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Featuring what is perhaps Creator/BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by Music/AlfredNewman. MarilynMonroe also appears in a small role.
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Featuring what is perhaps Creator/BetteDavis's most memorable performance, '''''All ''All About Eve''''' Eve'' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by Music/AlfredNewman. MarilynMonroe also appears in a small role.
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Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by Music/AlfredNewman. MarilynMonroe also appears in a small role.
to:
Featuring what is perhaps BetteDavis's Creator/BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by Music/AlfredNewman. MarilynMonroe also appears in a small role.
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Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by Music/AlfredNewman.
to:
Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by Music/AlfredNewman.
Music/AlfredNewman. MarilynMonroe also appears in a small role.
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** Margo immediately subverts hers, reframing her "mass of music and fire" as "a kazoo and some sparklers."
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** A somewhat subtle one in the play titles: aging actress Margo stars in "Aged In Wood". [[spoiler:Eve spends a sizeable portion of the plot gunning for the lead in the play "Footprints on the Ceiling". [[GettingCrapPastTheRadar Now what activity might point a woman's feet towards the ceiling?]] ]]
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** The phrase "about Eve" crops up pretty regularly.
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Add trope: Jerk With A Heart Of Jerk - Addison
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* JerkWithAHeartOfJerk: Addison.
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Add trope: Drowning My Sorrows
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* DrowningMySorrows: Margo, at Bill's welcome home party.
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Add trope: Adam And Or Eve
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* AdamAndOrEve: The movie is about a specific woman, but also about ''many'' female characters who are trying to negotiate their identity as women in the modern world. Get it? It's "All About ''[[DoubleEntendre Eve]]''"???
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Add trope: Caustic Critic - Addison
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* CausticCritic: Addison, to everyone else's annoyance.
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Add quote: Green Eyed Monster
Changed line(s) 62 (click to see context) from:
* GreenEyedMonster: Margo. Bill calls her a "hysterical screaming harpy".
to:
* GreenEyedMonster: Margo. Bill calls her Margo.
-->'''Bill:''' You have every reason for happiness, but due to some strange, uncontrollable, unconscious drive you permit the slightest action of a"hysterical kid like Eve to turn you into a hysterical, screaming harpy".harpy!
-->'''Bill:''' You have every reason for happiness, but due to some strange, uncontrollable, unconscious drive you permit the slightest action of a
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Add description: Blackmail
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* {{Blackmail}}
to:
* {{Blackmail}}{{Blackmail}}: Addison does this to Eve late in the movie.
** Earlier, [[spoiler:Eve does it to Karen when she threatens to tell Margo how Karen helped her unless Karen convinces Lloyd to cast her in his play.]]
** Earlier, [[spoiler:Eve does it to Karen when she threatens to tell Margo how Karen helped her unless Karen convinces Lloyd to cast her in his play.]]
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Add tropes: several
* {{Blackmail}}
* EvilBrit: Addison
-->'''Eve:''' Well, if [Margo]'s got to pick on someone, I'd just as soon it was me.
* GeniusDitz: Loyd Richards and Bill Sampson.
** Also Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to suspect that [[spoiler:Eve's devotion to Margo]] might not be all it seems to be.
Deleted line(s) 55,56 (click to see context) :
* GeniusDitz: Loyd Richards and Bill Sampson.
* GenreSavvy: Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to suspect that [[spoiler:Eve's devotion to Margo]] might not be all it seems to be.
* GenreSavvy: Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to suspect that [[spoiler:Eve's devotion to Margo]] might not be all it seems to be.
* MeaningfulEcho: "Don't get up. And don't act as if ''I'' were the Queen Mother."
Changed line(s) 100 (click to see context) from:
* SpitTake
to:
* SpitTakeSpitTake: Max when Margo asks him to give Eve a job.
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Add trope: Betty And Veronica (I\'ve also been trying to fix Genre Savvy by bringing the two entries together, but I\'m currently unable to cut and paste.)
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* BettyAndVeronica: Karen is Betty to Margo's Veronica. Eve also fits the Betty role [[spoiler:at first]].
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* HereWeGoAgain: At the end, it's rather heavily intimated that Phoebe may be planning to [[spoiler:do the same thing to Eve that Eve has done to Margo]].
to:
* HereWeGoAgain: At the end, it's rather heavily intimated that Phoebe [[spoiler:Phoebe may be planning to [[spoiler:do do the same thing to Eve that Eve has done to Margo]].
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Minor edit: formatting
Changed line(s) 107 (click to see context) from:
* UnusualEuphemism: Margo introduces Miss Casswell to Eve as [[BlatantLies "and old friend of Mr [=DeWitt=]'s mother", in mockery of Eve's youth and perceived naïveté.
to:
* UnusualEuphemism: Margo introduces Miss Casswell to Eve as [[BlatantLies "and old friend of Mr [=DeWitt=]'s mother", mother"]], in mockery of Eve's youth and perceived naïveté.
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Add tropes: several
* HowWeGotHere: The film opens at the award ceremony, then flashes back to show the events of the previous year, and finally ends up at the ceremony again.
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* MeaningfulName; More than a few. Eve is named after the first woman while her surname, Harrington could be taken as a reference to "Red Herring", Margo is to Bill Sampson what Delilah was to Samson in that she robs him off his power, Addison [=DeWitt=]'s name is both a reference to the adder that offered Eve the apple in the garden and of course his wit: Addison The Wit.
to:
* MeaningfulName; MeaningfulName: More than a few. Eve is named after the first woman woman, which makes her character seem generic, while her allowing the film's title to have a [[DoubleEntendre double meaning]]. Her surname, Harrington could be taken as a reference to "Red Herring", Herring". Margo is to Bill Sampson what Delilah was to Samson in that she robs him off his power, power. Addison [=DeWitt=]'s name is both a reference to the adder that offered Eve the apple in the garden and of course his wit: Addison The Wit.
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* UnusualEuphemism: Margo introduces Miss Casswell to Eve as [[BlatantLies "and old friend of Mr [=DeWitt=]'s mother", in mockery of Eve's youth and perceived naïveté.
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* WhamLine:
-->There is something you can do. Something most important.
-->There is something you can do. Something most important.
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Minor edits: formatting
Changed line(s) 21 (click to see context) from:
--> '''Addison''': Take a good look at me [[spoiler:Eve]], it's about time you did. I am Addison [=DeWitt=] and I am nobody's fool, least of all yours.
to:
--> '''Addison''': Take a good look at me [[spoiler:Eve]], Eve, it's about time you did. I am Addison [=DeWitt=] and I am nobody's fool, least of all yours.
Changed line(s) 39 (click to see context) from:
--->'''Lloyd''': [Eve] apologized, didn't she?
to:
--->'''Lloyd''': [Eve] She apologized, didn't she?
Changed line(s) 49,52 (click to see context) from:
[[spoiler:-->'''Phoebe:''' I call myself Phoebe.
-->'''Addison:''' And why not? Tell me, Phoebe, do you want someday to have an award like that of your own?
-->'''Phoebe:''' More than anything else in the world.
-->'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.]]
-->'''Addison:''' And why not? Tell me, Phoebe, do you want someday to have an award like that of your own?
-->'''Phoebe:''' More than anything else in the world.
-->'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.]]
to:
-->'''Addison:'''
-->[[spoiler:'''Addison:''' And why not? Tell me, Phoebe, do you want someday to have an award like that of your
-->'''Phoebe:'''
-->[[spoiler:'''Phoebe:''' More than anything else in the
-->'''Addison:'''
-->[[spoiler:'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.]]
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Edit tropes: adding spoiler tags
Changed line(s) 11 (click to see context) from:
* AffablyEvil: Eve and Addison.
to:
* AffablyEvil: Eve and Addison.Addison [[spoiler:and Eve]].
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* AmbiguouslyGay: At least to modern viewers, Addison comes off as more than a little [[CampGay camp]], which is odd considering he blackmails Eve into having sex with with him.
** There are a few (very subtle) instances in the film where you can also argue that Eve shows some PsychoLesbian tendencies as well.
* AmbitionIsEvil: Eve knows exactly what she wants and will stop at nothing to get it.
** Lampshaded by Addison. "''You're an improbable person Eve and so am I, [[NotSoDifferent we have that in common]]. Also [[MisanthropeSupreme a contempt for humanity]], an inability to love or be loved, insatiable ambition and talent. We deserve each other.''"
** There are a few (very subtle) instances in the film where you can also argue that Eve shows some PsychoLesbian tendencies as well.
* AmbitionIsEvil: Eve knows exactly what she wants and will stop at nothing to get it.
** Lampshaded by Addison. "''You're an improbable person Eve and so am I, [[NotSoDifferent we have that in common]]. Also [[MisanthropeSupreme a contempt for humanity]], an inability to love or be loved, insatiable ambition and talent. We deserve each other.''"
to:
* AmbiguouslyGay: At least to modern viewers, Addison comes off as more than a little [[CampGay camp]], which is odd considering he blackmails [[spoiler:blackmails Eve into having sex with with him.
him]].
** There are a few (very subtle) instances in the film where you can also argue thatEve [[spoiler:Eve shows some PsychoLesbian tendencies tendencies]] as well.
* AmbitionIsEvil:Eve [[spoiler:Eve knows exactly what she wants and will stop at nothing to get it.
it.]]
** Lampshaded by Addison. "''You're an improbable personEve [[spoiler:Eve]] and so am I, [[NotSoDifferent we have that in common]]. Also [[MisanthropeSupreme a contempt for humanity]], an inability to love or be loved, insatiable ambition and talent. We deserve each other.''"
** There are a few (very subtle) instances in the film where you can also argue that
* AmbitionIsEvil:
** Lampshaded by Addison. "''You're an improbable person
Changed line(s) 21 (click to see context) from:
--> '''Addison''': Take a good look at me Eve, it's about time you did. I am Addison [=DeWitt=] and I am nobody's fool, least of all yours.
to:
--> '''Addison''': Take a good look at me Eve, [[spoiler:Eve]], it's about time you did. I am Addison [=DeWitt=] and I am nobody's fool, least of all yours.
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* BerserkButton: Trying to take Bill away from her has this effect on Margo. [[HairtriggerTemper Among others]].
to:
* BerserkButton: Trying to take Getting too friendly with Bill away from her has this effect on Margo. [[HairtriggerTemper Among others]].
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* BitchInSheepsClothing: Eve, oh so much.
to:
* BitchInSheepsClothing: Eve, [[spoiler:Eve, oh so much.]]
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* TheChessmaster: Eve, although she is OutGambitted by Addison.
to:
* TheChessmaster: Eve, [[spoiler:Eve, although she is OutGambitted by Addison.]]
Changed line(s) 43,44 (click to see context) from:
* EveryoneHasStandards: Addison admonishes Eve for insulting the memory of dead heroes and the women who loved them.
* ExtremeDoormat: Eve towards Margo, initially.
* ExtremeDoormat: Eve towards Margo, initially.
to:
* EveryoneHasStandards: Addison admonishes Eve [[spoiler:Eve]] for insulting the memory of dead heroes and the women who loved them.
* ExtremeDoormat: Eve towardsMargo, initially.Margo.
* ExtremeDoormat: Eve towards
Changed line(s) 48,49 (click to see context) from:
* GenreSavvy: Addison. He's seen it all, that when a young actress who's interested in Eve meets him, he knows that "Phoebe" isn't her real name and the cycle is about to begin again.
-->'''Phoebe:''' I call myself Phoebe.
-->'''Phoebe:''' I call myself Phoebe.
to:
* GenreSavvy: Addison. He's seen it all, so that when a young actress who's interested in Eve meets him, he knows that "Phoebe" [[spoiler:"Phoebe" isn't her real name and the cycle is about to begin again.
-->'''Phoebe:'''again]].
[[spoiler:-->'''Phoebe:''' I call myself Phoebe.
-->'''Phoebe:'''
[[spoiler:-->'''Phoebe:''' I call myself Phoebe.
Changed line(s) 52 (click to see context) from:
-->'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.
to:
-->'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.]]
Changed line(s) 55 (click to see context) from:
* GenreSavvy: Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to pick up on how Eve's devotion to Margo might not be all it seems to be.
to:
* GenreSavvy: Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to pick up on how Eve's suspect that [[spoiler:Eve's devotion to Margo Margo]] might not be all it seems to be.
Changed line(s) 57,58 (click to see context) from:
* GreenEyedMonster: Margot. Bill calls her a "hysterical screaming harpy".
** [[spoiler:Eve is also envious of Margot's success.]]
** [[spoiler:Eve is also envious of Margot's success.]]
to:
* GreenEyedMonster: Margot.Margo. Bill calls her a "hysterical screaming harpy".
** [[spoiler:Eve is also envious ofMargot's Margo's success.]]
** [[spoiler:Eve is also envious of
Changed line(s) 61 (click to see context) from:
* HereWeGoAgain: At the end, it's rather heavily intimated that Phoebe may be planning to do the same thing to Eve that Eve has done to Margo.
to:
* HereWeGoAgain: At the end, it's rather heavily intimated that Phoebe may be planning to do [[spoiler:do the same thing to Eve that Eve has done to Margo.Margo]].
Changed line(s) 63 (click to see context) from:
* InformedAbility: We see a sliver of the incredible performance Eve gives that's supposed to kick-start her acting career... but considering her character is performing ''fabulously'' throughout the film, we can assume she's great.
to:
* InformedAbility: We see a sliver of the incredible performance Eve gives that's supposed to kick-start her acting career... but considering her [[spoiler:her character is performing ''fabulously'' throughout the film, film]], we can assume she's great.
Changed line(s) 66 (click to see context) from:
* ItsAllAboutMe: Addison and Eve. Ironically, Margo is almost as self-centered as the woman who idolizes her.
to:
* ItsAllAboutMe: Addison and Eve. [[spoiler:and Eve]]. Ironically, Margo is almost as self-centered as the [[spoiler:the woman who idolizes her.her]].
Changed line(s) 72 (click to see context) from:
** The ending shows that Eve may have gained a LoonyFan of her own.
to:
** The ending shows that Eve [[spoiler:Eve may have gained a LoonyFan of her own.own]].
Changed line(s) 74 (click to see context) from:
** And Eve attempts one between her, Karen and Lloyd.
to:
** And [[spoiler:And Eve attempts one between her, Karen and Lloyd. Lloyd.]]
Changed line(s) 79 (click to see context) from:
* NaiveNewcomer: How Eve portrays herself.
to:
* NaiveNewcomer: How Eve portrays herself.Eve, when she first meets Margo.
Changed line(s) 81 (click to see context) from:
* NoGuyWantsToBeChased: Bill implies this to Eve when she tries to seduce him. The other reason, of course, is that he's already taken.
to:
* NoGuyWantsToBeChased: Bill implies this to Eve when she [[spoiler:she tries to seduce him.him]]. The other reason, of course, is that he's already taken.
Changed line(s) 84 (click to see context) from:
* TheOnlyWayTheyWillLearn: [[DoubleSubversion Doubly subverted]]. Karen deliberates on her plan to help Margo to get over herself. She finishes with "there's not even a reason why I shouldn't tell her," then, as she picks up the phone, adds, "in time." Subverted again, when it turns out ''Karen'' is the one without a clue.
to:
* TheOnlyWayTheyWillLearn: [[DoubleSubversion Doubly subverted]]. Karen deliberates on her plan to help Margo to get over herself. She finishes with "there's not even a reason why I shouldn't tell her," then, as she picks up the phone, adds, "in time." Subverted again, when it turns out ''Karen'' [[spoiler:''Karen'' is the one without a clue.clue]].
Changed line(s) 86 (click to see context) from:
* PimpedOutCape: Eve has one when she gets her award, that Phoebe tries on when she shows she has the same ambitions.
to:
* PimpedOutCape: Eve has one when she gets her award, that Phoebe [[spoiler:Phoebe tries on when she shows she has the same ambitions.ambitions]].
Changed line(s) 91,92 (click to see context) from:
* ProperlyParanoid: [[spoiler:Margot]]
* PsychoLesbian: Whatever her feelings for Margo (or Phoebe), it's about as clear as the Hays code would allow that Eve leans toward women, one scene even closing with her and a female cohort ''retiring arm in arm to their boudoir''.
* PsychoLesbian: Whatever her feelings for Margo (or Phoebe), it's about as clear as the Hays code would allow that Eve leans toward women, one scene even closing with her and a female cohort ''retiring arm in arm to their boudoir''.
to:
* ProperlyParanoid: [[spoiler:Margot]]
[[spoiler:Margo]]
* PsychoLesbian:Whatever [[spoiler:Whatever her feelings for Margo (or Phoebe), it's about as clear as the Hays code would allow that Eve leans toward women, one scene even closing with her and a female cohort ''retiring arm in arm to their boudoir''.]]
* PsychoLesbian:
Changed line(s) 96,97 (click to see context) from:
* SmugSnake: Eve
* TheSociopath: You could make a definite case for Addison and Eve.
* TheSociopath: You could make a definite case for Addison and Eve.
to:
* SmugSnake: Eve
[[spoiler:Eve.]]
* TheSociopath: You could make a definite case for Addisonand Eve.[[spoiler:and Eve]].
* TheSociopath: You could make a definite case for Addison
Changed line(s) 99 (click to see context) from:
* SpockSpeak: Bill describing the time to Margo in the car.
to:
* SpockSpeak: Bill Lloyd describing the time to Margo in the car.
Changed line(s) 102 (click to see context) from:
** In one scene, Eve is able to make him lose his temper, something no one else ever comes close to doing.
to:
** In one scene, Eve [[spoiler:Eve is able to make him lose his temper, temper]], something no one else ever comes close to doing.
Changed line(s) 105,106 (click to see context) from:
--> Eve...but more of Eve, later. All about Eve, in fact.
* UnwittingInstigatorOfDoom: Any of Eve's schemes couldn't have gotten started without Karen.
* UnwittingInstigatorOfDoom: Any of Eve's schemes couldn't have gotten started without Karen.
to:
--> Eve... but more of Eve, later. All about Eve, in fact.
* UnwittingInstigatorOfDoom:Any [[spoiler:None of Eve's schemes couldn't could have gotten started without Karen.]]
* UnwittingInstigatorOfDoom:
Changed line(s) 108,110 (click to see context) from:
* VillainousBreakdown / VillainousBSOD: Eve, whilst Addison coldly and efficiently obliterates her entire facade in private. She still goes on to win the award we see her win at the start of the film and is clearly going to be successful, but she's a shadow of her former self.
* WhatHappenedToTheMouse? - Birdie completely disappears without explanation halfway through the film
* WideEyedIdealist: Karen, which allows Eve to manipulate her with ease.
* WhatHappenedToTheMouse? - Birdie completely disappears without explanation halfway through the film
* WideEyedIdealist: Karen, which allows Eve to manipulate her with ease.
to:
* VillainousBreakdown / VillainousBSOD: Eve, [[spoiler:Eve, whilst Addison coldly and efficiently obliterates her entire facade in private. She still goes on to win the award we see her win at the start of the film and is clearly going to be successful, but she's a shadow of her former self.
self.]]
*WhatHappenedToTheMouse? - WhatHappenedToTheMouse?: Birdie completely disappears without explanation halfway through the film
* WideEyedIdealist: Karen, which allowsEve [[spoiler:Eve to manipulate her with ease.ease]].
*
* WideEyedIdealist: Karen, which allows
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Add trope: Jerk With A Heart Of Gold
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* JerkWithAHeartOfGold: Bill.
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Add trope: Properly Paranoid
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* ProperlyParanoid: [[spoiler:Margot]]
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Add trope: Subverted Suspicion Aesop; Minor edit: alphabetising
* SmugSnake: Eve
Deleted line(s) 98 (click to see context) :
* SmugSnake: Eve
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* SubvertedSuspicionAesop: [[spoiler:The entire plot of the movie.]]
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Add example: Double Entendre - the title
Changed line(s) 37,39 (click to see context) from:
* DoubleEntendre:
-->'''Lloyd''': [Eve] apologized, didn't she?
-->'''Karen''': On her knees, I've no doubt!
-->'''Lloyd''': [Eve] apologized, didn't she?
-->'''Karen''': On her knees, I've no doubt!
to:
* DoubleEntendre:
-->'''Lloyd''':DoubleEntendre: In the title, "Eve" can refer to the main character, or to women in general.
** Also:
--->'''Lloyd''': [Eve] apologized, didn't she?
-->'''Karen''': --->'''Karen''': On her knees, I've no doubt!
-->'''Lloyd''':
** Also:
--->'''Lloyd''': [Eve] apologized, didn't she?
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Edit trope: Green Eyed Monster
Changed line(s) 56 (click to see context) from:
* GreenEyedMonster: Eve isn't at all an example of this! She loves Margo! Really!
to:
* GreenEyedMonster: Eve isn't at all an example Margot. Bill calls her a "hysterical screaming harpy".
** [[spoiler:Eve is also envious ofthis! She loves Margo! Really!Margot's success.]]
** [[spoiler:Eve is also envious of
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Added DiffLines:
** And Eve attempts one between her, Karen and Lloyd.
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* GenreSavvy: Addison. He's seen it all, that when a young actress who's interested in Eve meets him, he knows that "Phoebe" isn't her real name and the cycle is about to begin again.
-->'''Phoebe:''' I call myself Phoebe.
-->'''Addison:''' And why not? Tell me, Phoebe, do you want someday to have an award like that of your own?
-->'''Phoebe:''' More than anything else in the world.
-->'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.
-->'''Phoebe:''' I call myself Phoebe.
-->'''Addison:''' And why not? Tell me, Phoebe, do you want someday to have an award like that of your own?
-->'''Phoebe:''' More than anything else in the world.
-->'''Addison:''' Then you must ask Miss Harrington how to get one. Miss Harrington knows all about it.
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* FollowTheLeader: You can blame this film for an entire subgenre of films that includes ''GirlInGoldBoots'' and ''{{Showgirls}}''.
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* FollowTheLeader: You can blame this film for an entire subgenre of films that includes ''GirlInGoldBoots'' ''TheGirlInGoldBoots'' and ''{{Showgirls}}''.
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* FollowTheLeader: You can blame this film for an entire subgenre of films that includes ''GirlInGoldBoots'' and ''{{Showgirls}}''.
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* NoGuyWantsToBeChased: Bill implies this to Eve when she tries to seduce him. The other reason, of course, is that he's already taken.
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* UnwittingInstigatorOfDoom: Any of Eve's schemes couldn't have gotten started without Karen.
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Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by AlfredNewman.
to:
Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by AlfredNewman.
Music/AlfredNewman.
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* WhatHappenedToTheMouse? - Birdie completely disappears without explanation halfway through the film
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[[quoteright:270:http://static.tvtropes.org/pmwiki/pub/images/All_About_Eve_01.jpg]]
->"''Fasten your seatbelts, it's going to be a bumpy night.''"
-->-- '''Margo Channing'''
Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by AlfredNewman.
''All About Eve'' was nominated for fourteen [[AcademyAward Academy Awards]] (including a whopping four nominations just for the actresses) and won six, including Best Picture, Best Supporting Actor (for GeorgeSanders as Addison [=DeWitt=]), Best Costume Design for a Black-and-White film (Edith Head and Charles Le Maire), Best Director, Best Screenplay and Best Sound Recording.
----
!!This film provides examples of:
* AffablyEvil: Eve and Addison.
* AgentPeacock: Addison again.
* AmbiguouslyGay: At least to modern viewers, Addison comes off as more than a little [[CampGay camp]], which is odd considering he blackmails Eve into having sex with with him.
** There are a few (very subtle) instances in the film where you can also argue that Eve shows some PsychoLesbian tendencies as well.
* AmbitionIsEvil: Eve knows exactly what she wants and will stop at nothing to get it.
** Lampshaded by Addison. "''You're an improbable person Eve and so am I, [[NotSoDifferent we have that in common]]. Also [[MisanthropeSupreme a contempt for humanity]], an inability to love or be loved, insatiable ambition and talent. We deserve each other.''"
* AnguishedDeclarationOfLove: Bill to Margo.
* BadassBoast:
--> '''Margo''': A mass of music and fire? That's me.
** And:
--> '''Addison''': Take a good look at me Eve, it's about time you did. I am Addison [=DeWitt=] and I am nobody's fool, least of all yours.
* BadassLongcoat: Addison sports one of these.
* BadassInANiceSuit: Most of the males as well as Margo.
* BeamMeUpScotty: Margo's famous quote is "it's going to be a bumpy ''night''", not "ride"; she was actually referring to a party.
* BerserkButton: Trying to take Bill away from her has this effect on Margo. [[HairtriggerTemper Among others]].
** Don't laugh at Addison. Just. Don't.
* BitchInSheepsClothing: Eve, oh so much.
* BreakTheHaughty
* BreakingLecture: Addison, to Eve.
* CampStraight: Addison.
* TheChessmaster: Eve, although she is OutGambitted by Addison.
* CynicalMentor: Margo has been in theater for many years, has seen it all, and knows just what makes audiences tick. Addison has much wisdom to offer to a promising young unknown, but certainly does not feel compassion for her or for anyone else.
* TheDandy: Addison.
* DawsonCasting: In-universe; Margo feels washed-up for playing a character so much younger than her actual age.
* DeadpanSnarker: Margo, in spades. Also Addison and Birdie, to nearly as great an extent.
* DealWithTheDevil: Eve's growing complicity with Addison comes to have unforeseen costs.
* DoubleEntendre:
-->'''Lloyd''': [Eve] apologized, didn't she?
-->'''Karen''': On her knees, I've no doubt!
* DrinkOrder: "I'll have a martini."
* EverybodySmokes
* EveryoneHasStandards: Addison admonishes Eve for insulting the memory of dead heroes and the women who loved them.
* ExtremeDoormat: Eve towards Margo, initially.
* {{Foreshadowing}}: A subtle example at the beginning; everybody applauds at the beginning when Eve is set to receive the Sarah Siddons award - everyone, that is, except Margo and Karen. Also, when Eve first meets Margo and Lloyd, she specifically mentions the play Lloyd is currently writing.. Finally, there's the scene later where Margo catches Eve taking a bow to an empty stage, holding the dress Margo just wore in the play.
* FunnyForeigner: Max Fabian.
* GentlemanSnarker: Addison.
* GeniusDitz: Loyd Richards and Bill Sampson.
* GenreSavvy: Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to pick up on how Eve's devotion to Margo might not be all it seems to be.
* GratuitousFrench: Used by a few characters.
* GreenEyedMonster: Eve isn't at all an example of this! She loves Margo! Really!
* HairtriggerTemper: Margo in spades.
* HeelRealization: Margo has one partway through the film.
* HereWeGoAgain: At the end, it's rather heavily intimated that Phoebe may be planning to do the same thing to Eve that Eve has done to Margo.
* InfoDump: The opening narration of the film.
* InformedAbility: We see a sliver of the incredible performance Eve gives that's supposed to kick-start her acting career... but considering her character is performing ''fabulously'' throughout the film, we can assume she's great.
** And Margo Channing, the great lady of the theater, compared to Helen Hayes and Jeanne Eagels by Addison: all we see of her performance in ''Aged in Wood'' is a glimpse of the curtain call.
* InsufferableGenius: Margo, Bill and Addison.
* ItsAllAboutMe: Addison and Eve. Ironically, Margo is almost as self-centered as the woman who idolizes her.
* LadyDrunk: Margo.
* LargeHam: Margo and Addison.
* LemonyNarrator: The film is partially narrated by Addison, who has a rather low opinion of the other principal characters, and of humanity in general.
* LoonyFan: Margo is the only source of happiness in Eve's life from before the two even meet in person, and the focus of her activities for a long time afterward.
** The ending shows that Eve may have gained a LoonyFan of her own.
* LoveTriangle: Between Margo, Bill and Eve.
* LouisCypher: Some say there's a faint whiff of the demonic about Addison.
* ManipulativeBastard: Most of the important characters are skilled at manipulating others' emotions. Some elevate it to an art form.
* MeaningfulName; More than a few. Eve is named after the first woman while her surname, Harrington could be taken as a reference to "Red Herring", Margo is to Bill Sampson what Delilah was to Samson in that she robs him off his power, Addison [=DeWitt=]'s name is both a reference to the adder that offered Eve the apple in the garden and of course his wit: Addison The Wit.
* MultipleChoicePast: It turns out [[spoiler:Eve has been lying about her background and true identity as part of her plan to manipulate Margo into becoming her understudy.]]
* NaiveNewcomer: How Eve portrays herself.
* {{Narcissist}}: Addison.
* OneHeadTaller: Addison is this to Eve. This is particularly noticeable at the end, [[spoiler: when he hits her]].
* OnlySaneMan: Bill, to some degree, and also Karen, are the only characters in the film who aren't massively screwed up and manipulating others for their own gain.
* TheOnlyWayTheyWillLearn: [[DoubleSubversion Doubly subverted]]. Karen deliberates on her plan to help Margo to get over herself. She finishes with "there's not even a reason why I shouldn't tell her," then, as she picks up the phone, adds, "in time." Subverted again, when it turns out ''Karen'' is the one without a clue.
* PermissionToSpeakFreely: Bertie starts off her early rants about Eve with a variation on this.
* PimpedOutCape: Eve has one when she gets her award, that Phoebe tries on when she shows she has the same ambitions.
* PimpedOutDress: The lead role in ''Aged in Wood'' calls for one.
* PrettyInMink: Particularly when some of the ladies comment enviously on a sable coat.
** Marilyn Monroe wearing an ermine coat.
** Margo jokes that she'll just wear a fur coat and a nightgown to her wedding.
* PsychoLesbian: Whatever her feelings for Margo (or Phoebe), it's about as clear as the Hays code would allow that Eve leans toward women, one scene even closing with her and a female cohort ''retiring arm in arm to their boudoir''.
* TheReasonYouSuckSpeech: Given to both Margo and Eve.
* RichBitch: Margo.
* ShoutOutToShakespeare: ''Theatre/{{Macbeth}}'', specifically.
* TheSociopath: You could make a definite case for Addison and Eve.
* SpitTake
* SpockSpeak: Bill describing the time to Margo in the car.
* StalkerWithACrush: Eve is a stalker ''par excellence''. Whether what draws her to Margo can be called a crush depends on one's interpretation.
* SmugSnake: Eve
* TheStoic: Acerbic, icy, and unflappable, Addison is a Stoic to the very end, even when he would be entirely justified in showing some emotion. He feels passion only for the theatre, such as his joyful reverence for Margo Channing even when she is having a theatrical temper tantrum.
** In one scene, Eve is able to make him lose his temper, something no one else ever comes close to doing.
* TitleDrop: In Addison's opening monologue:
--> Eve...but more of Eve, later. All about Eve, in fact.
* UpperClassWit: Addison, complete with [[SmokingIsCool cigarette holder]].
* VillainousBreakdown / VillainousBSOD: Eve, whilst Addison coldly and efficiently obliterates her entire facade in private. She still goes on to win the award we see her win at the start of the film and is clearly going to be successful, but she's a shadow of her former self.
* WideEyedIdealist: Karen, which allows Eve to manipulate her with ease.
* WorldOfSnark
----
->"''Fasten your seatbelts, it's going to be a bumpy night.''"
-->-- '''Margo Channing'''
Featuring what is perhaps BetteDavis's most memorable performance, '''''All About Eve''''' is a 1950 TwentiethCenturyFox film, written and directed by Joseph L. Mankiewicz, recounting the tale of Margo Channing, a seasoned veteran of the stage and the darling of Broadway, taking under her wing Eve Harrington, a young acolyte with nowhere else to go, whose motives are not what they seem. Other important characters include Addison [=DeWitt=], a jaded, cynical, and frighteningly influential drama critic; Bill Samson, Margo's director boyfriend; Lloyd Richards, Margo's playwright; and Karen, Lloyd's wife and Margo's [[TheConfidant closest friend and confidant]]. The costumes were by famed Hollywood designer Edith Head and the film score was by AlfredNewman.
''All About Eve'' was nominated for fourteen [[AcademyAward Academy Awards]] (including a whopping four nominations just for the actresses) and won six, including Best Picture, Best Supporting Actor (for GeorgeSanders as Addison [=DeWitt=]), Best Costume Design for a Black-and-White film (Edith Head and Charles Le Maire), Best Director, Best Screenplay and Best Sound Recording.
----
!!This film provides examples of:
* AffablyEvil: Eve and Addison.
* AgentPeacock: Addison again.
* AmbiguouslyGay: At least to modern viewers, Addison comes off as more than a little [[CampGay camp]], which is odd considering he blackmails Eve into having sex with with him.
** There are a few (very subtle) instances in the film where you can also argue that Eve shows some PsychoLesbian tendencies as well.
* AmbitionIsEvil: Eve knows exactly what she wants and will stop at nothing to get it.
** Lampshaded by Addison. "''You're an improbable person Eve and so am I, [[NotSoDifferent we have that in common]]. Also [[MisanthropeSupreme a contempt for humanity]], an inability to love or be loved, insatiable ambition and talent. We deserve each other.''"
* AnguishedDeclarationOfLove: Bill to Margo.
* BadassBoast:
--> '''Margo''': A mass of music and fire? That's me.
** And:
--> '''Addison''': Take a good look at me Eve, it's about time you did. I am Addison [=DeWitt=] and I am nobody's fool, least of all yours.
* BadassLongcoat: Addison sports one of these.
* BadassInANiceSuit: Most of the males as well as Margo.
* BeamMeUpScotty: Margo's famous quote is "it's going to be a bumpy ''night''", not "ride"; she was actually referring to a party.
* BerserkButton: Trying to take Bill away from her has this effect on Margo. [[HairtriggerTemper Among others]].
** Don't laugh at Addison. Just. Don't.
* BitchInSheepsClothing: Eve, oh so much.
* BreakTheHaughty
* BreakingLecture: Addison, to Eve.
* CampStraight: Addison.
* TheChessmaster: Eve, although she is OutGambitted by Addison.
* CynicalMentor: Margo has been in theater for many years, has seen it all, and knows just what makes audiences tick. Addison has much wisdom to offer to a promising young unknown, but certainly does not feel compassion for her or for anyone else.
* TheDandy: Addison.
* DawsonCasting: In-universe; Margo feels washed-up for playing a character so much younger than her actual age.
* DeadpanSnarker: Margo, in spades. Also Addison and Birdie, to nearly as great an extent.
* DealWithTheDevil: Eve's growing complicity with Addison comes to have unforeseen costs.
* DoubleEntendre:
-->'''Lloyd''': [Eve] apologized, didn't she?
-->'''Karen''': On her knees, I've no doubt!
* DrinkOrder: "I'll have a martini."
* EverybodySmokes
* EveryoneHasStandards: Addison admonishes Eve for insulting the memory of dead heroes and the women who loved them.
* ExtremeDoormat: Eve towards Margo, initially.
* {{Foreshadowing}}: A subtle example at the beginning; everybody applauds at the beginning when Eve is set to receive the Sarah Siddons award - everyone, that is, except Margo and Karen. Also, when Eve first meets Margo and Lloyd, she specifically mentions the play Lloyd is currently writing.. Finally, there's the scene later where Margo catches Eve taking a bow to an empty stage, holding the dress Margo just wore in the play.
* FunnyForeigner: Max Fabian.
* GentlemanSnarker: Addison.
* GeniusDitz: Loyd Richards and Bill Sampson.
* GenreSavvy: Birdie. Played for laughs at first ("What a story! Everything but the bloodhounds snapping at her rear end!"), but she's the first one to pick up on how Eve's devotion to Margo might not be all it seems to be.
* GratuitousFrench: Used by a few characters.
* GreenEyedMonster: Eve isn't at all an example of this! She loves Margo! Really!
* HairtriggerTemper: Margo in spades.
* HeelRealization: Margo has one partway through the film.
* HereWeGoAgain: At the end, it's rather heavily intimated that Phoebe may be planning to do the same thing to Eve that Eve has done to Margo.
* InfoDump: The opening narration of the film.
* InformedAbility: We see a sliver of the incredible performance Eve gives that's supposed to kick-start her acting career... but considering her character is performing ''fabulously'' throughout the film, we can assume she's great.
** And Margo Channing, the great lady of the theater, compared to Helen Hayes and Jeanne Eagels by Addison: all we see of her performance in ''Aged in Wood'' is a glimpse of the curtain call.
* InsufferableGenius: Margo, Bill and Addison.
* ItsAllAboutMe: Addison and Eve. Ironically, Margo is almost as self-centered as the woman who idolizes her.
* LadyDrunk: Margo.
* LargeHam: Margo and Addison.
* LemonyNarrator: The film is partially narrated by Addison, who has a rather low opinion of the other principal characters, and of humanity in general.
* LoonyFan: Margo is the only source of happiness in Eve's life from before the two even meet in person, and the focus of her activities for a long time afterward.
** The ending shows that Eve may have gained a LoonyFan of her own.
* LoveTriangle: Between Margo, Bill and Eve.
* LouisCypher: Some say there's a faint whiff of the demonic about Addison.
* ManipulativeBastard: Most of the important characters are skilled at manipulating others' emotions. Some elevate it to an art form.
* MeaningfulName; More than a few. Eve is named after the first woman while her surname, Harrington could be taken as a reference to "Red Herring", Margo is to Bill Sampson what Delilah was to Samson in that she robs him off his power, Addison [=DeWitt=]'s name is both a reference to the adder that offered Eve the apple in the garden and of course his wit: Addison The Wit.
* MultipleChoicePast: It turns out [[spoiler:Eve has been lying about her background and true identity as part of her plan to manipulate Margo into becoming her understudy.]]
* NaiveNewcomer: How Eve portrays herself.
* {{Narcissist}}: Addison.
* OneHeadTaller: Addison is this to Eve. This is particularly noticeable at the end, [[spoiler: when he hits her]].
* OnlySaneMan: Bill, to some degree, and also Karen, are the only characters in the film who aren't massively screwed up and manipulating others for their own gain.
* TheOnlyWayTheyWillLearn: [[DoubleSubversion Doubly subverted]]. Karen deliberates on her plan to help Margo to get over herself. She finishes with "there's not even a reason why I shouldn't tell her," then, as she picks up the phone, adds, "in time." Subverted again, when it turns out ''Karen'' is the one without a clue.
* PermissionToSpeakFreely: Bertie starts off her early rants about Eve with a variation on this.
* PimpedOutCape: Eve has one when she gets her award, that Phoebe tries on when she shows she has the same ambitions.
* PimpedOutDress: The lead role in ''Aged in Wood'' calls for one.
* PrettyInMink: Particularly when some of the ladies comment enviously on a sable coat.
** Marilyn Monroe wearing an ermine coat.
** Margo jokes that she'll just wear a fur coat and a nightgown to her wedding.
* PsychoLesbian: Whatever her feelings for Margo (or Phoebe), it's about as clear as the Hays code would allow that Eve leans toward women, one scene even closing with her and a female cohort ''retiring arm in arm to their boudoir''.
* TheReasonYouSuckSpeech: Given to both Margo and Eve.
* RichBitch: Margo.
* ShoutOutToShakespeare: ''Theatre/{{Macbeth}}'', specifically.
* TheSociopath: You could make a definite case for Addison and Eve.
* SpitTake
* SpockSpeak: Bill describing the time to Margo in the car.
* StalkerWithACrush: Eve is a stalker ''par excellence''. Whether what draws her to Margo can be called a crush depends on one's interpretation.
* SmugSnake: Eve
* TheStoic: Acerbic, icy, and unflappable, Addison is a Stoic to the very end, even when he would be entirely justified in showing some emotion. He feels passion only for the theatre, such as his joyful reverence for Margo Channing even when she is having a theatrical temper tantrum.
** In one scene, Eve is able to make him lose his temper, something no one else ever comes close to doing.
* TitleDrop: In Addison's opening monologue:
--> Eve...but more of Eve, later. All about Eve, in fact.
* UpperClassWit: Addison, complete with [[SmokingIsCool cigarette holder]].
* VillainousBreakdown / VillainousBSOD: Eve, whilst Addison coldly and efficiently obliterates her entire facade in private. She still goes on to win the award we see her win at the start of the film and is clearly going to be successful, but she's a shadow of her former self.
* WideEyedIdealist: Karen, which allows Eve to manipulate her with ease.
* WorldOfSnark
----