History AwesomeMusic / SpiderManAcrossTheSpiderVerse

* [[https://youtu.be/RuVnlOzYe-w "On the Run"]] by Cerebral Ballzy acts as Hobie Brown aka Spider-Punk's introduction. Fun fact: Honor Titus, who is the lead vocalist of Cerebral Ballzy, is the son of Andres "Dres" Titus of hip hop duo Black Sheep, whose song "The Choice Is Yours" was [[https://youtu.be/2aI7jghr19U prominently sampled in the grafitti mixtape scene from the previous movie.]]

* [[https://youtu.be/RuVnlOzYe-w?si=GqrKEccW6QSuzoSh "On the Run"]] by Cerebral Ballzy acts as Hobie Brown aka Spider-Punk's introduction. Fun fact: Honor Titus, who is the lead vocalist of Cerebral Ballzy, is the son of Andres "Dres" Titus of hip hop duo Black Sheep, whose song "The Choice Is Yours" was [[https://youtu.be/2aI7jghr19U?si=9-U4FksdOrZO4T1J prominently sampled in the grafitti mixtape scene from the previous movie.]]

* [[https://youtu.be/RuVnlOzYe-w?si=GqrKEccW6QSuzoSh "On the Run"]] by Cerebral Ballzy acts as Hobie Brown aka Spider-Punk's introduction. Fun fact: Honor Titus, who is the lead vocalist, is the son of Andres "Dres" Titus of Black Sheep, whose song "The Choice Is Yours" was [[https://youtu.be/2aI7jghr19U?si=9-U4FksdOrZO4T1J prominently sampled in the grafitti mixtape scene from the previous movie.]]

* [[https://www.youtube.com/watch?v=d_dEQ_V9YAg "Across the Spider-Verse (Intro)",]] the opening track's first measures during the production logos at the very beginning are equally eerie. It starts off in the same key as the opening track in the previous film, but quickly becomes more urgent to warn the audience what they're about to see will be DarkerAndEdgier than the light-hearted events of [=ItSV=].

* [[https://www.youtube.com/watch?v=DGwW4EHgV6o "Across the Spider-Verse (Start a Band)"]] plays over the movie's final minutes, going from eerie and haunting as Miles is captured by Earth-42 Prowler, who reveals himself to be Earth-42's version of Miles, adding urgent beats as an empowered Spot returns to Earth-1610 ready to wreak havoc which could kill Jefferson Morales and the Spider Society, as well as destabilize all of reality, before transitioning to an energetic, triumphant rock piece as Gwen assembles her "new band" of Spiders from both movies to travel across the Spider-Verse to find Miles and Miles prepares a bioelectric blast, ready to face off against his evil counterpart, with its last few rock chords playing over the film's "To Be Continued" to create an unforgettably powerful ending to this film. Furthermore, it echoes the opening track, [[https://www.youtube.com/watch?v=d_dEQ_V9YAg "Across the Spider-Verse (Intro)",]] which initially builds to a similar climax, but falls apart at the end as Gwen's drum motif becomes more intense and frenetic to the point that it dominates the rest of the music (which is reflected in-universe as Gwen wildly playing the drums while ignoring the rest of her bandmates, showing her inability to work with or bond with them). When the same theme is played at the very end, the drums work in perfect synchronicity with other instruments, reflecting how Gwen is now opening up to others and assembling a band of her own. Said opening track's first measures during the production logos at the very beginning are equally eerie. It starts off in the same key as the opening track in the previous film, but quickly becomes more urgent to warn the audience what they're about to see will be DarkerAndEdgier than the light-hearted events of [=ItSV=].

* The beautiful yet haunting end credits music, [[https://youtu.be/7aUZtDaxS60 "Am I Dreaming"]] by Metro Boomin, A$AP Rocky, and Roisee, seems to reflect Miles' current thoughts, feelings and willpower after escaping the Spider-Verse Society Headquarters to get back home and save his father, only to find himself stranded in another dimension. He may have a heavy toll on his mental state after everything he's been through, but he ''can't'' and ''won't'' give up.

* The beautiful yet haunting end credits music, [[https://youtu.be/7aUZtDaxS60 "Am I Dreaming"]] by Metro Boomin, A$AP Rocky, and Roisee, seems to reflect Miles' current thoughts, feelings and willpower after escaping the Spider-Verse Society Headquarters to get back home and save his father, only to find himself stranded in another dimension. He may have a heavy toll on his mental state after everything he's been through, but he can't and won't give up.

* [[https://www.youtube.com/watch?v=DGwW4EHgV6o "Across the Spider-Verse (Start a Band)"]] plays over the movie's final minutes, going from eerie and haunting as Miles is captured by Earth-42 Prowler, who reveals himself to be Earth-42's version of Miles, adding urgent beats as an empowered Spot returns to Earth-1610 ready to wreak havoc which could kill Jefferson Morales and the Spider Society, as well as destabilize the all of reality, before transitioning to an energetic, triumphant rock piece as Gwen assembles her "new band" of Spiders from both movies to travel across the Spider-Verse to find Miles and Miles prepares a bioelectric blast, ready to face off against his evil counterpart, with its last few rock chords playing over the film's "To Be Continued" to create an unforgettably powerful ending to this film. Furthermore, it echoes the opening track, [[https://www.youtube.com/watch?v=d_dEQ_V9YAg "Across the Spider-Verse (Intro)",]] which initially builds to a similar climax, but falls apart at the end as Gwen's drum motif becomes more intense and frenetic to the point that it dominates the rest of the music (which is reflected in-universe as Gwen wildly playing the drums while ignoring the rest of her bandmates, showing her inability to work with or bond with them). When the same theme is played at the very end, the drums work in perfect synchronicity with other instruments, reflecting how Gwen is now opening up to others and assembling a band of her own. Said opening track's first measures during the production logos at the very beginning are equally eerie. It starts off in the same key as the opening track in the previous film, but quickly becomes more urgent to warn the audience what they're about to see will be DarkerAndEdgier than the light-hearted events of [=ItSV=].

* [[https://www.youtube.com/watch?v=-A0ICz6rVvU "REALiZE"]] by [=LiSA=] of ''Literature/SwordArtOnline'' and ''Manga/DemonSlayerKimetsuNoYaiba'' fame is no slouch either and is the official theme of the movie's Japanese dub.

* [[https://www.youtube.com/watch?v=DGwW4EHgV6o "Across the Spider-Verse (Start a Band)"]] plays over the movie's final minutes, going from eerie and haunting as Miles is captured by Earth-42 Prowler, who reveals himself to be Earth-42's version of Miles, adding urgent beats as an empowered Spot returns to Earth-1610 ready to wreak havoc which could kill Jefferson Morales and the Spider Society, as well as destabilize the all of reality, before transitioning to an energetic, triumphant rock piece as Gwen assembles her "new band" of Spiders from both movies to travel across the Spider-Verse to find Miles and Miles prepares a bioelectric blast, ready to face off against his evil counterpart, with its last few rock chords playing over the film's "To Be Continued" to create an unforgettably powerful ending to this film.
** Furthermore, it echoes the opening track, [[https://www.youtube.com/watch?v=d_dEQ_V9YAg "Across the Spider-Verse (Intro)",]] which initially builds to a similar climax, but falls apart at the end as Gwen's drum motif becomes more intense and frenetic to the point that it dominates the rest of the music (which is reflected in-universe as Gwen wildly playing the drums while ignoring the rest of her bandmates, showing her inability to work with or bond with them). When the same theme is played at the very end, the drums work in perfect synchronicity with other instruments, reflecting how Gwen is now opening up to others and assembling a band of her own. Said opening track's first measures during the production logos at the very beginning are equally eerie. It starts off in the same key as the opening track in the previous film, but quickly becomes more urgent to warn the audience what they're about to see will be DarkerAndEdgier than the light-hearted events of [=ItSV=].

* [[https://www.youtube.com/watch?v=DGwW4EHgV6o "Across the Spider-Verse (Start a Band)"]] plays over the movie's final minutes, going from eerie and haunting as Miles is captured by Earth-42 Prowler, who reveals himself to be Earth-42's version of Miles, adding urgent beats as an empowered Spot returns to Earth-1610 ready to wreak havoc which could kill Jefferson Morales and the Spider Society, as well as destabilize the all of reality, before transitioning to an energetic, triumphant rock piece as Gwen assembles her "new band" of Spiders from both movies to travel across the Spider-Verse to find Miles and Miles prepares a bioelectric blast, ready to face off against his evil counterpart, with its last few rock chords playing over the film's "To Be Continued" to create an unforgettably powerful ending to this film. Furthermore, it echoes the opening track, [[https://www.youtube.com/watch?v=d_dEQ_V9YAg "Across the Spider-Verse (Intro)",]] which initially builds to a similar climax, but falls apart at the end as Gwen's drum motif becomes more intense and frenetic to the point that it dominates the rest of the music (which is reflected in-universe as Gwen wildly playing the drums while ignoring the rest of her bandmates, showing her inability to work with or bond with them). When the same theme is played at the very end, the drums work in perfect synchronicity with other instruments, reflecting how Gwen is now opening up to others and assembling a band of her own. Said opening track's first measures during the production logos at the very beginning are equally eerie. It starts off in the same key as the opening track in the previous film, but quickly becomes more urgent to warn the audience what they're about to see will be DarkerAndEdgier than the light-hearted events of [=ItSV=].

* [[https://www.youtube.com/watch?v=T5IBhbPsmME "Nueva York Train Chase"]] is a nearly six-minute long, electronic ballad that perfectly suits the climatic battle between Miles and Spider-Man 2099, going from droning snyths for the fight itself, to a more dark and somber tone during the reveal that Miles is an Anomaly and that Peter B. and Gwen knew the entire time, and ending with a triumphant (albeit bittersweet) reprise of Miles' theme.

* [[https://youtu.be/OIl_VaWGyGE Spider-Gwen's theme]] forms the backbone of the ActionPrologue and is reprised on/incorporated into many subsequent tracks. Beginning with a slow, melancholy, lo-fi/ambient synthline reflecting Gwen's inner conflicts, establishes the Spider-Gwen motif - a trilling synthesised guitar riff - [[TheCallKnowsWhereYouLive as a call to action when her father is summoned to deal with a Vulture at the Guggenheim]], then follows through with a pounding synth-rock anthem that reflects her [[DanceBattler poise and dexterity under fire]]. What makes Gwen's theme even better, [[https://www.youtube.com/shorts/gDP2QLO5UWQ as one Youtuber found out]], is that the guitar riff occasionally heard in her theme is actually ''the original 1967 Spider-Man theme song sped up''.
* Spider-Man 2099 gets [[https://www.youtube.com/watch?v=OgD_TxzjniU his own theme]] which is actually part MythologyGag, as it's based off of a portion of his theme from ''VideoGame/SpiderManShatteredDimensions''.

* As with the Prowler in the first film, the Spot gets [[https://www.youtube.com/watch?v=gOuZGSKjnt8 his own unique theme]]. It escalates over the course of the film and [[spoiler: the Spot becoming a multiversal threat]], culminating in [[https://www.youtube.com/watch?v=4C-H7Mr7hGg Spot Holes 2]].

* [[https://www.youtube.com/watch?v=DGwW4EHgV6o "Across the Spider-Verse (Start a Band)"]] is the song that plays over the movie's final minutes, going from eerie and haunting as Miles [[spoiler:is captured by Earth-42 Prowler, who reveals himself to be Earth-42's version of Miles]], adding urgent beats as [[spoiler:an empowered Spot returns to Earth-1610 ready to wreak havoc which could kill Jefferson Morales and the Spider Society, as well as destabilize the all of reality]], before transitioning to an energetic, triumphant rock piece as [[spoiler:Gwen assembles her "new band" of Spiders from both movies to travel across the Spider-Verse to find Miles]] and [[spoiler:Miles prepares a bioelectric blast, ready to face off against his evil counterpart]], with its last few rock chords playing over the film's "[[spoiler:To Be Continued]]" to create an unforgettably powerful ending to this film. Furthermore, it echoes the opening track [[https://www.youtube.com/watch?v=d_dEQ_V9YAg "Across the Spider-Verse (Intro)"]] which initially builds to a similar climax, but falls apart at the end as Gwen's drum motif becomes more intense and frenetic to the point that it dominates the rest of the music (which is reflected in-universe as Gwen wildly playing the drums while ignoring the rest of her bandmates, showing her inability to work with or bond with them). When the same theme is played at the very end, the drums work in perfect synchronicity with other instruments, reflecting how Gwen is now opening up to others and assembling a band of her own.
** Said opening track's opening during the production logos at the very beginning is equally eerie. It starts off in the same key as the opening track in the previous film, but quickly becomes more urgent to warn the audience what they're about to see will be DarkerAndEdgier than the light-hearted events of [=ItSV=].
* The beautiful yet haunting end credits music [[https://youtu.be/7aUZtDaxS60 "Am I Dreaming"]] by Metro Boomin, A$AP Rocky, and Roisee, [[spoiler:which seems to reflect Miles' current thoughts, feelings and willpower after escaping the Spider-Verse Society Headquarters to get back home and save his father, only to find himself stranded in another dimension. He may have a heavy toll on his mental state after everything he's been through, but he can't and won't give up.]]