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Changed line(s) 5 (click to see context) from:
to:
----
Changed line(s) 16 (click to see context) from:
-->'''Marsellus''': ''(to Zed)'' I'mma call a couple of hard, pipe-hitting niggas to go to work on the homes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! [[MemeticMutation I'mma get medieval on your ass!]]
to:
Changed line(s) 22 (click to see context) from:
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!" -- cue an '''immediate''' cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring. It's the perfect music to inform the audience: "Strap yourselves in. It's gonna be one hell of a ride."
to:
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!" -- cue an '''immediate''' cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available [[note]]available on ''Music/SurfersChoice'' [[/note]] ''Music/SurfersChoice''[[/note]] blaring. It's the perfect music to inform the audience: "Strap yourselves in. It's gonna be one hell of a ride."
Changed line(s) 25 (click to see context) from:
--> '''Jody''': That was fucking trippy.
to:
Deleted line(s) 33 (click to see context) :
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Changed line(s) 9 (click to see context) from:
** "'What' ain't no country I ever heard of! They speak English in What?"
to:
** "'What' "What country you from?! 'What' ain't no country I ever heard of! They speak English in What?"'What'?"
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** "Say what again! SAY! WHAT! AGAIN! I dare you! I double dare you, motherfucker! Say what one more goddamn time!"
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No meta moment, see this query.
Deleted line(s) 23 (click to see context) :
** Also on a meta level, Creator/ChristopherWalken's acting here is amazing; he gives this beautiful speech about Butch's family, about how important the watch is to them, and how he there to fulfil a dead man's last request, undoubtedly moving some people watching to tears, then drops just ''how'' he got the watch back to Butch. The MoodWhiplash comes like a ton of bricks.
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Changed line(s) 15 (click to see context) from:
-->'''Marsellus''': ''(to Zed)'' I'mma call a couple of hard, pipe-hitting niggas to go to work on the homes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'mma get medieval on your ass!
to:
-->'''Marsellus''': ''(to Zed)'' I'mma call a couple of hard, pipe-hitting niggas to go to work on the homes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! [[MemeticMutation I'mma get medieval on your ass!ass!]]
Added DiffLines:
** Also on a meta level, Creator/ChristopherWalken's acting here is amazing; he gives this beautiful speech about Butch's family, about how important the watch is to them, and how he there to fulfil a dead man's last request, undoubtedly moving some people watching to tears, then drops just ''how'' he got the watch back to Butch. The MoodWhiplash comes like a ton of bricks.
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** "Oh, you were finished! Oh, well allow me to retort.... What does Marsellus Wallace look like?"
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No meta example, see this query.
Deleted line(s) 22 (click to see context) :
** On a meta level, Creator/ChristopherWalken cementing his place in history as the King of the [[OneSceneWonder One Scene Wonders]].
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Changed line(s) 18 (click to see context) from:
-->'''Winston Wolfe:''' It's about thirty minutes away. I'll be there in ten.
to:
-->'''Winston Wolfe:''' It's about thirty minutes away. I'll be there in ten.
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Changed line(s) 13,14 (click to see context) from:
** "It's the one that says [[Creator/SamuelLJackson Bad Motherfucker]]." He just says it so diplomatically!
* Butch saving Marsellus with a katana and holding Zed at sword point, taunting him to pick up the gun. And then Marsellus tells Butch to step aside, just before ''[[GroinAttack blowing Zed's balls off]]''.
* Butch saving Marsellus with a katana and holding Zed at sword point, taunting him to pick up the gun. And then Marsellus tells Butch to step aside, just before ''[[GroinAttack blowing Zed's balls off]]''.
to:
Changed line(s) 16,22 (click to see context) from:
** Even better is in the background you can hear the rapist sobbing and retching in pure agony. PayEvilUntoEvil indeed.
** More generally, the Butch storyline as a whole. Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss. (Or at least enough of it to let him leave the city in one piece and stay away forever.)
* The entire sequence with [[BadassInANiceSuit Winston Wolf]]. "I solve problems."
-->'''Winston Wolf:''' It's about thirty minutes away. I'll be there in ten.
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house with the words "Nine minutes thirty-seven seconds later...". By the time he parked his car and knocked on the door, he was there in ''exactly'' ten minutes.
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!"--cue an '''immediate''' cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring: the perfect music to inform the audience the following: "Strap yourselves in. It's gonna be one hell of a ride."
* Captain Koons' monologue detailing the history of the gold watch, and Butch's ancestors. BadassFamily indeed.
** More generally, the Butch storyline as a whole. Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss. (Or at least enough of it to let him leave the city in one piece and stay away forever.)
* The entire sequence with [[BadassInANiceSuit Winston Wolf]]. "I solve problems."
-->'''Winston Wolf:''' It's about thirty minutes away. I'll be there in ten.
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house with the words "Nine minutes thirty-seven seconds later...". By the time he parked his car and knocked on the door, he was there in ''exactly'' ten minutes.
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!"--cue an '''immediate''' cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring: the perfect music to inform the audience the following: "Strap yourselves in. It's gonna be one hell of a ride."
* Captain Koons' monologue detailing the history of the gold watch, and Butch's ancestors. BadassFamily indeed.
to:
** Even better is that in the background you can hear the rapist sobbing and retching in pure agony. PayEvilUntoEvil indeed.
** More generally, the Butch storyline as a whole. Even if luckwas is definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' ''owns'' a dangerous crime boss, killed kills a hitman sent out to kill him him, and escaped escapes unscathed while earning ''gratitude'' of from the said crime boss. (Or at least enough of it to let him leave the city in one piece and if he'll stay away forever.)
* The entire sequence with [[BadassInANiceSuit WinstonWolf]].Wolfe]]. "I solve problems."
-->'''WinstonWolf:''' Wolfe:''' It's about thirty minutes away. I'll be there in ten.
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house with the words "Nine minutes thirty-seven seconds later...". By the time heparked his parks the car and knocked knocks on the door, he was there in it's been ''exactly'' ten minutes.
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one ofyou!!"--cue you!!" -- cue an '''immediate''' cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring: blaring. It's the perfect music to inform the audience the following: audience: "Strap yourselves in. It's gonna be one hell of a ride."
* Captain Koons' monologue detailing the history of the goldwatch, watch and Butch's ancestors. BadassFamily indeed.
** More generally, the Butch storyline as a whole. Even if luck
* The entire sequence with [[BadassInANiceSuit Winston
-->'''Winston
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house with the words "Nine minutes thirty-seven seconds later...". By the time he
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of
* Captain Koons' monologue detailing the history of the gold
Changed line(s) 24 (click to see context) from:
* As convoluted and crazy as the scenario was, there is a bit of awesomeness in seeing Vincent and Lance bring Mia back to life with the needle.
to:
* As convoluted and crazy as the scenario was, is, there is a bit of awesomeness in seeing Vincent and Lance bring Mia back to life with the needle.
Changed line(s) 29,32 (click to see context) from:
** Words are not enough to do justice to this scene: Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and points his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-robbers leave.
** Jules, expressing his HeelFaceTurn as he lets Ringo and Yolanda go: "But I'm trying Ringo, I'm trying ''real hard'' to be the Shepherd."
* The ending: Jules and Vincent calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.
** Jules, expressing his HeelFaceTurn as he lets Ringo and Yolanda go: "But I'm trying Ringo, I'm trying ''real hard'' to be the Shepherd."
* The ending: Jules and Vincent calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.
to:
** Words are not enough to do justice to this scene: Jules has Ringo Pumpkin and Yolanda pointing their guns at him, then - -- after distracting Ringo Pumpkin with the briefcase's content - contents -- he effortlessly pulls Ringo down Pumpkin and points his gun at his face face, turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. shout. After that he calmly, non-violently, defuses the entire situation - -- even after Vincent almost fucked fucks it up - -- and makes both would-be-robbers leave.
** Jules, expressing his HeelFaceTurn as he letsRingo Pumpkin and Yolanda go: "But I'm trying trying, Ringo, I'm trying ''real hard'' to be the Shepherd."
** "It's the one that says [[Creator/SamuelLJackson Bad Motherfucker]]." He just says it so diplomatically!
* The ending: Jules and Vincent calmly walk out of therestaurant, restaurant with a knowing swagger, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.
** Jules, expressing his HeelFaceTurn as he lets
** "It's the one that says [[Creator/SamuelLJackson Bad Motherfucker]]." He just says it so diplomatically!
* The ending: Jules and Vincent calmly walk out of the
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More appropriate
Changed line(s) 6 (click to see context) from:
* Most of Jules' dialogue to Brett in the opening scene, and not just for the fact that [[MemeticMutation nearly every line of it has since become a well-known quote]].
to:
* Most of Jules' dialogue to Brett in the opening scene, and not just for the fact that [[MemeticMutation [[FountainOfMemes nearly every line of it has since become a well-known quote]].
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Changed line(s) 29 (click to see context) from:
** Words are not enough to do justice to this scene: Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and points his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-burglars leave.
to:
** Words are not enough to do justice to this scene: Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and points his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-burglars would-be-robbers leave.
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Dewicked trope
Changed line(s) 24 (click to see context) from:
* As convoluted and crazy as the scenario was, there is a bit of CrazyAwesome in seeing Vincent and Lance bring Mia back to life with the needle.
to:
* As convoluted and crazy as the scenario was, there is a bit of CrazyAwesome awesomeness in seeing Vincent and Lance bring Mia back to life with the needle.
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** "Oh, I'm sorry. Did I break your concentration?"
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Added DiffLines:
** Even better is in the background you can hear the rapist sobbing and retching in pure agony. PayEvilUntoEvil indeed.
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Changed line(s) 19 (click to see context) from:
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!"--cue an immediate cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring: the perfect music to get across the message "strap yourself in, it's gonna be one hell of a ride."
to:
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!"--cue an immediate '''immediate''' cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring: the perfect music to get across inform the message "strap yourself in, it's audience the following: "Strap yourselves in. It's gonna be one hell of a ride."
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Changed line(s) 8 (click to see context) from:
** "English motherfucker, do you speak it?"
to:
** "English motherfucker, do "English, motherfucker! Do you speak it?"
Changed line(s) 11 (click to see context) from:
** "I DON'T REMEMBER ASKIN' YOU A GOD DAMN THING."
to:
** "I DON'T REMEMBER ASKIN' YOU A GOD DAMN THING."GODDAMN THING!"
Changed line(s) 14,15 (click to see context) from:
-->'''Marsellus''': ''(to Zed)'' I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
** More generally, the Butch storyline as a whole. Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss.
** More generally, the Butch storyline as a whole. Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss.
to:
-->'''Marsellus''': ''(to Zed)'' I'm gonna I'mma call a couple of hard, pipe-hitting niggas to go to work on the holmes homes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna I'mma get medieval on your ass!
** More generally, the Butch storyline as a whole. Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss. (Or at least enough of it to let him leave the city in one piece and stay away forever.)
** More generally, the Butch storyline as a whole. Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss. (Or at least enough of it to let him leave the city in one piece and stay away forever.)
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Changed line(s) 15 (click to see context) from:
** More generally, the Butch storyline as a whole. The guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss and escaped unscathed while earning ''gratitude'' of the said crime boss.
to:
** More generally, the Butch storyline as a whole. The Even if luck was definitely on his side, the guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss boss, killed a hitman sent out to kill him and escaped unscathed while earning ''gratitude'' of the said crime boss.
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Added DiffLines:
** More generally, the Butch storyline as a whole. The guy with presumably little to none prior involvement with the criminal world ''owned'' a dangerous crime boss and escaped unscathed while earning ''gratitude'' of the said crime boss.
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Changed line(s) 26 (click to see context) from:
** Words are not enough to do justice to this scene: Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and point his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-burglars leave.
to:
** Words are not enough to do justice to this scene: Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and point points his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-burglars leave.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350: And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers! And you will know my name is the Lord... when I lay my vengeance upon thee!]]
to:
[[caption-width-right:350: And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my My brothers! And you will know my My name is the Lord... when I lay my My vengeance upon thee!]]
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Corrected all instances of "Marcellus" to "Marsellus"
Changed line(s) 13,14 (click to see context) from:
* Butch saving Marcellus with a katana and holding Zed at sword point, taunting him to pick up the gun. And then Marsellus tells Butch to step aside, just before ''[[GroinAttack blowing Zed's balls off]]''.
-->'''Marcellus''': ''(to Zed)'' I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
-->'''Marcellus''': ''(to Zed)'' I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
to:
* Butch saving Marcellus Marsellus with a katana and holding Zed at sword point, taunting him to pick up the gun. And then Marsellus tells Butch to step aside, just before ''[[GroinAttack blowing Zed's balls off]]''.
-->'''Marcellus''': -->'''Marsellus''': ''(to Zed)'' I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
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Changed line(s) 17 (click to see context) from:
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house. By the time he parked his car and knocked on the door, he was there in ''exactly'' ten minutes.
to:
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house.house with the words "Nine minutes thirty-seven seconds later...". By the time he parked his car and knocked on the door, he was there in ''exactly'' ten minutes.
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Added DiffLines:
** The moment he hangs up his phone, it cuts to Wolf arriving at Jimmy's house. By the time he parked his car and knocked on the door, he was there in ''exactly'' ten minutes.
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Repaired red link
Changed line(s) 19 (click to see context) from:
** On a meta level, ChristopherWalken cementing his place in history as the King of the [[OneSceneWonder One Scene Wonders]].
to:
** On a meta level, ChristopherWalken Creator/ChristopherWalken cementing his place in history as the King of the [[OneSceneWonder One Scene Wonders]].
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'''WARNING: Spoilers are unmarked on Awesome Moments pages!'''
Changed line(s) 22,25 (click to see context) from:
** Words are not enough to do justice to this scene: [[spoiler:Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and point his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-burglars leave]].
** Jules, expressing his HeelFaceTurn as he [[spoiler:lets Ringo and Yolanda go: "But I'm trying Ringo, I'm trying ''real hard'' to be the Shepherd."]]
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
** Jules, expressing his HeelFaceTurn as he [[spoiler:lets Ringo and Yolanda go: "But I'm trying Ringo, I'm trying ''real hard'' to be the Shepherd."]]
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
to:
** Words are not enough to do justice to this scene: [[spoiler:Jules Jules has Ringo and Yolanda pointing their guns at him, then - after distracting Ringo with the briefcase's content - he effortlessly pulls Ringo and point his gun at his face turning the situation in his favor as Yolanda becomes too panicked to do anything else other than shouting. After that he calmly, non-violently, defuses the entire situation - even after Vincent almost fucked it up - and makes both would-be-burglars leave]].
leave.
** Jules, expressing his HeelFaceTurn as he[[spoiler:lets lets Ringo and Yolanda go: "But I'm trying Ringo, I'm trying ''real hard'' to be the Shepherd."]]
"
* The ending: Jules and Vincent[[spoiler:calmly calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
showdown.
** Jules, expressing his HeelFaceTurn as he
* The ending: Jules and Vincent
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cleaning up redundant entries of the same Awesome moment.
Changed line(s) 9,10 (click to see context) from:
* "It's the one that says [[Creator/SamuelLJackson Bad Motherfucker]]." He just says it so diplomatically!
* Topped at the end. [[spoiler:"The truth is, you're the weak, and I'm the tyranny of evil men. But I'm ''tryin''', Ringo. [[HeelFaceTurn I'm trying real hard to be this shepherd.]]"]]
* Topped at the end. [[spoiler:"The truth is, you're the weak, and I'm the tyranny of evil men. But I'm ''tryin''', Ringo. [[HeelFaceTurn I'm trying real hard to be this shepherd.]]"]]
to:
* Topped at the end. [[spoiler:"The truth is, you're the weak, and I'm the tyranny of evil men. But I'm ''tryin''', Ringo. [[HeelFaceTurn I'm trying real hard to be this shepherd.]]"]]
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Added DiffLines:
** On a meta level, ChristopherWalken cementing his place in history as the King of the [[OneSceneWonder One Scene Wonders]].
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repositioning the Ending crowning moment at the end of the page.
Deleted line(s) 16 (click to see context) :
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
Changed line(s) 24 (click to see context) from:
to:
** Jules, expressing his HeelFaceTurn as he [[spoiler:lets Ringo and Yolanda go: "But I'm trying Ringo, I'm trying ''real hard'' to be the Shepherd."]]
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
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diffuse => defuse
Changed line(s) 20 (click to see context) from:
* Despite the movie portraying Vincent as dangerously careless and absent minded he manages to sneak out of the bathroom and into the standoff between Jules and Yolanda. Had it not been for his partner wanting to diffuse the situation nonviolently and drawing attention to him, he could have easily shot and killed her before she had time to react due to the fact that she was focused on Ringo and Jules.
to:
* Despite the movie portraying Vincent as dangerously careless and absent minded he manages to sneak out of the bathroom and into the standoff between Jules and Yolanda. Had it not been for his partner wanting to diffuse defuse the situation nonviolently and drawing attention to him, he could have easily shot and killed her before she had time to react due to the fact that she was focused on Ringo and Jules.
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Changed line(s) 3 (click to see context) from:
* "English motherfucker, do you speak it?"
to:
* Most of Jules' dialogue to Brett in the opening scene, and not just for the fact that [[MemeticMutation nearly every line of it has since become a well-known quote]].
** "'What' ain't no country I ever heard of! They speak English in What?"
** "English motherfucker, do you speak it?"
** "'What' ain't no country I ever heard of! They speak English in What?"
** "English motherfucker, do you speak it?"
Changed line(s) 6 (click to see context) from:
** "I DON'T REMEMBER ASKIN' YOU A GOD. DAMN. THING."
to:
** "I DON'T REMEMBER ASKIN' YOU A GOD. DAMN. GOD DAMN THING."
Changed line(s) 9,10 (click to see context) from:
* Butch saving Marcellus with a katana[[note]]we repeat: Bruce Willis ''armed with a '''katana'''''[[/note]] and holding Zed at sword point, taunting him to pick up the gun. And then Marsellus tells Butch to step aside, just before ''[[GroinAttack blowing Zed's balls off]]''. And then..
-->'''Marcellus''': (to Zed) I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
-->'''Marcellus''': (to Zed) I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
to:
* Butch saving Marcellus with a katana[[note]]we repeat: Bruce Willis ''armed with a '''katana'''''[[/note]] katana and holding Zed at sword point, taunting him to pick up the gun. And then Marsellus tells Butch to step aside, just before ''[[GroinAttack blowing Zed's balls off]]''. And then..
off]]''.
-->'''Marcellus''':(to Zed) ''(to Zed)'' I'm gonna call a couple of hard, pipe-hitting niggas to go to work on the holmes here with a pair of pliers and a blowtorch. You hear me talking, hillbilly boy!? I ain't through with you by a damn sight! I'm gonna get medieval on your ass!
-->'''Marcellus''':
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Changed line(s) 13,14 (click to see context) from:
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!"--cue "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring without warning.
** The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
** The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
to:
* The opening. "Any of you fucking pricks move, and I'll execute every motherfucking last one of you!!"--cue an immediate cut to "[[SugarWiki/AwesomeMusic Misirlou]]" by Music/DickDale [[note]] available on ''Music/SurfersChoice'' [[/note]] blaring without warning.
**blaring: the perfect music to get across the message "strap yourself in, it's gonna be one hell of a ride."
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]
**
* The ending: Jules and Vincent [[spoiler:calmly walk out of the restaurant, like cowboy heroes with knowing swagger exiting a saloon after the big showdown.]]