History AwesomeMusic / RedVsBlue

* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that although minimalist, still inspires a sense of patient tension as it tends to play when shady characters are discussing plans. The theme gets a kickass reprise when [[spoiler:Tucker and the rest of the gang manage to transmit Felix’s monologue to the capitol, giving the song a new sense of satisfaction.]]

** [[{{Tearjerker}} On a more tragic note....]] Carolina's unfortunate [[https://www.youtube.com/watch?v=ZDz0woffIsI Ballet Breakup]]" shows her slide into despare with her theme in full force. Along with her temporary demise in [[https://www.youtube.com/watch?v=ZDz0woffIsI Freelancer Implosion]]" It takes fighting "[[https://www.youtube.com/watch?v=5tSdCxNSczA 100 Tex Robots]] for her to realize she will never beat Texas on her own, even with Epsilon's help.

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth).
** There's also the instrumental version of "Contact Redux" titled "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]". It's a somber peace that plays as Church delivers his "[[MemeticMutation ain't that a bitch]]" [[FamousLastWords goodbye speech.]]

* And the one that played during the awesome fight between Tex, Washington, and the Meta, "[[https://www.youtube.com/watch?v=VCtPpo3eKwo The Revelation Suite]]", combining Ice Fight, Boss Battle, and Plagam Extremam Infligere to great effect.

* The track simply titled "[[https://www.youtube.com/watch?v=0rktLE-DDJU Red vs Blue]]" from the Revelation Soundtrack, played as The Reds and Wash have their climactic fight against [[spoiler:the Meta, taking him out once and for all.]] The autotuned asides may not be to everyone's taste, but there's no denying the rest is a great HeavyMetal track. While already sounding awesome as it is, the song's lyrics really highlight the series' theme of GreyAndGrayMorality, particularly when its melody comes back at the most emotional part of Season 10 as described further down this page.

%%* And the one that played during the awesome fight between Tex, Washington, and the Meta, "[[https://www.youtube.com/watch?v=VCtPpo3eKwo The Revelation Suite]]".

* The season finale of ''Singularity'' has [[https://www.youtube.com/watch?v=AonvvN7Gwq4 "Fall, Break and Rise,"]] the theme that plays during the climactic battle between Carolina and [[spoiler:her past self]] in the Labyrinth.
* [[spoiler: The ending of Season 17]] features a melancholy reprise of Blood Gulch Blues (as sung by Meredith Hagan), entitled [[https://www.youtube.com/watch?v=aiPy7CL70iA "Blood Gulch Blue"]].
** On the uplifting side, the credits song [[https://www.youtube.com/watch?v=xLqfLCVY1T8 "(My Own) Best Enemy"]].

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocodero and Rooster Teeth).

%%* The season finale of ''Singularity'' has [[https://open.spotify.com/track/33v6WllqknoJjCrzrYxI8P "Fall, Break and Rise,"]] the theme that plays during the climactic battle between Carolina and [[spoiler:her past self]] in the Labyrinth.

* The season finale of ''Singularity'' has [[https://open.spotify.com/track/33v6WllqknoJjCrzrYxI8P "Fall, Break and Rise,"]] the theme that plays during the climactic battle between Carolina and [[spoiler:her past self]] in the Labyrinth.

* Episode 20 of Season 14, "[[https://www.youtube.com/watch?v=bEPG08HHnqk [=RvB=] Throwdown]]", is a [[BattleRapping rap battle]] between Church and Sarge [[spoiler:with Locus and Felix chiming in]], featuring [[BoastfulRap serious smack talk]], a badass backing track, and [[ContinuityNod references all the way back to the first episode]]. [[spoiler: As for the mercenaries, [[SmugSnake Felix]] is as [[BoastfulRap smug as ever]] and even [[ColdSniper Locus]] [[TheComicallySerious gets a few rhymes in]].]]
* [[https://www.youtube.com/watch?v=0pegMBnj7ds "Landing,"]] the ominous theme played during [[spoiler:the imposter Reds and Blues]]' attack on a [=UNSC=] supply depot in "Prologue". Elements of "Landing" would later be incorporated into the {{Leitmotif}} of the [[PsychoPrototype Blues and Reds]] throughout Season 15, being most prominently featured in the main theme of the season's BigBad - [[spoiler:[[https://www.youtube.com/watch?v=HeoHdZyE7nA "Temple"]]]], as heard at the end of "Battlescars".
* In Season 15, the Music/{{Ennio Morricone}}-esque "Role Model" that plays when [[spoiler:the aspect ratio switches to anamorphic and the two Red and Blue teams finally meet at Desert Gulch]].
* [[https://www.youtube.com/watch?v=-UxMf3U4cJo "Seek To Serve,"]] the delightfully unsettling {{Leitmotif}} of the [=FOTUS=] Soldier with loads of FreakyElectronicMusic [[spoiler:and only serves to make the incredibly anti-climatic reveal of his quest all the funnier]].

** [[FanNickname Shark Face]] is epic enough to warrant his own [[https://www.youtube.com/watch?v=dd6Sd9EcSN4 theme]]. Amusingly, the song mixes in Wash's incredulous "What the fuck is with this guy?", an apropos remark if there ever was one.

* Not to be outdone in the sad credits department, season 12's ending, "[[https://www.youtube.com/watch?v=dAFEIGFhRVM Half Life]]" is a dreamy, somber song about loneliness and gentle regrets. A bit unrelated to the season at hand, but beautiful all the same.

* When the Reds and Blues are fighting Felix, we are treated to "Prelude for Losers", using the original Blood Gulch Blues theme to perfectly represent the reds and blues' goofy awesomeness.

* Episode 20 of Season 14, "[[https://www.youtube.com/watch?v=bEPG08HHnqk [=RvB=] Throwdown]]", is a [[BattleRapping rap battle]] between Church and Sarge [[spoiler:with Locus and Felix chiming in]], featuring [[BoastfulRap serious smack talk]], a badass backing track, and [[ContinuityNod references all the way back to the first episode]]. [[spoiler: As for the mercenaries, [[SmugSnake Felix]] is as [[BoastfulRap smug as ever]] and even [[KnightOfCerebus Locus]] [[TheComicallySerious gets a few rhymes in]].]]
%%* The dark theme played during [[spoiler:the imposter reds and blues]]' attack on a UNSC supply depot.
%%* In Season 15, the Ennio Morricone-esque score when [[spoiler:the aspect ratio switches to anamorphic as the two Red and Blue teams finally meet]].

* [[spoiler: The ending of Season 17]] features a melancholy reprise of Blood Gulch Blues, sung by Meredith Hagan, entitled [[https://www.youtube.com/watch?v=mM5bCxxALgA Blood Gulch Blue]].

** "[[https://www.youtube.com/watch?v=g8AFJMFINZc Extraction]]" lets the audience know they've cranked up the awesome factor as soon as the first metal riff scores North and South's epic battling, then [[https://www.youtube.com/watch?v=g8AFJMFINZc#t=1m30s shifting into]] [[OminousLatinChanting Ominous Italian Chanting]] when "Number One" joins the fray, courtesy of Casey Lee Williams). The fact that she sang operatic vocals at the age of twelve is an awesome moment in of itself! Hell, the melody was so good they made it Carolina's {{Leitmotif}} whenever she' shows up to a fight.

* [[spoiler: The ending of Season 17]] features a melancholy reprisal of Blood Gulch Blues, sung by Meredith Hagan, entitled [[https://www.youtube.com/watch?v=mM5bCxxALgA Blood Gulch Blue]].

%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to provide context. This is an AWESOME Music page; context means explaining WHY the tracks are awesome. A Youtube link is not context, and neither is identifying the scene in which the music plays without explaining why that particular choice of music is awesome.

* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that although minimalist, still inspires a sense of patient tension as it tends to play when shady characters are discussing plans.
%%**[[spoiler:The theme gets a kickass reprise when Tucker and the rest of the gang manage to transmit Felix’s monologue to the capitol, giving the song a new sense of satisfaction.]]

* The dark theme played during [[spoiler:the imposter reds and blues]]' attack on a UNSC supply depot.
* In Season 15, the Ennio Morricone-esque score when [[spoiler:the aspect ratio switches to anamorphic as the two Red and Blue teams finally meet]].

* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that although minimalist, still inspires a sense of patient tension as it tends to play when shady characters are discussing plans. It gets a kickass reprise when [[spoiler:Tucker and the rest of the gang manage to transmit Felix’s monologue to the capitol, giving the song a new sense of satisfaction.]]

%%* "[[https://www.youtube.com/watch?v=AHfuMHUBp14 Slingshot]]", the epic music that plays during Carolina and the Meta's WebAnimation/DeathBattle.

%%* In Season 15, the Ennio Morricone-esque score when [[spoiler:the aspect ratio switches to anamorphic as the two Red and Blue teams finally meet]].

* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that although minimalist, still inspires a sense of patient tension as it tends to play when shady characters are discussing plans.
%%**[[spoiler:The theme gets a kickass reprise when Tucker and the rest of the gang manage to transmit Felix’s monologue to the capitol, giving the song a new sense of satisfaction.]]

* The track simply titled "[[https://www.youtube.com/watch?v=0rktLE-DDJU Red vs Blue]]" from the Revelation Soundtrack, played as The Reds and Wash [have their climactic fight against [[spoiler:the Meta, taking him out once and for all.]] The autotuned asides may not be to everyone's taste, but there's no denying the rest is a great HeavyMetal track. While already sounding awesome as it is, the song's lyrics really highlight the series' theme of GreyAndGrayMorality, particularly when its melody comes back at the most emotional part of Season 10 as described further down this page.

* The trailer for Season 13, aside from having the chilling monologue from Church, also features Faraday, a upgraded version of Trocadero's Faraway, but with added orchestral flair from newcomer David Levy. It has this feeling of dark intensity setting up the tone of the season extremely well.
* Recruitment, the song that plays over the title card of the season, slowly building up, growing more and more intense, finally culminating with a orchestral version of Contact, is just incredible, letting everybody know in just a few notes that this season is gonna be epic.

* When the Reds and Blues are fighting Felix, we are treated to Prelude for Losers, utilizing the original Blood Gulch Blues theme to perfectly represent the reds and blues goofy awesomeness.
%%* "
[[https://www.youtube.com/watch?v=AHfuMHUBp14 Slingshot]]", the epic music that plays during Carolina and the Meta's WebAnimation/DeathBattle.

%%* "[[https://www.youtube.com/watch?v=AHfuMHUBp14 Slingshot]]", the epic music that plays during Carolina and the Meta's WebAnimation/DeathBattle.

* And the one that played during the awesome fight between Tex, Washington, and the Meta, "[[http://www.youtube.com/watch?v=VCtPpo3eKwo The Revelation Suite]]".

** There's also "[[http://www.youtube.com/watch?v=8Rmf5JVeAgY The More]] from the Season 10 trailer, "[[http://www.youtube.com/watch?v=AbSUd9Kqp3w Terrify!]]", "[[http://www.youtube.com/watch?v=Boo8Kq77DTo Space Battle]]", and "[[http://www.youtube.com/watch?v=HgGTfmG1cJU Debris Field]]"
** York: "[[http://www.youtube.com/watch?v=RULay3iPp24 Worst Lockpicker Ever]] and his, uh...[[http://www.youtube.com/watch?v=MOV2pS6TzYs Heroic Entrance]]"

* "[[https://www.youtube.com/watch?v=AHfuMHUBp14 Slingshot]]", the epic music that plays during Carolina and the Meta's WebAnimation/DeathBattle.

* In Season 15, the Ennio Morricone-esque score when [[spoiler:the aspect ratio switches to anamorphic as the two Red and Blue teams finally meet]].

** [[FanNickname Shark Face]] is epic enough to warrant his own [[http://www.youtube.com/watch?v=dd6Sd9EcSN4 theme]]. Amusingly, the song mixes in Wash's incredulous "the fuck is with this guy?", an apropos remark if there ever was one.

* Not to be outdone in the sad credits department, season 12's ending, "[[https://www.youtube.com/watch?v=dAFEIGFhRVM Half Life]]" is a dreamy, somber song about lonelyness and gentle regrets. A bit unrelated to the season at hand, but beautiful all the same.

** And for our first Renegade Freelancer and the three songs about her, "[[http://www.youtube.com/watch?v=QYPydV5hFoc C.T.]]", "[[http://www.youtube.com/watch?v=9uPHD9MrJhQ The Darkness of C.T.]]", and "[[http://www.youtube.com/watch?v=teWiEVNEuGQ Message From C.T]]".The last is more of a TearJerker than awesome as Connie reads her message about who Text really is and her defecting, unaware that [[spoiler:Tex herself]] wound up the one to kill her.