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** Prince Valiant also appeared in an episode of ''WesternAnimation/DefendersOfTheEarth''.

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** Prince Valiant also appeared in an episode of ''WesternAnimation/DefendersOfTheEarth''. In that case, it was justified by a time travel plot.
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* BreachingTheWall: Viking invaders lay siege to Camelot, and use a known and proven method of breaching heavy walls: they raise an armored roof over a crew of tunnelers, who dig beneath the wall. Once enough earth has been cleared away, the support beams are set alight, causing them to buckle. This in turn causes the wall to collapse from its own weight, creating a sizable rift that the Vikings clamber through to capture Camelot.
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* AnimalMotifs: The Thule royal family crest is the red stallion Arvak who pulls the sun chariot in NorseMythology.

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* AnimalMotifs: The Thule royal family crest is the red stallion Arvak who pulls the sun chariot in NorseMythology.Myth/NorseMythology.
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There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Stephen Moyer and Katherine Heigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired a well-received TabletopRPG more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/Dynamite comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.

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There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Stephen Moyer and Katherine Heigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired a well-received the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/Dynamite comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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* MenUseViolenceWomenUseCommunication: Val and Aguar find that Aleta is able to solve many conflicts through peaceful negotiation that they would have solved through violence.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempts at a peaceful existence are doomed to failure. It sure looks pretty though.

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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempts attempt at a peaceful existence are is doomed to failure. It sure looks pretty though.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It's ultimately a kill or be killed world and any attempts at a peaceful existence are doomed to failure. It sure looks pretty though.

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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It's ultimately a kill or be killed world and where any attempts at a peaceful existence are doomed to failure. It sure looks pretty though.
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* SurprisinglySuddenDeath: [[ItWasHisSled The death of Tristan]] is shockingly abrupt considering his importance in early strips and it has little impact on future events.

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* SurprisinglySuddenDeath: [[ItWasHisSled The death of Tristan]] Tristan is shockingly abrupt considering his importance in early strips and it has little impact on future events.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It sure looks pretty though.

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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It's ultimately a kill or be killed world and any attempts at a peaceful existence are doomed to failure. It sure looks pretty though.
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* MightyWhitey: Val and Aleta's interactions with the Native Americans inevitably has shades of this, even if it is FairForItsDay.

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* MightyWhitey: Val and Aleta's interactions with the Native Americans inevitably has shades of this, even if it is FairForItsDay.this.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It sure looks pretty though.

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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental europe Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It sure looks pretty though.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, everywhere outside of Camelot and Thule is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It sure looks pretty though.

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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, everywhere outside of Camelot and Thule continental europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It sure looks pretty though.

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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, everywhere outside of Camelot and Thule is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It sure looks pretty though.



* GoryDiscretionShot: Used to great and [[NothingIsScarier disturbing]] effect when [[spoiler: Edwin's crucified body is discovered.]]

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* GoryDiscretionShot: Used to great and [[NothingIsScarier disturbing]] effect during the sack of Saramand and when [[spoiler: Edwin's crucified body is discovered.]]



* RapePillageAndBurn: Heavily implied in Val's assault on the city of Saramand. One of the most chilling examples of DeliberateValuesDissonance in the strip.

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* RapePillageAndBurn: Heavily implied in Val's assault on the city of Saramand. One of the most chilling examples of DeliberateValuesDissonance in the strip. It's just a grim everyday reality of Val's world.
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* CorporalPunishment: Common and accepted due to the ValuesDissonance of the setting and the era of publication. Aleta in particular does not hesitate to spank her children.
** ComedicSpanking: in one arc, Arn is staying with another royal family and is constantly being terrorized by the young princess. Eventually she plants an elaborate trap in his room but ends up accidentally traps her mother who takes her to her room and spanks her with a hair brush, much to Arn's satisfaction.

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* CorporalPunishment: Common and accepted due to the ValuesDissonance of given the setting and the era of publication. Aleta in particular does not hesitate to spank her children.
** ComedicSpanking: in one arc, Arn is staying with another royal family and is constantly being terrorized by the young princess. Eventually she plants an elaborate trap in his room but ends up accidentally traps trapping her mother who takes her to her room and spanks her with a hair brush, much to Arn's satisfaction.
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* CorporalPunishment: Common and accepted due to the ValuesDissonance of the setting and the era of publication. Aleta in particular does not hesitate to spank her children.
** ComedicSpanking: in one arc, Arn is staying with another royal family and is constantly being terrorized by the young princess. Eventually she plants an elaborate trap in his room but ends up accidentally traps her mother who takes her to her room and spanks her with a hair brush, much to Arn's satisfaction.
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''Prince Valiant in the Days of King Arthur'' is a [[NewspaperComics comic strip]] created by Hal Foster, run by Creator/KingFeaturesSyndicate [[LongRunner from 1937 to the present]] (Foster's last strip was drawn in 1971), that recounted the adventures of the eponymous Norse prince and his family and friends. The comic came out only in the Sunday paper and featured narration juxtaposed with illustrations rather than the usual thought and speech balloons. During most of Hal Foster's lifetime it occupied one whole page of the Sunday funnies. In the 90s it spun off into a Creator/MarvelComics limited series not set in Marvel continuity.

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''Prince Valiant in the Days of King Arthur'' is a [[NewspaperComics comic strip]] created by Hal Foster, run by Creator/KingFeaturesSyndicate [[LongRunner from 1937 to the present]] (Foster's last drawn strip was drawn in 1971), 1971, though he continued to do scripting until 1980), that recounted the adventures of the eponymous Norse prince and his family and friends. The comic came out only in the Sunday paper and featured narration juxtaposed with illustrations rather than the usual thought and speech balloons. During most of Hal Foster's lifetime it occupied one whole page of the Sunday funnies. In the 90s it spun off into a Creator/MarvelComics limited series not set in Marvel continuity.
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* CoolHorse: Val's horse Arvak the red stallion, named after his family symbol.

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* CoolHorse: Val's horse horse, Arvak the red stallion, named stallion (named after his family symbol.symbol).
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* BloodKnight: Val lives for battle and bloodshed, at least in his younger days. He mellows out as he gets older.
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* PoliticallyIncorrectHero: Val is initially shown to be prejudiced against common people.
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* TheDungAges: Mostly averted but the lands formerly controlled by the Roman Empire are reduced to this AfterTheEnd.
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* GoryDiscretionShot: Used to great and [[NothingIsScarier disturbing]] effect when [[spoiler: Edwin's crucified body is discovered.]]


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* NobleSavage: Saxons are noted to be brave and capable warriors in spite of their savage and barbaric reputation.
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* HeroicBSOD: Val sinks into this after his squire (a boy who reminded him of his reckless younger self) is crucified and tortured to death by barbarians. After a RoaringRampageOfRevenge which results in him killing the remaining barbarians, he throws away the singing sword in disgust... only to be forced to take it up again moments later to defend himself from scavenging peasants.
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* ArtisticLicenseHistory: Hal Foster clearly did a lot of historical research but he wasn't afraid to change things to suit the story. Contemporary historical figures make appearances, archaic place names (like Gaul for France for example) are used, the Western Roman Empire is still hanging on, paganism is still widely practiced in throughout Europe and the clothing worn throughout the series is more-or-less grounded in the Dark Ages/late antiquity. However, popular anachronistic trappings common to Arthurian literature (such as stone castles, chivalry, jousting and the title of knight) are heavily featured. Justifiable, as these elements have become so ubiquitous to Arthurian mythology that their absence would invoke a sense of RealityIsUnrealistic.

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* ArtisticLicenseHistory: Hal Foster clearly did a lot of historical research but he wasn't afraid to change things to suit the story. Contemporary historical figures make appearances, archaic place names (like Gaul for France for example) are used, the Western Roman Empire is still hanging on, paganism is still widely practiced in throughout Europe and the clothing worn throughout the series is more-or-less grounded in the Dark Ages/late antiquity. However, popular anachronistic trappings common to Arthurian literature (such as stone castles, chivalry, jousting and the title of knight) are heavily featured. Justifiable, as these elements have become so ubiquitous to Arthurian mythology that their absence would invoke a sense of RealityIsUnrealistic.RealityIsUnrealistic and most of the castles are implied, if not outright stated, to be Roman strongholds.
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* DefrostingIceQueen: Guinevere to Aleta.
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* ArtisticLicenseReligion: One of the more jarring anachronisms in early strips was the presence of Muslims in the fifth century. This was retconned in a vleter strip that referred to Mohammed in the future tense, but the Arabs' place of worship is still called a mosque.

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* ArtisticLicenseReligion: One of the more jarring anachronisms in early strips was the presence of Muslims in the fifth century. This was retconned in a vleter later strip that referred to Mohammed in the future tense, but the Arabs' place of worship is still called a mosque.
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* LastBastion: Abdelkrag, the last stronghold holding out against the Huns who have ravaged Europe.

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* LastBastion: Abdelkrag, the last stronghold holding out against the Huns who have ravaged Europe. After the fall of Rome, Camelot becomes the last Christian kingdom in Europe.

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