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** "Cirkus" provides a suitably ominous opening to the album. It begins with one of the most dissonant melodies the group ever composed (rather reminiscent of Music/JimiHendrix' "[[Music/AreYouExperienced Purple Haze]]") before resolving to a minor key. The effect is more or less heartbreaking.

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** "Cirkus" provides a suitably ominous opening to the album. It begins with one of the most dissonant melodies the group ever composed (rather reminiscent of Music/JimiHendrix' "[[Music/AreYouExperienced Purple Haze]]") before resolving to a minor key.[[{{Scales}} key]]. The effect is more or less heartbreaking.
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** "One More Red Nightmare" is a contender for best drum track of all time, and is Exhibit A in the Bruford vs. [[{{Music/Rush}} Peart]] argument. Bruford played "One More Red Nightmare" on a beat up cymbal he found in the trash, which explains its thoroughly unique sound.

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** "One More Red Nightmare" is a contender for best drum track of all time, and is Exhibit A in the Bruford vs. [[{{Music/Rush}} [[Music/RushBand Peart]] argument. Bruford played "One More Red Nightmare" on a beat up cymbal he found in the trash, which explains its thoroughly unique sound.
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Zapping clunky double negative and unnecessary markup.


** "Starless", surely a trope codifier for EpicRocking. It starts as a subtle and melancholy PowerBallad in 4/4, then it [[SongStyleShift changes]] into a [[SubduedSection long, quiet, ominous middle section]] in a different key and UncommonTime (13/8, to be precise) with a very minimal guitar part and increasingly edgy drums, then it gets louder and louder until it bursts into crazed sax and guitar solos, still in 13/8 but played much faster, and just when things can't get any more frantic there's a LastChorusSlowDown which coincides with a return to the home key of G minor and CommonTime, and the original Power Ballad melody returns for just one cycle with everyone playing ''incredibly loudly'' - and then it ends. [[https://www.youtube.com/watch?v=bcUM6TN3jWw This [=YouTube=]r's reaction]] to it on listening to it for the first time is not unrepresentative of most people's reactions to it.

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** "Starless", surely a trope codifier for EpicRocking. It starts as a subtle and melancholy PowerBallad in 4/4, then it [[SongStyleShift changes]] into a [[SubduedSection long, quiet, ominous middle section]] in a different key and UncommonTime (13/8, to be precise) with a very minimal guitar part and increasingly edgy drums, then it gets louder and louder until it bursts into crazed sax and guitar solos, still in 13/8 but played much faster, and just when things can't get any more frantic there's a LastChorusSlowDown which coincides with a return to the home key of G minor and CommonTime, and the original Power Ballad melody returns for just one cycle with everyone playing ''incredibly loudly'' - and then it ends. [[https://www.youtube.com/watch?v=bcUM6TN3jWw This [=YouTube=]r's YouTuber's reaction]] to it on listening to it for the first time is not unrepresentative representative of most people's reactions to it.
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** "Starless", surely a trope codifier for EpicRocking. It starts as a subtle and melancholy PowerBallad in 4/4, then it [[SongStyleShift changes]] into a [[SubduedSection long, quiet, ominous middle section]] in a different key and UncommonTime (13/8, to be precise) with a very minimal guitar part and increasingly edgy drums, then it gets louder and louder until it bursts into crazed sax and guitar solos, still in 13/8 but played much faster, and just when things can't get any more frantic there's a LastChorusSlowDown which coincides with a return to the home key of G minor and CommonTime, and the original Power Ballad melody returns for just one cycle with everyone playing ''incredibly loudly'' - and then it ends.

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** "Starless", surely a trope codifier for EpicRocking. It starts as a subtle and melancholy PowerBallad in 4/4, then it [[SongStyleShift changes]] into a [[SubduedSection long, quiet, ominous middle section]] in a different key and UncommonTime (13/8, to be precise) with a very minimal guitar part and increasingly edgy drums, then it gets louder and louder until it bursts into crazed sax and guitar solos, still in 13/8 but played much faster, and just when things can't get any more frantic there's a LastChorusSlowDown which coincides with a return to the home key of G minor and CommonTime, and the original Power Ballad melody returns for just one cycle with everyone playing ''incredibly loudly'' - and then it ends. [[https://www.youtube.com/watch?v=bcUM6TN3jWw This [=YouTube=]r's reaction]] to it on listening to it for the first time is not unrepresentative of most people's reactions to it.
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* Fripp's solo album ''Exposure'' deserves a whole page to itself, being one of the weirdest and most awesome albums of the late 70s: a mixture of insane KC-style instrumentals, some punk-influenced stuff, soaring ballads, an instrumental funk track with a woman screaming on it, found voices, some moments of sheer comedy, and topping it off with Peter Gabriel performing a wonderful stripped-down version of "Here Comes The Flood" from his first solo album, followed by six minutes of ecstatic, blissed-out Frippertronics, all in the service of a dark picture of a world facing environmental collapse. Not for nothing has it been called "the punk ''[[Music/SgtPeppersLonelyHeartsClubBand Sgt Pepper]]''."
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** "21st Century Schizoid Man" is a real rock 'n' rollercoaster, from the weighty sax and guitar riff that opens the song proper (after the disorienting 20-second intro), to Greg Lake's punchy, distorted rendition of the lyrics, through the epic instrumental interlude led by Robert Fripp on guitar and Ian [=McDonald=] on saxophone that separates the last two verses, to the final chaotic, shrieking buildup that cuts off suddenly... and then begins again, getting still louder, only to cut off into silence again. A great track for the band to announce themselves to the listening world.

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** "21st Century Schizoid Man" is a real rock 'n' rollercoaster, from the weighty sax and guitar riff that opens the song proper (after the disorienting 20-second intro), to Greg Lake's punchy, distorted rendition of the lyrics, through the epic instrumental interlude led by Robert Fripp on guitar and Ian [=McDonald=] on saxophone that separates the last two verses, to the final chaotic, shrieking buildup that cuts off suddenly... and then begins again, getting still louder, only to cut off into silence again. A great track for the band to announce themselves to the listening world. No wonder [[Music/KanyeWest Kanye]] sampled it in "[[Music/MyBeautifulDarkTwistedFantasy Power]]".
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** [[https://www.youtube.com/watch?v=6YOdK7iFX-k "Fracture"]], which was described by Fripp as the hardest guitar piece he's ever played and is every bit as epic as one would expect from that description.

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** [[https://www.youtube.com/watch?v=6YOdK7iFX-k "Fracture"]], which was described by Fripp as the hardest guitar piece he's ever played and is every bit as epic as one would expect from that description. A relentless bulldozer of a track that starts off on the edge of silence and builds to sheer hammering power.
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* There isn't a single song on ''Red'' that doesn't qualify as SugarWiki/AwesomeMusic:

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* There isn't a single song on ''Red'' ''Music/{{Red|KingCrimsonAlbum}}'' that doesn't qualify as SugarWiki/AwesomeMusic:
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* There isn't a single song on ''Red'' that doesn't qualify as AwesomeMusic:

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* There isn't a single song on ''Red'' that doesn't qualify as AwesomeMusic:SugarWiki/AwesomeMusic:



** "Discipline" qualifies as AwesomeMusic too. The band decided to write a piece where the two lead guitars were rarely playing in the same time signature, and where none of the instruments (except the drums, in a constant 17/16 with a 4/4 bass drum polyrhythm) kept the same time signature for long. It is one of the finest examples of UncommonTime in music history, and has to be heard to be believed.

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** "Discipline" qualifies as AwesomeMusic SugarWiki/AwesomeMusic too. The band decided to write a piece where the two lead guitars were rarely playing in the same time signature, and where none of the instruments (except the drums, in a constant 17/16 with a 4/4 bass drum polyrhythm) kept the same time signature for long. It is one of the finest examples of UncommonTime in music history, and has to be heard to be believed.

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Using "just" and "once" is redundant. Also re-correcting un-corrected indentation.


** The band has only performed on American television just once, on the sketch comedy program ''Fridays'' in 1981. However, [[https://www.youtube.com/watch?v=7MFb1Vv-RbY the footage]] of them performing "Elephant Talk" and "Thela Hun Gunjeet" is nothing short of incredible.
* ''Beat''
** [[https://www.youtube.com/watch?v=7N27rSAdu20 "Heartbeat"]] from ''Beat'' shows that even King Crimson weren't afraid of doing a pop song in the 80s and results are awesome.

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** The band has only performed on American television just once, on the sketch comedy program ''Fridays'' in 1981. However, [[https://www.youtube.com/watch?v=7MFb1Vv-RbY the footage]] of them performing "Elephant Talk" and "Thela Hun Gunjeet" is nothing short of incredible.
* ''Beat''
**
[[https://www.youtube.com/watch?v=7N27rSAdu20 "Heartbeat"]] from ''Beat'' shows that even King Crimson weren't afraid of doing a pop song in the 80s and results are awesome.

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* [[https://www.youtube.com/watch?v=7N27rSAdu20 "Heartbeat"]] from ''Beat'' shows that even King Crimson weren't afraid of doing a pop song in the 80s and results are awesome.

to:

* ** The band has only performed on American television just once, on the sketch comedy program ''Fridays'' in 1981. However, [[https://www.youtube.com/watch?v=7MFb1Vv-RbY the footage]] of them performing "Elephant Talk" and "Thela Hun Gunjeet" is nothing short of incredible.
* ''Beat''
** [[https://www.
youtube.com/watch?v=7N27rSAdu20 "Heartbeat"]] from ''Beat'' shows that even King Crimson weren't afraid of doing a pop song in the 80s and results are awesome.

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The tracks on this page are listed in chronological order. "Islands" was NOT their most recent album, so it doesn't go at the end.


* [[https://www.youtube.com/watch?v=vBgVTSGNE3I "Islands"]] from the album of the same name is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell. A truly great song on what is generally seen as one of their lesser efforts.



* [[https://www.youtube.com/watch?v=vBgVTSGNE3I "Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell. A truly great song on what is generally seen as one of their lesser efforts.

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* [[https://www.youtube.com/watch?v=vBgVTSGNE3I "Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell. A truly great song on what is generally seen as one of their lesser efforts.----
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* [[https://www.youtube.com/watch?v=vBgVTSGNE3I "Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell.

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* [[https://www.youtube.com/watch?v=vBgVTSGNE3I "Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell. A truly great song on what is generally seen as one of their lesser efforts.
Is there an issue? Send a MessageReason:
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* [[https://www.youtube.com/watch?v=vBgVTSGNE3I"Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell.

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* [[https://www.youtube.com/watch?v=vBgVTSGNE3I"Islands"]] com/watch?v=vBgVTSGNE3I "Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell.
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* "Island" Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell.

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* "Island" [[https://www.youtube.com/watch?v=vBgVTSGNE3I"Islands"]] Is one of their most gorgeous tracks, with lush and calming instrumental sounds mixed in with the gorgeous voice of Boz Burrell.
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* "Island" Is one of their most gorgeous tracks and one of their biggest TearJerker 's

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* "Island" Is one of their most gorgeous tracks tracks, with lush and one calming instrumental sounds mixed in with the gorgeous voice of their biggest TearJerker 'sBoz Burrell.
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* "Island" Is one of their most gorgeous tracks and one of their biggest TearJerkers

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* "Island" Is one of their most gorgeous tracks and one of their biggest TearJerkersTearJerker 's
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* "Dinosaur" off of ''Thrak'' is an underrated gem of a song, filled with complex melodies and compositions. It's a sad piece, but gorgeous, fully capturing the feeling of growing older and regretting all of your mistakes and flaws. It's packed with raw emotion, and is one of the most intense songs ever made.[[note]]Fripp asked Belew to write King Crimson's answer to [[Music/TheBeatles "I am the Walrus"]], and the result is worthy of the comparison.[[/note]]

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* "Dinosaur" off of ''Thrak'' is an underrated gem of a song, filled with complex melodies and compositions. It's a sad piece, but gorgeous, fully capturing the feeling of growing older and regretting all of your mistakes and flaws. It's packed with raw emotion, and is one of the most intense songs ever made.[[note]]Fripp asked Belew to write King Crimson's answer to [[Music/TheBeatles "I am the Walrus"]], and the result is worthy of the comparison.[[/note]][[/note]]
* "Island" Is one of their most gorgeous tracks and one of their biggest TearJerkers
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* "Dinosaur" off of ''Thrak'' is an underrated gem of a song, filled with complex melodies and compositions. It's a sad piece, but gorgeous, fully capturing the feeling of growing older and regretting all of your mistakes and flaws. It's packed with raw emotion, and is one of the most intense songs ever made.

to:

* "Dinosaur" off of ''Thrak'' is an underrated gem of a song, filled with complex melodies and compositions. It's a sad piece, but gorgeous, fully capturing the feeling of growing older and regretting all of your mistakes and flaws. It's packed with raw emotion, and is one of the most intense songs ever made.[[note]]Fripp asked Belew to write King Crimson's answer to [[Music/TheBeatles "I am the Walrus"]], and the result is worthy of the comparison.[[/note]]

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A single second-level bullet is always incorrect indentation. It's doubly wrong if there's NOTHING at the first level, and TRIPLY wrong if the first- and second-level bullets were added in the same edit.


* ''Beat'':
** [[https://www.youtube.com/watch?v=7N27rSAdu20 "Heartbeat"]] shows that even King Crimson weren't afraid of doing a pop song in the 80's and results are awesome.

to:

* ''Beat'':
**
[[https://www.youtube.com/watch?v=7N27rSAdu20 "Heartbeat"]] from ''Beat'' shows that even King Crimson weren't afraid of doing a pop song in the 80's 80s and results are awesome.

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