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Changed line(s) 1,2 (click to see context) from:
[[AC:Taken]]
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Changed line(s) 22 (click to see context) from:
[[AC:Taken 2]]
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[[AC:Taken 3]]
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Changed line(s) 11 (click to see context) from:
* Marko's long-overdue and well-deserved ElectricTorture sequence, particularly when he sees Bryan going for the light switch a second time, and he starts shaking his head and yelling "No!" through his gag.
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* Marko's long-overdue and well-deserved ElectricTorture sequence, particularly when he sees Bryan going for the light switch a second time, and he starts shaking his head and yelling "No!" through his gag. Seeing his smugness beforehand quickly fall apart is satisfying.
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Changed line(s) 11,12 (click to see context) from:
* "I believe you. But it’s not gonna save you."
** [[ElectricTorture *BZZZZZZZZZZZTT*]]
** [[ElectricTorture *BZZZZZZZZZZZTT*]]
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* Marko's long-overdue and well-deserved ElectricTorture sequence, particularly when he sees Bryan going for the light switch a second time, and he starts shaking his head and yelling "No!" through his gag.
** "I believe you. But it’s not gonna save you."
**" [[ElectricTorture *BZZZZZZZZZZZTT*]]
** "I believe you. But it’s not gonna save you.
**
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Changed line(s) 11 (click to see context) from:
* "I believe you. But that won't save you."
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* "I believe you. But that won't it’s not gonna save you."
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Changed line(s) 1,2 (click to see context) from:
[[AC:Taken (Film)]]
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Deleted line(s) 16 (click to see context) :
Changed line(s) 23,24 (click to see context) from:
[[AC:Taken 2 (Film)]]
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Changed line(s) 34 (click to see context) from:
[[AC:Taken 3 (Film)]]
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[[AC:Taken 3 (Film)]]3]]
Changed line(s) 37 (click to see context) from:
* Bryan ''ramming'' a Porsche into the wheels of Stuart's plane during the final chase sequence.
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* Bryan ''ramming'' a Porsche into the wheels of Stuart's plane during the final chase sequence.sequence.
----
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Spoilers shouldn't be marked on Awesome subpages.
Changed line(s) 35 (click to see context) from:
* Bryan telling [[spoiler: Stuart that he'll be waiting for him once he gets out of prison with his particular set of skills.]]
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* Bryan telling [[spoiler: Stuart that he'll be waiting for him once he gets out of prison with his particular set of skills.]]
Changed line(s) 37 (click to see context) from:
* Bryan ''ramming'' a Porsche into the wheels of [[spoiler: Stuart's]] plane during the final chase sequence.
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* Bryan ''ramming'' a Porsche into the wheels of [[spoiler: Stuart's]] Stuart's plane during the final chase sequence.
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Rearranged examples
Added line(s) 5 (click to see context) :
* A stalker/crazed fan attacks the pop star that Bryan is doing a security job for. Of course, the guy seemed to forget that he was facing off against Liam Neeson. Bryan takes the guy down with no injuries to him or his charge in less than five seconds.
Changed line(s) 5 (click to see context) from:
** A prelude to telling Marco (in person) specifically that he's doomed, is Mills imitating a corrupt official acting as though he's giving the Albanian traffickers a pass to do what they do. He doesn't hesitate, though, to warn them that "Your arrogance offends me, and for that, the rate just went up 10%". Another very quotable and memorable line.
to:
** The entire movie is one long [=CMoA=] for Creator/LiamNeeson, an actor who has no shortage of [=CMoAs=] in his career. Honestly, the movie could be named ''Creator/LiamNeeson Makes Paris Cry For Their Mother''.
* A prelude to telling Marco (in person) specifically that he's doomed, is Mills imitating a corrupt official acting as though he's giving the Albanian traffickers a pass to do what they do. He doesn't hesitate, though, to warn them that "Your arrogance offends me, and for that, the rate just went up 10%". Another very quotable and memorable line.
* A prelude to telling Marco (in person) specifically that he's doomed, is Mills imitating a corrupt official acting as though he's giving the Albanian traffickers a pass to do what they do. He doesn't hesitate, though, to warn them that "Your arrogance offends me, and for that, the rate just went up 10%". Another very quotable and memorable line.
Changed line(s) 7,9 (click to see context) from:
*** "You know, we used to outsource this kind of thing."
** "We can negoti--" '''BLAM!''' No, sir, we cannot. This has made many an audience cheer in the theaters.
** The entire movie is one long [=CMoA=] for Creator/LiamNeeson, an actor who has no shortage of [=CMoAs=] in his career. Honestly, the movie could be named ''Creator/LiamNeeson Makes Paris Cry For Their Mother''.
** "We can negoti--" '''BLAM!''' No, sir, we cannot. This has made many an audience cheer in the theaters.
** The entire movie is one long [=CMoA=] for Creator/LiamNeeson, an actor who has no shortage of [=CMoAs=] in his career. Honestly, the movie could be named ''Creator/LiamNeeson Makes Paris Cry For Their Mother''.
to:
** "We can negoti--" '''BLAM!''' No, sir, we cannot. This has made many an audience cheer in the theaters.
** The entire movie is one long [=CMoA=] for Creator/LiamNeeson, an actor who has no shortage of [=CMoAs=] in his career. Honestly, the movie could be named ''Creator/LiamNeeson Makes Paris Cry For Their Mother''.
Deleted line(s) 12 (click to see context) :
* A stalker/crazed fan attacks the pop star that Bryan is doing a security job for. Of course, the guy seemed to forget that he was facing off against Liam Neeson. Bryan takes the guy down with no injuries to him or his charge in less than five seconds.
* Bryan is handcuffed to a basement steam-pipe and strangled with a belt from behind? He ''still'' kills all of them.
Deleted line(s) 17 (click to see context) :
* Bryan is handcuffed to a basement steam-pipe and strangled with a belt from behind? He ''still'' kills all of them.
Changed line(s) 20 (click to see context) from:
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* "We can negoti--" '''[[KilledMidSentence BLAM!]]''' No, sir, we cannot. This has made many an audience cheer in the theaters.
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Deleted line(s) 4 (click to see context) :
** A prelude to telling Marco specifically that he's doomed, is Mills imitating a corrupt official acting as though he's giving the Albanian traffickers a pass to do what they do. He doesn't hesitate, though, to warn them that "Your arrogance offends me, and for that, the rate just went up 10%". Another very quotable and memorable line.
Added DiffLines:
** A prelude to telling Marco (in person) specifically that he's doomed, is Mills imitating a corrupt official acting as though he's giving the Albanian traffickers a pass to do what they do. He doesn't hesitate, though, to warn them that "Your arrogance offends me, and for that, the rate just went up 10%". Another very quotable and memorable line.
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None
** A prelude to telling Marco specifically that he's doomed, is Mills imitating a corrupt official acting as though he's giving the Albanian traffickers a pass to do what they do. He doesn't hesitate, though, to warn them that "Your arrogance offends me, and for that, the rate just went up 10%". Another very quotable and memorable line.
Changed line(s) 18,19 (click to see context) from:
* TheDragon puts up a very creditable fight lasting much longer than anyone else. Bryan has to struggle to win and doesn't come out unscathed and is visibly exhausted after he finally wins.
to:
* TheDragon puts up a very creditable fight lasting much longer than anyone else. Bryan has to struggle to win and doesn't come out unscathed and is visibly exhausted after he finally wins.prevails.
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Changed line(s) 13 (click to see context) from:
--> '''Bryan''': You don't remember me? We spoke on the phone two days ago. I told you I would find you.
to:
--> '''Bryan''': You don't remember me? me. We spoke on the phone two days ago. I told you I would find you.
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Added DiffLines:
*A stalker/crazed fan attacks the pop star that Bryan is doing a security job for. Of course, the guy seemed to forget that he was facing off against Liam Neeson. Bryan takes the guy down with no injuries to him or his charge in less than five seconds.
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Deleted line(s) 7 (click to see context) :
*** "I believe you... But that's not gonna save you." And Mills walks away with the power switch on, frying the sex-slaver to death.
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Added DiffLines:
*** "I believe you... But that's not gonna save you." And Mills walks away with the power switch on, frying the sex-slaver to death.
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Added DiffLines:
** Further to that, Bryan verbalising his observations (from the sensation of the van banking around corners, ambient sounds from outside etc) about how he and Lenore are being transported around the city whilst ''blindfolded''. Then flawlessly retracing that journey to track down the end location and in so doing, finding his wife. "A very particular set of skills", indeed.
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Changed line(s) 3 (click to see context) from:
** The criminal says only one thing before he hangs up on Mills: "[[SarcasmMode Good luck]]." Turns out this was the exact clue Mills needed to identify the man. And when he does, by tricking him into saying it ''again''... "You don't remember me. We spoke on the phone two days ago. ''I told you I would find you''."
to:
** The criminal says only one thing before he hangs up on Mills: "[[SarcasmMode Good luck]]." Turns out this was the exact clue Mills needed to identify the man. And when he does, by tricking him into saying it ''again''...''again'' after tracking him down... "You don't remember me. We spoke on the phone two days ago. ''I told you I would find you''."
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Changed line(s) 3 (click to see context) from:
*** The criminal says only one thing before he hangs up on Mills: "[[SarcasmMode Good luck]]." Turns out this was the exact clue Mills needed to identify the man. And when he does... "You don't remember me. We spoke on the phone two days ago. ''I told you I would find you''."
to:
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Added DiffLines:
*** One other side note on this speech is an extremely subtle tone shift as he's speaking. When he says " I ''will'' find you", his tone is one not of warning, but of absolute certainty.
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Added DiffLines:
*** The criminal says only one thing before he hangs up on Mills: "[[SarcasmMode Good luck]]." Turns out this was the exact clue Mills needed to identify the man. And when he does... "You don't remember me. We spoke on the phone two days ago. ''I told you I would find you''."
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Changed line(s) 11 (click to see context) from:
** Right before he reveals his identity to the kidnapper, you can ''see'' the moment he switches from the semi-jovial cover identity to cold-blooded PapWolf. He glances around the room and double-checks where everyone is, before utterly demolishing an entire building full of mooks.
to:
** Right before he reveals his identity to the kidnapper, you can ''see'' the moment he switches from the semi-jovial cover identity to cold-blooded PapWolf.PapaWolf. He glances around the room and double-checks where everyone is, before utterly demolishing an entire building full of mooks.
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Added DiffLines:
** Right before he reveals his identity to the kidnapper, you can ''see'' the moment he switches from the semi-jovial cover identity to cold-blooded PapWolf. He glances around the room and double-checks where everyone is, before utterly demolishing an entire building full of mooks.
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Changed line(s) 8 (click to see context) from:
** *BZZZZZZZZZZZTT*
to:
** *BZZZZZZZZZZZTT*[[ElectricTorture *BZZZZZZZZZZZTT*]]
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Changed line(s) 23 (click to see context) from:
to:
* Bryan coldly and wordlessly killing Murad. He shows the bastard what happens when you break a promise seconds after agreeing to one.
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Changed line(s) 11 (click to see context) from:
* [[PremortemOneLiner "It was all personal to me."]]
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* [[PremortemOneLiner [[PreMortemOneLiner "It was all personal to me."]]
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Changed line(s) 14 (click to see context) from:
to:
* TheDragon puts up a very creditable fight lasting much longer than anyone else. Bryan has to struggle to win and doesn't come out unscathed and is visibly exhausted after he finally wins.
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Changed line(s) 25 (click to see context) from:
* Bryan [[StormingTheCastle attacking Oleg Malankov's suite]], as well as Bryan's final fight with Malankov.
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* Bryan [[StormingTheCastle attacking Oleg Malankov's suite]], as well as Bryan's final fight with Malankov.Malankov.
* Bryan ''ramming'' a Porsche into the wheels of [[spoiler: Stuart's]] plane during the final chase sequence.
* Bryan ''ramming'' a Porsche into the wheels of [[spoiler: Stuart's]] plane during the final chase sequence.
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Changed line(s) 24 (click to see context) from:
* Bryan telling [[spoiler: Stuart that he'll be waiting for him once he gets out of prison with his particular set of skills.]]
to:
* Bryan telling [[spoiler: Stuart that he'll be waiting for him once he gets out of prison with his particular set of skills.]]]]
* Bryan [[StormingTheCastle attacking Oleg Malankov's suite]], as well as Bryan's final fight with Malankov.
* Bryan [[StormingTheCastle attacking Oleg Malankov's suite]], as well as Bryan's final fight with Malankov.