s job form a California “Rosie the Riveter Reunion.” Thus, with grants from the ''National Endowment for the Humanities'' and other charitable sources, Connie Field conducted interviews with hundreds of women who gone into the American home front and came up with movie '''''The Life and Times of Rosie the Riveter''''', released September 27, 1980 at the New York Film Festival.
The documentary takes a look at the spark that ignited the women’s liberation movement nearly thirty years before 'officially' planted its roots. With thousands of men leaving the factories to fight in the war, and with the urgent, escalating need for America to arm itself, self-sufficient women from all over the country were strongly encouraged to join the factory workforce, many of them enduring double-shifts on a fairly regular basis and eventually discovering new freedoms by earning their own incomes and making their own choices, discovering skills as both laborers and as independent women they never knew.
The films’ title refers to cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, '''''The Life and Times of Rosie the Riveter''''' was selected for preservation in the ''United States National Film Registry'' as being “culturally, historically, or aesthetically significant’ by the ''Library of Congress''.
The documentary takes a look at the spark that ignited the women’s liberation movement nearly thirty years before 'officially' planted its roots. With thousands of men leaving the factories to fight in the war, and with the urgent, escalating need for America to arm itself, self-sufficient women from all over the country were strongly encouraged to join the factory workforce, many of them enduring double-shifts on a fairly regular basis and eventually discovering new freedoms by earning their own incomes and making their own choices, discovering skills as both laborers and as independent women they never knew.
The films’ title refers to cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, '''''The Life and Times of Rosie the Riveter''''' was selected for preservation in the ''United States National Film Registry'' as being “culturally, historically, or aesthetically significant’ by the ''Library of Congress''.
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So Connie Field got the idea to do a black-and-white documentary film about American woman women who went to work during UsufulNotes/WorldWarII UsefulNotes/WorldWarII to do the men’s job form from a California “Rosie the Riveter Reunion.” Thus, with grants from the ''National National Endowment for the Humanities'' Humanities and other charitable sources, Connie Field conducted interviews with hundreds of women who had gone into the American home front and came up with the movie '''''The ''The Life and Times of Rosie the Riveter''''', Riveter'', released September 27, 1980 1980, at the New York Film Festival.
The documentary takes a look at the spark that ignited the women’s liberation movement nearlythirty 30 years before it 'officially' planted its roots. With thousands of men leaving the factories to fight in the war, and with the urgent, escalating need for America to arm itself, self-sufficient women from all over the country were strongly encouraged to join the factory workforce, many workforce. Many of them enduring double-shifts endured double shifts on a fairly regular basis and eventually discovering discovered new freedoms by earning their own incomes and making their own choices, discovering skills as skills, both as laborers and as independent women women, that they never knew.
Thefilms’ film's title refers to the cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, '''''The ''The Life and Times of Rosie the Riveter''''' Riveter'' was selected for preservation in the ''United United States National Film Registry'' Registry as being “culturally, historically, or aesthetically significant’ by the ''Library Library of Congress''.
Congress.
The documentary takes a look at the spark that ignited the women’s liberation movement nearly
The
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* FranklinDRoosevelt: Archive footage of him is used.
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* FranklinDRoosevelt: UsefulNotes/FranklinDRoosevelt: Archive footage of him is used.
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* UsefulNotes/WorldWarII: Again, it’s a documentary about the women who worked in factories while the me were at war.
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* UsefulNotes/WorldWarII: Again, it’s a documentary about the women who worked in factories while the me men were at war.
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* [[AsHimself As Herself]]: Wanita Allen, Gladys Belcher, Lyn Childs, Lola Weixel, Margaret Wright . What did you expect from a documentary?
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* [[AsHimself As Herself]]: Wanita Allen, Gladys Belcher, Lyn Childs, Lola Weixel, Margaret Wright .Wright. What did you expect from a documentary?
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So Connie Field got the idea to do a black-and-white documentary film about American woman who went to work during UsufulNotes/WorldWarII to do the men’s job form a California “Rosie the Riveter Reunion.” Thus, with grants from the ''National Endowment for the Humanities'' and other charitable sources, Connie Field conducted interviews with hundreds of women who gone into the American home front and came up with movie '''''The Life and Times of Rosie the Riveter''''', released September 27, 1980 at the New York Film Festival.
The documentary takes a look at the spark that ignited the women’s liberation movement nearly thirty years before 'officially' planted its roots. With thousands of men leaving the factories to fight in the war, and with the urgent, escalating need for America to arm itself, self-sufficient women from all over the country were strongly encouraged to join the factory workforce, many of them enduring double-shifts on a fairly regular basis and eventually discovering new freedoms by earning their own incomes and making their own choices, discovering skills as both laborers and as independent women they never knew.
The films’ title refers to cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, '''''The Life and Times of Rosie the Riveter''''' was selected for preservation in the ''United States National Film Registry'' as being “culturally, historically, or aesthetically significant’ by the ''Library of Congress''.
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!Tropes:
* [[AsHimself As Herself]]: Wanita Allen, Gladys Belcher, Lyn Childs, Lola Weixel, Margaret Wright . What did you expect from a documentary?
* FranklinDRoosevelt: Archive footage of him is used.
* UsefulNotes/WorldWarII: Again, it’s a documentary about the women who worked in factories while the me were at war.
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The documentary takes a look at the spark that ignited the women’s liberation movement nearly thirty years before 'officially' planted its roots. With thousands of men leaving the factories to fight in the war, and with the urgent, escalating need for America to arm itself, self-sufficient women from all over the country were strongly encouraged to join the factory workforce, many of them enduring double-shifts on a fairly regular basis and eventually discovering new freedoms by earning their own incomes and making their own choices, discovering skills as both laborers and as independent women they never knew.
The films’ title refers to cultural ‘[[http://chrisquarshie91.files.wordpress.com/2011/11/rosie_the_riveter1.jpg Rosie the Riveter]]’ icon representing women who wrought the manufacturing plants producing munitions and material during the Second World War. In 1996, '''''The Life and Times of Rosie the Riveter''''' was selected for preservation in the ''United States National Film Registry'' as being “culturally, historically, or aesthetically significant’ by the ''Library of Congress''.
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!Tropes:
* [[AsHimself As Herself]]: Wanita Allen, Gladys Belcher, Lyn Childs, Lola Weixel, Margaret Wright . What did you expect from a documentary?
* FranklinDRoosevelt: Archive footage of him is used.
* UsefulNotes/WorldWarII: Again, it’s a documentary about the women who worked in factories while the me were at war.
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