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With the onset of UsefulNotes/WorldWarII, he joined the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp Dachau. The latter was of utmost importance for him and the world: his motion picture evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
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With the onset of UsefulNotes/WorldWarII, he joined the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp Dachau. The latter was of utmost importance for him and the world: his motion picture evidence of the conditions of the camp and its prisoners would be used in the Nuremburg Nuremberg trials to condemn the war crimes of Nazi leadership.
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He won an UsefulNotes/AcademyAward for Best Director two times: for the Creator/MontgomeryClift drama, ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He won an UsefulNotes/AcademyAward for Best Director two times: for the Creator/MontgomeryClift drama, drama ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, film ''Film/{{Giant}}''.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/georgestevens_610x723.jpg]]
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George Stevens (1904-1975) was an American director during UsefulNotes/TheGoldenAgeOfHollywood. He was the go-to director of comedy for Creator/{{RKO}} during TheThirties.
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George Cooper Stevens (1904-1975) (December 18, 1904 – March 8, 1975) was an American director during UsefulNotes/TheGoldenAgeOfHollywood. He was the go-to director of comedy for Creator/{{RKO}} during TheThirties.
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With the onset of WWII, he joined the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp Dachau. The latter was of utmost importance for him and the world: his motion picture evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
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With the onset of WWII, UsefulNotes/WorldWarII, he joined the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp Dachau. The latter was of utmost importance for him and the world: his motion picture evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
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George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was the go-to director of comedy for Creator/{{RKO}} during TheThirties.
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George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood.UsefulNotes/TheGoldenAgeOfHollywood. He was the go-to director of comedy for Creator/{{RKO}} during TheThirties.
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With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp Dachau. The latter was of utmost importance for him and the world: his video evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
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With the onset of WWII, he became involved with joined the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp Dachau. The latter was of utmost importance for him and the world: his video motion picture evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
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He won an AcademyAward for Best Director two times: for the Creator/MontgomeryClift drama, ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He won an AcademyAward UsefulNotes/AcademyAward for Best Director two times: for the Creator/MontgomeryClift drama, ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He began his career in silents as a cinematographer and later directed several Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the era, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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He began his career in silents as a cinematographer and later directed several Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the era, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Franchise/IndianaJones'', ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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He began in silents as a cinematographer and later directing the Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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He began his career in silents as a cinematographer and later directing the directed several Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, era, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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He began in silents as a cinematographer and later directing most notably the Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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He began in silents as a cinematographer and later directing most notably the Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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He won an AcademyAward for Best Director two times: for the Creator/MontgomeryClift drama ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He won an AcademyAward for Best Director two times: for the Creator/MontgomeryClift drama drama, ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He won an AcademyAward for Best Director two times: for the Creator/MontogomeryClift drama ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He won an AcademyAward for Best Director two times: for the Creator/MontogomeryClift Creator/MontgomeryClift drama ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He won an AcademyAward for Best Director two times: for the Creator/MontogomeryClift drama ''Film/APlaceInTheSun'' and for Creator/JamesDean's last film, ''Film/{{Giant}}''.
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He began directing in silents, most notably the Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
to:
He began in silents as a cinematographer and later directing in silents, most notably the Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
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!!George Stevens films on [=TV=] Tropes:
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!!George Stevens Stevens' films on [=TV=] Tropes:
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George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was known as the go-to comedy man for Creator/{{RKO}} during TheThirties.
He began directing in silents, most notably the LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp, Dachau. The latter was of utmost importance for him and the world: his video evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
Such strong and horrifying scenes of evil changed Stevens forever, and he vowed to never make a comedy film again. He made, as promised, only serious dramas thereafter.
He began directing in silents, most notably the LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp, Dachau. The latter was of utmost importance for him and the world: his video evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
Such strong and horrifying scenes of evil changed Stevens forever, and he vowed to never make a comedy film again. He made, as promised, only serious dramas thereafter.
to:
George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was known as the go-to director of comedy man for Creator/{{RKO}} during TheThirties.
He began directing in silents, most notably theLaurelAndHardy Creator/LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in ''Film/WomanOfTheYear''.
With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentrationcamp, camp Dachau. The latter was of utmost importance for him and the world: his video evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
Such strong and horrifying scenes of evil changed Stevens forever, and he vowed to never make a comedyfilm again. He made, as promised, only serious dramas thereafter.
He began directing in silents, most notably the
With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration
Such strong and horrifying scenes of evil changed Stevens forever, and he vowed to never make a comedy
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George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was known as the go-to comedy man for Creator/RKO during TheThirties.
to:
George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was known as the go-to comedy man for Creator/RKO Creator/{{RKO}} during TheThirties.
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He began directing in silents, most notably the LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like Film/SwingTime, arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, Film/GungaDin, and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in Film/WomanOfTheYear.
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He began directing in silents, most notably the LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like Film/SwingTime, ''Film/SwingTime'', arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, Film/GungaDin, ''Film/GungaDin'', and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in Film/WomanOfTheYear.
''Film/WomanOfTheYear''.
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* ''Film/TheTalkOfTheTown'' (1942)
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* ''Film/TheTalkOfTheTown'' ''Film/TalkOfTheTown'' (1942)
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/georgestevens_610x723.jpg]]
George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was known as the go-to comedy man for Creator/RKO during TheThirties.
He began directing in silents, most notably the LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like Film/SwingTime, arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, Film/GungaDin, and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in Film/WomanOfTheYear.
With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp, Dachau. The latter was of utmost importance for him and the world: his video evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
Such strong and horrifying scenes of evil changed Stevens forever, and he vowed to never make a comedy film again. He made, as promised, only serious dramas thereafter.
He died from a heart attack at the age of 71.
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!!George Stevens films on [=TV=] Tropes:
*''Literature/AliceAdams'' (1935)
*''Film/SwingTime'' (1936)
*''Film/GungaDin'' (1939)
*''Film/TheTalkOfTheTown'' (1942)
*''Film/WomanOfTheYear'' (1942)
*''Film/TheMoreTheMerrier'' (1943)
*''Film/IRememberMama'' (1948)
*''Film/APlaceInTheSun'' (1951)
*''Film/{{Shane}}'' (1953)
*''Film/{{Giant}}'' (1956)
*''Film/TheDiaryOfAnneFrank'' (1959)
*''Film/TheGreatestStoryEverTold'' (1965)
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George Stevens (1904-1975) was an American director during TheGoldenAgeOfHollywood. He was known as the go-to comedy man for Creator/RKO during TheThirties.
He began directing in silents, most notably the LaurelAndHardy shorts where he honed his directing comedy flair. With great success, he directed many classic films of the time, like Film/SwingTime, arguably the best Creator/GingerRogers and Creator/FredAstaire film, the action/adventure film to inspire IndianaJones, Film/GungaDin, and pairing Creator/SpencerTracy and Creator/KatharineHepburn together in Film/WomanOfTheYear.
With the onset of WWII, he became involved with the Army’s Signal Corps and headed the film unit during such important events as D-Day and the liberation of the concentration camp, Dachau. The latter was of utmost importance for him and the world: his video evidence of the conditions of the camp and its prisoners would be used in the Nuremburg trials to condemn the war crimes of Nazi leadership.
Such strong and horrifying scenes of evil changed Stevens forever, and he vowed to never make a comedy film again. He made, as promised, only serious dramas thereafter.
He died from a heart attack at the age of 71.
----
!!George Stevens films on [=TV=] Tropes:
*''Literature/AliceAdams'' (1935)
*''Film/SwingTime'' (1936)
*''Film/GungaDin'' (1939)
*''Film/TheTalkOfTheTown'' (1942)
*''Film/WomanOfTheYear'' (1942)
*''Film/TheMoreTheMerrier'' (1943)
*''Film/IRememberMama'' (1948)
*''Film/APlaceInTheSun'' (1951)
*''Film/{{Shane}}'' (1953)
*''Film/{{Giant}}'' (1956)
*''Film/TheDiaryOfAnneFrank'' (1959)
*''Film/TheGreatestStoryEverTold'' (1965)
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