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* HostilityOnTheSet: At least according to Creator/AdamWest who recalls in his autobiography that Preminger was rude to other cast members and wouldn’t cooperate in fight scenes. The role of Mr. Freeze was recast in his next appearance as a result.

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* HostilityOnTheSet: At least according He was long regarded as the epitome of a RealLife PrimaDonnaDirector, and even earned a bad reputation when he was just working as an actor. According to Creator/AdamWest who recalls in his autobiography that Creator/AdamWest's autobiography, Preminger was rude to other cast members and wouldn’t cooperate in fight scenes. The role of Mr. Freeze was recast in his next appearance as a result.
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In 1951, Preminger directed the Broadway hit ''Theatre/TheMoonIsBlue'', and announced plans to independently produce a film version. ''The Moon Is Blue'' dealt with, for its time, risque sexual matters. The film would not qualify for [[UsefulNotes/TheHaysCode Production Code]] approval (despite attempts to settle differences with Joseph Breen), so Preminger released it without code approval. ''The Man with the Golden Arm'' raised eyebrows not only for its candid treatment of drug use, which also failed to pass the Code, but for its spotlight-stealing credit, "A Film by Otto Preminger." Then there's ''Film/AnatomyOfAMurder'', which also circumvented the code by discussing rape and using other phrases related to it in the film. ''Film/AdviseAndConsent'' was the first Hollywood film to show a gay bar, ''The Cardinal'' was one of the most critical films about the Catholic Church, and ''Film/BunnyLakeIsMissing'' featured the first use of the word "abortion" in a mainstream film. These movies played a huge role in loosening censorship and paving the way for other directors to start testing and challenging the Code. A liberal, Preminger along with Creator/KirkDouglas played a role in ending UsefulNotes/TheHollywoodBlacklist, by crediting Dalton Trumbo for his work as a screenwriter. Preminger put out an ad in the major newspaper a year before the release of ''Film/{{Spartacus}}'', which preceded his film ''Film/Exodus1960'' in the release calendar. Both movies credit Trumbo in their titles.

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Otto Preminger probably did more than any other single individual to undermine Hollywood movie censorship as represented by UsefulNotes/TheHaysCode. In 1951, Preminger directed the Broadway hit ''Theatre/TheMoonIsBlue'', and announced plans to independently produce a film version. ''The Moon Is Blue'' dealt with, for its time, risque sexual matters. The film would not qualify for [[UsefulNotes/TheHaysCode Production Code]] Code approval (despite attempts to settle differences with Joseph Breen), so Preminger released it without code approval. ''The Man with the Golden Arm'' raised eyebrows not only for its candid treatment of drug use, which also failed to pass the Code, but for its spotlight-stealing credit, "A Film by Otto Preminger." Then there's ''Film/AnatomyOfAMurder'', which also circumvented the code by discussing rape and using other phrases related to it in the film.film, and using other words almost never heard in Hollywood productions before, like "[[https://medium.com/@kristinhunt/anatomy-of-a-murder-uses-the-actual-language-of-sexual-assault-8fd511c60719 panties]]" . ''Film/AdviseAndConsent'' was the first Hollywood film to show a gay bar, ''The Cardinal'' was one of the most critical films about the Catholic Church, and ''Film/BunnyLakeIsMissing'' featured the first use of the word "abortion" in a mainstream film. These movies played a huge role in loosening censorship and paving the way for other directors to start testing and challenging the Code. A liberal, Preminger along with Creator/KirkDouglas played a role in ending UsefulNotes/TheHollywoodBlacklist, by crediting Dalton Trumbo for his work as a screenwriter. Preminger put out an ad in the major newspaper a year before the release of ''Film/{{Spartacus}}'', which preceded his film ''Film/Exodus1960'' in the release calendar. Both movies credit Trumbo in their titles.
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* ''Saint Joan'' (1957)

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* ''Saint Joan'' ''Theatre/SaintJoan'' (1957)

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* ''Film/{{Exodus}}'' (1960)

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* ''Film/{{Exodus}}'' ''Film/{{Exodus|1960}}'' (1960)

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In 1951, Preminger directed the Broadway hit ''Theatre/TheMoonIsBlue'', and announced plans to independently produce a film version. ''The Moon Is Blue'' dealt with, for its time, risque sexual matters. The film would not qualify for [[UsefulNotes/TheHaysCode Production Code]] approval (despite attempts to settle differences with Joseph Breen), so Preminger released it without code approval. ''The Man with the Golden Arm'' raised eyebrows not only for its candid treatment of drug use, which also failed to pass the Code, but for its spotlight-stealing credit, "A Film by Otto Preminger." Then there's ''Film/AnatomyOfAMurder'', which also circumvented the code by discussing rape and using other phrases related to it in the film. ''Film/AdviseAndConsent'' was the first Hollywood film to show a gay bar, ''The Cardinal'' was one of the most critical films about the Catholic Church, and ''Film/BunnyLakeIsMissing'' featured the first use of the word "abortion" in a mainstream film. These movies played a huge role in loosening censorship and paving the way for other directors to start testing and challenging the Code. A liberal, Preminger along with Creator/KirkDouglas played a role in ending UsefulNotes/TheHollywoodBlacklist, by crediting Dalton Trumbo for his work as a screenwriter. Preminger put out an ad in the major newspaper a year before the release of ''Film/{{Spartacus}}'', which preceded his film ''Film/{{Exodus}}'' in the release calendar. Both movies credit Trumbo in their titles.

to:

In 1951, Preminger directed the Broadway hit ''Theatre/TheMoonIsBlue'', and announced plans to independently produce a film version. ''The Moon Is Blue'' dealt with, for its time, risque sexual matters. The film would not qualify for [[UsefulNotes/TheHaysCode Production Code]] approval (despite attempts to settle differences with Joseph Breen), so Preminger released it without code approval. ''The Man with the Golden Arm'' raised eyebrows not only for its candid treatment of drug use, which also failed to pass the Code, but for its spotlight-stealing credit, "A Film by Otto Preminger." Then there's ''Film/AnatomyOfAMurder'', which also circumvented the code by discussing rape and using other phrases related to it in the film. ''Film/AdviseAndConsent'' was the first Hollywood film to show a gay bar, ''The Cardinal'' was one of the most critical films about the Catholic Church, and ''Film/BunnyLakeIsMissing'' featured the first use of the word "abortion" in a mainstream film. These movies played a huge role in loosening censorship and paving the way for other directors to start testing and challenging the Code. A liberal, Preminger along with Creator/KirkDouglas played a role in ending UsefulNotes/TheHollywoodBlacklist, by crediting Dalton Trumbo for his work as a screenwriter. Preminger put out an ad in the major newspaper a year before the release of ''Film/{{Spartacus}}'', which preceded his film ''Film/{{Exodus}}'' ''Film/Exodus1960'' in the release calendar. Both movies credit Trumbo in their titles.
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In 1951, Preminger directed the Broadway hit ''Theatre/TheMoonIsBlue'', and announced plans to independently produce a film version. ''The Moon Is Blue'' dealt with, for its time, risque sexual matters. The film would not qualify for [[UsefulNotes/TheHaysCode Production Code]] approval (despite attempts to settle differences with Joseph Breen), so Preminger released it without code approval. ''The Man with the Golden Arm'' raised eyebrows not only for its candid treatment of drug use, which also failed to pass the Code, but for its spotlight-stealing credit, "A Film by Otto Preminger." Then there's ''Film/AnatomyOfAMurder'', which also circumvented the code by discussing rape and using other phrases related to it in the film. ''Film/AdviseAndConsent'' was the first Hollywood film to show a gay bar, while ''The Cardinal'' was one of the most critical films about the Catholic Church. These movies played a huge role in loosening censorship and paving the way for other directors to start testing and challenging the Code. A liberal, Preminger along with Creator/KirkDouglas played a role in ending UsefulNotes/TheHollywoodBlacklist, by crediting Dalton Trumbo for his work as a screenwriter. Preminger put out an ad in the major newspaper a year before the release of ''Film/{{Spartacus}}'', which preceded his film ''Film/{{Exodus}}'' in the release calendar. Both movies credit Trumbo in their titles.

to:

In 1951, Preminger directed the Broadway hit ''Theatre/TheMoonIsBlue'', and announced plans to independently produce a film version. ''The Moon Is Blue'' dealt with, for its time, risque sexual matters. The film would not qualify for [[UsefulNotes/TheHaysCode Production Code]] approval (despite attempts to settle differences with Joseph Breen), so Preminger released it without code approval. ''The Man with the Golden Arm'' raised eyebrows not only for its candid treatment of drug use, which also failed to pass the Code, but for its spotlight-stealing credit, "A Film by Otto Preminger." Then there's ''Film/AnatomyOfAMurder'', which also circumvented the code by discussing rape and using other phrases related to it in the film. ''Film/AdviseAndConsent'' was the first Hollywood film to show a gay bar, while ''The Cardinal'' was one of the most critical films about the Catholic Church.Church, and ''Film/BunnyLakeIsMissing'' featured the first use of the word "abortion" in a mainstream film. These movies played a huge role in loosening censorship and paving the way for other directors to start testing and challenging the Code. A liberal, Preminger along with Creator/KirkDouglas played a role in ending UsefulNotes/TheHollywoodBlacklist, by crediting Dalton Trumbo for his work as a screenwriter. Preminger put out an ad in the major newspaper a year before the release of ''Film/{{Spartacus}}'', which preceded his film ''Film/{{Exodus}}'' in the release calendar. Both movies credit Trumbo in their titles.
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* Oberst von Scherbach in ''Film/{{Stalag 17}}'' (1953)

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* Colonel Oberst von Scherbach in ''Film/{{Stalag 17}}'' (1953)
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* ''Bonjour Tristesse'' (1958)

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* ''Bonjour Tristesse'' ''Film/BonjourTristesse'' (1958)
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better trope


* {{Jerkass}}: At least according to Creator/AdamWest who recalls in his autobiography that Preminger was rude to other cast members and wouldn’t cooperate in fight scenes. The role of Mr. Freeze was recast in his next appearance as a result.

to:

* {{Jerkass}}: HostilityOnTheSet: At least according to Creator/AdamWest who recalls in his autobiography that Preminger was rude to other cast members and wouldn’t cooperate in fight scenes. The role of Mr. Freeze was recast in his next appearance as a result.

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