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Dewicking per TRS decision.
Changed line(s) 122 (click to see context) from:
* AnythingThatMoves: One interpretation of his character due to his flirtatious nature, his [[BiTheWay bisexuality]], and this line in "The Bitch of Living":
to:
* AnythingThatMoves: One interpretation of his character due to his flirtatious nature, his [[BiTheWay bisexuality]], bisexuality, and this line in "The Bitch of Living":
Deleted line(s) 124 (click to see context) :
* BiTheWay: His attraction towards other boys is made apparent in "The Bitch of Living", and in the next scene we see him he's masturbating to a depiction of Desdemona.
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Changed line(s) 42 (click to see context) from:
* AdultsAreUseless: Many ways for Moritz. Firstly, he is [[spoiler: made to fail by Herr Knochenbruch an Fraulein Knuppeldick, then is kicked out of his home by his own father who beats him AND, if that wasn't enough, is then refused his thousand bucks to escape to America by Melchior's mother whom shrugs off his problems.]]
to:
* AdultsAreUseless: Many ways for Moritz. Firstly, he is [[spoiler: made to fail by Herr Knochenbruch an and Fraulein Knuppeldick, then is kicked out of his home by his own father who beats him AND, if that wasn't enough, is then refused his thousand bucks to escape to America by Melchior's mother whom shrugs off his problems.]]
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Changed line(s) 37,38 (click to see context) from:
-> Played by John Gallagher, Jr. (OBC), Daniel Durant and Alex Boniello (2015 revival)
to:
-> Played by John Gallagher, Jr. Creator/JohnGallagherJr (OBC), Daniel Durant and Alex Boniello (2015 revival)
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Changed line(s) 14,15 (click to see context) from:
->'''Played by''': [[Creator/JonathanGroff Jonathan Groff]] (OBC), Kyle Riabko (First National Tour), Austin McKenzie (2015 revival)
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->'''Played by''': [[Creator/JonathanGroff Jonathan Groff]] (OBC), Kyle Riabko (First National Tour), Austin McKenzie [=McKenzie=] (2015 revival)
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* BigNo: On discovering [[spoiler: Wendla's freshly-dug grave. Often repeated by the Groff (and Austin McKenzie), but other Melchiors just went for one.]]
to:
* BigNo: On discovering [[spoiler: Wendla's freshly-dug grave. Often repeated by the Groff (and Austin McKenzie), [=McKenzie=]), but other Melchiors just went for one.]]
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Changed line(s) 14,15 (click to see context) from:
->'''Played by''': [[Creator/JonathanGroff Jonathan Groff]] (OBC), Austin McKenzie (2015 revival)
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->'''Played by''': [[Creator/JonathanGroff Jonathan Groff]] (OBC), Kyle Riabko (First National Tour), Austin McKenzie (2015 revival)
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* SanitySlippage: Being unable to cope with puberty, and failing school really took a toll on him, ultimately leading to his [[spoiler: suicide.]]
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Changed line(s) 26 (click to see context) from:
* GriefSong: Mourns over [[spoiler: Moritz]] in "Left Behind", and then contemplates over his death again [[spoiler: along with Wendla's]] in "Those You've Known", [[spoiler: [[GhostSong with their ghosts by his side]]]].
to:
* GriefSong: Mourns over [[spoiler: Moritz]] in "Left Behind", and then contemplates grieves over his death again [[spoiler: along with Wendla's]] in "Those You've Known", [[spoiler: [[GhostSong with their ghosts by his side]]]].
Changed line(s) 32 (click to see context) from:
* SurvivorGuilt: Expresses this for [[spoiler: Moritz]] in "Left Behind," and once again for [[spoiler: Wendla]] just before "Those You've Known," so much so he considers suicide.
to:
* SurvivorGuilt: Expresses this for [[spoiler: Moritz]] in "Left Behind," and once again for [[spoiler: Wendla]] just before "Those You've Known," so much so [[spoiler: he considers suicide.suicide]].
Changed line(s) 53 (click to see context) from:
* InterruptedSuicide: [[spoiler: Subverted. Ilse, an old childhood friend, calls out to him, unknowingly preventing him from his first attempt. [[AteHisGun He goes through with it after she leaves]].]]
to:
* InterruptedSuicide: [[spoiler: Subverted. Ilse, an old childhood friend, calls out to him, unknowingly preventing him from his first attempt. [[AteHisGun He goes through with it after she leaves]].leaves.]]
Changed line(s) 65,66 (click to see context) from:
* AllGirlsWantBadBoys: Played with. She admires Melchior's bad boy traits[[note]]mostly having to do with his atheism[[/note]] with her girl friends, and, to an extent, is even more attracted to those traits once they have their first real conversation since childhood. However, his validation in her questioning their conservative society is what launches their relationship, and while this still shows shades of teenage rebellion, it also has a lot to do with him being the sole person who allows her to be more than TheIngenue her parents had strictly raised her to be. But then [[spoiler: [[RapeAsDrama he exploits that innocence himself]], indirectly causing her death.]]
%%* BabiesMakeEverythingBetter: [[spoiler:Averted.]]
%%* BabiesMakeEverythingBetter: [[spoiler:Averted.]]
to:
* AllGirlsWantBadBoys: Played with. She admires Melchior's bad boy traits[[note]]mostly having to do with his atheism[[/note]] traits with her girl friends, and, to an extent, is even more attracted to those traits once they have their first real conversation since childhood. However, what launches their relationship is his validation in her questioning their conservative society is what launches their relationship, society, and while this still shows shades of teenage rebellion, it also has a lot to do with him being the sole only person who allows her to be more than TheIngenue her parents had strictly raised her to be. But then [[spoiler: [[RapeAsDrama he exploits that her innocence himself]], indirectly causing her death.]]
%%* * BabiesMakeEverythingBetter: [[spoiler:Averted.[[spoiler:Averted. Wendla talks about her dreams of building a better world with Melchior for their future child in her letter, but she dies from a botched abortion soon after.]]
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* TeenPregnancy: [[spoiler: Gets pregnant both due to her mother never giving her proper sex education and being coerced into having sex, which is partly as a result of the former point.]]
to:
* TeenPregnancy: [[spoiler: Gets pregnant both due from her [[RapeAsDrama rape]], which has partly to do with her mother never giving her proper sex education and being coerced into having sex, which is partly as a result of the former point.education.]]
Changed line(s) 85 (click to see context) from:
* TraumaCongaLine: In the beginning, she's mostly just a curious girl who's naive to a fault but is ultimately pure and kind. Over the course of the show, she gets [[spoiler: beaten by the boy she likes[[note]]which he initially agrees to do only because of her pleading, but it quickly goes wrong[[/note]], [[RapeAsDrama raped]] not long after by the same boy, learns the exact consequences of such an act [[TeenPregnancy the hard way]] despite asking her mother for sex-ed from the very beginning[[note]]and gets hit for calling her out on it[[/note]], and is forced into a [[BackAlleyDoctor back-alley abortion]], which finally leads to her death.]]
to:
* TraumaCongaLine: In the beginning, she's mostly just a curious girl who's naive to a fault but is ultimately pure and kind. Over the course of the show, she gets [[spoiler: beaten by the boy she likes[[note]]which he initially agrees to do only because of her pleading, but it quickly goes wrong[[/note]], [[RapeAsDrama raped]] not long after by the same boy, learns the exact consequences results of such an act [[TeenPregnancy the hard way]] despite asking her mother for sex-ed from the very beginning[[note]]and gets hit for calling her out on it[[/note]], and is forced into a [[BackAlleyDoctor back-alley abortion]], which finally leads to her death.]]
Changed line(s) 96 (click to see context) from:
* InnocenceLost: "Until this morning, when he woke me with a gun, set against my breast. He said: 'One twitch and it's the end.' Really gave me the goose bumps."
to:
* InnocenceLost: "Until The never-ending abuse she endures has made her alarmingly indifferent to otherwise traumatic experiences:
-->'''Ilse''': Until this morning, when he woke me with a gun, set against my breast. He said:'One "One twitch and it's the end.' " Really gave me the goose bumps."
-->'''Ilse''': Until this morning, when he woke me with a gun, set against my breast. He said:
* PirateGirl: She fondly reminisces over the times when she imagined herself as this when she, Wendla, Melchior, and Moritz were all still children.
Changed line(s) 119 (click to see context) from:
* AnythingThatMoves: One interpretation of his character due to a combination of his flirtatious nature, his [[BiTheWay bisexuality]], and this line in "The Bitch of Living":
to:
* AnythingThatMoves: One interpretation of his character due to a combination of his flirtatious nature, his [[BiTheWay bisexuality]], and this line in "The Bitch of Living":
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* DoubleEntendre:
to:
* DeadpanSnarker: Just how deadpan varies between actors, but his lines in Moritz's "I passed" scene are all snide remarks that come off as if he's hoping Moritz fails, and even Ernst triggers this when he rambles on about becoming a country pastor.
* DoubleEntendre: Utilizes this a lot for seduction purposes:
* DoubleEntendre: Utilizes this a lot for seduction purposes:
Changed line(s) 130 (click to see context) from:
* UrbanLegendLoveLife: Though it's never explicitly stated, Hanschen's behavior and language heavy with [[DoubleEntendre double meanings]] and suggests he presents himself as something of a casanova, though the girls seem more interested in either the [[AllGirlsWantBadBoys rebellious Melchior]] or [[TroubledButCute brooding]], [[TheWoobie neurotic Moritz]]. Possibly, they view him as a HandsomeLech; perhaps he never actually invests in seducing his female classmates at all. Only once do we see him in action, and he is quite successful.
to:
* UrbanLegendLoveLife: Though it's never explicitly stated, Hanschen's behavior and language heavy with [[DoubleEntendre double meanings]] and suggests he presents himself as something of a casanova, though the girls seem more interested in either the [[AllGirlsWantBadBoys rebellious Melchior]] or [[TroubledButCute brooding]], [[TheWoobie neurotic Moritz]]. Possibly, they view him as a HandsomeLech; perhaps he never actually invests in seducing his female classmates at all. Only once do we see him in action, and he is quite successful.
Changed line(s) 143 (click to see context) from:
* WideEyedIdealist: Revealed to be of this variety when he describes his country pastor fantasy, and gets called out for it by Hanschen.
to:
* WideEyedIdealist: Revealed to be of this variety when he describes his future country pastor fantasy, dreams not long after the suicide and subsequent suspension of his classmates, [[SillyRabbitIdealismIsForKids and gets called out for it by Hanschen.Hanschen]].
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Changed line(s) 26 (click to see context) from:
%%* GriefSong: "Left Behind", for [[spoiler: Moritz]].
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%%* IWantSong: "All That's Known."
to:
* IWantSong: Establishes his critical perspective on society and his aim to go against the norm in "All That's Known."
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* TraumaCongaLine: Starts out as a cynic doubting his faith in God, loses his best friend to suicide and his love interest to a botched abortion, is sent to a boarding school where he's bullied relentlessly, and attempts suicide himself. "Those You've Known" suggests that this earns him IronWoobie status.
to:
* TraumaCongaLine: Starts out as a cynic doubting his faith in God, [[spoiler: loses his best friend to suicide and his love interest to a botched abortion, abortion]], is sent to a boarding school where he's bullied relentlessly, and [[spoiler: [[DrivenToSuicide attempts suicide himself.himself]]]]. "Those You've Known" suggests that this earns him IronWoobie status.
Changed line(s) 48 (click to see context) from:
%%* DrivenToSuicide
to:
* InterruptedSuicide: [[spoiler: Subverted. Ilse, an old childhood friend, calls out to him, unknowingly preventing him from his first attempt. [[AteHisGun He goes through with it after she leaves]].]]
* AllGirlsWantBadBoys: Played with. She admires Melchior's bad boy traits[[note]]mostly having to do with his atheism[[/note]] with her girl friends, and, to an extent, is even more attracted to those traits once they have their first real conversation since childhood. However, his validation in her questioning their conservative society is what launches their relationship, and while this still shows shades of teenage rebellion, it also has a lot to do with him being the sole person who allows her to be more than TheIngenue her parents had strictly raised her to be. But then [[spoiler: [[RapeAsDrama he exploits that innocence himself]], indirectly causing her death.]]
Changed line(s) 65,69 (click to see context) from:
* BreakTheCutie: Wendla starts off the show as a relatively cheerful girl who relishes in her [[VirginInAWhiteDress white, "fairy queen" dress]]. This doesn't last long, however, as she starts to question the world around her. [[spoiler: Namely, her [[RapeAsDrama rape]] and botched abortion, which eventually lead to her [[KillTheCutie death]].]]
* GhostSong:
** "Those You've Known", and arguably to some shade "Whispering". The latter seems [[spoiler: as if Wendla is predicting the consequences of her actions and eventual death.]]
** "See the father bent in grief/The mother dressed in mourning/Sister crumbles, and the neighbours grumble/Preacher issues warning."
* HiddenDepths: Despite being defined by her innocence, Wendla's deep-seated frustration towards her mother preserving her as such comes in early on in the show ("Mama Who Bore Me" and its reprise), as well as her intellectual observations on society surprising WiseBeyondTheirYears Melchior, as they happen to corroborate with his own ideas. [[spoiler: And of course, there's her whole motive behind the beating scene.]]
* GhostSong:
** "Those You've Known", and arguably to some shade "Whispering". The latter seems [[spoiler: as if Wendla is predicting the consequences of her actions and eventual death.]]
** "See the father bent in grief/The mother dressed in mourning/Sister crumbles, and the neighbours grumble/Preacher issues warning."
* HiddenDepths: Despite being defined by her innocence, Wendla's deep-seated frustration towards her mother preserving her as such comes in early on in the show ("Mama Who Bore Me" and its reprise), as well as her intellectual observations on society surprising WiseBeyondTheirYears Melchior, as they happen to corroborate with his own ideas. [[spoiler: And of course, there's her whole motive behind the beating scene.]]
to:
* BreakTheCutie: Wendla starts off the show out as a relatively cheerful girl who relishes admires herself in her [[VirginInAWhiteDress white, "fairy queen" dress]]. This doesn't last long, however, as she starts to question the world around her. her; [[spoiler: Namely, namely, her [[RapeAsDrama rape]] and botched abortion, which eventually lead to her [[KillTheCutie death]].]]
*GhostSong:
**GhostSong: "Those You've Known", and arguably to some shade "Whispering". The latter seems [[spoiler: as if Wendla is predicting the consequences of her actions and eventual death.]]
** "See -->'''Wendla''': See the father bent in grief/The mother dressed in mourning/Sister crumbles, and the neighbours grumble/Preacher issues warning."
warning.
* HiddenDepths: Despite being defined by her innocence, Wendla's deep-seated frustration towards her mother preserving her as such comes in early on in the show ("Mama Who Bore Me" andits the reprise), as well as her intellectual observations on society surprising WiseBeyondTheirYears Melchior, as they happen to corroborate with his own ideas. [[spoiler: And of course, there's her whole motive behind the beating scene.]]scene:
-->'''Melchior''': Wendla! You can't envy someone being beaten.
-->'''Wendla''': But I've never been beaten--my entire life. I've never...felt...
-->'''Melchior''': What?
-->'''Wendla''': ''Anything.''
*
**
* HiddenDepths: Despite being defined by her innocence, Wendla's deep-seated frustration towards her mother preserving her as such comes in early on in the show ("Mama Who Bore Me" and
-->'''Melchior''': Wendla! You can't envy someone being beaten.
-->'''Wendla''': But I've never been beaten--my entire life. I've never...felt...
-->'''Melchior''': What?
-->'''Wendla''': ''Anything.''
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* TooGoodForThisSinfulEarth: She is virtually PurityPersonified, and is killed by, in short, a combination of her mother's lies and being sexually taken advantage of.
to:
* TeenPregnancy: [[spoiler: Gets pregnant both due to her mother never giving her proper sex education and being coerced into having sex, which is partly as a result of the former point.]]
* TooGoodForThisSinfulEarth: She is virtually PurityPersonified, and is killed by, in short, a combination of her mother's lies and being sexually taken advantageof.of.
* TraumaCongaLine: In the beginning, she's mostly just a curious girl who's naive to a fault but is ultimately pure and kind. Over the course of the show, she gets [[spoiler: beaten by the boy she likes[[note]]which he initially agrees to do only because of her pleading, but it quickly goes wrong[[/note]], [[RapeAsDrama raped]] not long after by the same boy, learns the exact consequences of such an act [[TeenPregnancy the hard way]] despite asking her mother for sex-ed from the very beginning[[note]]and gets hit for calling her out on it[[/note]], and is forced into a [[BackAlleyDoctor back-alley abortion]], which finally leads to her death.]]
* VirginInAWhiteDress: Starts off the show changing into a white dress to highlight her purity and innocence.
* TooGoodForThisSinfulEarth: She is virtually PurityPersonified, and is killed by, in short, a combination of her mother's lies and being sexually taken advantage
* TraumaCongaLine: In the beginning, she's mostly just a curious girl who's naive to a fault but is ultimately pure and kind. Over the course of the show, she gets [[spoiler: beaten by the boy she likes[[note]]which he initially agrees to do only because of her pleading, but it quickly goes wrong[[/note]], [[RapeAsDrama raped]] not long after by the same boy, learns the exact consequences of such an act [[TeenPregnancy the hard way]] despite asking her mother for sex-ed from the very beginning[[note]]and gets hit for calling her out on it[[/note]], and is forced into a [[BackAlleyDoctor back-alley abortion]], which finally leads to her death.]]
* VirginInAWhiteDress: Starts off the show changing into a white dress to highlight her purity and innocence.
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%%* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
to:
* ParentalIncest:
* RapeAsBackstory: She runs away to escape her sexually abusive father, but she ends up getting abused by the men in the artists' colony as well.
* AnythingThatMoves: One interpretation of his character due to a combination of his flirtatious nature, his [[BiTheWay bisexuality]], and this line in "The Bitch of Living":
-->'''Hanschen''': It's like, just kiss some ass, man--then you can ''screw 'em all''
* BiTheWay: His attraction towards other boys is made apparent in "The Bitch of Living", and in the next scene we see him he's masturbating to a depiction of Desdemona.
-->'''Hanschen''': It's like, just kiss some ass, man--then you can ''screw 'em all''
* BiTheWay: His attraction towards other boys is made apparent in "The Bitch of Living", and in the next scene we see him he's masturbating to a depiction of Desdemona.
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* ADateWithRosiePalms: During his spoken section of "My Junk", accompanying the thought of ''murdering'' a girl. Jesus. (The murder part is sorta compulsory, though, since he's masturbating to a depiction of [[Theatre/{{Othello}} Desdemona]].
to:
* ADateWithRosiePalms: During his spoken section of "My Junk", accompanying the thought of ''murdering'' a girl. Jesus. (The murder part is sorta compulsory, though, since he's masturbating to a depiction of [[Theatre/{{Othello}} Desdemona]].Desdemona]]).
Changed line(s) 125 (click to see context) from:
* AllGaysArePromiscuous: Subverted, with Ernst, who is pure, wholesome, and almost childishly enthusiastic (his solo in "Touch Me" notwithstanding). His monologue before "The Word of Your Body (Reprise)" says it all:
to:
* AllGaysArePromiscuous: Subverted, Averted with Ernst, Ernst who is pure, wholesome, and almost childishly enthusiastic (his solo in "Touch Me" notwithstanding). His monologue before "The Word of Your Body (Reprise)" says it all:
* TransparentCloset: At least to Hanschen, who's baffled at the idea of Ernst becoming a married pastor.
* WideEyedIdealist: Revealed to be of this variety when he describes his country pastor fantasy, and gets called out for it by Hanschen.
* WideEyedIdealist: Revealed to be of this variety when he describes his country pastor fantasy, and gets called out for it by Hanschen.
Changed line(s) 144 (click to see context) from:
* CompositeCharacter: Otto and [[LastNameBasis Lammermeier]] are two separate characters.
to:
* CompositeCharacter: Otto and [[LastNameBasis Lammermeier]] are two separate characters. characters in the original play.
* ParentalIncest: Dreamt of his mother, which is PlayedForLaughs. Contrasts with Ilse and Martha's ParentalIncest, which is PlayedForDrama.
* ParentalIncest: Dreamt of his mother, which is PlayedForLaughs. Contrasts with Ilse and Martha's ParentalIncest, which is PlayedForDrama.
* GirlishPigtails: In the OBC along with Martha and Anna, probably to emulate a more youthful look.
* InnocentlyInsensitive: Teases Martha about her braids with Wendla without knowing of her abuse, and is shown to be fairly ignorant in general as she tries to rationalize Martha's situation.
* SingleMindedTwins: The revival provides an interesting example of this in its introduction of Melitta, Thea's hearing twin who doubles as her interpreter and also as a result, her voice.
* InnocentlyInsensitive: Teases Martha about her braids with Wendla without knowing of her abuse, and is shown to be fairly ignorant in general as she tries to rationalize Martha's situation.
* SingleMindedTwins: The revival provides an interesting example of this in its introduction of Melitta, Thea's hearing twin who doubles as her interpreter and also as a result, her voice.
Changed line(s) 164 (click to see context) from:
%%**"You say 'Time for bed now, child"/Mom [[AndIMustScream just smiles that smile.../Just like she never saw me]]/Just like she never saw me..."
to:
* GirlishPigtails: Gets teased by her friends for her concern over them, only for her to reveal that her father beats her if she doesn't keep her hair a certain way.
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%%* LoveTriangle: Type 3 with Moritz and Ilse.
to:
Changed line(s) 171 (click to see context) from:
%%* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
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* RapeAsBackstory: She is a victim of ParentalIncest, which she describes in "The Dark I Know
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* GirlishPigtails: In the OBC along with Thea and Martha, presumably to give the actresses a more youthful look.
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[[folder: Wendla Bergman]]
to:
[[folder: Wendla Bergman]]Bergmann]]
Changed line(s) 174 (click to see context) from:
----
to:
[[folder: Anna]]
-->'''Played by''': Phoebe Strole (OBC), Ali Stroker (2015 revival)
Another friend of Wendla's.
----
* CompositeCharacter: It's implied that she's Mari''anna'' Wheelan[[note]]the girl Otto has a crush on in "The Bitch of Living"[[/note]] in the revival.
* NiceGirl: A nice, sensible girl who cares a lot about her friends.
[[/folder]]
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* BreakTheCutie: Wendla starts off the show as a relatively cheerful girl who relishes in her [[VirginInAWhiteDress white, "fairy queen" dress]]. This doesn't last long, however, as she starts to question the world around her. [[spoiler: Namely, her [[RapeAsDrama rape]] and botched abortion, which eventually lead to her [[KillTheCutie death]].]]
* HiddenDepths: Despite being defined by her innocence, Wendla's deep-seated frustration towards her mother preserving her as such comes in early on in the show ("Mama Who Bore Me" and its reprise), as well as her intellectual observations on society surprising WiseBeyondTheirYears Melchior, as they happen to corroborate with his own ideas. [[spoiler: And of course, there's her whole motive behind the beating scene.]]
* InnocentlyInsensitive: Has a moment when she teases Martha without knowing of her abuse:
-->'''Wendla''': (about Martha's braids being a nuisance) Tomorrow, I'm bringing scissors.
-->'''Martha''': For God's sake, Wendla, no! [[WhamLine Papa beats me enough as it is.]]
-->'''Wendla''': (about Martha's braids being a nuisance) Tomorrow, I'm bringing scissors.
-->'''Martha''': For God's sake, Wendla, no! [[WhamLine Papa beats me enough as it is.]]
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%%* AbusiveParents: "Ilse! Storytime!"
to:
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%%* AbusiveParents:
to:
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%%* MinorCharacterMajorSong: "The Dark I Know Well".
to:
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%%* ADateWithRosiePalms
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* AdaptationalHeroism: Downplayed, as Melchior is still flawed in the musical, but in Wedekind's original play he's a more morally ambiguous figure, at times looking like a NietzscheWannabe, and the musical's version of the character more clearly has romantic feelings for Wendla, where in the play he can be portrayed as not wanting anything from her other than sex.
to:
* AdaptationalHeroism: Downplayed, as Melchior is still flawed in the musical, musical; but in Wedekind's original play he's a more morally ambiguous figure, at times looking like a NietzscheWannabe, and the musical's version of the character more clearly has romantic feelings for Wendla, where in the play he can be portrayed as not wanting anything from her Wendla other than sex.sex, [[spoiler: the scene where he impregnates her is more easily read as rape]], and it's not clear that he feels guilty about it until after [[spoiler: she dies from the botched abortion]].
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Added DiffLines:
* AdaptationalHeroism: Downplayed, as Melchior is still flawed in the musical, but in Wedekind's original play he's a more morally ambiguous figure, at times looking like a NietzscheWannabe, and the musical's version of the character more clearly has romantic feelings for Wendla, where in the play he can be portrayed as not wanting anything from her other than sex.
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Added DiffLines:
* SkewedPriorities: When Ilse reads Melchior's letter he sent her, she has this reaction:
--> '''Thea''': Poor Melchior..
--> '''Anna''': Poor ''Wendla.''
--> '''Thea''': Poor Melchior..
--> '''Anna''': Poor ''Wendla.''
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Changed line(s) 163 (click to see context) from:
* TomBoyAndGirlGirl: Could be seen as an inversion of a tomboy to Wendla's girly girl.
to:
* TomBoyAndGirlGirl: TomboyAndGirlyGirl: Could be seen as an inversion of a tomboy to Wendla's girly girl.
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Deleted line(s) 2 (click to see context) :
%% Zero context examples have been commented out. Examples need context that explains how the trope occurs. Not just when, with whom, or to.
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!Theatre/SpringAwakening
to:
%%
%%
Characters found in ''Theatre/SpringAwakening''.
----
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[[folder: Main]]
[[WMG: Melchior Gabor]]
-->Played by [[Creator/JonathanGroff Jonathan Groff]] (OBC), Austin McKenzie (2015 revival)
[[WMG: Melchior Gabor]]
-->Played by [[Creator/JonathanGroff Jonathan Groff]] (OBC), Austin McKenzie (2015 revival)
to:
!!Main
[[folder:Main]]
[[WMG:Melchior Gabor]]
-->Played by ->'''Played by''': [[Creator/JonathanGroff Jonathan Groff]] (OBC), Austin McKenzie (2015 revival)
[[folder:
[[WMG:
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[[/folder]]
[[folder: Moritz Stiefel]]
-> Played by John Gallagher, Jr. (OBC), Daniel Durant and Alex Boniello (2015 revival)
Melchior's insecure best friend whose dreams of women haunt him to the point that he is too afraid to fall asleep. He is disgusted by his new sexual feelings and his inability to control them. As this is the 19th century, he is terrified to even ''speak'' of such things aloud, and asks Melchior to [[MacGuffin write down the knowledge he needs and to slip it into his satchel after Gym class.]]
[[folder: Moritz Stiefel]]
-> Played by John Gallagher, Jr. (OBC), Daniel Durant and Alex Boniello (2015 revival)
Melchior's insecure best friend whose dreams of women haunt him to the point that he is too afraid to fall asleep. He is disgusted by his new sexual feelings and his inability to control them. As this is the 19th century, he is terrified to even ''speak'' of such things aloud, and asks Melchior to [[MacGuffin write down the knowledge he needs and to slip it into his satchel after Gym class.]]
Deleted line(s) 32,37 (click to see context) :
[[WMG: Moritz Stiefel]]
--> Played by John Gallagher, Jr. (OBC), Daniel Durant and Alex Boniello (2015 revival)
Melchior's insecure best friend whose dreams of women haunt him to the point that he is too afraid to fall asleep. He is disgusted by his new sexual feelings and his inability to control them. As this is the 19th century, he is terrified to even ''speak'' of such things aloud, and asks Melchior to [[MacGuffin write down the knowledge he needs and to slip it into his satchel after Gym class.]]
----
Changed line(s) 53,54 (click to see context) from:
--> '''Moritz:''' 'Cause you know, [[BlatantLies I don't do sadness--not even a little bit.]]/ Just don't need it in my life--don't want any part of it./ [[MadnessMantra I don't do sadness--]]/ Hey, [[{{Foreshadowing}} I've done my time, looking back on it all]]--man, it blows my mind./ [[BlatantLies I don't do sadness, so been there.]]/ [[HeroicBSOD Don't do sadness]]--[[TearJerker just don't care...]]
to:
--> '''Moritz:''' '''Moritz''': 'Cause you know, [[BlatantLies I don't do sadness--not even a little bit.]]/ Just don't need it in my life--don't want any part of it./ [[MadnessMantra I don't do sadness--]]/ Hey, [[{{Foreshadowing}} I've done my time, looking back on it all]]--man, it blows my mind./ [[BlatantLies I don't do sadness, so been there.]]/ [[HeroicBSOD Don't do sadness]]--[[TearJerker just don't care...]]
[[/folder]]
[[folder: Wendla Bergman]]
->'''Played by''': Creator/{{Lea Michele}} (OBC), Sandra Mae Frank and Katie Boeck (2015 revival)
An innocent, friendly young woman. A childhood friend to the others and eventual love interest to Melchior. She opens the musical with her song "Mama Who Bore Me", searching for answers to the questions she has about {{l|ampshadedDoubleEntendre}}ife.
[[/folder]]
[[folder: Wendla Bergman]]
->'''Played by''': Creator/{{Lea Michele}} (OBC), Sandra Mae Frank and Katie Boeck (2015 revival)
An innocent, friendly young woman. A childhood friend to the others and eventual love interest to Melchior. She opens the musical with her song "Mama Who Bore Me", searching for answers to the questions she has about {{l|ampshadedDoubleEntendre}}ife.
Deleted line(s) 56,63 (click to see context) :
[[WMG: Wendla Bergman]]
-->Played by Creator/{{Lea Michele}} (OBC), Sandra Mae Frank and Katie Boeck (2015 revival)
An innocent, friendly young woman. A childhood friend to the others and eventual love interest to Melchior. She opens the musical with her song "Mama Who Bore Me", searching for answers to the questions she has about {{l|ampshadedDoubleEntendre}}ife.
----
[[/folder]]
[[folder: Ilse Neumann]]
->'''Played by''': Lauren Pritchard (OBC), Krysta Rodriguez (2015 revival)
A childhood friend of the group. She is seen as a sign of something that could happen to Martha if she speaks out about what happens to her at home. Ilse is portrayed in "The Dark I Know Well" as an echo of what Martha is going through; Ilse was beaten and sexually abused by her father, and Martha is at the time of the song. Martha yearns to escape, and we never actually learn if she does. Ilse now lives in an artist's colony named Priapia with the Bohemians, but the girls think of this as no way to live for their fallen friend.
[[folder: Ilse Neumann]]
->'''Played by''': Lauren Pritchard (OBC), Krysta Rodriguez (2015 revival)
A childhood friend of the group. She is seen as a sign of something that could happen to Martha if she speaks out about what happens to her at home. Ilse is portrayed in "The Dark I Know Well" as an echo of what Martha is going through; Ilse was beaten and sexually abused by her father, and Martha is at the time of the song. Martha yearns to escape, and we never actually learn if she does. Ilse now lives in an artist's colony named Priapia with the Bohemians, but the girls think of this as no way to live for their fallen friend.
Deleted line(s) 75,82 (click to see context) :
[[WMG: Ilse Neumann]]
-->Played by Lauren Pritchard (OBC), Krysta Rodriguez (2015 revival)
A childhood friend of the group. She is seen as a sign of something that could happen to Martha if she speaks out about what happens to her at home. Ilse is portrayed in "The Dark I Know Well" as an echo of what Martha is going through; Ilse was beaten and sexually abused by her father, and Martha is at the time of the song. Martha yearns to escape, and we never actually learn if she does. Ilse now lives in an artist's colony named Priapia with the Bohemians, but the girls think of this as no way to live for their fallen friend.
----
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[[folder: Secondary]]
[[WMG: Hanschen Rilow]]
-->Played by Jonathan B. Wright (OBC), Andy Mientus (2015 revival)
to:
[[folder:
[[WMG:
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--> '''Ernst:''' On my way here, I thought perhaps we'd only talk.
--> '''Hanschen:''' (''pulling back'') So, are you sorry we-
--> '''Ernst:''' No, I love you, Hanschen!
--> '''Hanschen:''' (''pulling back'') So, are you sorry we-
--> '''Ernst:''' No, I love you, Hanschen!
to:
--> '''Ernst:''' '''Ernst''': On my way here, I thought perhaps we'd only talk.
--> '''Hanschen:'''talk.\\
'''Hanschen''': (''pulling back'') So, are you sorrywe-
--> '''Ernst:'''we-\\
'''Ernst''': No, I love you, Hanschen!
--> '''Hanschen:'''
'''Hanschen''': (''pulling back'') So, are you sorry
--> '''Ernst:'''
'''Ernst''': No, I love you, Hanschen!
Changed line(s) 118 (click to see context) from:
to:
[[/folder]]
[[folder: Ernst Robel]]
->'''Played by''': Gideon Glick (OBC), Joshua Castille and Daniel David Stewart (2015 revival)
A naive classmate of the boys who falls deeply for Hanschen's seduction.
[[folder: Ernst Robel]]
->'''Played by''': Gideon Glick (OBC), Joshua Castille and Daniel David Stewart (2015 revival)
A naive classmate of the boys who falls deeply for Hanschen's seduction.
Deleted line(s) 120,125 (click to see context) :
[[WMG: Ernst Robel]]
-->Played by Gideon Glick (OBC), Joshua Castille and Daniel David Stewart (2015 revival)
A naive classmate of the boys who falls deeply for Hanschen's seduction.
Changed line(s) 128 (click to see context) from:
--> '''Ernst:''' Sometimes...I imagine myself as a country pastor. With my red-cheeked wife, my library, my degrees...Boys and girls, who live nearby, give me their hand when I go walking...
to:
--> '''Ernst:''' '''Ernst''': Sometimes...I imagine myself as a country pastor. With my red-cheeked wife, my library, my degrees...Boys and girls, who live nearby, give me their hand when I go walking...
Changed line(s) 130,136 (click to see context) from:
----
[[WMG: Georg Zirschnitz]]
-->Played by Skylar Astin (OBC), Alex Wyse (2015 revival)
to:
[[folder: Georg Zirschnitz]]
[[/folder]]
[[folder: Otto Lammermeier]]
->'''Played by''': Brian Charles Johnson (OBC), Miles Barbee and Sean Grandillo (2015 revival)
Another classmate. He dreamt of his mother, as Melchior humorously reveals to Moritz in an effort to help him relax.
[[folder: Otto Lammermeier]]
->'''Played by''': Brian Charles Johnson (OBC), Miles Barbee and Sean Grandillo (2015 revival)
Another classmate. He dreamt of his mother, as Melchior humorously reveals to Moritz in an effort to help him relax.
Deleted line(s) 142,147 (click to see context) :
[[WMG: Otto Lammermeier]]
-->Played by Brian Charles Johnson (OBC), Miles Barbee and Sean Grandillo (2015 revival)
Another classmate. He dreamt of his mother, as Melchior humorously reveals to Moritz in an effort to help him relax.
----
Changed line(s) 149,152 (click to see context) from:
[[WMG: Thea]]
-->Played by Remy Zaken (OBC), Amelia Hensley and Lauren Luiz (2015 revival)
to:
[[folder: Thea]]
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[[WMG: Martha Bessel]]
-->Played by Lilli Cooper (OBC), Treshelle Edmond and Kathryn Gallagher (2015 revival)
to:
[[folder: Martha Bessel]]
Deleted line(s) 162 (click to see context) :
Deleted line(s) 164 (click to see context) :
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[[/folder]]
to:
----
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*AllGirlsWantBadBoys: Clearly stated when she's talking about Melchior, stating that he is "Such a radical!".
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* BrokenBird: From the information she tells us of her life in "The Dark I Know Well", she clearly is one.
Added DiffLines:
* TomBoyAndGirlGirl: Could be seen as an inversion of a tomboy to Wendla's girly girl.
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Changed line(s) 109 (click to see context) from:
* BuryYourGays: Averted. He and Hanschen survive the play completely intact (if by virtue of disappearing from the action for a bit when Melchior's story comes back into focus) and the original play was strongly censored because it did ''not'' show the boys as criminals receiving inevitable punishment. (As well as, y'know, [[RapeAsDrama Wendla's rape]] and... the general plot.)
to:
* BuryYourGays: Averted. He and Hanschen Ernst survive the play completely intact (if by virtue of disappearing from the action for a bit when Melchior's story comes back into focus) and the original play was strongly censored because it did ''not'' show the boys as criminals receiving inevitable punishment. (As well as, y'know, [[RapeAsDrama Wendla's rape]] and... the general plot.)
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Handling Spoilers: Spoilers are only allowed on trope examples, not trope names or character descriptions. Only one trope per line. Tropes should not point to other tropes.
%%
%% Zero context examples have been commented out. Examples need context that explains how the trope occurs. Not just when, with whom, or to.
%%
%% Zero context examples have been commented out. Examples need context that explains how the trope occurs. Not just when, with whom, or to.
%%
Changed line(s) 14 (click to see context) from:
* AntiHero
to:
Changed line(s) 18,21 (click to see context) from:
* ByronicHero
* TheCynic
* DeadpanSnarker
* GriefSong: "Left Behind", for [[spoiler: Moritz]].
* TheCynic
* DeadpanSnarker
* GriefSong: "Left Behind", for [[spoiler: Moritz]].
to:
Changed line(s) 24 (click to see context) from:
* IWantSong: "All That's Known."
to:
Changed line(s) 33,34 (click to see context) from:
Melchior's insecure best friend whose dreams of women haunt him to the point that he is too afraid to fall asleep. He is disgusted by his new sexual feelings and his inability to control them. As this is the 19th century, he is terrified to even ''speak'' of such things aloud, and asks Melchior to [[MacGuffin write down the knowledge he needs and to slip it into his satchel after Gym class.]] He passes his exams despite falling asleep in classes often, but [[spoiler: the two teachers make it so that it seems he has failed as they cannot take on anymore students.]] This leads to bad, [[DrivenToSuicide bad]] things for Moritz.
to:
Melchior's insecure best friend whose dreams of women haunt him to the point that he is too afraid to fall asleep. He is disgusted by his new sexual feelings and his inability to control them. As this is the 19th century, he is terrified to even ''speak'' of such things aloud, and asks Melchior to [[MacGuffin write down the knowledge he needs and to slip it into his satchel after Gym class.]] He passes his exams despite falling asleep in classes often, but [[spoiler: the two teachers make it so that it seems he has failed as they cannot take on anymore students.]] This leads to bad, [[DrivenToSuicide bad]] things for Moritz.
Deleted line(s) 36 (click to see context) :
Changed line(s) 39,43 (click to see context) from:
* AgeAppropriateAngst
* AnimeHair
* [[spoiler: AteHisGun]]: The stage directions specifically call for this.[[note]]RealitySubtext: A lot of people who kill themselves this way have motives tied to their sexuality.[[/note]]
* BreakTheCutie
* CounterpointDuet: "Don't Do Sadness/Blue Wind"
* AnimeHair
* [[spoiler: AteHisGun]]: The stage directions specifically call for this.[[note]]RealitySubtext: A lot of people who kill themselves this way have motives tied to their sexuality.[[/note]]
* BreakTheCutie
* CounterpointDuet: "Don't Do Sadness/Blue Wind"
to:
*
Changed line(s) 45,50 (click to see context) from:
* [[spoiler: DrivenToSuicide]]
* [[spoiler: ForgottenFallenFriend]]: To a certain extent, for Melchior. His [[spoiler: funeral]] produces one of Melchior's most emotional moments, the GriefSong "Left Behind", but for Melchior's closest relationship in the play he's turned aside pretty quickly when being accused of causing Moritz's [[spoiler: suicide]] spurns the largely comical "Totally Fucked". Sadly, this is fairly representative of their whole relationship, including when Moritz [[spoiler: was alive]].
* [[spoiler: GhostSong]]: He and Wendla appear to Melchior [[spoiler: as ghosts. They float out of their graves and everything.]]
* IWantSong: "The Bitch of Living."
* LoveTriangle: Type 3 with Martha and Ilse. They both have feelings for him; he may or may not be oblivious, but his main struggle is trying [[spoiler: and failing]] to cope with his feelings about ''anyone.''
** Depending on interpretation, [[AmbiguouslyBi Moritz]] can be viewed as a HopelessSuitor of Melchior and thus part of a triangle with Melchior and Wendla.
* [[spoiler: ForgottenFallenFriend]]: To a certain extent, for Melchior. His [[spoiler: funeral]] produces one of Melchior's most emotional moments, the GriefSong "Left Behind", but for Melchior's closest relationship in the play he's turned aside pretty quickly when being accused of causing Moritz's [[spoiler: suicide]] spurns the largely comical "Totally Fucked". Sadly, this is fairly representative of their whole relationship, including when Moritz [[spoiler: was alive]].
* [[spoiler: GhostSong]]: He and Wendla appear to Melchior [[spoiler: as ghosts. They float out of their graves and everything.]]
* IWantSong: "The Bitch of Living."
* LoveTriangle: Type 3 with Martha and Ilse. They both have feelings for him; he may or may not be oblivious, but his main struggle is trying [[spoiler: and failing]] to cope with his feelings about ''anyone.''
** Depending on interpretation, [[AmbiguouslyBi Moritz]] can be viewed as a HopelessSuitor of Melchior and thus part of a triangle with Melchior and Wendla.
to:
%%* DrivenToSuicide
*[[spoiler: DrivenToSuicide]]
* [[spoiler: ForgottenFallenFriend]]:ForgottenFallenFriend: To a certain extent, for Melchior. His [[spoiler: funeral]] produces one of Melchior's most emotional moments, the GriefSong "Left Behind", but for Melchior's closest relationship in the play he's turned aside pretty quickly when being accused of causing Moritz's [[spoiler: suicide]] spurns the largely comical "Totally Fucked". Sadly, this is fairly representative of their whole relationship, including when Moritz [[spoiler: was alive]].
*[[spoiler: GhostSong]]: GhostSong: He and Wendla appear to Melchior [[spoiler: as ghosts. They float out of their graves and everything.]]
* %%* IWantSong: "The Bitch of Living."
* LoveTriangle: Type 3 with Martha and Ilse. They both have feelings for him; he may or may not be oblivious, but his main struggle is trying [[spoiler: and failing]] to cope with his feelings about ''anyone.''
**'' Depending on interpretation, [[AmbiguouslyBi Moritz]] can be viewed as a HopelessSuitor of Melchior and thus part of a triangle with Melchior and Wendla.
*
* [[spoiler: ForgottenFallenFriend]]:
*
* LoveTriangle: Type 3 with Martha and Ilse. They both have feelings for him; he may or may not be oblivious, but his main struggle is trying [[spoiler: and failing]] to cope with his feelings about ''anyone.
**
Changed line(s) 52 (click to see context) from:
* SanitySlippageSong / BSODSong: Moritz has two, the first being "And Then There Were None," where he devolves into a suicidal state ("Another day of utter shit/[[{{Foreshadowing}}And then there were none]]", and the second being "Don't Do Sadness," where he's already in the throes of it.
to:
* SanitySlippageSong / BSODSong: SanitySlippageSong: Moritz has two, the first being "And Then There Were None," where he devolves into a suicidal state ("Another day of utter shit/[[{{Foreshadowing}}And then there were none]]", and the second being "Don't Do Sadness," where he's already in the throes of it.
Changed line(s) 64,68 (click to see context) from:
* BabiesMakeEverythingBetter: [[spoiler:Averted.]]
* BreakTheCutie/KillTheCutie
* DrFeelgood: "Who lives in this house, Mama?"
* GhostSong: "Those You've Known", and arguably to some shade "Whispering". The latter seems [[spoiler: as if Wendla is predicting the consequences of her actions and eventual death.]]
** "See the father bent in grief/The mother dressed in mourning/Sister crumbles, and the neighbours grumble/Preacher issues warning." Coupled with TearJerker.
* BreakTheCutie/KillTheCutie
* DrFeelgood: "Who lives in this house, Mama?"
* GhostSong: "Those You've Known", and arguably to some shade "Whispering". The latter seems [[spoiler: as if Wendla is predicting the consequences of her actions and eventual death.]]
** "See the father bent in grief/The mother dressed in mourning/Sister crumbles, and the neighbours grumble/Preacher issues warning." Coupled with TearJerker.
to:
*
*
** "Those You've Known", and arguably to some shade "Whispering". The latter seems [[spoiler: as if Wendla is predicting the consequences of her actions and eventual death.]]
** "See the father bent in grief/The mother dressed in mourning/Sister crumbles, and the neighbours grumble/Preacher issues warning.
%%* KillTheCutie
Changed line(s) 78,79 (click to see context) from:
A childhood friend of the group. She is seen as a sign of something that could happen to Martha if she speaks out about what happens to her at home. Ilse is portrayed in "The Dark I Know Well" as an echo of what Martha is going through; Ilse was beaten and sexually abused by her father, and Martha is at the time of the song. Martha yearns to escape, and we never actually learn if she does. Ilse now lives in an artist's colony named Priapia with the Bohemians, but the girls think of this as no way to live for their fallen friend. [[spoiler: She offers Moritz to come home with her, implying they could be a lot more, yet he turns her down.]] She is symbolically seen as Moritz's last chance of redemption, and the "blue wind" as opposed to Moritz's rash and reckless summer wind he ponders on before [[spoiler: committing suicide]].
to:
A childhood friend of the group. She is seen as a sign of something that could happen to Martha if she speaks out about what happens to her at home. Ilse is portrayed in "The Dark I Know Well" as an echo of what Martha is going through; Ilse was beaten and sexually abused by her father, and Martha is at the time of the song. Martha yearns to escape, and we never actually learn if she does. Ilse now lives in an artist's colony named Priapia with the Bohemians, but the girls think of this as no way to live for their fallen friend. [[spoiler: She offers Moritz to come home with her, implying they could be a lot more, yet he turns her down.]] She is symbolically seen as Moritz's last chance of redemption, and the "blue wind" as opposed to Moritz's rash and reckless summer wind he ponders on before [[spoiler: committing suicide]].
friend.
Changed line(s) 82,85 (click to see context) from:
* AbusiveParents: "Ilse! Storytime!"
* CounterpointDuet: "Don't Do Sadness/Blue Wind"
* InnocenceLost: "Until this morning, when he woke me with a gun, set against my breast. He said: 'One twitch and it's the end.' [[{{Understatement}} Really gave me the goose bumps.]]"
* LonelyTogether: "The Dark I Know Well" for her and Martha.
* CounterpointDuet: "Don't Do Sadness/Blue Wind"
* InnocenceLost: "Until this morning, when he woke me with a gun, set against my breast. He said: 'One twitch and it's the end.' [[{{Understatement}} Really gave me the goose bumps.]]"
* LonelyTogether: "The Dark I Know Well" for her and Martha.
to:
* InnocenceLost: "Until this morning, when he woke me with a gun, set against my breast. He said: 'One twitch and it's the end.'
*
%%* LonelyTogether: "The Dark I Know Well" for her and Martha.
Changed line(s) 88,89 (click to see context) from:
* MadArtist: The men she models for. One of them isn't that bad (chasing her around and dabbing her with paint), but the other one... see InnocenceLost above.
* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
to:
%%* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
Changed line(s) 91 (click to see context) from:
* StepfordSmiler: Most incarnations have her smile and be playful despite all the terrible, '''''terrible''''' things happening to her.
to:
* StepfordSmiler: Most incarnations have her smile and be playful despite all the terrible, '''''terrible''''' ''terrible'' things happening to her.
Changed line(s) 93,94 (click to see context) from:
* UnkemptBeauty: Ilse is a disheveled, beautiful wanderess.
* WildHair: In her original incarnation.
* WildHair: In her original incarnation.
to:
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* ADateWithRosiePalms
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* AbusiveParents: "You say 'Time for bed now, child"/Mom [[AndIMustScream just smiles that smile.../Just like she never saw me]]/Just like she never saw me..."
** Amped up from the stage play in a very [[TearJerker chilling]] way.
* InnocenceLost
** Amped up from the stage play in a very [[TearJerker chilling]] way.
* InnocenceLost
to:
%%**"You say 'Time for bed now, child"/Mom [[AndIMustScream just smiles that smile.../Just like she never saw me]]/Just like she never saw me..."
Changed line(s) 167,169 (click to see context) from:
* LoveTriangle: Type 3 with Moritz and Ilse.
* MinorCharacterMajorSong: "The Dark I Know Well".
* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
* MinorCharacterMajorSong: "The Dark I Know Well".
* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
to:
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* ParentalIncest: Implied to be occurring in "The Dark I Know Well".
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* HormoneAddledTeenager: To an extent, all of the characters fulfill this trope, though Georg the most prominently.
* LikesOlderWomen: He's characterized primarily by his lust for his piano teacher.
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* CompositeCharacter: Otto and [[LastNameBasis Lammermeier]] are two separate characters.
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* BroodingBoyGentleGirl: Though Moritz is far more brooding of the two
to:
* BroodingBoyGentleGirl: Though Moritz is far more brooding of the two male heroes, Melchior certainly has some [[ByronicHero Byronic]] characteristics, particularly in contrast with Wendla's gentleness and innocence.
Changed line(s) 69 (click to see context) from:
* TheIngenue: Wendla's virginity and excessive naïveté drives much of the plot: it's played for drama in that it is directly correlated to her [[spoiler: rape and later pregnancy]], and it's exploited by her parents who desire her to continue to remain one.
to:
* TheIngenue: Wendla's virginity and excessive naïveté drives much of the plot: it's played for drama in that it is directly correlated to her [[spoiler: rape and later pregnancy]], and it's exploited by her parents who desire her to continue to remain one.
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* BroodingBoyGentleGirl: Though Moritz is far more brooding of the two
* TheIngenue: Wendla's virginity and excessive naïveté drives much of the plot: it's played for drama in that it is directly correlated to her [[spoiler: rape and later pregnancy]], and it's exploited by her parents who desire her to continue to remain one.
* QuirkyCurls: Most renditions of Ilse have this, beginning with Lauren Pritchard.
* UnkemptBeauty: Ilse is a disheveled, beautiful wanderess.
Changed line(s) 111 (click to see context) from:
to:
* UrbanLegendLoveLife: Though it's never explicitly stated, Hanschen's behavior and language heavy with [[DoubleEntendre double meanings]] and suggests he presents himself as something of a casanova, though the girls seem more interested in either the [[AllGirlsWantBadBoys rebellious Melchior]] or [[TroubledButCute brooding]], [[TheWoobie neurotic Moritz]]. Possibly, they view him as a HandsomeLech; perhaps he never actually invests in seducing his female classmates at all. Only once do we see him in action, and he is quite successful.
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Deleted line(s) 103 (click to see context) :
* BlondGuysAreEvil: Depending on the actor, Hanschen can vary from smug but good-hearted to a sleazy, horny seducer.
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* IWantSong: "All That's Known."
Changed line(s) 41 (click to see context) from:
* CounterpointDuet: Don't Do Sadness/Blue Wind
to:
* CounterpointDuet: Don't "Don't Do Sadness/Blue WindWind"
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* IWantSong: "The Bitch of Living".
to:
* IWantSong: "The Bitch of Living".Living."
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* AbusiveParents: His dad [[spoiler: beating him, verbally abusing him, and kicking him out of his own home for ''failing an exam'']] is one of the reasons of his [[spoiler: suicide.]]
* CounterpointDuet: Don't Do Sadness/Blue Wind
* StepfordSmiler: Most incarnations have her smile and be playful despite all the terrible, '''''terrible''''' things happening to her.
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<<|CharacterSheets|>>
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Changed line(s) 8,10 (click to see context) from:
http://static.tvtropes.org/pmwiki/pub/images/melchi_1940.jpg
-->''Played by [[Creator/JonathanGroff Jonathan Groff]]'' (Austin McKenzie in the 2015 revival)
-->''Played by [[Creator/JonathanGroff Jonathan Groff]]'' (Austin McKenzie in the 2015 revival)
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-->''Played
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http://static.tvtropes.org/pmwiki/pub/images/images_15_4978.jpg
-->''Played by John Gallagher Jr.'' (Daniel Durant, voiced by Alex Boniello in the revival)
-->''Played by John Gallagher Jr.'' (Daniel Durant, voiced by Alex Boniello in the revival)
to:
-->''Played
Changed line(s) 48 (click to see context) from:
--> Depending on interpretation, [[AmbiguouslyGay Moritz]] can be viewed as a HopelessSuitor of Melchior and thus part of a triangle with Melchior and Wendla.
to:
Changed line(s) 56,58 (click to see context) from:
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-->''Played by Creator/{{Lea Michele}}'' (Sandra Mae Frank, voiced by Katie Boeck in the revival)
-->''Played by Creator/{{Lea Michele}}'' (Sandra Mae Frank, voiced by Katie Boeck in the revival)
to:
-->''Played
Changed line(s) 64 (click to see context) from:
* BreakTheCutie
to:
* BreakTheCutieBreakTheCutie/KillTheCutie
* PurityPersonified: Throughout her tragic narrative, she has experiences that would normally result in InnocenceLost, but she manages to hold on to her idealism and goodness throughout it all, [[spoiler: even in death]].
* TooGoodForThisSinfulEarth: She is virtually PurityPersonified, and is killed by, in short, a combination of her mother's lies and being sexually taken advantage of.
* TooGoodForThisSinfulEarth: She is virtually PurityPersonified, and is killed by, in short, a combination of her mother's lies and being sexually taken advantage of.
Changed line(s) 72,74 (click to see context) from:
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-->''Played by Lauren Pritchard'' (Krysta Rodriguez in the revival)
-->''Played by Lauren Pritchard'' (Krysta Rodriguez in the revival)
to:
-->''Played
Changed line(s) 79,80 (click to see context) from:
* AbusiveParents: ''"Ilse! Storytime!"''
* ChildhoodFriendRomance: And ''how.''
* ChildhoodFriendRomance: And ''how.''
to:
* AbusiveParents: ''"Ilse! Storytime!"''
* ChildhoodFriendRomance: And ''how.''"Ilse! Storytime!"
* ChildhoodFriendRomance: And ''how.''
Changed line(s) 93,95 (click to see context) from:
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-->''Played by Jonathan B. Wright'' (Andy Mientus in the revival)
-->''Played by Jonathan B. Wright'' (Andy Mientus in the revival)
to:
-->''Played
* AllGaysArePromiscuous: Hanschen is by far the most overtly forward and flirtatious character in the play.
* DoubleEntendre:
--> '''Hanschen''': (''suggestively, to Ernst'') We'll huddle over the Homer. Maybe do a little Achilles and Patroclus...
* {{Foil}}: To Melchior. Both are striking, charismatic young boys who hold power and maturity over their respective significant others. Though Hanschen is typically played as more comical than Melchior, he, at the very least, is more conscious of his partner's consent or lack thereof than the latter.
--> '''Ernst:''' On my way here, I thought perhaps we'd only talk.
--> '''Hanschen:''' (''pulling back'') So, are you sorry we-
--> '''Ernst:''' No, I love you, Hanschen!
--> '''Hanschen''': (''suggestively, to Ernst'') We'll huddle over the Homer. Maybe do a little Achilles and Patroclus...
* {{Foil}}: To Melchior. Both are striking, charismatic young boys who hold power and maturity over their respective significant others. Though Hanschen is typically played as more comical than Melchior, he, at the very least, is more conscious of his partner's consent or lack thereof than the latter.
--> '''Ernst:''' On my way here, I thought perhaps we'd only talk.
--> '''Hanschen:''' (''pulling back'') So, are you sorry we-
--> '''Ernst:''' No, I love you, Hanschen!
Changed line(s) 106,108 (click to see context) from:
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-->''Played by Gideon Glick'' (Joshua Castille, voiced by Daniel David Stewart)
-->''Played by Gideon Glick'' (Joshua Castille, voiced by Daniel David Stewart)
to:
-->''Played
* AbusiveParents: In the 2015 revival, Ernst follows along silently in sign language throughout "The Dark I Know Well," implying he too was molested or [[RapeAsBackstory raped]] as a child.
* AllGaysArePromiscuous: Subverted, with Ernst, who is pure, wholesome, and almost childishly enthusiastic (his solo in "Touch Me" notwithstanding). His monologue before "The Word of Your Body (Reprise)" says it all:
--> '''Ernst:''' Sometimes...I imagine myself as a country pastor. With my red-cheeked wife, my library, my degrees...Boys and girls, who live nearby, give me their hand when I go walking...
* {{Foil}}: To Wendla. Both are kind, innocent adolescents only just beginning to mature who are seduced and get, to an extent, taken advantage of by their more mature love interests.
Changed line(s) 113,115 (click to see context) from:
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-->''Played by Skylar Astin'' (Alex Wyse in the revival)
-->''Played by Skylar Astin'' (Alex Wyse in the revival)
to:
-->''Played
Changed line(s) 120,122 (click to see context) from:
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-->''Played by Brian Charles Johnson'' (Miles Barbee, voiced by Sean Grandillo)
-->''Played by Brian Charles Johnson'' (Miles Barbee, voiced by Sean Grandillo)
to:
-->''Played
Changed line(s) 127,129 (click to see context) from:
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-->''Played by Remy Zaken'' (Amelia Hensley, voiced by Lauren Luiz)
-->''Played by Remy Zaken'' (Amelia Hensley, voiced by Lauren Luiz)
to:
-->''Played
Changed line(s) 134,136 (click to see context) from:
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-->''Played by Lilli Cooper'' (Treshelle Edmond, voiced by Kathryn Gallagher)
-->''Played by Lilli Cooper'' (Treshelle Edmond, voiced by Kathryn Gallagher)
to:
-->''Played
Changed line(s) 146,156 (click to see context) from:
* MinorCharacterMajorSong: "The Dark I Know Well"
----
[[WMG: Anna Reiniger]]
http://static.tvtropes.org/pmwiki/pub/images/anna_8663.png
-->''Played by Phoebe Strole'' (Ali Stroker in the revival)
One of Wendla's friends, who cannot wrap her head around Martha's trials.
[[/folder]]
----
[[WMG: Anna Reiniger]]
http://static.tvtropes.org/pmwiki/pub/images/anna_8663.png
-->''Played by Phoebe Strole'' (Ali Stroker in the revival)
One of Wendla's friends, who cannot wrap her head around Martha's trials.
[[/folder]]
to:
* MinorCharacterMajorSong: "The Dark I Know Well"
----
[[WMG: Anna Reiniger]]
http://static.tvtropes.org/pmwiki/pub/images/anna_8663.png
-->''Played by Phoebe Strole'' (Ali StrokerWell".
* ParentalIncest: Implied to be occurring inthe revival)
One of Wendla's friends, who cannot wrap her head around Martha's trials.
[[/folder]]
"The Dark I Know Well".
----
[[WMG: Anna Reiniger]]
http://static.tvtropes.org/pmwiki/pub/images/anna_8663.png
-->''Played by Phoebe Strole'' (Ali Stroker
* ParentalIncest: Implied to be occurring in
One of Wendla's friends, who cannot wrap her head around Martha's trials.
[[/folder]]