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Trope was cut/disambiguated due to cleanup
Deleted line(s) 35 (click to see context) :
* TheLastOfTheseIsNotLikeTheOthers: In order to infiltrate the bullring, Mortadelo and Filemón take up a disguise and join the staff door's line. First it goes the flagger, then the hasher, and finally the agents wearing a cheap bull costume claiming to be the bull. It works thanks to the doorman's absentminded DoubleTake.
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Changed line(s) 9 (click to see context) from:
* AllForNothing: At the end of the book, it's revealed that [[spoiler:the secret plans never left the center, as Bacterio accidentally switched their case with a rheumatism tab tube.]] To say that Mortadelo and Filemón are naturally not amused would be an understatement.
to:
* AllForNothing: At the end of the book, it's revealed that [[spoiler:the secret plans never left the center, Center, as Bacterio accidentally switched their case with a rheumatism tab tube.]] To say that Mortadelo and Filemón are naturally not amused would be an understatement.
Changed line(s) 11 (click to see context) from:
* ArtisticLicenseGeography: Played for laughs. The cruiser ship is named ''Ile du Soria'' ("Soria Island" in French). Soria is a Spanish landlocked city, not an island.
to:
* ArtisticLicenseGeography: Played for laughs. The cruiser ship is named ''Ile du Soria'' ("Soria Island" in French). Soria is a Spanish landlocked city, city in midst of the peninsula, not an island.
Changed line(s) 13 (click to see context) from:
** The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them shockingly over the head and throw them back to the ruedo. Later, they also riot and jump in to beat them when it is made clear the bullfight show is over.
to:
** The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them shockingly over the head with shocking strength, and throw them back to the ruedo. Later, they also riot and jump in to beat them up when it is made clear the bullfight show is over.
Changed line(s) 16 (click to see context) from:
* BananaRepublic: The aptly named Republic of Banania is implied to be one from its name, although it is pretty indistinguishable from Spain.
to:
* BananaRepublic: The aptly named Republic of Banania is implied to be one one, from its name, its location at the other side of the sea and the fact that it has bullfighting like Spain, although it is pretty indistinguishable from Spain.Spain in looks.
Changed line(s) 25 (click to see context) from:
* DissonantSerenity: Mortadelo clocks a HornyVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking - while Filemón [[ScrewThisImOuttaHere runs away]]. Obviously, he ends up immediately thrashed around.
to:
* DissonantSerenity: Mortadelo clocks a HornyVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking - while Filemón [[ScrewThisImOuttaHere runs away]]. Obviously, he Mortadelo ends up immediately thrashed around.
Changed line(s) 27,28 (click to see context) from:
* EarlyInstallmentWeirdness: Like the previous comic book, although with some help from serendipity rather than sheer competence, here Mortadelo and Filemón show themselves as decently skilled and actually fulfill their mission.
** Filemón wears his red jacket, a call-back to the single-page adventures era that only appears in two full-length books (with ComicBook/ElSulfatoAtomico being the other one) and lacks his trademark bow-tie, a side-effect of the fact that he was supposed to be a different character in the first place and Ibáñez didn't bother to redraw his entire outfit just to add that one detail when the rest was close enough already.
** Filemón wears his red jacket, a call-back to the single-page adventures era that only appears in two full-length books (with ComicBook/ElSulfatoAtomico being the other one) and lacks his trademark bow-tie, a side-effect of the fact that he was supposed to be a different character in the first place and Ibáñez didn't bother to redraw his entire outfit just to add that one detail when the rest was close enough already.
to:
* EarlyInstallmentWeirdness: EarlyInstallmentWeirdness:
** Like the previous comic book, although with some help from serendipity rather than sheer competence, here Mortadelo and Filemón show themselves as decently skilled agents and actually fulfill their mission.
** Filemón wears his red jacket, a call-back to the single-page adventures era that only appears in two full-length books (withComicBook/ElSulfatoAtomico ''ComicBook/ElSulfatoAtomico'' being the other one) and lacks his trademark bow-tie, a side-effect of the fact that he was supposed to be a different character in the first place and Ibáñez didn't bother to redraw his entire outfit just to add that one detail when the rest was close enough already.
** Like the previous comic book, although with some help from serendipity rather than sheer competence, here Mortadelo and Filemón show themselves as decently skilled agents and actually fulfill their mission.
** Filemón wears his red jacket, a call-back to the single-page adventures era that only appears in two full-length books (with
Changed line(s) 34 (click to see context) from:
* TheLastOfTheseIsNotLikeTheOthers: In order to infiltrate the bullring, Mortadelo and Filemón take up a disguise and join the staff door's line. First it goes the flagger, then the hasher, and finally the agents wearing a cheap bull costume claiming to be the bull. It works thanks to the doorman's DoubleTake.
to:
* TheLastOfTheseIsNotLikeTheOthers: In order to infiltrate the bullring, Mortadelo and Filemón take up a disguise and join the staff door's line. First it goes the flagger, then the hasher, and finally the agents wearing a cheap bull costume claiming to be the bull. It works thanks to the doorman's absentminded DoubleTake.
Changed line(s) 40 (click to see context) from:
* MeaningfulName: TheBrute is almost completely deaf, and is called Tapia ("wall"), after the Spanish idiom "Estás sordo como una tapia" ("You're deaf like a wall").
to:
* MeaningfulName: TheBrute is almost completely deaf, and is called Tapia ("wall"), after the Spanish idiom "Estás "estar sordo como una tapia" ("You're ("being deaf like a wall").
Changed line(s) 45 (click to see context) from:
* RefugeInAudacity: Used constantly by both heroes and villains, counting the very usage of a bull to hide the plans.
to:
* RefugeInAudacity: RefugeInAudacity:
** Used constantly by both heroes and villains, counting the very usage of a bull to hide the plans.
** Used constantly by both heroes and villains, counting the very usage of a bull to hide the plans.
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Deleted line(s) 15 (click to see context) :
* BaitAndSwitch: Typical of Ibáñez, the story opens with Filemón being seen behind a luxury car's window... only for the car to drive away, revealing Filemón was actually riding a bike next to the car.
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* RealVehicleReveal: Typical of Ibáñez, the story opens with Filemón being seen behind a luxury car's window... only for the car to drive away, revealing Filemón was actually riding a bicycle next to the car.
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* PuffOfLogic: When the bullring's doorman is running up a wall thinking he's still chasing Mortadelo (see HeWentThatWay), he falls off as soon as he notices he is somehow running up a wall.
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* BrickJoke: When Mortadelo gets his hand in the box he knows contains the plans, he grabs something and claims he's found the receptacle - which is actually the bull's left horn. At the end of the story, they find out that said horn was actually a fake that contained the plans.
Changed line(s) 32 (click to see context) from:
* HoistByHisOwnPetard: While Mortadelo and Filemón are being ganged up by the bullring crowd, Apolonio throws a powerful smokescreen to help Rata and company grab the bull and escape. This only results in their defeat: the smoke allows the agents escape and find the bull first, while Rata accidentally attacks a cop believing to be the animal and it gets them arrested.
to:
* HoistByHisOwnPetard: While Mortadelo and Filemón are being ganged up by the bullring crowd, Apolonio throws a powerful smokescreen to help Rata and company grab the bull and escape. This only results in their defeat: the smoke allows the agents escape and find the bull first, while Rata accidentally attacks takes a cop cop's truncheon believing it to be the animal and it bull's fake horn, which gets them arrested.
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** Mortadelo's disguises allow this very well. For example, when Mortadelo starts screaming after getting a cigar in his eye while eavesdropping on Rata's gang, Rata goes out to investigate - and finds a grazing percheron. Rata returns and calmly states it's just a horse.
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Changed line(s) 37 (click to see context) from:
** This time Mortadelo is not the only, as Rata's henchmen (and Rata himself) are prone to misunderstand Apolonio's orders this way.
to:
** This time Mortadelo is not the only, only one, as Rata's henchmen (and Rata himself) are prone to misunderstand Apolonio's orders this way.
Added DiffLines:
* MeaningfulName: TheBrute is almost completely deaf, and is called Tapia ("wall"), after the Spanish idiom "Estás sordo como una tapia" ("You're deaf like a wall").
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Changed line(s) 52 (click to see context) from:
* ATragedyOfImpulsiveness: Played for laughs. The agents are told by a photographer that the bull was about to exit the hotel, so they immediately jump in to knock it out with their nightsticks... only for the "bull" to be actually a hulking wrestling champion with said nickname, who promptly beats them down.
to:
* ATragedyOfImpulsiveness: Played for laughs. The agents PlayedForLaughs. Apolonio and Tapia are told by a photographer that the bull was about to exit the hotel, so they immediately jump in to knock it out with their nightsticks... only for the "bull" to be actually a hulking wrestling champion with said nickname, who promptly beats them down.
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Changed line(s) 14 (click to see context) from:
** A single Bananian cop arrests Apolonio and the entire Rata gang after knocking them out.
to:
** A single Bananian cop arrests Apolonio and the entire Rata gang after knocking them out.out [[OneHitPolykill in one swing of his truncheon]].
Changed line(s) 25 (click to see context) from:
* DissonantSerenity: Mortadelo clocks a HornyVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, and then he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking. Obviously, both him and Filemón end up immediately thrashed around.
to:
* DissonantSerenity: Mortadelo clocks a HornyVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, and then he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking. Obviously, both him and seeking - while Filemón end [[ScrewThisImOuttaHere runs away]]. Obviously, he ends up immediately thrashed around.
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None
Changed line(s) 6,7 (click to see context) from:
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a lot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were solved, Ibáñez re-adapted it into ''M&F''. The planned dopplegangers, Ocarino and Lentejo, can still be seen in the original manuscript of the first seven pages when looked at from the back, surviving behind the stickers used to cover them up with Mortadelo and Filemón.
to:
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a lot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were solved, Ibáñez re-adapted it into ''M&F''. The planned dopplegangers, Ocarino Lentejo and Lentejo, Fideíno, can still be seen in the original manuscript of the first seven pages when looked at from the back, surviving behind the stickers used to cover them up with Mortadelo and Filemón.
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None
Added DiffLines:
** Filemón wears his red jacket, a call-back to the single-page adventures era that only appears in two full-length books (with ComicBook/ElSulfatoAtomico being the other one) and lacks his trademark bow-tie, a side-effect of the fact that he was supposed to be a different character in the first place and Ibáñez didn't bother to redraw his entire outfit just to add that one detail when the rest was close enough already.
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None
Changed line(s) 6,7 (click to see context) from:
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a lot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were solved, Ibáñez re-adapted it into ''M&F''. The planned dopplegangers, Ocarino and Lentejo, can still be seen in the original seven pages when looked at from the back, surviving behind the stickers used to cover them up with Mortadelo and Filemón.
to:
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a lot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were solved, Ibáñez re-adapted it into ''M&F''. The planned dopplegangers, Ocarino and Lentejo, can still be seen in the original manuscript of the first seven pages when looked at from the back, surviving behind the stickers used to cover them up with Mortadelo and Filemón.
Is there an issue? Send a MessageReason:
None
Changed line(s) 6,7 (click to see context) from:
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a ot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were, Ibáñez re-adapted it into ''M&F''.
to:
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a ot lot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were, were solved, Ibáñez re-adapted it into ''M&F''.
''M&F''. The planned dopplegangers, Ocarino and Lentejo, can still be seen in the original seven pages when looked at from the back, surviving behind the stickers used to cover them up with Mortadelo and Filemón.
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None
Changed line(s) 11 (click to see context) from:
* AristicLicenseGeography: Played for laughs. The cruiser ship is named ''Ile du Soria'' ("Soria Island" in French). Soria is a Spanish landlocked city, not an island.
to:
* AristicLicenseGeography: ArtisticLicenseGeography: Played for laughs. The cruiser ship is named ''Ile du Soria'' ("Soria Island" in French). Soria is a Spanish landlocked city, not an island.
* BrutishBulls: The whole story's schtick. A lot of hilarity comes out from the fact that both heroes and villains have to steer around an enormous, aggressive toro de lidia.
Deleted line(s) 36 (click to see context) :
* ALoadOfBull: The whole story's schtick. A lot of hilarity comes out from the fact that both heroes and villains have to steer around an enormous, aggressive toro de lidia.
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Changed line(s) 9 (click to see context) from:
* BadassBystander: The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them shockingly over the head and throw them back to the ruedo. Later, they also riot and jump in to beat them when it is made clear the bullfight show is over.
to:
* BadassBystander: AllForNothing: At the end of the book, it's revealed that [[spoiler:the secret plans never left the center, as Bacterio accidentally switched their case with a rheumatism tab tube.]] To say that Mortadelo and Filemón are naturally not amused would be an understatement.
* AmbiguousSituation: It's never revealed what Project Bartolo exactly is. The context and its references imply it is some kind of defense system related to space, possibly a surveillance satellite or a KillSat.
* AristicLicenseGeography: Played for laughs. The cruiser ship is named ''Ile du Soria'' ("Soria Island" in French). Soria is a Spanish landlocked city, not an island.
* BadassBystander:
** The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them shockingly over the head and throw them back to the ruedo. Later, they also riot and jump in to beat them when it is made clear the bullfight show isover.over.
** A single Bananian cop arrests Apolonio and the entire Rata gang after knocking them out.
* AmbiguousSituation: It's never revealed what Project Bartolo exactly is. The context and its references imply it is some kind of defense system related to space, possibly a surveillance satellite or a KillSat.
* AristicLicenseGeography: Played for laughs. The cruiser ship is named ''Ile du Soria'' ("Soria Island" in French). Soria is a Spanish landlocked city, not an island.
* BadassBystander:
** The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them shockingly over the head and throw them back to the ruedo. Later, they also riot and jump in to beat them when it is made clear the bullfight show is
** A single Bananian cop arrests Apolonio and the entire Rata gang after knocking them out.
* BrownNote: Mortadelo knocks out the bull by showing him the hotel's price list.
* TheBrute: Rata's gangster Tapia, who is a big man with a bit of SuperStrength.
* TheBrute: Rata's gangster Tapia, who is a big man with a bit of SuperStrength.
Changed line(s) 18 (click to see context) from:
* EarlyInstallmentWeirdness: Like the previous comic book, although with some help from serendipity rather than sheer badassery, here Mortadelo and Filemón show themselves as decently competent and actually fulfill their mission.
to:
* DoubleTake: Filemón does one when a crocodile opens Mortadelo's door, first thinking he simply missed the right door and then panicking and running away. Later the bullring doorman has a similar experience.
* EarlyInstallmentWeirdness: Like the previous comic book, although with some help from serendipity rather than sheerbadassery, competence, here Mortadelo and Filemón show themselves as decently competent skilled and actually fulfill their mission.mission.
* EpicFail: The title agents try to use a large party rocket to reach a truck where the bull is held, but they fail, crash and are run over. Later, their attempts to pass as bullfighters are a prolonged series of failures.
* EarlyInstallmentWeirdness: Like the previous comic book, although with some help from serendipity rather than sheer
* EpicFail: The title agents try to use a large party rocket to reach a truck where the bull is held, but they fail, crash and are run over. Later, their attempts to pass as bullfighters are a prolonged series of failures.
Changed line(s) 20 (click to see context) from:
* KillerGorilla: Mortadelo disguises himself as an angry-looking gorilla, scaring the heck out of the waiter.
to:
* HoistByHisOwnPetard: While Mortadelo and Filemón are being ganged up by the bullring crowd, Apolonio throws a powerful smokescreen to help Rata and company grab the bull and escape. This only results in their defeat: the smoke allows the agents escape and find the bull first, while Rata accidentally attacks a cop believing to be the animal and it gets them arrested.
* KillerGorilla: Mortadelo disguises himself as an angry-looking gorilla, scaring the heck out of both Filemón and thewaiter.waiter.
* TheLastOfTheseIsNotLikeTheOthers: In order to infiltrate the bullring, Mortadelo and Filemón take up a disguise and join the staff door's line. First it goes the flagger, then the hasher, and finally the agents wearing a cheap bull costume claiming to be the bull. It works thanks to the doorman's DoubleTake.
* KillerGorilla: Mortadelo disguises himself as an angry-looking gorilla, scaring the heck out of both Filemón and the
* TheLastOfTheseIsNotLikeTheOthers: In order to infiltrate the bullring, Mortadelo and Filemón take up a disguise and join the staff door's line. First it goes the flagger, then the hasher, and finally the agents wearing a cheap bull costume claiming to be the bull. It works thanks to the doorman's DoubleTake.
Added DiffLines:
* OmnidisciplinaryScientist: Dr. Bacterio, who was a biologist in the previous story, is now also the chairman of something that sounds like a space agency.
Added DiffLines:
* ShoutOut:
** Like the previous comic, the story is a WholePlotReference to a couple chapters of Creator/AndreFranquin's ''ComicBook/SpirouAndFantasio'', also including many references and entire vignettes taken from other works by Franquin (not limited to ''Spirou'' but including ComicBook/GastonLagaffe). The character of Apolonio is an {{Expy}} of both Dr. Kilikil and Zorglub.
** There are several images inspired by Maurice Tillieux's ''Gil Jourdan: Dragonfly Escapes''.
** The car's gag is taken from the 1932 film ''Cinemania''.
** Like the previous comic, the story is a WholePlotReference to a couple chapters of Creator/AndreFranquin's ''ComicBook/SpirouAndFantasio'', also including many references and entire vignettes taken from other works by Franquin (not limited to ''Spirou'' but including ComicBook/GastonLagaffe). The character of Apolonio is an {{Expy}} of both Dr. Kilikil and Zorglub.
** There are several images inspired by Maurice Tillieux's ''Gil Jourdan: Dragonfly Escapes''.
** The car's gag is taken from the 1932 film ''Cinemania''.
Added DiffLines:
* ThisPageWillSelfDestruct: The mission's briefing is given in a large gramophone hidden in a phone box, which self-destroys after it reads its message.
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Changed line(s) 9 (click to see context) from:
* BadassBystander: The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them over the head and throw them back to the ruedo. They also later jump in to beat them when it is made clear the bullfight show is over.
to:
* BadassBystander: The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them shockingly over the head and throw them back to the ruedo. They Later, they also later riot and jump in to beat them when it is made clear the bullfight show is over.
Changed line(s) 12,13 (click to see context) from:
* DissonantSerenity: Mortadelo clocks a HornedVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, and then he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking. Obviously, both him and Filemón end up immediately thrashed around.
* EvilScientist: Subverted. It's implied Prof. Apolonio is one of those, if anything because he is a professor and has kind of the look in accordance, but he's not seen doing anything related to science on-page.
* EvilScientist: Subverted. It's implied Prof. Apolonio is one of those, if anything because he is a professor and has kind of the look in accordance, but he's not seen doing anything related to science on-page.
to:
* BananaRepublic: The aptly named Republic of Banania is implied to be one from its name, although it is pretty indistinguishable from Spain.
* BeCarefulWhatYouWishFor: A Bananian homeless asks St. John Chrysostom to send him some meat to eat. Right after, due to a series of unrelated events, the bull directly falls on top of him.
* ButtMonkey: The short waiter ends up being startled by all of Mortadelo's disguises through the story, making him believe he's crazy and seeing things.
* CollateralDamage: Constant, due to the bull.
* CrouchingMoronHiddenBadass: While not as much as the previous story, mainly because the bull is so powerful and unmanageable, Mortadelo still manages to save the day and outwit the villains at a handful of points.
* DissonantSerenity: Mortadelo clocks aHornedVikings-dressed HornyVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, and then he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking. Obviously, both him and Filemón end up immediately thrashed around.
around.
*EvilScientist: Subverted. It's implied Prof. Apolonio is EarlyInstallmentWeirdness: Like the previous comic book, although with some help from serendipity rather than sheer badassery, here Mortadelo and Filemón show themselves as decently competent and actually fulfill their mission.
* FemmeFataleSpy: Mortadelo momentarily dresses up as oneof those, if anything because he is a professor and has kind of the look in accordance, but he's not seen doing anything related to science on-page.make a joke.
* BeCarefulWhatYouWishFor: A Bananian homeless asks St. John Chrysostom to send him some meat to eat. Right after, due to a series of unrelated events, the bull directly falls on top of him.
* ButtMonkey: The short waiter ends up being startled by all of Mortadelo's disguises through the story, making him believe he's crazy and seeing things.
* CollateralDamage: Constant, due to the bull.
* CrouchingMoronHiddenBadass: While not as much as the previous story, mainly because the bull is so powerful and unmanageable, Mortadelo still manages to save the day and outwit the villains at a handful of points.
* DissonantSerenity: Mortadelo clocks a
*
* FemmeFataleSpy: Mortadelo momentarily dresses up as one
Changed line(s) 20 (click to see context) from:
* SinisterSchnoz: Evil professor Apolonio has a hooked nose.
to:
* MadScientist: Subverted. It's implied Prof. Apolonio is one of those, if anything because he is a professor and has kind of the look, but he's not seen doing anything related to science on-page.
* NoMoreForMe: Although the agents disguise the drugged bull with scarecrow clothes to enter a hotel, the receptionist sees the animal's tail in their way out. He is then seen emptying a tequila bottle on a flower pot.
* RefugeInAudacity: Used constantly by both heroes and villains, counting the very usage of a bull to hide the plans.
* ScrewPolitenessImASenior: An old lady can be seen climbing on top of people while fleeing from the bull, all while claiming to be a weak old woman.
* TheScrooge: Filemón reveals he bought tickets for the cruisers... only that, in order not to spend too much money, their cabin is the ship's chimney.
* SinisterSchnoz: Evil professor Apolonio has a hookednose.nose.
* TemptingFate: At the end of the comic, the waiter can be seen meditating under a tree, expecting not to find any more bulls nearby, yet just in the way of a herd of bulls Mortadelo and Filemón are directing towards Bacterio.
* ATragedyOfImpulsiveness: Played for laughs. The agents are told by a photographer that the bull was about to exit the hotel, so they immediately jump in to knock it out with their nightsticks... only for the "bull" to be actually a hulking wrestling champion with said nickname, who promptly beats them down.
* NoMoreForMe: Although the agents disguise the drugged bull with scarecrow clothes to enter a hotel, the receptionist sees the animal's tail in their way out. He is then seen emptying a tequila bottle on a flower pot.
* RefugeInAudacity: Used constantly by both heroes and villains, counting the very usage of a bull to hide the plans.
* ScrewPolitenessImASenior: An old lady can be seen climbing on top of people while fleeing from the bull, all while claiming to be a weak old woman.
* TheScrooge: Filemón reveals he bought tickets for the cruisers... only that, in order not to spend too much money, their cabin is the ship's chimney.
* SinisterSchnoz: Evil professor Apolonio has a hooked
* TemptingFate: At the end of the comic, the waiter can be seen meditating under a tree, expecting not to find any more bulls nearby, yet just in the way of a herd of bulls Mortadelo and Filemón are directing towards Bacterio.
* ATragedyOfImpulsiveness: Played for laughs. The agents are told by a photographer that the bull was about to exit the hotel, so they immediately jump in to knock it out with their nightsticks... only for the "bull" to be actually a hulking wrestling champion with said nickname, who promptly beats them down.
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Changed line(s) 4,5 (click to see context) from:
Secret agents Mortadelo and Filemón are called again by the TIA to execute a difficult mission. The criminal gang of the Rata, led by the evil Prof. Apolonio, has stolen a batch of plans of a high-tech defense project from the Center of Agrounautical Research of the Cosmos, which will derail the project's development and endanger the entire country if not recovered. The two agents intercept the gang in route to leaving the country by cruiser, but in the process they discover the plans are guarded in a perilous recipient - the horn of a huge Spanish fighting bull.
to:
Secret agents Mortadelo and Filemón are called again by the TIA to execute a difficult mission. The criminal gang of the Rata, led by the evil Prof. Professor Apolonio, has stolen a batch of plans of a high-tech defense project from the Center of Agrounautical Research of the Cosmos, which will derail the project's development and endanger the entire country if not recovered. The two agents intercept the gang in route to leaving the country by cruiser, but in the process they discover the plans are guarded in a perilous recipient - the horn of a huge Spanish fighting bull.
bull.
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a ot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were, Ibáñez re-adapted it into ''M&F''.
It was penned by Ibáñez in a midst of heavy negotiations with its publisher, the infamous Editorial Bruguera, and has a ot of behind-the-scenes stories. The comic book was originally unrelated to ''Mortadelo y Filemón'', instead being the first installment of what was essentially a CaptainErsatz series meant to be sold to another publisher, but when the troubles were, Ibáñez re-adapted it into ''M&F''.
Changed line(s) 7,8 (click to see context) from:
* LivingMcGuffin: A subversion where the McGuffin itself is not the bull, but it is contained in him.
* ALoadOfBull: The whole story's schtick.
* ALoadOfBull: The whole story's schtick.
to:
* LivingMcGuffin: BadassBystander: The crowd at the bullring. When Mortadelo, Filemón and the picador's horse get thrown to the rows, the people around get indignant, lift them over the head and throw them back to the ruedo. They also later jump in to beat them when it is made clear the bullfight show is over.
* BaitAndSwitch: Typical of Ibáñez, the story opens with Filemón being seen behind a luxury car's window... only for the car to drive away, revealing Filemón was actually riding a bike next to the car.
* BaldOfEvil: Apolonio and a couple of his henchmen have it.
* DissonantSerenity: Mortadelo clocks a HornedVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, and then he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking. Obviously, both him and Filemón end up immediately thrashed around.
* EvilScientist: Subverted. It's implied Prof. Apolonio is one of those, if anything because he is a professor and has kind of the look in accordance, but he's not seen doing anything related to science on-page.
* KillerGorilla: Mortadelo disguises himself as an angry-looking gorilla, scaring the heck out of the waiter.
* LiteralMinded:
** In another mainstay of the series, Mortadelo demonstrates this in several occasions. In the first but far from last instance, he's told by Filemón to disguise himself so nobody recognize him, and Mortadelo interprets this as any disguise being valid, leading him to turn into a KillerGorilla in midst of the cruiser's aisle.
** This time Mortadelo is not the only, as Rata's henchmen (and Rata himself) are prone to misunderstand Apolonio's orders this way.
* LivingMacGuffin: A subversion where the McGuffin itself is not the bull, but it is contained in him.
* ALoadOfBull: The whole story's schtick. A lot of hilarity comes out from the fact that both heroes and villains have to steer around an enormous, aggressive toro de lidia.
* SinisterSchnoz: Evil professor Apolonio has a hooked nose.
* BaitAndSwitch: Typical of Ibáñez, the story opens with Filemón being seen behind a luxury car's window... only for the car to drive away, revealing Filemón was actually riding a bike next to the car.
* BaldOfEvil: Apolonio and a couple of his henchmen have it.
* DissonantSerenity: Mortadelo clocks a HornedVikings-dressed opera singer over the head believing he was the bull, so Filemón berates him into making sure the next time. Only that the next time Mortadelo faces the bull, and then he nonchalantly asks the animal if he's the LivingMacGuffin they are seeking. Obviously, both him and Filemón end up immediately thrashed around.
* EvilScientist: Subverted. It's implied Prof. Apolonio is one of those, if anything because he is a professor and has kind of the look in accordance, but he's not seen doing anything related to science on-page.
* KillerGorilla: Mortadelo disguises himself as an angry-looking gorilla, scaring the heck out of the waiter.
* LiteralMinded:
** In another mainstay of the series, Mortadelo demonstrates this in several occasions. In the first but far from last instance, he's told by Filemón to disguise himself so nobody recognize him, and Mortadelo interprets this as any disguise being valid, leading him to turn into a KillerGorilla in midst of the cruiser's aisle.
** This time Mortadelo is not the only, as Rata's henchmen (and Rata himself) are prone to misunderstand Apolonio's orders this way.
* LivingMacGuffin: A subversion where the McGuffin itself is not the bull, but it is contained in him.
* ALoadOfBull: The whole story's schtick. A lot of hilarity comes out from the fact that both heroes and villains have to steer around an enormous, aggressive toro de lidia.
* SinisterSchnoz: Evil professor Apolonio has a hooked nose.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/valoryaltoro.jpg]]
''Valor y... ¡al toro!'' (literally, "Valor and... to the bull!") is a 1970 comic from the Spanish series ''ComicBook/MortadeloYFilemon'', by Francisco Ibáñez. It was series's second long story after ''ComicBook/ElSulfatoAtomico'', though it ended being published the fourth due to production troubles.
Secret agents Mortadelo and Filemón are called again by the TIA to execute a difficult mission. The criminal gang of the Rata, led by the evil Prof. Apolonio, has stolen a batch of plans of a high-tech defense project from the Center of Agrounautical Research of the Cosmos, which will derail the project's development and endanger the entire country if not recovered. The two agents intercept the gang in route to leaving the country by cruiser, but in the process they discover the plans are guarded in a perilous recipient - the horn of a huge Spanish fighting bull.
!!This comic provides examples of:
* LivingMcGuffin: A subversion where the McGuffin itself is not the bull, but it is contained in him.
* ALoadOfBull: The whole story's schtick.
''Valor y... ¡al toro!'' (literally, "Valor and... to the bull!") is a 1970 comic from the Spanish series ''ComicBook/MortadeloYFilemon'', by Francisco Ibáñez. It was series's second long story after ''ComicBook/ElSulfatoAtomico'', though it ended being published the fourth due to production troubles.
Secret agents Mortadelo and Filemón are called again by the TIA to execute a difficult mission. The criminal gang of the Rata, led by the evil Prof. Apolonio, has stolen a batch of plans of a high-tech defense project from the Center of Agrounautical Research of the Cosmos, which will derail the project's development and endanger the entire country if not recovered. The two agents intercept the gang in route to leaving the country by cruiser, but in the process they discover the plans are guarded in a perilous recipient - the horn of a huge Spanish fighting bull.
!!This comic provides examples of:
* LivingMcGuffin: A subversion where the McGuffin itself is not the bull, but it is contained in him.
* ALoadOfBull: The whole story's schtick.