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* {{Retcon}}: InUniverse. Upon their transfer to the new world all fanciful backstories and formerly random character actions have become real and have led to some unforeseen consequences.
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* {{Retcon}}: InUniverse. Upon their transfer to the new world world, all fanciful backstories and formerly random character actions have become real and have led to some unforeseen consequences.
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* StoryBreakerPower: We see first hand the power of one of The Twenty, Five Element Overcoming, as it changes the fundamental rules of magic to conform to its user's wish. Usagi uses it to give all the inhabitants of her city the ability to LevelUp, use any Scroll, cultivate, and a number of other blessings that should be entirely impossible to the former denizens of YGGDRASIL.
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* StoryBreakerPower: We see first hand the power of one of The Twenty, Five Element Overcoming, as it changes the fundamental rules of magic to conform to its user's wish. Usagi uses it to give all the inhabitants of her city the ability to LevelUp, her LitRPG system, use any Scroll, cultivate, and a number of other blessings that should be entirely impossible to the former denizens of YGGDRASIL.
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''[[https://forums.spacebattles.com/threads/sailor-moon-overlord-the-queen-of-the-moon.577922/ Queen of the Moon]]'' by Ryuugi is a ''Anime/SailorMoon''/''Anime/Overlord2012'' crossover that takes place a little over 100 years into Usagi's millenia long wait to restore her lunar empire. To keep herself amused, she uses the Eternity Main System to connect herself to the popular virtual reality MMORPG, YGGDRASIL. There, she establishes a close knit group of players, spearheads the creation of one of the game's most successful guilds, and has various adventures with all of her newfound friends. Unfortunately, real life has a tendency to get in the way of things, and as more and more of the guildmembers fall away, Usagi finds herself alone on the last day of YGGDRASIL's operation, surrounded by only her loyal [[NonPlayerCharacter NPC's]] while the game's timer reaches zero.
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''[[https://forums.spacebattles.com/threads/sailor-moon-overlord-the-queen-of-the-moon.577922/ Queen of the Moon]]'' by Ryuugi is a ''Anime/SailorMoon''/''Anime/Overlord2012'' ''Anime/SailorMoon''/''Literature/Overlord2012'' crossover that takes place a little over 100 years into Usagi's millenia long wait to restore her lunar empire. To keep herself amused, she uses the Eternity Main System to connect herself to the popular virtual reality MMORPG, YGGDRASIL. There, she establishes a close knit group of players, spearheads the creation of one of the game's most successful guilds, and has various adventures with all of her newfound friends. Unfortunately, real life has a tendency to get in the way of things, and as more and more of the guildmembers fall away, Usagi finds herself alone on the last day of YGGDRASIL's operation, surrounded by only her loyal [[NonPlayerCharacter NPC's]] while the game's timer reaches zero.
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This or these examples of Surprisingly Realistic Outcome seem to violate at least one of these rules, which disqualifies them: No character reactions (characters get angry, don't forgive, don't change their personality instantly, etc.); Too fantastical (depends on the properties of magic, powers, sci-fi tech, monsters, etc.); Not surprising (a character was warned about the outcome, it's used to provide Karma or An Aesop, or it simply follows normal conventions for this genre or medium); Plot happens (the example only describes an event, but not why audiences would expect a different, unrealistic outcome); Not an outcome (a character just explains why something wouldn't work as expected, or something is just an innate aspect of the setting or character that has a logical reason for being present); More of a Deconstruction (the event has major, lasting effects on the plot, make something more realistic, but not completely realistic, or a parody/fanwork applies realistic consequences to the events of a different work); or fits better under a different trope. See the trope's definition for more details. If you believe a removal was a mistake, please bring it up in the cleanup thread
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* SurprisinglyRealisticOutcome:
** When Tsuki-No-Miyako became real, so did its politics. The outer layers being built solely with the idea of defensive utility in mind so as to protect the wealth of the inner layers from invasion has led to a monetary disparity existing between the two groups. This schism has led to the formation of the Inner and Outer factions, with the two groups of senshi and their subordinates opposing each other in matters of politics, their only unifying factors being their adoration of Usagi and their distaste of Galaxia.
** YGGDRASIL is an ideal setting for players as it offers a continuous source of monsters to slay, materials to search for, and quests to uptake. However, once the world becomes real and loses the vast majority of its defenders, the remaining kingdoms fall into chaos as the various World Enemies take advantage of the sudden power vacuum to each try to claim the Nine Worlds for their own.
** When Tsuki-No-Miyako became real, so did its politics. The outer layers being built solely with the idea of defensive utility in mind so as to protect the wealth of the inner layers from invasion has led to a monetary disparity existing between the two groups. This schism has led to the formation of the Inner and Outer factions, with the two groups of senshi and their subordinates opposing each other in matters of politics, their only unifying factors being their adoration of Usagi and their distaste of Galaxia.
** YGGDRASIL is an ideal setting for players as it offers a continuous source of monsters to slay, materials to search for, and quests to uptake. However, once the world becomes real and loses the vast majority of its defenders, the remaining kingdoms fall into chaos as the various World Enemies take advantage of the sudden power vacuum to each try to claim the Nine Worlds for their own.
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Up To Eleven is a defunct trope
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** Wish Upon a Star, one of the most powerful spells in YGGDRASIL, freely grants the caster's wish so long it is within certain limitations, and those limitations can be somewhat mitigated should one cast a [[UpToEleven Greater Wish]]. While the wishes used to be random, the transition to the new world has changed the nature of the spell to be entirely according to the user's intent, something Usagi deems to be far too useful not to use, even if it does require that she CastFromExperiencePoints.
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** Wish Upon a Star, one of the most powerful spells in YGGDRASIL, freely grants the caster's wish so long it is within certain limitations, and those limitations can be somewhat mitigated should one cast a [[UpToEleven Greater Wish]].Wish. While the wishes used to be random, the transition to the new world has changed the nature of the spell to be entirely according to the user's intent, something Usagi deems to be far too useful not to use, even if it does require that she CastFromExperiencePoints.
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Dewicked trope
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* AdultFear: Watching your daughter be forcefully taken by a man both physically and politically stronger than you while being absolutely helpless to stop it is something that would rightfully terrify any parent.
