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* "Youth Patrol" features use of the Music/MyChemicalRomance song "Teenagers" during the teen party Cliff and Jane get involved with, which adds to the wild and rowdy nature of the adolescents' antics and is especially fitting considering that bandmate Gerard Way wrote a run of the ''Doom Patrol'' comic book.
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* "Youth Patrol" features use of the Music/MyChemicalRomance song "Teenagers" during the teen party Cliff and Jane get involved with, which adds to the wild and rowdy nature of the adolescents' antics and is especially fitting considering that bandmate Gerard Way wrote a run [[ComicBook/DoomPatrol2016 run]] of the ''Doom Patrol'' comic book.
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* "Youth Patrol" features use of the Music/MyChemicalRomance song "Teenagers" during the teen party Cliff and Jane get involved with, which adds to the wild and rowdy nature of the adolescents' antics and is especially fitting considering that bandmate Gerard Way wrote a run of the ''Doom Patrol'' comic book.
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The rule for American And Commonwealth Spellings is "first come, first served".
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* "Danny Patrol" has the fan-favorite scene where Larry sings Kelly Clarkson's "People Like Us" on karaoke.
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* "Danny Patrol" has the fan-favorite fan-favourite scene where Larry sings Kelly Clarkson's "People Like Us" on karaoke.
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putting examples in chronological order
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* "Danny Patrol" has the fan-favourite scene where Larry sings Kelly Clarkson's "People Like Us" on karaoke.
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* "Danny Patrol" has the fan-favourite fan-favorite scene where Larry sings Kelly Clarkson's "People Like Us" on karaoke.
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" as Dorothy and Casey elect to go on a road trip to find the artist who created Casey, injecting hope and optimism into the scene and also hinting at Casey's lesbianism.
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* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" as Dorothy and Casey elect to go on a road trip to find the artist who created Casey, injecting hope and optimism into the scene and also hinting at Casey's lesbianism.
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"Rock opera" is not hyphenated.
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* "Immortimas Patrol" is one long rock-opera, featuring a slew of songs getting to the heart of each character's personal arcs. The opening is performed a capella, while Immortus herself sings "You're Doomed" to the show's theme.
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* "Immortimas Patrol" is one long rock-opera, rock opera, featuring a slew of songs getting to the heart of each character's personal arcs. The opening is performed a capella, while Immortus herself sings "You're Doomed" to the show's theme.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/screenshot_20231110_191031_youtube.jpg]]
[[caption-width-right:300:''Here's to the damned, to the lost and forgotten\\
It's hard to get high when you're living on the bottom''.]]
[[caption-width-right:300:''Here's to the damned, to the lost and forgotten\\
It's hard to get high when you're living on the bottom''.]]
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* "Danny Patrol" has the fan-favourite scene where Larry sings Kelly Clarkson's "People Like Us" on karaoke.
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* "Immortimas Patrol" is one long rock-opera, featuring a slew of songs getting to the heart of each character's personal arcs. The opening is performed a capella, while Immortus herself sings "You're Doomed" to the show's theme.
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The first four examples on this page are all zero-context, and there are two entries in a row which use the phrase "perfectly captures the mix"; the only difference is that one uses "mixture" instead of "mix". Finally, this namespace is Spoilers Off.
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%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain why these tracks are awesome. Identifying when a track plays is not context. A video link is not context. An adjective or two is not context. WHY are these tracks awesome?
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%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain why these tracks are awesome. Identifying when a track plays is not context. A video link is not context. An adjective or two is not context. WHY are these tracks awesome?
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Changed line(s) 2,6 (click to see context) from:
* Cliff and Crazy Jane/Silver Tongue fight a group of Nazis in Paraguay to Music/DeadKennedys “Nazi Punks Fuck Off”.
* Larry and Maura Lee Karupt singing a karaoke version of "[[Music/KellyClarkson People Like Us]]" at the club in "Danny Patrol." It was even released as a single.
* Danny using "[[Music/{{Chumbawamba}} Tubthumping]]".
* "[[Music/CypressHill When the Shit Goes Down]]", played under the credits of "Ezekiel Patrol."
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%%* Cliff and Crazy Jane/Silver Tongue fight a group of Nazis in Paraguay to Music/DeadKennedys
*
%%* Larry and Maura Lee Karupt singing a karaoke version of "[[Music/KellyClarkson People Like Us]]" at the club in "Danny Patrol." It was even released as a single.
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* "Possibilities Patrol" opens with "Time" by the Music/AlanParsonsProject, which plays as [[spoiler:the team learns that the Chief died during their battle with the Candlemaker.]] The gentle music perfectly captures the mix of exhaustion, grief, and uncertainty that the team is feeling, while the lyrics - about how time always moves forward and there's nothing you can do to stop it - set the tone for the rest of the season, as the whole team deals with drastic changes to their lives, like Cliff becoming a grandfather, Larry losing the original Negative Spirit, and Jane losing the closest thing she had to a father figure.
* "Butt Patrol" opens with Creator/ElaineStritch's rendition of "[[https://youtu.be/fvL32UCYTKQ The Ladies Who Lunch]]" playing as some poor Bureau of Normalcy schmuck is sent to clean up after the butts. Stritch's increasingly angry lyrics, juxtaposed by the calm, smooth orchestra, perfectly captures the mixture of mundanity and horror that characterizes life at the Bureau. Later, the song plays again as it's revealed that Dr. Yu saved one of the Butts from being destroyed.
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey, injecting hope and optimism into the scene and also hinting at Casey's lesbianism.
* "Portal Patrol" features the latter section of "[[https://youtu.be/GUdN0C-wvrE Robotman and His Daughter]]" with new triumphant flourishes as Jane and Kay finally integrate all their personalities into The Kaleidoscope. It nicely conveys how Kay and Jane are finally at peace and have finally outgrown the need for the restrictive Underground.
* "Butt Patrol" opens with Creator/ElaineStritch's rendition of "[[https://youtu.be/fvL32UCYTKQ The Ladies Who Lunch]]" playing as some poor Bureau of Normalcy schmuck is sent to clean up after the butts. Stritch's increasingly angry lyrics, juxtaposed by the calm, smooth orchestra, perfectly captures the mixture of mundanity and horror that characterizes life at the Bureau. Later, the song plays again as it's revealed that Dr. Yu saved one of the Butts from being destroyed.
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey, injecting hope and optimism into the scene and also hinting at Casey's lesbianism.
* "Portal Patrol" features the latter section of "[[https://youtu.be/GUdN0C-wvrE Robotman and His Daughter]]" with new triumphant flourishes as Jane and Kay finally integrate all their personalities into The Kaleidoscope. It nicely conveys how Kay and Jane are finally at peace and have finally outgrown the need for the restrictive Underground.
to:
* "Possibilities Patrol" opens with "Time" by the Music/AlanParsonsProject, which plays as [[spoiler:the the team learns that the Chief died during their battle with the Candlemaker.]] Candlemaker. The gentle music perfectly captures embodies the mix of exhaustion, grief, and uncertainty that the team is feeling, while the lyrics - about how time always moves forward and there's nothing you can do to stop it - set the tone for the rest of the season, as the whole team deals with drastic changes to their lives, like Cliff becoming a grandfather, Larry losing the original Negative Spirit, and Jane losing the closest thing she had to a father figure.
* "Butt Patrol" opens with Creator/ElaineStritch's rendition of "[[https://youtu.be/fvL32UCYTKQ The Ladies Who Lunch]]" playing as some poor Bureau of Normalcy schmuck is sent to clean up after the butts. Stritch's increasingly angry lyrics, juxtaposed by the calm, smooth orchestra,perfectly captures the mixture blend of mundanity and horror that characterizes life at the Bureau. Later, the song plays again as it's revealed that Dr. Yu saved one of the Butts from being destroyed.
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]"playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey, injecting hope and optimism into the scene and also hinting at Casey's lesbianism.
* "Portal Patrol" features the latter section of "[[https://youtu.be/GUdN0C-wvrE Robotman and His Daughter]]" with new triumphant flourishes as Jane and Kay finally integrate all their personalities into The Kaleidoscope. It nicely conveys how Kay and Jane are finally at peace and have finally outgrown the need for the restrictiveUnderground.Underground.
----
* "Butt Patrol" opens with Creator/ElaineStritch's rendition of "[[https://youtu.be/fvL32UCYTKQ The Ladies Who Lunch]]" playing as some poor Bureau of Normalcy schmuck is sent to clean up after the butts. Stritch's increasingly angry lyrics, juxtaposed by the calm, smooth orchestra,
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]"
* "Portal Patrol" features the latter section of "[[https://youtu.be/GUdN0C-wvrE Robotman and His Daughter]]" with new triumphant flourishes as Jane and Kay finally integrate all their personalities into The Kaleidoscope. It nicely conveys how Kay and Jane are finally at peace and have finally outgrown the need for the restrictive
----
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added example
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* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey.
to:
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey.Casey, injecting hope and optimism into the scene and also hinting at Casey's lesbianism.
* "Portal Patrol" features the latter section of "[[https://youtu.be/GUdN0C-wvrE Robotman and His Daughter]]" with new triumphant flourishes as Jane and Kay finally integrate all their personalities into The Kaleidoscope. It nicely conveys how Kay and Jane are finally at peace and have finally outgrown the need for the restrictive Underground.
* "Portal Patrol" features the latter section of "[[https://youtu.be/GUdN0C-wvrE Robotman and His Daughter]]" with new triumphant flourishes as Jane and Kay finally integrate all their personalities into The Kaleidoscope. It nicely conveys how Kay and Jane are finally at peace and have finally outgrown the need for the restrictive Underground.
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created an awesome music tab, as the examples on the YMMV page were getting numerous
Added DiffLines:
While ''Doom Patrol'' may be adapted from a visual medium, it's no slouch in the musical department, either.
* Cliff and Crazy Jane/Silver Tongue fight a group of Nazis in Paraguay to Music/DeadKennedys “Nazi Punks Fuck Off”.
* Larry and Maura Lee Karupt singing a karaoke version of "[[Music/KellyClarkson People Like Us]]" at the club in "Danny Patrol." It was even released as a single.
* Danny using "[[Music/{{Chumbawamba}} Tubthumping]]".
* "[[Music/CypressHill When the Shit Goes Down]]", played under the credits of "Ezekiel Patrol."
* "Sex Patrol" gives us Dorothy singing a beautiful rendition of "Pure Imagination" in order to resuscitate Danny.
* "Possibilities Patrol" opens with "Time" by the Music/AlanParsonsProject, which plays as [[spoiler:the team learns that the Chief died during their battle with the Candlemaker.]] The gentle music perfectly captures the mix of exhaustion, grief, and uncertainty that the team is feeling, while the lyrics - about how time always moves forward and there's nothing you can do to stop it - set the tone for the rest of the season, as the whole team deals with drastic changes to their lives, like Cliff becoming a grandfather, Larry losing the original Negative Spirit, and Jane losing the closest thing she had to a father figure.
* "Butt Patrol" opens with Creator/ElaineStritch's rendition of "[[https://youtu.be/fvL32UCYTKQ The Ladies Who Lunch]]" playing as some poor Bureau of Normalcy schmuck is sent to clean up after the butts. Stritch's increasingly angry lyrics, juxtaposed by the calm, smooth orchestra, perfectly captures the mixture of mundanity and horror that characterizes life at the Bureau. Later, the song plays again as it's revealed that Dr. Yu saved one of the Butts from being destroyed.
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey.
* Cliff and Crazy Jane/Silver Tongue fight a group of Nazis in Paraguay to Music/DeadKennedys “Nazi Punks Fuck Off”.
* Larry and Maura Lee Karupt singing a karaoke version of "[[Music/KellyClarkson People Like Us]]" at the club in "Danny Patrol." It was even released as a single.
* Danny using "[[Music/{{Chumbawamba}} Tubthumping]]".
* "[[Music/CypressHill When the Shit Goes Down]]", played under the credits of "Ezekiel Patrol."
* "Sex Patrol" gives us Dorothy singing a beautiful rendition of "Pure Imagination" in order to resuscitate Danny.
* "Possibilities Patrol" opens with "Time" by the Music/AlanParsonsProject, which plays as [[spoiler:the team learns that the Chief died during their battle with the Candlemaker.]] The gentle music perfectly captures the mix of exhaustion, grief, and uncertainty that the team is feeling, while the lyrics - about how time always moves forward and there's nothing you can do to stop it - set the tone for the rest of the season, as the whole team deals with drastic changes to their lives, like Cliff becoming a grandfather, Larry losing the original Negative Spirit, and Jane losing the closest thing she had to a father figure.
* "Butt Patrol" opens with Creator/ElaineStritch's rendition of "[[https://youtu.be/fvL32UCYTKQ The Ladies Who Lunch]]" playing as some poor Bureau of Normalcy schmuck is sent to clean up after the butts. Stritch's increasingly angry lyrics, juxtaposed by the calm, smooth orchestra, perfectly captures the mixture of mundanity and horror that characterizes life at the Bureau. Later, the song plays again as it's revealed that Dr. Yu saved one of the Butts from being destroyed.
* "Casey Patrol" ends with Music/BethDitto's "[[https://youtu.be/6uNGQLbxZU8 We Could Run]]" playing as Dorothy and Casey elect to go on a road trip to find the artist who created Casey.
