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Up To Eleven is being dewicked.
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* ComedicSociopathy: A lot of the humor in his films can best be described as schadenfreude. Taken UpToEleven with his insurance commercials which basically just show things [[GoneHorriblyWrong Going Horribly Wrong]] in unpredictable ways.
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* ComedicSociopathy: A lot of the humor in his films can best be described as schadenfreude. Taken UpToEleven up to eleven with his insurance commercials which basically just show things [[GoneHorriblyWrong Going Horribly Wrong]] in unpredictable ways.
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Roy Andersson is a Swedish film director, known by his dry, at times frozen black comedies full of wry humour anв misanthropic observations. He achieved early acclaim with 1970's A Swedish Love Story. Then his career as a film director went on hiatus although he became renowned for his work in advertising. Already in XXI century he made a comeback with a trilogy of films released in 2000, 2007 and 2014.
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Roy Andersson is a Swedish film director, known by his dry, at times frozen black comedies full of wry humour anв and misanthropic observations. He achieved early acclaim with 1970's A Swedish Love Story. Then his career as a film director went on hiatus although he became renowned for his work in advertising. Already in XXI century he made a comeback with a trilogy of films released in 2000, 2007 and 2014.
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None
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* BlackComedy: Of very dry and static kind.
* CapitalismIsBad. The director rejects this system.
* ChekhovsGunman: Used frequently within his [[LeaveTheCameraRunning long scenes]]. If there is an extra standing in the background in a scene (often in another room), chances are they become important or at least have some text until the end of the scene.
* CapitalismIsBad. The director rejects this system.
* ChekhovsGunman: Used frequently within his [[LeaveTheCameraRunning long scenes]]. If there is an extra standing in the background in a scene (often in another room), chances are they become important or at least have some text until the end of the scene.
to:
* BlackComedy: Of a very dry and static kind.
*CapitalismIsBad. BreakingTheFourthWall: ''You, the Living'' and some of his commercials feature characters speaking to the camera.
* CapitalismIsBad: The director rejects this system.
* ChekhovsGunman: Used frequently within his [[LeaveTheCameraRunning long scenes]]. If there is an extra standing in the background in a scene (often in anotherroom), room, but viewable), chances are they become important or at least have some text until the end of the scene.
*
* CapitalismIsBad: The director rejects this system.
* ChekhovsGunman: Used frequently within his [[LeaveTheCameraRunning long scenes]]. If there is an extra standing in the background in a scene (often in another
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* EarlyInstallmentWeirdness: Inverted as A Swedish Love Story was his most straight movie.
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* ComedicSociopathy: A lot of the humor in his films can best be described as schadenfreude. Taken UpToEleven with his insurance commercials which basically just show things [[GoneHorriblyWrong Going Horribly Wrong]] in unpredictable ways.
* DisproportionateRetribution: In a dream of a character in ''You, the Living'', he is [[HighVoltageDeath sentenced to death]] for breaking expensive tableware.
* DreamSequence: Two in ''You the Living'', one in ''A Pigeon Sat On a Branch Reflecting on Existence''.
* EarlyInstallmentWeirdness: Inverted asA ''A Swedish Love Story Story'' was his most straight movie.
* DisproportionateRetribution: In a dream of a character in ''You, the Living'', he is [[HighVoltageDeath sentenced to death]] for breaking expensive tableware.
* DreamSequence: Two in ''You the Living'', one in ''A Pigeon Sat On a Branch Reflecting on Existence''.
* EarlyInstallmentWeirdness: Inverted as
* KafkaKomedy: All over the place, especially notable with Sam and Jonothan in ''Film/APigeonSatOnABranchReflectingOnExistence''.
* KarmaHoudini: The protagonist of ''World of Glory'' being this after UsefulNotes/WorldWarTwo is the main theme of that ShortFilm. There's also a NaziGrandpa in ''Songs from the Second Floor'' who certainly counts as this.
* KarmaHoudini: The protagonist of ''World of Glory'' being this after UsefulNotes/WorldWarTwo is the main theme of that ShortFilm. There's also a NaziGrandpa in ''Songs from the Second Floor'' who certainly counts as this.
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* {{Trilogy}} Sånger från andra våningen 2000, Du levande 2007, En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014.
* WhatWereTheySellingAgain: Just like his films, [[https://vimeo.com/47312741 his commercials]] are laden with long-takes and absurd occurances, sometimes to the point of distracting from the product they advertise.
* WhatWereTheySellingAgain: Just like his films, [[https://vimeo.com/47312741 his commercials]] are laden with long-takes and absurd occurances, sometimes to the point of distracting from the product they advertise.
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* {{Trilogy}} Sånger från andra våningen 2000, Du levande 2007, En duva satt på en gren och funderade på tillvaron A {{Trilogy}}: ''Songs from the Second Floor'' (2000), ''You, the Living'' (2007) and ''A Pigeon Sat on On a Branch Reflecting on Existence 2014.
Existence'' (2014) form an informal one.
* WhatWereTheySellingAgain: Just like his films, [[https://vimeo.com/47312741 his commercials]] are laden withlong-takes intricate film-making and absurd occurances, sometimes to the point of distracting from the product they advertise.
* WhatWereTheySellingAgain: Just like his films, [[https://vimeo.com/47312741 his commercials]] are laden with
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* {{Trilogy}} Sånger från andra våningen 2000, Du levande 2007, En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014.
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* {{Trilogy}} Sånger från andra våningen 2000, Du levande 2007, En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014.2014.
* WhatWereTheySellingAgain: Just like his films, [[https://vimeo.com/47312741 his commercials]] are laden with long-takes and absurd occurances, sometimes to the point of distracting from the product they advertise.
* WhatWereTheySellingAgain: Just like his films, [[https://vimeo.com/47312741 his commercials]] are laden with long-takes and absurd occurances, sometimes to the point of distracting from the product they advertise.
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* RandomEventsPlot: Usually, the scenes of his films share hardly more a theme and their setting. There are a handful of recurring characters within each respective narrative, but even they don't feature in every scene by a long shot. His films can feel like [[AnthologyFilm Anthologies]] because of this.
to:
* RandomEventsPlot: Usually, the scenes of his films share hardly more than a theme and their setting. There are a handful of recurring characters within each respective narrative, but even they don't feature in every scene by a long shot. His films can feel like [[AnthologyFilm Anthologies]] because of this.
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None
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* RandomEventsPlot: Usually, the scenes of his films share a theme and their setting. There are a handful of recurring characters within each respective narrative, but even they don't feature in every scene by a long shot. His films can feel like [[AnthologyFilm Anthologies]] because of this.
to:
* RandomEventsPlot: Usually, the scenes of his films share hardly more a theme and their setting. There are a handful of recurring characters within each respective narrative, but even they don't feature in every scene by a long shot. His films can feel like [[AnthologyFilm Anthologies]] because of this.
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* NoEnding: His films don't go out of their way to give any kind of resolution of the problems and conflicts portrayed.
* RandomEventsPlot: Usually, the scenes of his films share a theme and their setting. There are a handful of recurring characters within each respective narrative, but even they don't feature in every scene by a long shot. His films can feel like [[AnthologyFilm Anthologies]] because of this.
* RandomEventsPlot: Usually, the scenes of his films share a theme and their setting. There are a handful of recurring characters within each respective narrative, but even they don't feature in every scene by a long shot. His films can feel like [[AnthologyFilm Anthologies]] because of this.
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* ChekhovsGunman: Used frequently within his [[LeaveTheCameraRunning long scenes]]. If there is an extra standing in the background in a scene (often in another room), chances are they become important or at least have some text until the end of the scene.
* CrapsackWorld: Generally prominent, but especially upfront in ''Songs from the Second Floor'' and ''Film/APigeonSatOnABranchReflectingOnExistence''.
* CrapsackWorld: Generally prominent, but especially upfront in ''Songs from the Second Floor'' and ''Film/APigeonSatOnABranchReflectingOnExistence''.
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* HumansAreBastards: He is generally pretty misanthropic.
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* FunnyBackgroundEvent: Used frequently throughout all of his films.
* HumansAreBastards:He is His films are generally pretty misanthropic.
* HumansAreBastards:
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* En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence 2014)
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* En ''Film/APigeonSatOnABranchReflectingOnExistence'' (En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence 2014)
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HumansAreBastards: He is generally pretty misanthropic
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* HumansAreBastards: He is generally pretty misanthropicmisanthropic.
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* CapitalismIsEvil. The director rejects this system.
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* CapitalismIsEvil.CapitalismIsBad. The director rejects this system.
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* En kärlekshistoria (A Swedish Love Story) 1970
* Giliap 1975
* Sånger från andra våningen (Songs from the Second Floor) 2000
* Du levande (You, the Living) 2007
* En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014
* Giliap 1975
* Sånger från andra våningen (Songs from the Second Floor) 2000
* Du levande (You, the Living) 2007
* En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014
to:
* En kärlekshistoria (A Swedish Love Story) 1970
Story 1970)
* Giliap1975
(1975)
* Sånger från andra våningen (Songs from the SecondFloor) 2000
Floor 2000)
* Du levande (You, theLiving) 2007
Living 2007)
* En duva satt på en gren och funderade på tillvaronA (A Pigeon Sat on a Branch Reflecting on Existence 2014
2014)
* Giliap
* Sånger från andra våningen (Songs from the Second
* Du levande (You, the
* En duva satt på en gren och funderade på tillvaron
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* CapitalismIsEvil. The director rejects this system.
Added DiffLines:
HumansAreBastards: He is generally pretty misanthropic
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Added DiffLines:
Roy Andersson is a Swedish film director, known by his dry, at times frozen black comedies full of wry humour anв misanthropic observations. He achieved early acclaim with 1970's A Swedish Love Story. Then his career as a film director went on hiatus although he became renowned for his work in advertising. Already in XXI century he made a comeback with a trilogy of films released in 2000, 2007 and 2014.
----
!!Filmography
* En kärlekshistoria (A Swedish Love Story) 1970
* Giliap 1975
* Sånger från andra våningen (Songs from the Second Floor) 2000
* Du levande (You, the Living) 2007
* En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014
----
!! Tropes
* BlackComedy: Of very dry and static kind.
* EarlyInstallmentWeirdness: Inverted as A Swedish Love Story was his most straight movie.
* LeaveTheCameraRunning: Many a scene in his movies are not cut after the action stops, the camera lingers for some time.
* {{Trilogy}} Sånger från andra våningen 2000, Du levande 2007, En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014.
----
!!Filmography
* En kärlekshistoria (A Swedish Love Story) 1970
* Giliap 1975
* Sånger från andra våningen (Songs from the Second Floor) 2000
* Du levande (You, the Living) 2007
* En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014
----
!! Tropes
* BlackComedy: Of very dry and static kind.
* EarlyInstallmentWeirdness: Inverted as A Swedish Love Story was his most straight movie.
* LeaveTheCameraRunning: Many a scene in his movies are not cut after the action stops, the camera lingers for some time.
* {{Trilogy}} Sånger från andra våningen 2000, Du levande 2007, En duva satt på en gren och funderade på tillvaron A Pigeon Sat on a Branch Reflecting on Existence 2014.
