History Creator / GermainMuller

He also worked in French films in [[BitCharacter bit roles]], and on German television (being fluent in German), making frequent appearances in series such as ''Series/{{Tatort}}'' and ''Achtung Zoll!''.

* AuthorTract: Even though he embraced French culture (he was close friends with Music/EdithPiaf, among others), he openly defended the Alsatian dialect against the francisation that had been going on since the end of World War I and resumed after World War II, as well as the rewriting of local history for French nationalist purposes. Said francisation resulted in the dialect being less and less taught to the local children and thus less and less spoken. He most often expressed it through {{satire}} in the cabaret spectacles and songs he wrote, making fun of a form of French CulturalPosturing that considers Alsatian as a [[RichLanguagePoorLanguage "language for the poor, backwards and peasants"]] and "too German" (since Germans were the bitter enemies of the French for three wars in 75 years, from 1870 to 1945 -- Alsace had the misfortune of being disputed by both countries in that timespan).

* AuthorTract: Even though he embraced French culture (he was close friends with Music/EdithPiaf), he openly defended the Alsatian dialect against the francisation that had been going on since the end of World War I and resumed after World War II, as well as the rewriting of local history for French nationalist purposes. Said francisation resulted in the dialect being less and less taught to the local children and thus less and less spoken. He most often expressed it through {{satire}} in the cabaret spectacles and songs he wrote, making fun of a form of French CulturalPosturing that considers Alsatian as a [[RichLanguagePoorLanguage "language for the poor, backwards and peasants"]] and "too German" (since Germans were the bitter enemies of the French for three wars in 75 years, from 1870 to 1945 -- Alsace had the misfortune of being disputed by both countries in that timespan).

Born in Strasbourg, [[UsefulNotes/DepartementalIssues Alsace]], a few years after the area became French again following UsefulNotes/WorldWarI (it had been German since France lost the UsefulNotes/FrancoPrussianWar), he was a prominent figure (and defender/promoter) of Alsatian culture. He was also close friends with Music/EdithPiaf.

* AuthorTract: He openly defended the Alsatian dialect against the francisation that had been going on since the end of World War I and resumed after World War II, as well as the rewriting of local history for French nationalist purposes. Said francisation resulted in the dialect being less and less taught to the local children and thus less and less spoken. He most often expressed it through {{satire}} in the cabaret spectacles and songs he wrote, making fun of a form of French CulturalPosturing that considers Alsatian as a [[RichLanguagePoorLanguage "language for the poor, backwards and peasants"]] and "too German" (since Germans were the bitter enemies of the French for three wars in 75 years, from 1870 to 1945 -- Alsace had the misfortune of being disputed by both countries in that timespan).

* DuringTheWar: His best known play, ''Enfin...Redde m'r nimm devon'' (''At last... let's not talk about it anymore''), takes place during the de facto annexation of Alsace by UsefulNotes/NaziGermany during UsefulNotes/WorldWarII, which saw a brutal germanization and the conscription of many young men (including Germain himself) in the [[UsefulNotes/NazisWithGnarlyWeapons German armies]]. The play deals with the difficult war experience of the local people at the time (the bombings, the Eastern Front and life under Nazi rule) and the major misunderstandings that happened after the region became French again.

Born in Strasbourg, [[UsefulNotes/DepartementalIssues Alsace]], a few years after the area became French again following UsefulNotes/WorldWarI (it had been German since France lost the UsefulNotes/FrancoPrussianWar), he was a prominent figure (and defender/promoter) of Alsatian culture. He was also friends with Music/EdithPiaf.

Born in Strasbourg, [[UsefulNotes/DepartementalIssues Alsace]], a few years after the area became French again following UsefulNotes/WorldWarI (it had been German since France lost the UsefulNotes/FrancoPrussianWar), he was a prominent figure (and defender/promoter) of Alsace's particular culture.

Drawing inspiration from Swiss and German popular theatre (the [[GermanHumour satirical kind]] especially), he founded a cabaret in Strasbourg, ''De Barabli'', which performed plays, musical numbers and [[RecordedAndStandUpComedy stand-up comedy]] entirely in Alsatian, the variant of ''[[UsefulNotes/GermanLanguage Alemannisch]]'' spoken as dialect in the area for centuries, which has had a rough time with both World Wars and francisation. The cabaret operated from 1946 to 1992.

Drawing inspiration from Swiss and German popular theatre (the [[GermanHumour satirical kind]] especially), he founded a cabaret in Strasbourg, ''De Barabli'', which performed plays, musical numbers and [[RecordedAndStandUpComedy stand-up comedy]] entirely in Alsatian, the variant of ''[[UsefulNotes/GermanDialects Alemannisch]]'' spoken as dialect in the area for centuries, which has had a rough time with both World Wars and francisation. The cabaret operated from 1946 to 1992.

* {{Satire}}: He introduced satire as a staple of Alsatian theatre, specially when he made fun of the French CulturalPosturing concerning the perception of the area and its dialect as "too German" (an impression the two World Wars did nothing to stop) and "backwards".

* {{Satire}}: He introduced satire as a staple of Alsatian theatre, specially when he made fun of the French CulturalPosturing concerning the perception of the area and its dialect as "too German" (the two World Wars didn't help) and "backwards".

Born in Strasbourg, [[UsefulNotes/DepartementalIssues Alsace]], a few years after the area became French again following UsefulNotes/WorldWarI (it had been German since France lost the UsefulNotes/FrancoPrussianWar), he was a prominent figure (and defender) of Alsace's particular culture.

Drawing inspiration from Swiss and German popular theatre (the [[GermanHumour satirical kind]] especially), he founded a cabaret in Strasbourg, ''De Barabli'', which performed plays, musical numbers and [[RecordedAndStandUpComedy stand-up comedy]] entirely in Alsatian, the variant of ''[[UsefulNotes/GermanDialects Alemannisch]]'' spoken as dialect in the area for centuries, which has had a rough time with both World Wars and francisation. The cabaret operated from 1946 to 1992. A former disciple of Muller, Roger Siffer, created the cabaret ''La Choucrouterie'' in Strasbourg in 1984, which still operates and serves as the de facto SpiritualSuccessor to Muller's work.

Drawing inspiration from Swiss and German popular theatre (the [[GermanHumour satirical kind]] especially), he founded a cabaret in Strasbourg, ''De Barabli'', which performed plays, musical numbers and [[RecordedAndStandUpComedy stand-up comedy]] entirely in Alsatian, the variant of ''[[UsefulNotes/GermanDialects Alemannisch]]'' spoken as dialect in the area for centuries, which has had a rough time with both World Wars and francisation. The cabaret operated from 1946 to 1992.

* LastOfHisKind: His most famous song, "D'Letschte" ("The Last Ones" in Alsatian), is a kind of lament asking if he and other people of his generation will end up being the last speakers of the dialect, due to massive francisation.

Germain Muller (July 11, 1923 - October 10, 1994) was a French actor, SingerSongwriter, humorist, playwright, poet and cabaret owner.

* LastOfHisKind: His most famous song "D'Letschte" ("The Last Ones" in Alsatian) is a kind of lament asking if he and other people of his generation will end up being the last speakers of the dialect, due to massive francisation.

* AuthorTract: He openly defended the Alsatian dialect against the francisation that had been going on since the end of World War I and resumed after World War II. Said francisation resulted in the dialect being less and less taught to the local children and thus less and less spoken. He most often expressed it through {{satire}} in the cabaret spectacles and songs he wrote, making fun of a form of French CulturalPosturing that considers Alsatian as a [[RichLanguagePoorLanguage "language for the poor, backwards and peasants"]] and "too German" (since Germans were the bitter enemies of the French for three wars in 75 years, from 1870 to 1945 -- Alsace had the misfortune of being disputed by both countries in that timespan).

* AuthorTract: He openly defended the Alsatian dialect against the francisation that had been going on since the end of World War I and resumed after World War II. Said francisation resulted in the dialect being less and less taught to the local children and thus less and less spoken. He most often expressed it through {{satire}} in the cabaret spectacles and songs he wrote, making fun of a form of French CulturalPosturing that considers Alsatian as a [[RichLanguagePoorLanguage "language for the poor and peasants"]] and "too German" (since Germans were the bitter enemies of the French for three wars in 75 years, from 1870 to 1945 -- Alsace had the misfortune of being disputed by both countries in that timespan).

* AuthorTract: He openly defended the Alsatian dialect against the francisation that had been going on since the end of World War I and resumed after World War II, resulting in it being less and less taught to the local children and thus less and less spoken. This was most often expressed through {{satire}} in the cabaret spectacles and songs he wrote, making fun of a form of French CulturalPosturing that considers Alsatian as a [[RichLanguagePoorLanguage "language for the poor and peasants"]] and "too German" (since Germans were the bitter enemies of the French for three wars in 75 years, from 1870 to 1945 -- Alsace had the misfortune of being disputed by both countries in that timespan).

Born in Strasbourg, [[UsefulNotes/DepartementalIssues Alsace]], a few years after the area became French again following UsefulNotes/WorldWarI (it had been German since the UsefulNotes/FrancoPrussianWar), he was a prominent figure (and defender) of Alsace's particular culture.