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On reflection, Fuller only appears in the party sequence, so this is already covered by The Cameo. He's not a main or recurring character.


* AsHimself: One of the guests at the party Ferdinand and his wife attend is American film director Creator/SamuelFuller. As he speaks no French, one of the guests has to interpret questions about the nature of film, which Fuller describes as a battlefield.

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* AsHimself: One of the guests at the party Ferdinand and his wife attend is American film director Creator/SamuelFuller. As he speaks no French, one of the guests has to interpret questions about the nature of film, which Fuller describes as a battlefield.



* RelativelyFlimsyExcuse: Marianne claims that fellow revolutionary Fred is her brother, but when they are re-united in the film's final act, they hug and kiss in a way that makes it clear they are not siblings but romantic partners, and they have been using Ferdinand all along.

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* RelativelyFlimsyExcuse: Marianne claims that fellow revolutionary Fred is her brother, but when they are re-united in the film's final act, they hug and kiss in a way that makes it clear they are not siblings but romantic partners, and they have been using Ferdinand all along.along to get enough money to escape the vengeance of the OAS.



* WaterTorture: Ferdinand is subjected to this by a couple of gangsters.

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* WaterTorture: Ferdinand is subjected to this by a couple of gangsters.gangsters in an attempt to get him to reveal where Marianne is hiding; they put him in a bathtub, cover his head with one of Marianne's dresses so he cannot breathe, and spray him with the showerhead. It takes a few attempts before he caves.
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* LookBehindYou: A gas station attendant is angry at Marianne and Ferdinand for trying to get out of paying. Marianne simply points up, and when the attendant looks up, she pushes him over.

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* LookBehindYou: A gas station attendant is angry at Marianne and Ferdinand for trying to get out of paying. Marianne simply points up, and when the attendant looks up, she pushes him over. She tells Ferdinand she learned the trick from Creator/LaurelAndHardy.
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* RelativelyFlimsyExcuse: Marianne claims that fellow revolutionary Fred is her brother, but when they are re-united in the film's final act, they hug and kiss in a way that makes it clear they are not siblings but romantic partners, and they have been using Ferdinand all along.


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** Late in the film, Ferdinand likens his relationship with Marianne to a film starring Michel Simon in which he fell in love with a girl he knew was bad for him. The film in question is ''Film/LaChienne'', in which Simon plays a timid cashier who falls in love with a prostitute who, along with her pimp/boyfriend, is just using him for financial gain - which, we later learn, is also true of Ferdinand and Marianne (with Fred playing the role of the pimp/boyfriend).
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Ferdinand (Creator/JeanPaulBelmondo) is an upper-middle class Parisian stuck in an unhappy marriage to a rich woman. One night he and his wife go out to a party. When they come back Ferdinand discovers that the babysitter, Marianne (Creator/AnnaKarina) is an old girlfriend of his.

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Ferdinand (Creator/JeanPaulBelmondo) is an upper-middle class Parisian stuck in an unhappy marriage to a rich woman. One night he and his wife go out to a party. When they come back Ferdinand discovers that the babysitter, Marianne (Creator/AnnaKarina) (Creator/AnnaKarina), is an old girlfriend of his.



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** Also Pierrot, of course. In traditional French theater Pierrot is a sad clown who loves Columbine, but always loses her to Harlequin. Marianne's insisting on calling Ferdinand by that name is major {{Foreshadowing}} of how she betrays him in the end.

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** Also Pierrot, of course. In traditional French theater the CommediaDellArte Pierrot is a sad clown who loves Columbine, Columbine/Columbina, but always loses her to Harlequin.Harlequin/Arlecchino. Marianne's insisting on calling Ferdinand by that name is major {{Foreshadowing}} of how she betrays him in the end.
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''Pierrot le Fou'' ("Pierrot the Mad") is a 1965 film by Creator/JeanLucGodard.

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''Pierrot le Fou'' ("Pierrot (meaning "Pierrot the Mad") is a 1965 film by Creator/JeanLucGodard.
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''Pierrot le Fou'' is a 1965 film by Creator/JeanLucGodard.

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''Pierrot le Fou'' ("Pierrot the Mad") is a 1965 film by Creator/JeanLucGodard.
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* UntranslatedTitle: This film is generally known as ''Pierrot le Fou'' in the English-speaking world.

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* UntranslatedTitle: This film is generally known as ''Pierrot le Fou'' (literally: "Pierrot the Madman"; "Pierrot" is a diminutive form of "Pierre", the French equivalent of given name "Peter") in the English-speaking world.

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It features a runaway couple made by Creator/AnnaKarina, a young and passionate girl, and Creator/JeanPaulBelmondo, an older established man. They make a mad trip which at one stage because murderous.

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It features Ferdinand (Creator/JeanPaulBelmondo) is an upper-middle class Parisian stuck in an unhappy marriage to a runaway couple made by Creator/AnnaKarina, a young rich woman. One night he and passionate girl, his wife go out to a party. When they come back Ferdinand discovers that the babysitter, Marianne (Creator/AnnaKarina) is an old girlfriend of his.

Quite impulsively, they run away together. Ferdinand is only mildly surprised to find out that Marianne is part of a group of gun smugglers. In fact, she double-crossed the [[https://en.wikipedia.org/wiki/Organisation_arm%C3%A9e_secr%C3%A8te OAS]], a right-wing terrorist group,
and Creator/JeanPaulBelmondo, an older established man. They make absconds with a mad trip which at one stage because murderous.
bunch of their money. Ferdinand happily joins her in a life of crime.



* TheArtifact: The source novel describes a relationship between an older man infatuated with his teenaged babysitter. That idea had to be abandoned when Belmondo and Karina, only seven years apart in age, were cast as the leads--but when they run away together, Marianne is still wearing a student's uniform, and working as Ferdinand's babysitter.



* BriefcaseFullOfMoney: Stolen by Ferdinand from the gangsters, at Marianne's behest, near the end of the film.



** Also Pierrot, of course.

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** Also Pierrot, of course. In traditional French theater Pierrot is a sad clown who loves Columbine, but always loses her to Harlequin. Marianne's insisting on calling Ferdinand by that name is major {{Foreshadowing}} of how she betrays him in the end.


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* ThisMeansWarpaint: After killing Marianne, and right before killing himself with dynamite, Ferdinand paints his face blue. Why? Who knows?

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* {{Narrator}}: Both Marianne and Ferdinand narrate their story, usually finishing each other's sentences.



* ShoutOut: Ferdinand justifies letting the kids go to the movies by saying, well, they were showing ''Film/JohnnyGuitar''.

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* ShoutOut: ShoutOut:
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Ferdinand justifies letting the kids go to the movies by saying, well, they were showing ''Film/JohnnyGuitar''.''Film/JohnnyGuitar''.
** Ferdinand looks around the harbor at Toulon and says it reminds him of ''Film/PepeLeMoko''. That's a movie about a jewel thief who tries to escape from Algiers by boat.
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* LittlePeopleAreSurreal: The gangster that captures Marianne and demands his money is a little person, because presumably Jean Luc Godard wanted to make his film that much weirder.
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* AsLongAsItSoundsForeign: The awful Vietnam War "play" that Ferdinand and Marianne put on for American tourists. His English dialogue basically consists of repetitions of "Oh yes...Hollywood...Communist", while she puts on {{Yellowface}} and babbles ''ching-chong'' nonsense.
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* WaterTorture: Ferdinand is subjected to this by a couple of gangsters.

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* WaterTorture: Ferdinand is subjected to this by a couple of gangsters.gangsters.
* WhoShotJFK: A joke. Ferdinand pulls a rifle out of Marianne's car and says it's the same make as [[https://en.wikipedia.org/wiki/Carcano the rifle used to kill Kennedy]]. Marianne cheerfully replies "Didn't you know that was me?"
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* UnusuallyUninterestingSight: Ferdinand is strangely calm when hanging out at Marianne's apartment, which contains 1) a dead guy, stabbed through the neck with a pair of scissors, and 2) a large cache of guns and ammo.

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* InsistentTerminology: A running gag in this film. Marianne always calls Ferdinand Griffon "Pierrot" and he always responds: "my name is Ferdinand"

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* InsistentTerminology: A running gag in this film. Marianne always calls Ferdinand Griffon "Pierrot" and he always responds: "my name is Ferdinand"Ferdinand".
* LookBehindYou: A gas station attendant is angry at Marianne and Ferdinand for trying to get out of paying. Marianne simply points up, and when the attendant looks up, she pushes him over.

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* TheCameo: At the weird party for his wife's parents, Ferdinand meets none other than Creator/SamuelFuller, who is in Paris to make a movie. He says that cinema is about "emotion".

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* TheCameo: TheCameo:
**
At the weird party for his wife's parents, Ferdinand meets none other than Creator/SamuelFuller, who is in Paris to make a movie. He says that cinema is about "emotion"."emotion".
** Creator/JeanPierreLeaud appears briefly as "Young Man in Movie Theater".
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* FanserviceExtra: The women at the boring party Ferdinand attends suddenly start appearing topless, because...breasts are nice to look at?
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* TheCameo: At the weird party for his wife's parents, Ferdinand meets none other than Creator/SamuelFuller, who is in Paris to make a movie. He says that cinema is about "emotion".

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* OutlawCouple: Marianne Renoir and Ferdinand Griffon aka "Pierrot" finally turn into the one

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* OutlawCouple: Marianne Renoir and Ferdinand Griffon aka "Pierrot" finally turn into the oneone.
* ShoutOut: Ferdinand justifies letting the kids go to the movies by saying, well, they were showing ''Film/JohnnyGuitar''.

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* FakingTheDead: Ferdinand and Marianne come across a wrecked car on the road, and Marianne decides the two of them should do this, including setting fire to their own car.



* OutlawCouple: Marianne Renoir and Ferdinand Griffon aka "Pierrot" finally turn into the one.

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* OutlawCouple: Marianne Renoir and Ferdinand Griffon aka "Pierrot" finally turn into the one.one
* ThisIsReality: When carrying out a getaway plan, Marianne tells Ferdinand, "This is not a film."
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/pierrot_le_fou.jpg]]
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* UntranslatedTitle: This film is generally known as ''Pierrot le Fou'' in the English-speaking world.

to:

* UntranslatedTitle: This film is generally known as ''Pierrot le Fou'' in the English-speaking world.world.
* WaterTorture: Ferdinand is subjected to this by a couple of gangsters.
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* BreakingTheFourthWall: At some point, Ferdinand says "you see? All she cares about is having fun" to which Marianne asks who is he talking to. He answers "to the viewer".
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Pierrot le Fou is a 1965 film by Creator/JeanLucGodard.

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Pierrot ''Pierrot le Fou Fou'' is a 1965 film by Creator/JeanLucGodard.



* UntranslatedTitle: This film is generally known as Pierrot le Fou in the English-speaking world.

to:

* UntranslatedTitle: This film is generally known as Pierrot ''Pierrot le Fou Fou'' in the English-speaking world.
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None


* UntranslatedTitle: This film is generally knows as Pierrot le Fou in the English-speaking world.

to:

* UntranslatedTitle: This film is generally knows known as Pierrot le Fou in the English-speaking world.
Is there an issue? Send a MessageReason:
None


Pierrot le Fou is a 1966 film by Creator/JeanLucGodard.

to:

Pierrot le Fou is a 1966 1965 film by Creator/JeanLucGodard.
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Pierrot le Fou is a 1966 film by Creator/JeanLucGodard.

It features a runaway couple made by Creator/AnnaKarina, a young and passionate girl, and Creator/JeanPaulBelmondo, an older established man. They make a mad trip which at one stage because murderous.

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!! Tropes

* InsistentTerminology: A running gag in this film. Marianne always calls Ferdinand Griffon "Pierrot" and he always responds: "my name is Ferdinand"
* MeaningfulName:
** Marianne Renoir - Marianne for the symbol of France and Renoir for also two symbols of France: Creator/AugusteRenoir the famed painter and Creator/JeanRenoir, his son, one of the greatest French filmmakers.
** Also Pierrot, of course.
* OutlawCouple: Marianne Renoir and Ferdinand Griffon aka "Pierrot" finally turn into the one.
* UntranslatedTitle: This film is generally knows as Pierrot le Fou in the English-speaking world.

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