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!! ''Electric Boogaloo: The Wild, Untold Story of Cannon Films'' provides examples of the following tropes:
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* CloudCuckooLander: Nearly everyone interviewed have described Menahem Golan as being this. The number of naive things he said or did is enough to constitute its own page!
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* CloudCuckooLander: {{Cloudcuckoolander}}: Nearly everyone interviewed have described Menahem Golan as being this. The number of naive things he said or did is enough to constitute its own page!
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** ''Film/{{Breakin}}'' had to deal with the similarly-themed ''Film/BeatStreet''. Fortunately for Golan-Globus, ''Breakin'' was one of Cannon's biggest hits. ''Beat Street'' took in $16,595,791 domestically compared to ''Breakin'''s $38,682,707)
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** ''Film/{{Breakin}}'' ''Film/{{Breakin|1984}}'' had to deal with the similarly-themed ''Film/BeatStreet''. Fortunately for Golan-Globus, ''Breakin'' was one of Cannon's biggest hits. ''Beat Street'' took in $16,595,791 domestically compared to ''Breakin'''s $38,682,707)
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** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''. Which [[TruthinTelevision isn't exactly wrong.]]
** Menahem successfully capitalized off of the breakdancing craze with ''Film/{{Breakin}}''.
** Menahem successfully capitalized off of the breakdancing craze with ''Film/{{Breakin}}''.
to:
** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''. Which [[TruthinTelevision [[TruthInTelevision isn't exactly wrong.]]
** Menahem successfully capitalized off of the breakdancing craze with''Film/{{Breakin}}''.''Film/{{Breakin|1984}}''.
** Menahem successfully capitalized off of the breakdancing craze with
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** ''Film/Breakin'' had to deal with the similarly-themed ''Film/BeatStreet''. Fortunately for Golan-Globus, ''Breakin''' was one of Cannon's biggest hits.
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** ''Film/Breakin'' ''Film/{{Breakin}}'' had to deal with the similarly-themed ''Film/BeatStreet''. Fortunately for Golan-Globus, ''Breakin''' ''Breakin'' was one of Cannon's biggest hits.hits. ''Beat Street'' took in $16,595,791 domestically compared to ''Breakin'''s $38,682,707)
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** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''. Which "TruthinTelevision isn't exactly wrong."
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** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''. Which "TruthinTelevision [[TruthinTelevision isn't exactly wrong."]]
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** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''.
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** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''. Which "TruthinTelevision isn't exactly wrong."
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* HotBlooded: Cannon executive Christopher Pearce recounted witnessing a heated argument between Golan and Globus. It was about what deli they were going to take Pearce to!
* {{Irony}}: Martine Beswick felt that the subject of corrupt Hollywood producers in ''The Happy Hooker Goes Hollywood'' could easily apply towards Golan and Globus.
* {{Irony}}: Martine Beswick felt that the subject of corrupt Hollywood producers in ''The Happy Hooker Goes Hollywood'' could easily apply towards Golan and Globus.
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* SexSells: Even before Golan-Globus bought the company, Cannon had a reputation for selling erotica to the masses.
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* SexSells: NotWhatISignedOnFor: Martine Beswick's reaction to the pool orgy in ''The Happy Hooker Goes Hollywood''.
* SexSells:
** Even before Golan-Globus bought the company, Cannon had a reputation for selling erotica to themasses.masses.
** Director Just Jaecken basically described the original script of ''Lady Chatterley's Lover'' with Sylvia Kristel as "You open the door, you fuck; you open the door, you fuck."
** Cannon kept pushing for more sex on Kristel's other film, ''Mata Hari''. One idea was to have Kristel get laid on the trenches.
* SexSells:
** Even before Golan-Globus bought the company, Cannon had a reputation for selling erotica to the
** Director Just Jaecken basically described the original script of ''Lady Chatterley's Lover'' with Sylvia Kristel as "You open the door, you fuck; you open the door, you fuck."
** Cannon kept pushing for more sex on Kristel's other film, ''Mata Hari''. One idea was to have Kristel get laid on the trenches.
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* SexSells: Even before Golan-Globus bought the company, Cannon had a reputation for selling erotica to the masses.
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* HarmfulToMinors: While filming ''Tevye and His Seven Daughters'', Menahem decides to place his own child in a speeding wagon, despite his wife's protests. During shooting, the child was so close to falling off of the moving wagon and his wife lunges after the wagon, only to be stopped by Menahem, who responded "Never in the middle of the shot!"
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* HarmfulToMinors: While filming ''Tevye and His Seven Daughters'', Menahem decides decided to place his own infant child in a speeding wagon, despite his wife's protests. During shooting, the child baby was so close to falling off of the moving wagon and his wife lunges after the wagon, it, only to be stopped by Menahem, who responded "Never in the middle of the shot!"
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* HarmfulToMinors: While filming ''Tevye and His Seven Daughters'', Menahem decides to place his own child in a speeding wagon, despite his wife's protests. During shooting, the child was so close to falling off of the moving wagon and his wife lunges after the wagon, only to be stopped by Menahem, who responded "Never in the middle of the shot!"
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* TriggerHappy: During the production of ''Operation Thunderbolt'', the pilot of a cargo plane became exhausted after doing take after take of the plane taking off and landing. When he told Menahem that he couldn't do more, Menahem ''pointed an Uzi at the pilot's head and told him to go back into the cockpit''.
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!! ''Electric Boogaloo: The Wild, Untold Story of Cannon Films''' provides examples of the following tropes:
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!! ''Electric Boogaloo: The Wild, Untold Story of Cannon Films''' Films'' provides examples of the following tropes:
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* [[invoked]]DuelingWorks
** ''Film/Breakin'' had to deal with the similarly-themed ''Film/BeatStreet''. Fortunately for Golan-Globus, ''Breakin''' was one of Cannon's biggest hits.
** ''Lambada'' and ''The Forbidden Dance (is Lambada)!'', produced individually by Globus and Golan shortly after they split up. Both movies opened on the same day and both movies flopped.
** ''Film/Breakin'' had to deal with the similarly-themed ''Film/BeatStreet''. Fortunately for Golan-Globus, ''Breakin''' was one of Cannon's biggest hits.
** ''Lambada'' and ''The Forbidden Dance (is Lambada)!'', produced individually by Globus and Golan shortly after they split up. Both movies opened on the same day and both movies flopped.
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** ''[[Film/KingSolomonsMines1985 King Solomon's Mines]]'' and its sequel ''Film/AllanQuartermainAndTheLostCityOfGold'' were Cannon's attempts at making their own ''Indiana Jones'' films.
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** ''[[Film/KingSolomonsMines1985 ''[[Literature/KingSolomonsMines King Solomon's Mines]]'' (1985) and its sequel ''Film/AllanQuartermainAndTheLostCityOfGold'' ''Allan Quartermain and the Lost City of Gold'' were Cannon's attempts at making their own ''Indiana Jones'' ''Franchise/IndianaJones'' films.
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** ''King Solomon's Mines'' and its sequel ''Allan Quartermain and the Lost City of Gold'' were Cannon's attempts at making their own ''Indiana Jones'' films.
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** ''King ''[[Film/KingSolomonsMines1985 King Solomon's Mines'' Mines]]'' and its sequel ''Allan Quartermain and the Lost City of Gold'' ''Film/AllanQuartermainAndTheLostCityOfGold'' were Cannon's attempts at making their own ''Indiana Jones'' films.
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* {{Cloudcuckoolander}}: Nearly everyone interviewed have described Menahem Golan as being this. The number of naive things he said or did is enough to constitute its own page!
* FollowTheLeader:
* FollowTheLeader:
to:
* {{Cloudcuckoolander}}: CloudCuckooLander: Nearly everyone interviewed have described Menahem Golan as being this. The number of naive things he said or did is enough to constitute its own page!
*FollowTheLeader:[[invoked]]FollowTheLeader:
*
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MistakenForGay: An unintentional one; Menahem shut down production of ''Over the Brooklyn Bridge'' for an entire day after Creator/ElliottGould called him a "cocksucker," which according to Gould, "he took literally."
* NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
* NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
to:
* MistakenForGay: An unintentional one; Menahem shut down production of ''Over the Brooklyn Bridge'' for an entire day after Creator/ElliottGould called him a "cocksucker," which according to Gould, "he took literally."
*NoSuchThingAsBadPublicity: [[invoked]]NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
*
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* ExecutiveMeddling: [[InUniverse In her interview,]] Creator/BoDerek and her husband John felt very mistreated by Golan and Globus during the making of ''Film/{{Bolero}}''. Golan told the Dereks to make the movie more explicit than they intended. And then when the movie opened to controversy over the explicit sex, Golan blamed the Dereks for making it too sexy!
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** Yoram's ''Film/{{Lambada}}'' and Menahem's ''Film/TheForbiddenDance'' were taking advantage of what they thought was going to be a growing dance craze with Lambada. The box-office failure of both movies proved otherwise.
to:
** Yoram's ''Film/{{Lambada}}'' ''Lambada'' and Menahem's ''Film/TheForbiddenDance'' ''The Forbidden Dance'' were taking advantage of what they thought was going to be a growing dance craze with Lambada. The box-office failure of both movies proved otherwise.
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MistakenForGay: An unintentional one; Menahem shut down production of ''Over the Brooklyn Bridge'' for an entire day after Creator/ElliotGould called him a "cocksucker," which according to Gould, "he took literally."
NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
to:
MistakenForGay: An unintentional one; Menahem shut down production of ''Over the Brooklyn Bridge'' for an entire day after Creator/ElliotGould Creator/ElliottGould called him a "cocksucker," which according to Gould, "he took literally."
* NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
* NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
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A 2014 documentary by Mark Hartley about the rise and fall of Creator/TheCannonGroup. In particular, it focuses on Menahem Golan and Yoram Globus, the Israeli filmmakers who owned Cannon from 1979-1989 in an ultimately failed bid to become Hollywood moguls. During their reign, Cannon would produce some of the most cheesiest, exploitative, yet beloved films ever made, primarily action-focused, making a star out of Creator/ChuckNorris and breathing new life into Creator/CharlesBronson's career.
to:
A 2014 documentary by Mark Hartley about the rise and fall of Creator/TheCannonGroup. In particular, it focuses on Menahem Golan and Yoram Globus, the Israeli filmmakers who owned Cannon from 1979-1989 in an ultimately failed bid to become Hollywood moguls. During their reign, Cannon would produce some of the most cheesiest, exploitative, yet beloved films ever made, primarily action-focused, making a star out of Creator/ChuckNorris and breathing new life into Creator/CharlesBronson's career.career.
This page is a work-in-progress.
----
!! ''Electric Boogaloo: The Wild, Untold Story of Cannon Films''' provides examples of the following tropes:
* ArsonMurderAndJaywalking: Bo Derek recounts that Golan threatened to take away her ranch when ''Film/{{Bolero}}'' opened poorly. He threw her and her director husband under the bus for making ''Bolero'' "too sexy" (even though Menahem ''demanded'' the film be more sexy), and finally Cannon stole photos of Derek from her suitcase and put them in ads.
* {{Cloudcuckoolander}}: Nearly everyone interviewed have described Menahem Golan as being this. The number of naive things he said or did is enough to constitute its own page!
* ExecutiveMeddling: [[InUniverse In her interview,]] Creator/BoDerek and her husband John felt very mistreated by Golan and Globus during the making of ''Film/{{Bolero}}''. Golan told the Dereks to make the movie more explicit than they intended. And then when the movie opened to controversy over the explicit sex, Golan blamed the Dereks for making it too sexy!
* FollowTheLeader:
** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''.
** Menahem successfully capitalized off of the breakdancing craze with ''Film/{{Breakin}}''.
** Yoram's ''Film/{{Lambada}}'' and Menahem's ''Film/TheForbiddenDance'' were taking advantage of what they thought was going to be a growing dance craze with Lambada. The box-office failure of both movies proved otherwise.
** ''King Solomon's Mines'' and its sequel ''Allan Quartermain and the Lost City of Gold'' were Cannon's attempts at making their own ''Indiana Jones'' films.
MistakenForGay: An unintentional one; Menahem shut down production of ''Over the Brooklyn Bridge'' for an entire day after Creator/ElliotGould called him a "cocksucker," which according to Gould, "he took literally."
NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
----
This page is a work-in-progress.
----
!! ''Electric Boogaloo: The Wild, Untold Story of Cannon Films''' provides examples of the following tropes:
* ArsonMurderAndJaywalking: Bo Derek recounts that Golan threatened to take away her ranch when ''Film/{{Bolero}}'' opened poorly. He threw her and her director husband under the bus for making ''Bolero'' "too sexy" (even though Menahem ''demanded'' the film be more sexy), and finally Cannon stole photos of Derek from her suitcase and put them in ads.
* {{Cloudcuckoolander}}: Nearly everyone interviewed have described Menahem Golan as being this. The number of naive things he said or did is enough to constitute its own page!
* ExecutiveMeddling: [[InUniverse In her interview,]] Creator/BoDerek and her husband John felt very mistreated by Golan and Globus during the making of ''Film/{{Bolero}}''. Golan told the Dereks to make the movie more explicit than they intended. And then when the movie opened to controversy over the explicit sex, Golan blamed the Dereks for making it too sexy!
* FollowTheLeader:
** Menahem saw himself as the next Creator/KenRussell and saw ''Film/TheApple'' as his ''Film/{{Tommy}}''.
** Menahem successfully capitalized off of the breakdancing craze with ''Film/{{Breakin}}''.
** Yoram's ''Film/{{Lambada}}'' and Menahem's ''Film/TheForbiddenDance'' were taking advantage of what they thought was going to be a growing dance craze with Lambada. The box-office failure of both movies proved otherwise.
** ''King Solomon's Mines'' and its sequel ''Allan Quartermain and the Lost City of Gold'' were Cannon's attempts at making their own ''Indiana Jones'' films.
MistakenForGay: An unintentional one; Menahem shut down production of ''Over the Brooklyn Bridge'' for an entire day after Creator/ElliotGould called him a "cocksucker," which according to Gould, "he took literally."
NoSuchThingAsBadPublicity: Michael Winner was, to quote Creator/AlexWinter, "the perfect Cannon director." He gave the studio the most provocative, controversial material imaginable. The rape scene ''Film/DeathWishII'' caused quite a ruckus in the UK, so much so that a [[MoralGuardian moral guardian]] hoped that ''Winner would get raped.''
----
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Added DiffLines:
A 2014 documentary by Mark Hartley about the rise and fall of Creator/TheCannonGroup. In particular, it focuses on Menahem Golan and Yoram Globus, the Israeli filmmakers who owned Cannon from 1979-1989 in an ultimately failed bid to become Hollywood moguls. During their reign, Cannon would produce some of the most cheesiest, exploitative, yet beloved films ever made, primarily action-focused, making a star out of Creator/ChuckNorris and breathing new life into Creator/CharlesBronson's career.
