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%%* MrImagination: Guido.
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* LeaningOnTheFourthWall: The director, talking about Guido's film, basically describing Fellini's film.
--> "You see, what stands out at a first reading is the lack of a central issue or a philosophical stance. That makes the film a chain of gratuitous episodes which may even be amusing in their ambivalent realism. You wonder, what is the director really trying to do? Make us think? Scare us? That ploy betrays a basic lack of poetic inspiration."
--> "You see, what stands out at a first reading is the lack of a central issue or a philosophical stance. That makes the film a chain of gratuitous episodes which may even be amusing in their ambivalent realism. You wonder, what is the director really trying to do? Make us think? Scare us? That ploy betrays a basic lack of poetic inspiration."
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* RideOfTheValkyries: Played for a moment of SoundtrackDissonance, as this rousing theme starts as Guido is stretching in his bathroom, and continues as people mill about his film set aimlessly.
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* NaughtyNurseOutfit: Claudia in one of his daydreams. Like you needed Claudia Cardinale to be even hotter…
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* NaughtyNurseOutfit: Claudia in one of his daydreams. Well, not exactly naughty - it's a regular nurse outfit and she's meant to symbolize ideal purity, but there's definitely a sexual overtone there. Like you needed Claudia Cardinale to be even hotter…
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* EarWorm: InUniverse. Once Guido hears the famous overture to Music/GioachinoRossini's ''Theatre/TheBarberOfSeville'' played by the orchestra, he just can't get it out of his head.
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* EarWorm: InUniverse. Once Guido hears the famous overture to Music/GioachinoRossini's ''Theatre/TheBarberOfSeville'' played by the orchestra, he just can't get it out of his head. It only lasts about a day though.
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* EarWorm: InUniverse. Once Guido hears the famous prelude to Music/GioachinoRossini's Theatre/TheBarberOfSeville played by the orchestra, he just can't get it out of his head.
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* EarWorm: InUniverse. Once Guido hears the famous prelude overture to Music/GioachinoRossini's Theatre/TheBarberOfSeville ''Theatre/TheBarberOfSeville'' played by the orchestra, he just can't get it out of his head.
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* EarWorm: InUniverse. Once Guido hears the famous prelude to Music/Gioachino Rossini's Theatre/TheBarberOfSeville played by the orchestra, he just can't get it out of his head.
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* EarWorm: InUniverse. Once Guido hears the famous prelude to Music/Gioachino Rossini's Music/GioachinoRossini's Theatre/TheBarberOfSeville played by the orchestra, he just can't get it out of his head.
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* EarWorm: InUniverse. Once Guido hears the famous prelude to Music/Gioachino Rossini's Theatre/TheBarberOfSeville played by the orchestra, he just can't get it out of his head.
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* ComingOfAgeStory: Guido must be… what, 40? But it still counts, since he looks back on his life and decides he has to change.
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* ComingOfAgeStory: Guido must be… what, 40? But is 43, but it still counts, since he looks back on his life and decides he has to change.
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* SoundtrackDissonance: Playing ''Music/RideOfTheValkyries'' to the sight of the resort for the elderly and frail? Check. The music is eventually revealed to be diegetic, but this rather makes the whole thing even more absurd.
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* TitleByNumber: This was indeed Fellini's eight movie in his catalogue. The half refers to a short film he made in between.
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* TitleByNumber: This was indeed Fellini's eight tenth movie in his catalogue. The half refers to a short film catalogue, but three of them (two shorts and one co-authored) he made in between.only counted as halves, so here you are.
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Compare/contrast with ''Film/AllThatJazz''
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Compare/contrast with ''Film/AllThatJazz''
''Film/AllThatJazz'' and ''Film/WildStrawberries''.
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One of Fellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). The title comes from the fact that before making the film, Fellini realized that he had made six features and three shorts (each short being "half") which added up to 7 and a Half films. So obviously the next movie will be film number '''8½'''
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One of Fellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors.their career. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). The title comes from the fact that before making the film, Fellini realized that he had made six features and three shorts (each short being "half") which added up to 7 and a Half films. So obviously the next movie will be film number '''8½'''
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A pseudo-autobiographical film dealing with a director, Guido, trying to make a film, but suffering from “director’s block.” To make things worse, his personal life is also going under a lot of stress: his health is not ideal, he doesn’t know where he is standing right now and he has problems with both his wife and his lover. In other words, everything is conspiring to make his film sink like the Titanic.
One of Creator/FedericoFellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). The title comes from the fact that before making the film, Fellini realized that he had made six features and three shorts (each short being "half") which added up to 7 and a Half films. So obviously the next movie will be film number '''8½'''
One of Creator/FedericoFellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). The title comes from the fact that before making the film, Fellini realized that he had made six features and three shorts (each short being "half") which added up to 7 and a Half films. So obviously the next movie will be film number '''8½'''
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A pseudo-autobiographical film by Creator/FedericoFellini dealing with a director, Guido, Guido Anselmi (portrayed by Creator/MarcelloMastroianni), trying to make a film, but suffering from “director’s block.” To make things worse, his personal life is also going under a lot of stress: his health is not ideal, he doesn’t know where he is standing right now and he has problems with both his wife and his lover. In other words, everything is conspiring to make his film sink like the Titanic.
One ofCreator/FedericoFellini’s Fellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). The title comes from the fact that before making the film, Fellini realized that he had made six features and three shorts (each short being "half") which added up to 7 and a Half films. So obviously the next movie will be film number '''8½'''
One of
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%%* AllTakeAndNoGive: Guido.
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%%* CoolShades
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%%* DunceCap: Young Guido.
%%* EveryoneComesBackFantasyPartyEnding
%%* EveryoneComesBackFantasyPartyEnding
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%%* EveryoneComesBackFantasyPartyEnding
* EveryoneComesBackFantasyPartyEnding: All the people from Guido's past come back near the end to join him into a dance number set in a circus stage, where he is the ring master.
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%%* ImagineSpot
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%%* TitleByNumber
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* TitleByNumber: This was indeed Fellini's eight movie in his catalogue. The half refers to a short film he made in between.
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* TheDanza: Claudia is played by Claudia Cardinale.
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Better Than It Sounds isn\'t supposed to be listed in pages in the first place.
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%%* BetterThanItSoundsFilm
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* ComingOfAgeStory: Guido must have… what, 40? But it still counts, since he looks back on his life and decides he has to change.
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* ComingOfAgeStory: Guido must have… be… what, 40? But it still counts, since he looks back on his life and decides he has to change.
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One of Creator/FedericoFellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). It’s also famous for a scene which we all would like to see realized in our lives.
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One of Creator/FedericoFellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). It’s also famous for a scene which we all would like to see The title comes from the fact that before making the film, Fellini realized in our lives.
that he had made six features and three shorts (each short being "half") which added up to 7 and a Half films. So obviously the next movie will be film number '''8½'''
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%%
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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* AllTakeAndNoGive: Guido.
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* BetterThanItSoundsFilm
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* BittersweetEnding / DownerEnding
* ButtMonkey: Conocchia.
* ButtMonkey: Conocchia.
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*
%%* ButtMonkey: Conocchia.
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* CoolShades
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* DaydreamSurprise
* DeliberatelyMonochrome
* DeliberatelyMonochrome
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* DunceCap: Young Guido.
* EveryoneComesBackFantasyPartyEnding
* GainaxEnding
* EveryoneComesBackFantasyPartyEnding
* GainaxEnding
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* ImagineSpot
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* MrImagination: Guido.
* TheMuse: Claudia.
* TheMuse: Claudia.
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* NiceHat
* PrettyInMink: Carla.
* PrettyInMink: Carla.
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* TheSmartGuy: The writer.
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* TitleByNumber
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Compare/contrast with ''Film/AllThatJazz''
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One of FedericoFellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). It’s also famous for a scene which we all would like to see realized in our lives.
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One of FedericoFellini’s Creator/FedericoFellini’s better known works, it’s a favorite of film directors for showing the trials and tribulations of the film directors. The movie is generally straightforward, but full of flashbacks and daydream sequences, practically without any warning (sometimes you don’t realize you’re watching a fantasy until later). It’s also famous for a scene which we all would like to see realized in our lives.
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Later remade as the stage musical ''{{Theatre/Nine}}'', which itself was later adapted into a movie starring DanielDayLewis.
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Later remade as the stage musical ''{{Theatre/Nine}}'', ''Theatre/{{Nine}}'', which itself was later adapted into a movie starring DanielDayLewis.Creator/DanielDayLewis.
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* BittersweetEnding/DownerEnding
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* BittersweetEnding/DownerEndingBittersweetEnding / DownerEnding
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* BittersweetEnding: Actually, it’s a DownerEnding, since both his movie and his marriage collapse. But the final scene of every character in the movie dancing in a row makes anyone smile.
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* BittersweetEnding: Actually, it’s a DownerEnding, since both his movie and his marriage collapse. But the final scene of every character in the movie dancing in a row makes anyone smile.BittersweetEnding/DownerEnding
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* SoapOperaDisease: Carla periodically runs 100-plus-degree fevers with no explanation. She admits, while suffering a bout of such illness, that she and her husband have learned to live with them.
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* SoapOperaDisease: Carla periodically runs 100-plus-degree fevers with no explanation. She admits, while suffering a bout of such illness, that she and [[YourCheatingHeart her husband husband]] have learned to live with them.them.
* TitleByNumber
* TitleByNumber
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* AttentionDeficitOohShiny: Carla comes off this way a lot of the time, first evidenced in the way she jumps from topic to topic in conversation. When Guido is applying her makeup, she keeps looking up at an eye-catching lamp, causing him to mess it up.
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* SoapOperaDisease: Carla periodically runs 100-plus-degree fevers with no explanation. She admits, while suffering a bout of such illness, that she and her husband have learned to live with them.
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* BigBeautifulWoman: La Saraghina.
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* BigBeautifulWoman: La Saraghina.Saraghina, a chubby prostitute.
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* {{Casanova}}: Guido, although in this case you could say it’s a {{deconstruction}}.
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* {{Casanova}}: TheCasanova: Guido, although in this case you could say it’s a {{deconstruction}}.
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A pseudo-autobiographical film dealing with a director, Guido, trying to make a film, but suffering from “director’s block.” To make things worse, his personal life is also going under a lot of stress: his health is not ideal, he doesn’t know where he is standing right now and he has problems wit both his wife and his lover. In other words, everything is conspiring to make his film sink like the Titanic.
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A pseudo-autobiographical film dealing with a director, Guido, trying to make a film, but suffering from “director’s block.” To make things worse, his personal life is also going under a lot of stress: his health is not ideal, he doesn’t know where he is standing right now and he has problems wit with both his wife and his lover. In other words, everything is conspiring to make his film sink like the Titanic.